Film Data For 1968

Film Daily's Ten Best of 1968
1) The Lion in Winter
2) Rosemary's Baby
3) Rachel, Rachel
4) 2001: A Space Odyssey
5) The Odd Couple
6) Romeo & Juliet
7) Oliver!
8) The Subject was Roses
9) Funny Girl
10) Bullitt

The Honor Role
11) In Cold Blood (placed #30 on the 1967 poll)
12) Yellow Submarine
13) The Shoes of the Fisherman
14) The Planet of the Apes
15) Charley
16) Faces
17) The Two of Us
18) Petulia
19) The Boston Strangler
20) Belle de Jour
21) The Fox
22) Will Penny
23) Yours, Mine and Ours
24) War and Peace
25) Star!
26) Finian's Rainbow
27) Hot Millions
28) The Fixer
29) The Thomas Crown Affair
30) For Love of Ivy
31) Pretty Poison

Best Performances by Male Stars
1) Peter O'Toole in The Lion in Winter
2) Walter Matthau in The Odd Couple
3) Steve McQueen in Bullitt
4) Cliff Robertson in Charley
5) Alan Arkin in The Heart is a Lonely Hunter

Best Performances by Female Stars
1) Joanne Woodward in Rachel, Rachel
2) Katharine Hepburn in The Lion in Winter
3) Mia Farrow in Rosemary's Baby
4) Barbra Streisand in Funny Girl
5) Patricia Neal in The Subject was Roses

Best Performances by Supporting Actors
1) Sidney Blackmer in Rosemary's Baby
2) Daniel Massey in Star!
3) Seymour Cassel in Faces
4) Chuck McCann in The Heart is a Lonely Hunter
5) Jack Albertson in The Subject was Roses

Best Performances by Supporting Actresses
1) Ruth Gordon in Rosemary's Baby
2) Estelle Parsons in Rachel, Rachel
3) Billie Whitelaw in Charlie Bubbles
4) Maggie Smith in Hot Millions
5) Pat Heywood in Romeo & Juliet

Best Performances by Juvenile Actors
1) Alain Cohen in The Two of Us
2) Leonard Whiting in Romeo & Juliet
3) Jack Wild in Oliver!
4) Mark Lester in Oliver!
5) Beau Bridges in For Love of Ivy

Bets Performances by Juvenile Actresses
1) Olivia Hussey in Romeo & Juliet
2) Sondra Locke in The Heart is a Lonely Hunter
3) Debbie Smith in The One and Only Genuine, Original Family Band
4) Heather Ripley in Chitty Chitty Bang Bang
5) Nell Potts in Rachel, Rachel
    Pamela Ferdin in The One and Only Genuine, Original Family Band
    Janet Landgard in The Swimmer

Finds of the Year
1) Sondra Locke in The Heart is a Lonely Hunter
2) Anne Heywood in The Fox
3) Mia Farrow in Rosemary's Baby
4) Olivia Hussey in Romeo & Juliet
5) Barbra Streisand in Funny Girl

The Year's Outstanding Directors
1) Paul Newman for Rachel, Rachel
2) Anthony Harvey for The Lion in Winter
3) Stanley Kubrick for 2001: A Space Odyssey
4) Franco Zeffirelli for Romeo & Juliet
5) Carol Reed for Oliver!

Best Screenplays of the Year
1) James Goldman for The Lion in Winter
2) Stewart Stern for Rachel, Rachel
3) Neil Simon for The Odd Couple
4) Roman Polanski for Rosemary's Baby
5) Stanley Kubrick and Arthur C. Clarke for 2001: A Space Odyssey

Best Photographed Pictures
1) Geoffrey Unsworth for 2001: A Space Odyssey
2) William A. Frakes for Bullitt
3) Pasquale de Santis for Romeo & Juliet
4) Oswald Morris for Oliver!

5) Douglas Slocombe for The Lion in Winter

Best Original Songs

1) "The Windmills of Your Mind" from The Thomas Crown Affair- Lyrics by Marilyn and Alan Bergman; Music by Michel Legrand

2) "Chitty Chitty Bang Bang"- Music and Lyrics by Richard M. Sherman and Robert B. Sherman

3) "Star!"- Lyrics and Music by Sammy Cahn and Jimmy Van Heusen

4) "For Love of Ivy"- Lyrics by Bob Russell; Music by Quincy Jones

5) "The Lonely Rider" from Will Penny- Lyrics by Robert Wells; Music by David Raskin

Best Musical Scores

1) John Green for Oliver!

2) Walter Scharf, Jules Styne and Bob Merrill for Funny Girl

3) The Beatles for Yellow Submarine

4) Burton Lane, E.Y. Harburg and Fred Saidy for Finian's Rainbow

5) Orchestrations and compositions selected by Stanley Kubrick for 2001: A Space Odyssey

New York Film Critics Awards (Winners announced on December 30, 1968. Awards presented on January 26, 1969 at the Rainbow Room in New York. Sources: Tom O'Neil's Movie Awards, 2001 and Donald Lyons, "The Lights of New York," Film Comment, March-April, 1993).

Best Picture:

The Lion in Winter (13 votes on ballot VI)

Runner Up: Faces (11 votes)

Best Director:

Paul Newman for Rachel, Rachel (11 votes on ballot VI)

Runner Up: John Cassavetes for Faces (9 votes)

Best Actor:

Alan Arkin in The Heart is a Lonely Hunter

Runner Up: George C. Scott for Petulia

Best Actress:

Joanne Woodward in Rachel, Rachel (18 votes)

Runner Up: Tuesday Weld in Pretty Poison (5 votes)

Best Screenplay:

Lorenzo Semple, Jr., Pretty Poison

Best Foreign Film:

War and Peace (U.S.S.R.)

Special Award:

Yellow Submarine (for full-length animation)

National Board of Review (Winners were announced on January 5, 1969. Source: Tom O'Neil's Movie Awards, 2001)

Best Picture

The Shoes of the Fisherman

Rest of the top ten (in order of preference)

Romeo and Juliet

Yellow Submarine

Charly

Rachel, Rachel

The Subject was Roses

The Lion in Winter

Planet of the Apes

Olivier!

2001: A Space Odyssey

Best Director

Franco Zeffirelli, Romeo and Juliet

Best Actor

Cliff Robertson, Charly

Best Actress

Liv Ullmann, Hour of the Wolf, Shame

Best Supporting Actor

Leo McKern, The Shoes of the Fisherman

Best Supporting Actress

Virginia Maskell, Interlude

Best Foreign Film

War and Peace (U.S.S.R.)

Runners-up (in order of preference)

The Bride Wore Black (France/Italy)

Hagbard and Signo (Denmark/Iceland/Sweden)

Hunger (Denmark/Norway/Sweden)

The Two of Us (France)

National Society of Film Critics (Winners announced on January 6, 1969, at the Algonquin Hotel in New York. Source: Tom O'Neil's Movie Awards, 2001).

Best Picture

Shame

Best Director

Ingmar Bergman, Shame, Hour of the Wolf

Best Actor

Per Oscarsson, Hunger

Best Actress

Liv Ullmann, Shame

Best Supporting Actor

Seymour Cassel, Faces

Best Supporting Actress

Billie Whitelaw, Charlie Bubbles

Best Screenplay

John Cassavetes, Faces

Best Cinematography

William A. Fraker, Bullitt

Special Awards

(Feature-Length Documentary)

Eugene S. Jones, A Face of War and 

Allan King, Warrendale (tie)

(Feature-Length Animation)

Yellow Submarine

The Golden Globes (Awards were presented on February 24, 1969, at the Cocoanut Grove in the Ambassador Hotel in Los Angeles. Source: Tom O’Neil’s Movie Awards). Winners listed in bold print.

Best Drama Picture

Charly

The Fixer

The Heart is a Lonely Hunter

The Lion in Winter

The Shoes of the Fisherman

Best Comedy or Musical Picture

Finian's Rainbow

Funny Girl

The Odd Couple

Oliver!

Yours, Mine and Ours

Best Director

Anthony Harvey, The Lion in Winter

Paul Newman, Rachel, Rachel

Carol Reed, Oliver!

William Wyler, Funny Girl

Franco Zeffirelli, Romeo and Juliet

Best Actor, Drama

Alan Arkin, The Heart is a Lonely Hunter

Alan Bates, The Fixer

Tony Curtis, The Boston Strangler

Peter O'Toole, The Lion in Winter

Cliff Robertson, Charly

Best Actress, Drama

Mia Farrow, Rosemary's Baby

Katharine Hepburn, The Lion in Winter

Vanessa Redgrave, Isadora

Beryl Reid, The Killing of Sister George

Joanne Woodward, Rachel, Rachel

Best Actor, Comedy or Musical

Fred Astaire, Finian's Rainbow

Jack Lemmon, The Odd Couple

Walter Matthau, The Odd Couple

Ron Moody, Oliver!

Zero Mostel, The Producers

Best Actress, Comedy or Musical

Julie Andrews in Star!

Lucille Ball, Yours, Mine and Ours

Petula Clark, Finian's Rainbow

Gina Lollobrigida, Buona Sera, Mrs. Campbell

Barbara Streisand, Funny Girl

Best Supporting Actor

Beau Bridges, For Love of Ivy

Ossie Davis, The Scalphunters

Hugh Griffith, The Fixer

Hugh Griffith, Oliver!

Daniel Massey, Star!

Martin Sheen, The Subject was Roses

Best Supporting Actress

Ruth Gordon, Rosemary's Baby

Barbara Hancock, Finian's Rainbow

Abbey Lincoln, For Love of Ivy

Sondra Locke, The Heart Is a Lonely Hunter

Jane Merrow, The Lion in Winter

Best Original Song

"Buona Sera, Mrs. Campbell," from Buona Sera, Mrs. Campbell. Music by Riz Ortolani. Lyrics by Melvin Frank.

"Chitty, Chitty, Bang Bang" from Chitty, Chitty, Bang Bang. Music and Lyrics by Richard M. and Robert B. Sherman.

"Funny Girl" from Funny Girl. Music by Jule Styne. Lyrics by Bob Merrill.

"Star!" from Star!. Music by Jimmy Van Heusen. Lyrics by Sammy Cahn.

"The Windmills of Your Mind" from The Thomas Crown Affair. Music by Michel Legrand. Lyrics by Alan and Marilyn Bergman.

Best Original Score

Alex North for The Shoes of the Fisherman

Best Screenplay

Mel Brooks, The Producers

James Goldman, The Lion in Winter

Roman Polanski, Rosemary's Baby

Stirling Silliphant, Charly

Dalton Trumbo, The Fixer

Most Promising Newcomer- Male

Alan Alda, Paper Lion

Daniel Massey, Star!

Michael Sarrazin, The Sweet Ride

Leonard Whiting, Romeo and Juliet

Jack Wild, Oliver!

Most Promising Newcomer- Female

Ewa Aulin, Candy

Jacqueline Bisset, The Sweet Ride

Barbara Hancock, Finian's Rainbow

Olivia Hussey, Romeo and Juliet

Sondra Locke, The Heart is a Lonely Hunter

Leigh Taylor-Young, I Love You, Alice B. Toklas

Best Foreign-Language Foreign Film 

The Bride Wore Black (France)

I Even Met Happy Gypsies (Yugoslavia)

Shame (Sweden)

Stolen Kisses (France)

War and Peace (Russia)

Best English-Language Foreign Film

Benjamin

Buona Sera, Mrs. Campbell

Joanna

Poor Cow

Romeo and Juliet

World Film Favorites

Sophia Loren

Sidney Poitier

Cecil B. DeMille Award

Gregory Peck

The Academy Awards (Nominations announced on February 24, 1969. Awards presented on April 14th at the Dorothy Chandler Pavilion in Los Angeles. The ceremony was telecast by ABC. Sources Tom O'Neil's Movie Awards and Mason Wiley and Damien Bona's Inside Oscar)

Best Picture

Funny Girl, Rastar, Columbia. Produced by Ray Stark. 

The Lion in Winter, Haworth, Avco Embassy. Produced by Martin Poll. 

Oliver!, Romulus, Columbia. Produced by John Woolf.

Rachel, Rachel, Kayos, Warner Bros.-Seven Arts. Produced by Paul Newman.

Romeo and Juliet, B.H.E.-Verona-De Laurentiis, Paramount. Produced by Anthony Havelock-Allan and John Brabourne.

Best Director

Anthony Harvey for The Lion in Winter (Haworth, Avco Embassy).

Stanley Kubrick for 2001: A Space Odyssey (Polaris, MGM).

Gillo Pontecorvo for The Battle of Algiers (Igor-Casbah, Allied Artists) (Italian).

Carol Reed for Oliver (Romulus, Columbia).

Franco Zeffirelli for Romeo and Juliet (B.H.E.-Verona-De Laurentiis, Paramount).

Best Actor

Alan Arkin in The Heart is a Lonely Hunter (Warner Bros.-Seven Arts).

Alan Bates in The Fixer (Frankenheimer-Lewis, MGM).

Ron Moody in Oliver (Romulus, Columbia).

Peter O'Toole in The Lion in Winter (Haworth, Avco Embassy).

Cliff Robertson in Charly (ABC-Selmur, Cinerama).

Best Actress (tie)

Katharine Hepburn in The Lion in Winter (Haworth, Avco Embassy).

Patricia Neal in The Subject was Roses (MGM). 

Vanessa Redgrave in Isadora (Hakim, Universal).

Barbara Streisand in Funny Girl (Rastar, Columbia).

Joanne Woodward in Rachel, Rachel (Kayos, Warner Bros.-Seven Arts).

Best Supporting Actor

Jack Albertson in The Subject was Roses (MGM). 

Seymour Cassel in Faces (Cassavetes, Reade-Continental).

Daniel Massey in Star! (Wise, 20th Century-Fox).

Jack Wild in Oliver! (Romulus, Columbia).

Gene Wilder in The Producers (Glazier, Avco Embassy). 

Best Supporting Actress

Lynn Carlin in Faces (Cassavetes, Reade-Continental).

Ruth Gordon in Rosemary's Baby (Castle, Paramount).

Sondra Locke in The Heart is a Lonely Hunter (Warner Bros.-Seven Arts).

Kay Medford in Funny Girl (Rastar, Columbia).

Estelle Parsons in Rachel, Rachel (Kayos, Warner Bros.-Seven Arts).

Best Adapted Screenplay 

The Lion in Winter, Haworth, Avco Embassy. James Goldman.

The Odd Couple, Koch, Paramount. Neil Simon.

Oliver!, Romulus, Columbia. Vernon Harris.

Rachel, Rachel, Kayos, Warner Bros.-Seven Arts. Stewart Stern.

Rosemary's Baby, Castle, Paramount. Roman Polanski.

Best Original Screenplay

The Battle of Algiers, Igor-Casbah, Allied Artists (Italian).

Faces, Cassavetes, Walter Reade-Continental. John Cassavetes.

Hot Millions, Albert, MGM. Ira Wallach and Peter Ustinov.

The Producers, Glazier, Avco Embassy. Mel Brooks.

2001: A Space Odyssey, Polaris, MGM. Stanley Kubrick and Arthur C. Clarke.

Best Cinematography 

Funny Girl, Rastar, Columbia. Harry Stradling.

Ice Station Zebra, Filmways, MGM. Daniel L. Fapp.

Oliver!, Romulus, Columbia. Oswald Morris.

Romeo and Juliet, B.H.E.-Verona-De Laurentiis, Paramount. Pasqualino De Santis.

Star!, Wise, 20th Century-Fox. Ernest Laszlo.

Best Song

"Chitty, Chitty, Bang Bang" (Chitty, Chitty, Bang Bang, Warfield, UA); Music and Lyrics by Richard M. and Robert B. Sherman.

"For Love of Ivy" (For Love of Ivy, ABC-Palomar, Cinerama); Music by Quincy Jones. Lyrics by Bob Russell.

"Funny Girl" (Funny Girl, Rastar, Columbia); Music by Jule Styne. Lyrics by Bob Merrill.

"Star!" (Star!, Wise, 20th Century-Fox); Music by Jimmy Van Heusen. Lyrics by Sammy Cahn.

"The Windmills of Your Mind" (The Thomas Crown Affair, Mirisch-Simkoe -Solar, UA); Music by Michel Legrand. Lyrics by Alan and Marilyn Bergman.

Best Original Score for a Motion Picture [Not a Musical]

The Fox, Stross, Claridge Pictures. Lalo Schifrin.

The Lion in Winter, Haworth, Avco Embassy. John Barry.

Planet of the Apes, Apjac, 20th Century-Fox. Jerry Goldsmith.

The Shoes of the Fisherman, Englund, MGM. Alex North.

The Thomas Crown Affair, Mirisch-Simkoe-Solar, UA. Michel Legrand.

Best Score of a Musical [Original or Adaptation]

Finian's Rainbow, Warner-Bros.-Seven Arts. Ray Heindorf.

Funny Girl, Rastar, Columbia. Walter Scharf.

Oliver!, Romulus, Columbia. John Green.

Star!, Wise, 20th Century-Fox. Lennie Hayton.

The Young Girls of Rochefort, Warner Bros.-Seven Arts (French). Michel Legrand and Jacques Demy.

Best Sound

Bullitt, Solar, Warner-Bros.-Seven Arts. Warner-Bros.-Seven Arts Studio Sound Dept.

Finian's Rainbow, Warner-Bros.-Seven Arts. Warner-Bros.-Seven Arts Studio Sound Dept.

Funny Girl, Rastar, Columbia. Columbia Studio Sound Dept. 

Oliver!, Romulus, Columbia. Shepperton Studio Sound Dept. 

Star!, Wise, 20th Century-Fox. 20th Century-Fox Studio Sound Dept. 

Film Editing

Bullitt, Solar, Warner-Bros.-Seven Arts. Frank P. Keller.

Funny Girl, Rastar, Columbia. Robert Swink, Maury Winetrobe and William Sands.

The Odd Couple, Koch, Paramount. Frank Bracht.

Oliver!, Romulus, Columbia. Ralph Kemplen.

Wild in the Streets, American International. Fred Feitshans and Eve Newman.

Best Foreign Language Film

The Boys of Paul Street (Hungary). 

The Fireman's Ball (Czechoslovakia).

The Girl with the Pistol (Italy).

Stolen Kisses (France).

War and Peace (Russia).

Best Art Direction-Set Direction 

Oliver!, Romulus, Columbia. John Box and Terence Marsh; Vernon Dixon and Ken Muggleston. 

The Shoes of the Fisherman, Englund, MGM. George W. Davis and Edward Carfagno.

Star!, Wise, 20th Century-Fox. Boris Leven; Walter M. Scott and Howard Bristol.

2001: A Space Odyssey, Polaris, MGM. Tony Masters, Harry Lange and Ernie Archer.

War and Peace,  Mosfilm, Reade-Continental (Russian). Mikhail Bogdanov and Gennady Myasnikov; G. Koshelev and V. Uvarov.

Best Costume Design 

The Lion in Winter, Haworth, Avco Embassy. Margaret Furse. 

Oliver!, Romulus, Columbia. Phyllis Dalton.

Planet of the Apes, Apjac, 20th Century-Fox. Morton Haack.

Romeo and Juliet, B.H.E.-Verona-De Laurentiis, Paramount. Danilo Donati.

Star!, Wise, 20th Century-Fox. Donald Brooks.

Special Visual Effects

Ice Station Zebra, Filmways, MGM. Hal Millar and J. McMillan Johnson.

2001: A Space Odyssey, Polaris, MGM. Stanley Kubrick. 

Best Short Subject Cartoon

The House That Jack Built, National Film Board of Canada, Columbia. Wolf Koenig and Jim Mackay, producers. 

The Magic Pear Tree, Bing Crosby Prods. Jimmy Murakami, producer.

Windy Day, Hubley Studios, Paramount. John and Faith Hubley, producers. 

Winnie the Pooh and the Blustery Day, Disney, Buena Vista. Walt Disney, producer.

Best Live Action Short Subject

The Dove, Coe-Davis, Schoenfeld Films. George Coe, Sidney Davis and Anthony Lover, producers. 

Duo, National Film Board of Canada, Columbia.

Prelude, Prelude Company, Excelsior Dist. John Aston, producer.

Robert Kennedy Remembered, Guggenheim Prods., National General. Charles Guggenheim, producer.

Best Documentary Short Subject

The House that Amanda Built, Films Division, Government of India. Fali Bilimoria, producer.

The Revolting Door, Vision Associates for American Foundation Institute of Corrections. Lee R. Bobker, producer.

A Space to Grow, Office of Economic Opportunity for Project Upward Bound. Thomas P. Kelly, Jr. producer.

A Way out of the Wilderness, John Sutherland Prods. Dan E. Weisburd, producer.

Why Man Creates, Saul Bass & Associates. Saul Bass, producer.

Best Documentary Feature

A Few Notes on Our Food Problem, U.S. Information Agency. James Blue, producer.

Journey into Self, Western Behavioral Sciences Institute, Bill McGaw, producer.

The Legendary Champions, Turn of the Century Fights. William Cayton, producer.

Other Voices, DHS Films. David H. Sawyer, producer.

Young Americans, The Young Americans Prod. Robert Cohn and Alex Grasshoff, producers. 

Irving G. Thalberg Memorial Award

Not given this year.

Jean Hersholt Humanitarian Award

Martha Raye.

Honorary Awards

John Chambers for his outstanding makeup achievement for Planet of the Apes (statuette).

Onna White for her outstanding choreography achievement for Oliver!

Scientific or Technical Awards

Class I (Statuette)

Philip V. Palmquist of Minnesota and Manufacturing Co., to Dr. Herbert Meyer of the Motion Picture and Television Research Center, and to Charles D. Staffell of the Rank Organization for the development of a successful embodiment of the reflex background projection system for composite cinematography.

Eastman Kodak Company for the development and introduction of a color reversal intermediate film for motion pictures. 

Class II (Plaque)

Donald W. Norwood for the design and development of the Norwood Photographic Exposure Meters. 

Eastman Kodak Company and Producers Service Company for the development of a new high-speed step-optical reduction printer.

Edmund M. DiGiulio, Niels G. Petersen and Norman S. Hughes of the Cinema Product Development Company for the design and application of a conversion which makes available the reflex viewing system for motion picture camera.

Optical Coating Laboratores, Inc., for the development of an improved anti-reflection coating for photographic and projection lens systems.

Eastman Kodak Company for the introduction of a new high speed motion picture color negative film. 

Panavision Incorporated for the conception, design and introduction of a 65mm hand-held motion picture camera. 

Todd-AO Company and the Mitchell Camera Company for the design and engineering of the Todd-AO hand-held motion picture camera. 

Class III (Citation)

Carl W. Hauge and Edward H. Reichard of Consolidated Film Industries and E. Michael Meahl and Roy J. Ridenour of Ramtronics for engineering an automatic exposure control for printing-machine lamps. 

Eastman Kodak Company for a new direct positive film, and to Consolidated Film Industries for the application of this film to the making of post-production work prints. 

The 1968 British Academy Awards 

Best Film 

Closely Watched Trains (1966)- Jiri Menzel

The Graduate (1967)- Mike Nichols

Oliver!- Carol Reed

2001: A Space Odyssey- Stanley Kubrick

Best Direction

Lindsay Anderson- if. . .

Mike Nichols- The Gradute (1967)

Carol Reed- Oliver!

Franco Zeffirelli- Romeo and Juliet

Best Actor in a Leading Role
Trevor Howard in The Charge of the Light Brigade

Ron Moody in Oliver!

Spencer Tracy in Guess Who's Coming to Dinner (1967)

Nicol Williamson in The Bofors Gun

Best Actress in a Leading Role
Anne Bancroft in The Graduate

Catherine Deneuve in Belle de Jour (1967)

Katharine Hepburn in Guess Who's Coming to Dinner (1967) and The Lion in Winter

Joanne Woodward in Rachel, Rachel

Best Actor in a Supporting Role

Ian Hom in The Bofors Gun

Anthony Hopkins in The Lion in Winter

John McEnery in Romeo and Juliet

George Segal in No Way to Treat a Lady

Best Actress in a Supporting Role

Pat Heywood in Romeo and Juliet

Virginia Maskell in Interlude

Simone Signoret in Games

Billie Whitelaw in Charlie Bubbles and Twisted Nerve

Most Promising Newcomer to Leading Film Roles

Pia Degermark in Elvira Madigan

Dustin Hoffman in The Graduate (1967)

Katharine Ross in The Graduate (1967)

Jack Wild in Oliver!

Best Screenplay 
Calder Willingham and Buck Henry for The Graduate (1967)

William Rose for Guess Who's Coming to Dinner

David Sherwin for if. . .

James Goldman for The Lion in Winter

Best Cinematography 
David Watkin for The Charge of the Light Brigade

Jorgen Persson for Elvira Madigan

Douglas Slocombe for The Lion in Winter

Geoffrey Unsworth for 2001: A Space Odyssey

Best Editing

Kevin Brownlow for The Charge of the Light Brigade

Sam O'Steen for The Graduate (1967)

Ralph Kemplen for Oliver!

Reginald Mills for Romeo and Juliet

Best Costume Design 

David Walker for The Charge of the Light Brigade

Margaret Furse for The Lion in Winter

Phyllis Dalton for Oliver!

Danilo Donati for Romeo and Juliet

Best Original Music

John Addison for The Charge of the Light Brigade

John Barry for The Lion in Winter

Francis Lai for Live for Life (1967)

Nino Rota for Romeo and Juliet

Best Production Design

Ted Marshall for The Charge of the Light Brigade

John Box for Oliver!

Lorenzo Mongiardino for Romeo and Juliet

Anthony Masters, Harry Lange and Ernest Archer for 2001: A Space Odyssey

Best Sound

Simon Kaye for The Charge of the Light Brigade

Jiri Pavlik for Closely Watched Trains (1966)

Chris Greenham and Simon Kaye for The Lion in Winter

John Cox and Bob Jones for Oliver!

Winston Ryder for 2001: A Space Odyssey

Robert Flaherty Award for Best Feature-Length Documentary

In Need of Special Care- Jonathan Stedal

Inside North Vietnam- Felix Green

Music!- Michael Tuchner

A Plague on Your Children- Adrian Malone

Best Specialised Film

Carbon- Peter De Normanville

Genetics and Plant Breeding- David Morphet

The Kurer Anchor System- Eric Horrison

The Threat in the Water- Richard Bigham

Best Short Animation

The Hand- Jiri Trnka

The House That Jack Built- Ron Tunis

Pas de deux- Norman McLaren

The Question- John Halas

United Nations Award

Guess Who's Coming to Dinner (1967)- Stanley Kramer

In Need of Special Care- Jonathan Stedall

The Lion in Winter- Anthony Harvey

2001: A Space Odyssey- Stanley Kubrick

Cannes Film Festival (Source: Film Facts, 1980, edited by Cobbett Steinberg)

Festival Closed.

Berlin Film Festival (Source: Film Facts, 1980, edited by Cobbett Steinberg)

Golden Bear for Best Film:

Ole Dole Doff (Jan Troell, Sweden) 

Best Film: Second Prize:

Innocence Unprotected (Dustan Makavejev, Yugoslavia)

Come l'Amore (Mizui, Italy)

Silver Bear for Best Director:

Carlos Saura, Peppermint Frappe

Silver Bear for Best Actor:

Jean-Louis Trintignant, L'Homme Qui Ment

Silver Bear for Best Actress:

Stephanie Audran, Les Biches

Venice Film Festival (Source: Film Facts, 1980, edited by Cobbett Steinberg)

Best Film:

Die Artisten in der Zirkuskuppel (Alexander Kluge, Germany)

Best Actor:

John Morely, Faces (USA)

Best Actress:

Laura Betti, Teorema (Italy)

Special Jury Prizes:

Le Socrate (Lapoujade, France)

Nostra Signora dei Turchi (Bene, Italy)

Director's Guild of America Awards (Source: Tom O'Neil's Movie Awards, 2001. Awards were presented on February 22, 1969, at the Beverly Hilton Hotel in Los Angeles and the Waldorf-Astoria in New York). Winner listed in bold print. Finalists mentioned in parenthesis. 

Best Director

Paul Almond, Isabel

Anthony Harvey, The Lion in Winter

Stanley Kubrick, 2001: A Space Odyssey (finalist)

Jiri Menzel, Closely Watched Trains (1966)

Paul Newman, Rachel, Rachel (finalist)

Roman Polanski, Rosemary's Baby

Carol Reed, Oliver! (finalist)

Gene Saks, The Odd Couple

William Wyler, Funny Girl (finalist)

Franco Zeffirelli, Romeo and Juliet

Writers Guild of America Awards (Source: Tom O'Neil's Movie Awards, 2001. Awards were presented on March 23, 1969, at the Beverly Hilton Hotel in Los Angeles). Winners listed in bold. 

Best Written Drama

The Heart is a Lonely Hunter, Thomas C. Ryan, based on the novel by Carson McCullers

The Lion in Winter, James Goldman

Petulia, Lawrence B. Marcus, based on the Barbara Turner adaptation of the novel Me and the Arch Kook Petulia by John Haase

Rachel, Rachel, Stewart Stern, based on the novel A Jest of God by Margaret Laurence

Rosemary's Baby, Roman Polanski, based on the novel by Ira Levin

Best Written Comedy

Hot Millions, Ira Wallach, Peter Ustinov

I Love You, Alice B. Toklas, Paul Mazursky, Larry Tucker

The Odd Couple, Neil Simon

The Producers, Mel Brooks

Yours, Mine and Ours, Melville Shavelson, Mort Lachman, story by Madelyn Davis aand Bob Carroll, Jr.

Best Written Musical

Finian's Rainbow, E.Y. Harburg, Fred Saidy

Funny Girl, Isobel Lennart

Star!, William Fairchild

Laurel Award

Carl Foreman

Valentine Davies Award

Dore Schary

The New York Times Ten Best List (Listed in chronological order. Source: Film Facts, 1980, edited by Cobbett Steinberg)

Charlie Bubbles

The Two of Us

Belle de Jour

Faces

Les Carabiniers

The Bride Wore Black

The Fifth Horseman Is Fear

Petulia

Rosemary's Baby

A Report on the Party and the Guests

The Top Box-Office Hits of 1968 (According to Variety- lists U.S. and Canadian rental fees up to the end of the calendar year. Late 1967 releases that primarily earned revenue in 1968 are included. Source: Variety, January 8, 1969)

1) The Graduate (1967)- $39,000,000

2) Guess Who's Coming to Dinner (1967)- $25,100,000

3) Gone With the Wind (1939- reissue)- $23,000,000

4) The Valley of the Dolls (1967)- $20,000,000

5) The Odd Couple- $18,500,000

6) Planet of the Apes- $15,000,000

7) Rosemary's Baby- $12,300,000

8) The Jungle Book (1967)- $11,500,000

9) Yours, Mine and Ours- $11,000,000

10) The Green Berets- $8,700,000

11) 2001: A Space Odyssey- $8,500,000

12) The Fox (1967)- $8,300,000

13) Wait Until Dark (1967)- $7,350,000

14) Camelot (1967)- $6,600,000

15) The Detective- $6,500,000

16) The Thomas Crown Affair- $6,000,000

17) In Cold Blood (1967)- $5,600,00

18) Bandolero- $5,500,000

19) Hang 'Em High- $5,000,000

      The Happiest Millionaire (1967)- $5,000,000

21) The Ambushers (1967)- $4,700,000

22) Blackbeard's Ghost- $4,550,000

23) The Good, the Bad and the Ugly (1966)- $4,500,000

      Prudence and the Pill- $4,500,000

25) The Devil's Brigade- $4,200,000

26)  Wild in the Streets- $4,000,000

27) Funny Girl- $3,700,000 (placed #2 on the 1969 list, with $16,500,000 in rentals)

28) Never a Dull Moment- $3,600,000

      With Six You Get Eggroll- $3,600,000

30) Doctor Dolittle (1967)- $3,500,000

      The Secret War of Harry Frigg- $3,500,000

      Where Were You When the Lights Went Out?- $3,500,000

      Five Card Stud- $3,500,000

      Far From the Madding Crowd (1967)- $3,500,000

35) Point Blank (1967)- $3,200,000

36) No Way to Treat a Lady- $3,100,000

37) Rachel, Rachel- $3,000,000

      The Secret Life of an American Wife- $3,000,000

      Speedway- $3,000,000

40) The Party- $2,900,000

41) The Comedians (1967)- $2,800,000

      The Scalphunters- $2,800,000

43) Waterhole No. 3 (1967)- $2,700,000

      How Sweet it Is- $2,700,000

45) Barbarella- $2,500,000

      How to Save a Marriage- $2,500,000

47) The President Analyst (1967)- $2,450,000

48) Private Navy of Sgt, O'Farrell- $2,400,000

49) The One and Only Genuine Original Family Band- $2,250,000

50) Elvira Madigan (1967)- $2,100,000

      Fitzwilly (1967)- $2,100,000

52) Dark of the Sun- $2,000,000

53) Will Penny- $1,800,000

54) Helga- $1,750,000

55) The Producers (1967)- $1,681,000

56) The Shakiest Gun in the West- $1,650,000

57) Petulia- $1,600,000

      Interlude- $1,600,000

59) Billion Dollar Brain (1967)- $1,500,000

      Closely-Watched Trains (1966)- $1,500,000

      The Mini-Skirt Mob- $1,500,000

      The Savage Seven- $1,500,000

      Stranger in Town- $1,500,000

      The Conqueror Worm- $1,500,000

      Stay Away, Joe- $1,500,000

      Bedazzled (1967)- $1,500,000

      The Sweet Ride- $1,500,000

68) Poor Cow (1967)- $1,400,000

      Where Angels Go, Trouble Follows- $1,400,000

      Anzlo- $1,400,000

71) Penthouse- $1,350,000

72) Star!- $1,300,000

73) Angels From Hell- $1,250,000

74) Villa Rides!- $1,200,000

75) Carmen Baby (1967)- $1,174,000

76) If He Hollers, Let Him Go- $1,150,000

77) Madigan- $1,100,000

78) Firecreek- $1,100,000

      Sweet November- $1,100,000

      Paper Lion- $1,100,000

      The Heart is a Lonely Hunter- $1,100,000

      I Love You, Alice B. Toklas- $1,100,000

      Don't Raise the Bridge, Lower the River- $1,100,000

      Shakalo- $1,100,000

      Berserk (1967)- $1,100,000

86) P.J.- $1,000,000

      King Kong Escapes- $1,000,000

      Sergeant Ryker-  $1,000,000

      Maryjane- $1,000,000

The Top Ten Box-Office Stars of 1968 (according to Quigley Publishing's poll of film exhibitors)
1) Sidney Poitier

2) Paul Newman

3) Julie Andrews

4) John Wayne

5) Clint Eastwood

6) Dean Martin

7) Steve McQueen

8) Jack Lemmon

9) Lee Marvin

10) Elizabeth Taylor

The Next Fifteen:

11) Faye Dunaway

12) Elvia Presley

13) Frank Sinatra

14) Doris Day

15) Richard Burton

16) Sean Connery

17) Jane Fonda

18) Katharine Hepburn

19) Warren Beatty

20) Audrey Hepburn

21) Raquel Welch

22) Joanne Woodward

23) Julie Christie

24) Mia Farrow

25) Walter Matthau

1968's Top Ten "Stars of Tomorrow" (according to Quigley Publishing's poll of film exhibitors)
1) Dustin Hoffman

2) Katharine Ross

3) Katharine Houghton

4) Estelle Parsons

5) Judy Geeson

6) Robert Drivas

7) Robert Blake

8) Jim Brown

9) Gayle Hunnicut

10) Carol White

Harvard Lampoon's Movie Worst Awards (Source: Film Facts, 1980, edited by Cobbett Steinberg)

Ten Worst Movies:

The Lion in Winter

Ice Station Zebra

Rosemary's Baby

Star!

The Boston Strangler

Candy

Barbarella

You Are What You Eat

The Seagull

Boom

The Kirk Douglas Award to Worst Actor:

Sidney Poitier, For Love of Ivy

Natalie Wood Award to Worst Actress:

Barbara Streisand in Funny Girl

Worst Supporting Actor:

Rod Steiger, No Way to Treat a Lady

Worst Supporting Actress:

Ewa Aulin, Candy

The Roscoe Award:

(to that performer who displays a certain unskilled, clumsy quality)

Tony Curtis, The Boston Strangler

Film Data For 1967

Film Daily's "Ten Best" of 1967:

1) In the Heat of the Night
2) Bonnie and Clyde
3) Cool Hand Luke
4) To Sir, With Love
5) The Dirty Dozen
6) The Graduate
7) Up the Down Staircase
8) Ulysses
9) The Family Way
10) Thoroughly Modern Millie
      Wait Until Dark (tie)

The Honor Roll:
12) Barefoot in the Park
13) Camelot
14) Doctor Dolittle
15) Far From the Madding Crowd
16) Two for the Road
17) The Flim-Flam Man
18) The Comedians
19) How to Succeed in Business Without Really Trying
20) Hombre
21) Elvira Madigan
22) Hotel
23) Point Blank
24) The President's Analyst
25) A Guide for the Married Man
26) The War Wagon
28) Rosie
29) Reflections in a Golden Eye
30) Guess Who's Coming to Dinner?
31) In Cold Blood
32) The Battle of Algiers
33) The Taming of the Shrew
34) Our Mother's House

The Film Daily- "Filmdom's Famous Fives" No vote count is given for the following categories, but I believe The Film Daily lists them in the order of preference:

Best Performances by Male Stars:
1) Rod Steiger in In the Heat of the Night
2) Paul Newman in Cool Hand Luke
3) Sidney Poitier in To Sir, With Love
4) Sidney Poitier in In the Heat of the Night
5) Warren Beatty in Bonnie and Clyde

Best Performances by Female Stars:
1) Faye Dunaway in Bonnie and Clyde
2) Audrey Hepburn in Wait Until Dark
3) Sandy Dennis in Up the Down Staircase
4) Julie Andrews in Thoroughly Modern Millie
5) Julie Christie in Far From the Madding Crowd
    Anne Bancroft in The Graduate (tie)

Best Performances by Supporting Actors:
1) Michael J. Pollard in Bonnie and Clyde
2) George Kennedy in Cool Hand Luke
3) Gene Hackman in Bonnie and Clyde
4) John Mills in The Family Way
5) Charles Bronson in The Dirty Dozen

Best Performances by Supporting Actresses
1) Estelle Parsons in Bonnie and Clyde
2) Jo Van Fleet in Cool Hand Luke
3) Julie Harris in Reflections in a Golden Eye
4) Mildred Natwick in Barefoot in the Park
5) Carol Channing in Thoroughly Modern Millie

Finds of the Year
1) Dustin Hoffman in The Graduate
2) Faye Dunaway in Bonnie and Clyde
3) Michael Sarrazin in The Flim-Flam Man
4) Michael J. Pollard in Bonnie and Clyde
5) Katharine Houghton in Guess Who's Coming to Dinner?

Juvenile Actors
1) Michael Sarrazin in The Flim-Flam Man
2) Christian Roberts in To Sir, With Love
3) Hywel Bennett in The Family Way
4) Jeff Howard in Up the Down Staircase
5) Mark Lester in Our Mother's House
    William Dix in Doctor Dolittle

Juvenile Actresses
1) Judy Geeson in To Sir, With Love
2) Julie Herrod in Wait Until Dark
3) Pamela Franklin in Our Mother's House
4) Ellen O'Mara in Up the Down Staircase
5) Suzy Kendall in To Sir, With Love

The Year's Outstanding Directors
1) Arthur Penn for Bonnie and Clyde
2) Mike Nichols for The Graduate
3) Norman Jewison for In the Heat of the Night
4) Robert Aldrich for The Dirty Dozen
5) Stuart Rosenburg for Cool Hand Luke

Best Photographed Pictures
1) Burnett Guffey for Bonnie and Clyde
2) Nicolas Roeg for Far From the Madding Crowd
3) Richard H. Kline for Camelot
4) Jorgen Persson for Elvira Madigan
5) Conrad Hall for Cool Hand Luke

Best Screenplay of the Year
1) David Newman and Robert Benton for Bonnie and Clyde
2) Stirling Silliphant for In the Heat of the Night
3) Donn Pearce and Frank R. Pierson for Cool Hand Luke
4) Leslie Bricusse for Doctor Dolittle
5) Joseph Strick and Fred Haines for Ulysses

Best Original Songs
1) "To Sir, With Love" from To Sir, With Love- Lyrics by Don Black; Music by Marc London
2) "Thoroughly Modern Millie" from Thoroughly Modern Millie- Lyrics and Music by Jimmy Van Heusen and Sammy Cahn
3) "Talk to the Animals" from Doctor Dolittle- Lyrics and Music by Leslie Bricusse
4) "In the Heat of the Night" from In the Heat of the Night- Lyrics by Marilyn and Alan Bergman; Music by Quincy Jones
5) "The Look of Love" from Casino Royale- Lyrics by Hal David; Music by Burt Bacharach

Best Musical Score
1) Alfred Newman and Ken Darby for Camelot
2) Elmer Bernstein for Thoroughly Modern Millie
3) Lionel Newman and Alexander Courage for Doctor Dolittle
4) Charles Strouse for Bonnie and Clyde
5) Nelson Riddle for How to Succeed in Business Without Really Trying

New York Film Critics Awards (Winners announced on December 28, 1967. Awards presented on January 28, 1968 at Sardi's restaurant in New York. Source: Tom O'Neil's Movie Awards, 2001)

Best Picture:

In the Heat of the Night

Best Director:

Mike Nichols for The Graduate

Best Actor:

Rod Steiger in In the Heat of the Night

Best Actress:

Dame Edith Evans in The Whisperers

Best Screenplay:

David Newman and Robert Benton for Bonnie and Clyde

Best Foreign Film:

La Guerre est Finie (France)

National Board of Review (Winners announced on December 31, 1967. Source: Tom O'Neil's Movie Awards, 2001)

Best Picture

Far from the Madding Crowd

Rest of the top ten (in order of preference)

The Whisperers

Ulysses

In Cold Blood

The Family Way

The Taming of the Shrew

Doctor Dolittle

The Graduate

The Comedians

Accident

Best Director

Richard Brooks for In Cold Blood

Best Actor

Peter Finch in Far from the Madding Crowd

Best Actress

Dame Edith Evans in The Whisperers

Best Supporting Actor

Paul Ford in The Comedians

Best Supporting Actress

Marjorie Rhodes in The Family Way

Best Foreign Film

Elvira Madigan (Sweden)

Runners-up (in order of preference)

The Hunt (Spain)

Africa Addio (Italy)

Persona (Sweden)

The Great British Train Robbery (Federal Republic of Germany)

National Society of Film Critics (Winners announced on January 3, 1968, at the Algonquin Hotel in New York. Source: Tom O'Neil's Movie Awards, 2001)

Best Picture

Persona

Best Director

Ingmar Bergman for Persona

Best Actor

Rod Steiger in In the Heat of the Night

Best Actress

Bibi Andersson in Persona

Best Supporting Actor

Gene Hackman, Bonnie and Clyde

Best Supporting Actress

Marjorie Rhodes, The Family Way

Best Screenplay

David Newman, Robert Benton, Bonnie and Clyde 

Best Cinematography 

Haskell Wexler, In the Heat of the Night 

The Golden Globes (Nominations announced on January 21, 1968. Awards presented on February 12th at the Cocoanut Grove in the Ambassador Hotel in Los Angeles. The ceremony was telecast by NBC. Source: Tom O’Neil’s Movie Awards) Winners listed in bold print.

Best Drama Picture

Bonnie and Clyde

Far from the Madding Crowd

Guess Who's Coming to Dinner

In Cold Blood

In the Heat of the Night

Best Comedy or Musical Picture

Camelot

Doctor Dolittle

The Graduate

The Taming of the Shrew

Thoroughly Modern Millie

Best Director

Norman Jewison for In the Heat of the Night

Stanley Kramer for Guess Who's Coming to Dinner

Mike Nichols for The Graduate

Arthur Penn for Bonnie and Clyde

Mark Rydell for The Fox

Best Actor, Drama

Alan Bates in Far from the Madding Crowd

Warren Beatty in Bonnie and Clyde

Paul Newman in Cool Hand Luke

Sidney Poitier in In the Heat of the Night

Rod Steiger in In the Heat of the Night

Spencer Treacy in Guess Who's Coming to Dinner

Best Actress, Drama

Faye Dunaway in Bonnie and Clyde

Dame Edith Evans in The Whisperers

Audrey Hepburn in Wait Until Dark

Katharine Hepburn in Guess Who's Coming to Dinner

Anne Heywood in The Fox

Best Actor, Comedy or Musical

Richard Burton in The Taming of the Shrew

Richard Harris in Camelot

Rex Harrison in Doctor Dolittle

Dustin Hoffman in The Graduate

Ugo Tognazzi in The Climax

Best Actress, Comedy or Musical

Julie Andrews in Thoroughly Modern Millie

Anne Bancroft in The Graduate

Audrey Hepburn in Two for the Road

Shirley MacLaine in Woman Times Seven

Vanessa Redgrave in Camelot

Best Supporting Actor

Richard Attenborough in Doctor Dolittle

John Cassavetes in The Dirty Dozen

George Kennedy in Cool Hand Luke

Michael J. Pollard in Bonnie and Clyde

Efrem Zimbalist, Jr., in Wait Until Dark

Best Supporting Actress

Carol Channing in Thoroughly Modern Millie

Quentin Dean in In the Heat of the Night

Lillian Gish in The Comedians

Lee Grant in In the Heat of the Night

Prunella Ransome in Far from the Madding Crowd

Beah Richards in Guess Who's Coming to Dinner

Best Original Song

"If Ever I Would Leave You" from Camelot. Music by Frederick Loewe. Lyrics by Alan Jay Lerner* 

"Talk to the Animals" from Doctor Dolittle. Music and Lyrics by Leslie Bricusse

"Circles in the Water (Des ronds dans l'eau)" from Live for Life (Vivre pour vivre). Music by Francis Lai. Lyrics by Norman Gimbel

"Please Don't Gamble with Love" from Ski Fever. Music and Lyrics by Guy Hemric and Jerry Styner

"Thoroughly Modern Millie" from Thoroughly Modern Millie. Music by Jimmy Van Heusen. Lyrics by Sammy Cahn

* Note: Not an original song- from the 1960 Broadway production. 

Best Original Score

Frederick Loewe for Camelot

Best Screenplay

Robert Benton and David Newman for Bonnie and Clyde

Lewis John Carlino and Howard Koch for The Fox

Buck Henry and Calder Willingham for The Graduate

William Rose for Guess Who's Coming to Dinner

Stirling Silliphant for In the Heat of the Night

Most Promising Newcomer- Male

Dustin Hoffman

Oded Kotler

Franco Nero

Michael J. Pollard

Tommy Steele 

Most Promising Newcomer- Female

Greta Baldwin

Pia Degermark

Faye Dunaway

Katharine Houghton

Katharine Ross

Sharon Tate

Best Foreign-Language Foreign Film 

The Climax (France/Italy)

Closely Watched Trains (Czechoslovakia)

Elvira Madigan (Sweden)

Live for Life (France)

The Stranger (France)

Best English-Language Foreign Film

Accident

The Fox

The Jokers

Smashing Time

Ulysses

The Whisperers

World Film Favorites

Julie Andrews

Laurence Harvey

Cecil B. DeMille Award

Kirk Douglas

The Academy Awards (Nominations announced on February 19, 1968. Awards presented on April 10th at the Santa Monica Civic Auditorium. The ceremony was telecast by ABC. Sources Tom O'Neil's Movie Awards and Mason Wiley and Damien Bona's Inside Oscar)

Best Picture

Bonnie and Clyde, Tatira-Hiller, Warner Bros.-Seven Arts. Produced by Warren Beatty.

Doctor Dolittle, Apjac, 20th Century-Fox. Produced by Arthur P. Jacobs.

The Graduate, Nichols-Turman, Embassy. Produced by Lawrence Turman.

Guess Who's Coming to Dinner?, Kramer, Columbia. Produced by Stanley Kramer.

In the Heat of the Night, Mirisch, UA. Produced by Walter Mirisch.

Best Director

Richard Brooks for In Cold Blood (Pax Enterprises, Columbia).

Norman Jewison for In the Heat of the Night (Mirisch, UA).

Stanley Kramer for Guess Who's Coming to Dinner? (Kramer, Columbia). 

Mike Nichols for The Graduate (Nichols-Turman, Embassy). 

Arthur Penn for Bonnie and Clyde (Tatira-Hiller, Warner Bros.-Seven Arts). 

Best Actor

Warren Beatty in Bonnie and Clyde (Tatira-Hiller, Warner Bros.-Seven Arts).  

Duston Hoffman in The Graduate (Nichols-Turman, Embassy). 

Paul Newman in Cool Hand Luke (Jalem, Warner Bros.-Seven Arts).

Rod Steiger in In the Heat of the Night (Mirisch, UA).

Spencer Tracy in Guess Who's Coming to Dinner? (Kramer, Columbia). 

 

Best Actress

Anne Bancroft in The Graduate (Nichols-Turman, Embassy). 

Faye Dunaway in Bonnie and Clyde (Tatira-Hiller, Warner Bros.-Seven Arts).  

Dame Edith Evans in The Whisperers (Seven Pines, UA/Lopert) (British). 

Audrey Hepburn in Wait Until Dark (Warner Bros.-Seven Arts). 

Katharine Hepburn in Guess Who's Coming to Dinner? (Kramer, Columbia).

Best Supporting Actor

John Cassavetes in The Dirty Dozen (Aldrich, MGM). 

Gene Hackman in Bonnie and Clyde (Tatira-Hiller, Warner Bros.-Seven Arts).  

Cecil Kellaway in Guess Who's Coming to Dinner? (Kramer, Columbia). 

George Kennedy in Cool Hand Luke (Jalem, Warner Bros.-Seven Arts).

Michael J. Pollard in Bonnie and Clyde (Tatira-Hiller, Warner Bros.-Seven Arts).  

Best Supporting Actress

Carol Channing in Thoroughly Modern Millie (Hunter, Universal). 

Mildred Natwick in Barefoot in the Park (Wallis, Paramount). 

Estelle Parsons in Bonnie and Clyde (Tatira-Hiller, Warner Bros.-Seven Arts).  

Beah Richards in Guess Who's Coming to Dinner? (Kramer, Columbia). 

Katharine Ross in The Graduate (Nichols-Turman, Embassy). 

Best Adapted Screenplay 

Cool Hand Luke, Jalem, Warner-Bros.-Seven Arts. Donn Pearce and Frank R. Pierson.

The Graduate, Nichols-Turman, Embassy. Calder Willingham and Buck Henry.

In Cold Blood, Pax Enterprises, Columbia. Richard Brooks.

In the Heat of the Night, Mirisch, UA. Stirling Silliphant. 

Ulysses, Walter Reade-Continental Distributing. Joseph Strick and Fred Haines. 

Best Original Screenplay

Bonnie and Clyde, Tatira-Hiller, Warner Bros.-Seven Arts. David Newman and Robert Benton. 

Divorce American Style, Tandem-National General, Columbia. Robert Kaufman; Norman Lear.

Guess Who's Coming to Dinner?, Kramer, Columbia. William Rose.

La Guerre Est Finie, Sofracima-Europa, Brandon Films (French). Jorge Semprun.

Two for the Road, Donen, 20th Century-Fox. Frederic Raphael.

Best Cinematography 

Bonnie and Clyde, Tatira-Hiller, Warner Bros.-Seven Arts Burnett Guffey.

Camelot, Warner Bros.-Seven Arts. Richard H. Kline.

Doctor Dolittle, Apjac, 20th Century-Fox. Robert Surtees.

The Graduate, Nichols-Turman, Embassy. Robert Surtees.

In Cold Blood, Pax Enterprises, Columbia. Conrad Hall. 

Best Song

"The Bare Necessities" (The Jungle Book, Disney, Buena Vista); Music and Lyrics by Terry Gilkyson.

"The Eyes of Love" (Banning, Universal); Music by Quincy Jones. Lyrics by Bob Russell. 

"The Look of Love" (Casino Royale, Famous Artists, Columbia); Music by Burt Bacharach. Lyrics by Hal David.

"Talk to the Animals" (Doctor Dolittle, Apjac, 20th Century-Fox); Music and Lyrics by Leslie Bricusse.

"Thoroughly Modern Millie" (Thoroughly Modern Millie, Hunter, Universal); Music and Lyrics by Jimmy Van Heusen and Sammy Cahn.

Best Original Score

Cool Hand Luke, Jalem, Warner-Bros.-Seven Arts. Lalo Schifrin.

Doctor Dolittle, Apjac, 20th Century-Fox. Leslie Bricusse.

Far from the Madding Crowd, Appia, MGM. Richard Rodney Bennett.

In Cold Blood, Pax Enterprises, Columbia. Quincy Jones.

Thoroughly Modern Millie, Hunter, Universal. Elmer Bernstein. 

Best Scoring of Music-Adaptation or Treatment

Camelot, Warner Bros.-Seven Arts. Alfred Newman and Ken Darby.

Doctor Dolittle, Apjac, 20th Century-Fox. Lionel Newman and Alexander Courage. 

Guess Who's Coming to Dinner?, Kramer, Columbia. DeVol.

Thoroughly Modern Millie, Hunter, Universal. Andre Previn and Joseph Gershenson.

Valley of the Dolls, Red Lion, 20th Century-Fox. John Williams.

Best Sound

Camelot, Warner Bros.-Seven Arts. Warner Bros.-Seven Arts Studio Sound Dept.

The Dirty Dozen, Aldrich, MGM. MGM Studio Sound Dept. 

Doctor Dolittle, Apjac, 20th Century-Fox. 20th Century-Fox Studio Sound Dept.

In the Heat of the Night, Mirisch, UA. Samuel Goldwyn Studio Sound Dept.

Thoroughly Modern Millie, Hunter, Universal. Universal City Studio Sound Dept.

Film Editing

Beach Red, Theodora, UA. Frank P. Keller.

The Dirty Dozen, Aldrich, MGM. Michael Luciano.

Doctor Dolittle, Apjac, 20th Century-Fox. Samuel E. Beetley and Marjorie Fowler.

Guess Who's Coming to Dinner?, Kramer, Columbia. Robert C. Jones.

In the Heat of the Night, Mirisch, UA. Hal Ashby.

Best Foreign Language Film

Closely Watched Trains (Czechoslovakia).

El Amor Brujo (Spain).

I Even Met Happy Gypsies (Yugoslavia).

Live for Life (France).

Portrait of Chieko (Japan). 

Best Art Direction-Set Direction 

Camelot, Warner Bros.-Seven Arts. John Truscott and Edward Carrere; John W. Brown.

Doctor Dolittle, Apjac, 20th Century-Fox. Mario Chiari, Jack Martin Smith and Ed Graves; Walter M. Scott and Stuart A. Reiss.

Guess Who's Coming to Dinner?, Kramer, Columbia. Robert Clatworthy; Frank Tuttle.

The Taming of the Shrew, Royal Films International, Columbia. Renzo Mongiardino, John DeCuir, Elven Webb and Giuseppe Mariani; Dario Simoni and Luigi Gervasi.

Thoroughly Modern Millie, Hunter, Universal. Alexander Golitzen and George C. Webb; Howard Bristol.

Best Costume Design 

Bonnie and Clyde, Tatira-Hiller, Warner Bros.-Seven Arts. Theadora Van Runkle.

Camelot, Warner Bros.-Seven Arts. John Truscott.

The Happiest Millionaire, Disney, Buena Vista. Bill Thomas.

The Taming of the Shrew, Royal Films International, Columbia. Irene Sharaff and Danilo Donati.

Thoroughly Modern Millie, Hunter, Universal. Jean Louis.

Special Visual Effects

Doctor Dolittle, Apjac, 20th Century-Fox. L.B. Abbott.

Tobruk, Gibraltar-Corman, Universal. Howard A. Anderson, Jr. and Albert Whitlock. 

Best Sound Effects

The Dirty Dozen, Aldrich, MGM. John Poyner.

In the Heat of the Night, Mirisch, UA. James A. Richard.

Best Short Subject Cartoon

The Box, Brandon Films. Fred Wolf, producer.

Hypothese Beta, Films Orzeaux, Pathe Contemporary Films. Jean-Charles Meunier, producer.

What on Earth?, National Film Board of Canada, Columbia. Robert Verrall and Wolf Koenig, producers. 

Best Live Action Short Subject

Paddle to the Sea, National Film Board of Canada, Favorite Films. Julian Biggs, producer.

A Place to Stand, T.D.F. Prod. for Ontario Dept. of Economics and Development, Columbia. Christopher Chapman, producer.

Sky Over Holland,  Ferno Prod. for The Netherlands, Seneca International. John Ferno, producer.

Best Documentary Short Subject

Monument to the Dream, Guggenheim Prods. Charles E. Guggenheim, producer.

A Place to Stand, T.D.F. Prod. for Ontario Dept. of Economics and Development, Columbia. Christopher Chapman, producer.

The Redwoods, King Screen Prod. Mark Harris and Trevor Greenwood, producers.

See You at the Pillar, Associated British-Pathe Prod. Robert Fitchett, producer.

While I Run This Race, Sun Dial Films for VISTA. Carl V. Ragsdale, producer.

Best Documentary Feature

The Anderson Platoon, French Broadcasting System. Pierre Schoendoerffer, producer. 

Festival, Patchke Prods. Murray Lerner, producer.

Harvest, U.S. Information Agency. Carroll Ballard, producer.

A King's Story, Jack Le Vien Prod. Jack Le Vien, producer.

A Time for Burning, Quest Prods. for Lutheran Film Associates. William C. Jersey, producer.

Irving G. Thalberg Memorial Award

Alfred Hitchcock.

Jean Hersholt Humanitarian Award

Gregory Peck.

Honorary Award

Arthur Freed for distinguished service to the Academy and the production of six top-rated Awards telecasts (statuette).

Scientific or Technical Awards

Class I (Statuette)

None.

Class II (Plaque)

None.

Class III (Citation)

Electro-Optical Division of the Kollmorgen Corporation for the design and development of a series of Motion Picture Projection Lenses.

Panavision Incorporated for a Variable Speed Motor for Motion Picture Cameras. 

Fred R. Wilson of the Samuel Goldyn Studio Sound Dept. for an Audio Level Clamper.

Waldon O. Watson and the Universal City Studio Sound Dept. for new concepts in the design of a Music Scoring Stage. 

The 1967 British Academy Awards 

Best Film from Any Source

Bonnie and Clyde- Arthur Penn

In the Heat of the Night- Norman Jewison

A Man for All Seasons (1966)- Fred Zinnemann

A Man and a Woman (1966)- Claude Lelouch

Best British Film
Accident- Joseph Losey

Blow-Up- Michelangelo Antonioni

The Deadly Affair- Sidney Lumet

A Man for All Seasons (1966)- Fred Zinnemann

Best British Actor
Dirk Bogarde in Accident

Dirk Bogarde in Our Mother's House

Richard Burton in The Taming of the Shrew

James Mason in The Deadly Affair

Paul Scofield in A Man for all Seasons (1966)

Best British Actress
Edith Evans in The Whisperers

Barbara Jefford in Ulysses

Elizabeth Taylor in The Taming of the Shrew

Best Foreign Actor

Warren Beatty in Bonnie and Clyde

Sidney Poitier in In the Heat of the Night

Rod Steiger in In the Heat of the Night

Orson Welles in Chimes at Midnight

Best Foreign Actress

Anouk Aimee in A Man and a Woman (1966)

Bibi Andersson in My Sister, My Love (1966)

Bibi Andersson in Persona

Jane Fonda in Barefoot in the Park

Simone Signoret in The Deadly Affair

Most Promising Newcomer to Leading Film Roles

Faye Dunaway in Bonnie and Clyde and Hurry Sundown

Milo O'Shea in Ulysses

Michael J. Pollard in Bonnie and Clyde

Peter Kastner in You're a Big Boy Now

Best British Screenplay 
Harold Pinter for Accident
Paul Dehn for The Deadly Affair
Robert Bolt for A Man for all Seasons (1966)

Frederic Raphael for Two for the Road

Best British Cinematography (Black-and-White)
David Watkin for Mademoiselle (1966)

Raoul Coutard for The Sailor from Gibraltar

Wolfgang Suschitzky for Ulysses

Gerry Turpin for The Whisperers

Best British Cinematography (Color)

Carlo De Palma for Blow-Up (1966)

Freddie Young for The Deadly Affair

Nicolas Roeg for Far from the Madding Crowd

Ted Moore for A Man for all Seasons (1966)

Best British Art Direction

Carmen Dillon for Accident

Assheton Gorton for Blow-Up (1966)

John Box for A Man for all Seasons (1966)

Ken Adam for You Only Live Twice

Best British Costume Design (Black and White)
Jocelyn Rickards for Mademoiselle (1966)

Jocelyn Rickards for The Sailor from Gibraltar

Best British Costume Design (Colour)

Julie Harris for Casino Royale

Alan Barrett for Far from the Madding Crowd

Elizabeth Haffenden and Joan Bridge for Half a Sixpence

Elizabeth Haffenden and Joan Bridge for A Man for all Seasons (1966)

Robert Flaherty Award for Best Feature-Length Documentary

Famine- Jack Gold

The Things I Cannot Change- Tanya Ballentyne

To Die in Madrid- Frederic Rossif

Best Specialised Film

Energy and Matter- Robert Verrall

How the Motor Car Works- Derek Armstrong

Paint- Michael Heckford

Revolutions for All- Jeff Inham

Best Short Film

Indus Waters- Derek Williams

Mafia No!- John Irvin

Opus- Don Levy

Rail- Geoffrey Jones 

Best Animated Film

Notes on a Triangle- Rene Jodoin

Tidy Why- Bill Sewell

Toys- Grant Munro

United Nations Award

The Gospel According to St. Matthew (1964)- Pier Paolo Pasolini

In the Heat of the Night- Norman Jewison

Cannes Film Festival (Source: Film Facts, 1980, edited by Cobbett Steinberg)

Best Picture:

Blow-Up (Michelangelo Antonioni, England- 1966)

Best Director:

Ferenc Kosa, Ten Thousand Suns

Best Actor:

Odded Kotler, Three Days and a Child

Best Actress:

Pia Degermark, Elvira Madigan

Special Jury Prize (tie):

Joseph Losey, Accident

Alexander Petrovic, Happy Gypsies

Berlin Film Festival (Source: Film Facts, 1980, edited by Cobbett Steinberg)

Golden Bear for Best Film:

Le Depart (Jerzg Skolimowksi, Belgium) 

Silver Bear for Best Director:

Zivojin Pavlovic, The Rats Awaken

Silver Bear for Best Actor:

Michel Simon, The Old Man and the Boy

Silver Bear for Best Actress:

Edith Evans, The Whisperers

Special Jury Prize:

La Collectionneuse (Eric Rohmer, France)

Best Screenplay:

Michael Lentz, Every Year Again

Best Short:

Through the Eyes of a Painter (India)

International Critics Prize:

Every Year Again (Germany)

Catholic Office Film Award:

The Whisperers (Bryan Forbes, England)

Venice Film Festival (Source: Film Facts, 1980, edited by Cobbett Steinberg)

Best Film:

Belle de Jour (Luis Bunuel, France)

Best Actor:

Ljubisa Samardzic, Dawn (Yugoslavia)

Best Actress:

Shirley Knight, Dutchman (England)

Special Jury Prizes:

La Chinoise (Jean-Luc Godard, France)

China is Near (Marco Bellocchio, Italy)

Opera Prima Prize:

Edgar Reitz, Mahizelten

Catholic Office Award:

Silent Voyage (Christian de Chalone, France)

Director's Guild of America Awards (Source: Tom O'Neil's Movie Awards, 2001. Awards were presented on February 17, 1968, at the Beverly Hilton Hotel in Los Angeles and the Hilton Hotel in New York). Winner listed in bold print. Finalists mentioned in parenthesis. 

Best Director

Robert Aldrich for The Dirty Dozen

Richard Brooks for In Cold Blood (finalist)

James Clavell for To Sir, With Love

Stanley Donen for Two for the Road

Norman Jewison for In the Heat of the Night (finalist)

Stanley Kramer for Guess Who's Coming to Dinner (finalist)

Mike Nichols for The Graduate

Arthur Penn for Bonnie and Clyde (finalist)

Stuart Rosenberg for Cool Hand Luke

Joseph Strick for Ulysses

Writers Guild of America Awards (Source: Tom O'Neil's Movie Awards, 2001. Awards were presented on March 22, 1968, at the Beverly Hilton Hotel in Los Angeles). Winners listed in bold. 

Best Written Drama

Bonnie and Clyde, David Newman and Robert Benton

Guess Who's Coming to Dinner, William Rose

In Cold Blood, Richard Brooks, based on the book by Truman Capote

In the Heat of the Night, Stirling Silliphant, based on the novel by John Ball

Up the Down Staircase, Tad Mosel, based on the novel by Bel Kaufman

Best Written Comedy

Barefoot in the Park, Neil Simon

Divorce American Style, Norman Lear, story by Robert Kaufman

The Flim-Flam Man, William Rose, based on the novel by Guy Owen

The Graduate, Calder Willingham, Buck Henry, based on the novel by Charles Webb

A Guide for the Married Man, Frank Tarloff

Best Written Musical

Camelot, Alan Jay Lerner, based on the musical and the novel by T.H. White

Doctor Dolittle, Leslie Bricusse, based on the stories by Hugh Lofting

How to Succeed in Business without Really Trying, David Swift, based on the musical by Abe Burrows, Jack Weinstock and Willie Gilbert and the novel by Shepherd Mead

Thoroughly Modern Millie, Richard Morris

Best Written Screenplay

Bonnie and Clyde, David Newman and Robert Benton

Guess Who's Coming to Dinner, William Rose

The President's Analyst, Theodore J. Flicker

Laurel Award

Casey Robinson

Valentine Davies Award

George Seaton

The New York Times Ten Best List (Listed in chronological order. Source: Film Facts, 1980, edited by Cobbett Steinberg)

La Guerre 'est finie

Ulysses

The Hunt

In the Heat of the Night

Father

Elvira Madigan

Closely Watched Trains

Cool Hand Luke

In Cold Blood

The Graduate

The Top Box-Office Hits of 1967 (According to Variety- lists U.S. and Canadian rental fees up to the end of the calendar year. Late 1966 releases that primarily earned revenue in 1967 are included. Source: Film Facts, 1980, edited by Cobbett Steinberg)

1) The Dirty Dozen- $18,200,000

2) You Only Live Twice- $16,300,000

3) Casino Royale- $10,200,000

4) A Man for All Seasons (1966)- $9,250,000

5) Thoroughly Modern Millie- $8,500,000

6) Barefoot in the Park- $8,250,000

7) Georgy Girl (1966)- $7,330,000

8) To Sir, with Love- $7,200,000

9) Grand Prix (1966)- $7,000,000

10) Hombre- $6,500,000

11) Murderer's Row (1966)- $6,240,000

12) Gone with the Wind (1939- reissue)- $6,200,000

13) El Dorado- $5,950,000

14) Blow-Up (1966)- $5,900,000

15) The War Wagon- $5,500,000

16) Follow Me, Boys (1966)- $5,350,000

17) Divorce American Style- $5,150,000

18) In Like Flint- $5,000,000

      A Guide for the Married Man- $5,000,000

     Up the Down Staircase- $5,000,000

The Top Ten Box-Office Stars of 1967 (according to Quigley Publishing's poll of film exhibitors)
1) Julie Andrews

2) Lee Marvin

3) Paul Newman

4) Dean Martin

5) Sean Connery

6) Elizabeth Taylor

7) Sidney Poitier

8) John Wayne

9) Richard Burton

10) Steve McQueen

The Next Fifteen:

11) Jane Fonda

12) James Coburn

13) Jack Lemmon

14) Julie Christie

15) Michael Caine

16) Elvis Presley

17) Cary Grant

18) Sandy Dennis

19) Frank Sinatra

20) Bob Hope

21) Shirley MacLaine

22) Audrey Hepburn

23) Dick Van Dyke

24) Jerry Lewis

25) Doris Day

1967's Top Ten "Stars of Tomorrow" (according to Quigley Publishing's poll of film exhibitors)
1) Lynn Redgrave

2) Faye Dunaway

3) James Caan

4) John Phillip Law

5) Michele Lee

6) Michael Sarrazin

7) Sharon Tate

8) Michael York

9) Hywell Bennett

10) David Hemmings

The Golden Laurel Awards of 1968 (1967 films, unless otherwise noted. Source: IMDB)

Top Drama

1) In the Heat of the Night

2) Rosemary's Baby (1968)

3) Cool Hand Luke

4) Valley of the Dolls  

5) Wait Until Dark

Top Comedy

1) The Odd Couple (1968)

2) The Graduate 

3) Guess Who's Coming to Dinner

4) Barefoot in the Park

5) The Jungle Book

Top Action Drama

1) Bonnie and Clyde

2) Planet of the Apes (1968)

3) The Dirty Dozen

4) The Green Berets (1968)

5) The Thomas Crown Affair (1968)

Top General Entertainment

Yours, Mine and Ours (1968)

Sleeper of the Year

To Sir, with Love

Wild in the Streets (1968)

Top Road Show

2001: A Space Odyssey (1968)

Top Male Comedy Performance

1) Walter Matthau in The Odd Couple (1968)

2) Jack Lemmon in The Odd Couple (1968)

3) Henry Fonda in Yours, Mine and Ours (1968)

4) Dustin Hoffman in The Graduate

5) Robert Redford in Barefoot in the Park

Top Female Comedy Performance

1) Lucille Ball in Yours, Mine and Ours (1968)

2) Jane Fonda in Barefoot in the Park

3) Debbie Reynolds in Divorce American Style

4) Inger Stevens in A Guide for the Married Man

5) Doris Day in Where Were You When the Lights Went Out? (1968)

Top Male Dramatic Performance

1) Rod Steiger in In the Heat of the Night

2) Sidney Poitier in In the Heat of the Night

3) Paul Newman in Cool Hand Luke

4) Spencer Tracy in Guess Who's Coming to Dinner

5) Steve McQueen in The Thomas Crown Affair (1968)

Top Female Dramatic Performance

1) Faye Dunaway in Bonnie and Clyde 

2) Mia Farrow in Rosemary's Baby (1968)

3) Audrey Hepburn in Wait Until Dark

4) Anne Bancroft in The Graduate

5) Anne Heywood in The Fox

Top Action Performance

1) Lee Marvin in The Dirty Dozen

2) Clint Eastwood in The Good, the Bad and the Ugly (1966)

3) John Wayne in The Green Berets (1968)

4) Rod Taylor in Dark of the Sun (1968)

5) Burt Lancaster in The Scalphunters (1968)

Top Female Supporting Performance
1) Katharine Ross in The Graduate

2) Estelle Parsons in Bonnie and Clyde

3) Ruth Gordon in Rosemary's Baby (1968)

4) Mildred Natwick in Barefoot in the Park

5) Shirley Knight in Petulia (1968)

Top Male Supporting Performance

1) George Kennedy in Cool Hand Luke

2) Jim Brown in The Dirty Dozen

3) Telly Savalas in The Scalphunters (1968)

4) John Cassavetes in The Dirty Dozen

5) Michael J. Pollard in Bonnie and Clyde

Top Director

1) Norman Jewison

2) Stanley Kubrick

3) Mike Nichols

4) George Cukor

5) David Lean

6) Richard Brooks

7) John Frankenheimer

8) Norman Taurog

9) Joseph L. Mankiewicz

10) Roman Polanski

Top Producer

1) Ross Hunter

2) Walter Mirisch

3) Hal B. Wallis

4) Joe Pasternak

5) Sol C. Siegel

6) Harry Saltzman

7) Sam Spiegel

8) Albert R. Broccoli

9) Irving Allen

10) Martin Rackin

Top Producer/Director

1) Robert Wise

2) Stanley Kramer

3) Blake Edwards

4) Robert Aldrich

5) George Stevens

6) Alfred Hitchcock

7) ? (not listed)

8) John Huston

9) Mervyn LeRoy

10) Fred Zinnemann

Top Male Star

1) Paul Newman

2) Sidney Poitier

3) Lee Marvin

4) Steve McQueen

5) Rod Steiger

6) John Wayne

7) Jack Lemmon

8) Clint Eastwood

9) Walter Matthau

10) Dean Martin

11) Sean Connery

12) Cary Grant

13) Charlton Heston

14) Richard Burton

15) Kirk Douglas

Top Female Star

1) Julie Andrews

2) Audrey Hepburn

3) Jane Fonda

4) Faye Dunaway

5) Julie Christie

6) Anne Bancroft

7) Elizabeth Taylor

8) Shirley MacLaine

9) Raquel Welch

10) Joanne Woodward

11) Lee Remick

12) Natalie Wood

13) Debbie Reynolds

14) Doris Day

15) Sophia Loren

Top Male New Face

1) Christopher Jones 

2) Dustin Hoffman

3) Jim Brown

4) Michael Sarrazin

5) James Caan

6) John Davidson

7) Michael J. Pollard

8) Gene Hackman

9) Tommy Steele

10) Tony Scotti

11) Robert Blake

12) Christian Roberts

13) Scott Wilson

14) Godfrey Cambridge

15) Barry Evans

Top Female New Face

1) Mia Farrow

2) Judy Geeson

3) Katharine Houghton

4) Sharon Tate

5) Jacqueline Bisset

6) Barbara Parkins

7) Gayle Hunnicutt

8) Barbara Feldon

9) Estelle Parsons

10) Carol White

11) Pamela Austin

12) Samantha Jones

13) Linda Harrison

14) Charlene Holt

15) Lesley Ann Warren

Harvard Lampoon's Movie Worst Awards (Source: Film Facts, 1980, edited by Cobbett Steinberg)

Ten Worst Movies:

Guess Who's Coming to Dinner

Valley of the Dolls

Up the Down Staircase

One Million Years B.C.

The Comedians

Reflections in a Golden Eye

Thoroughly Modern Millie

Doctor Dolittle

The Fox

Carmen Baby

The Kirk Douglas Award to Worst Actor:

Richard Burton for his disheartening performance in Doctor Faustus; The Comedians

Natalie Wood Award to Worst Actress:

Raquel Welch in One Million Years B.C. (1966); The Biggest Bundle of Them All (1968); Bedazzled

Worst Supporting Actor:

Whatsisname, The Valley of the Dolls

Worst Supporting Actress:

Jean Shrimpton, Privilege

The Ok-Doc-Break-the-Arm-Again Award:

The Comedians for the waste of Peter Ustinov and Alec Guinness in roles as dull as they were uninteresting, and to Charlton Heston for portraying a human being in Plant of the Apes

The Hey-Jack-Which-Way-to-Mecca-Award:

(for worst direction)

Claude Lelouche, Live for Life

The Please-Don't-Put-Us-Through-DeMille-Again Award:

(for that film which best embodies pretentious extravagance and blundering ineffectiveness of the traditional Screen Spectacular)

Camelot

The Piltdown Mandible:

(to the most obviously and unabashedly spurious scientific phenomena)

One Million Years B.C. (1966) for the contemporaneous existence of Raquel Welch and a passel of dinosaurs; an unscientific juxtaposition redounding entirely to the credit of the dinosaurs

The Uncrossed Heart:

(for the least promising young performer)

Katharine Hepburn's niece Katharine Houghton, Guess Who's Coming to Dinner

The Mobius Strip:

(to the most boring and unnecessary undressing scene)

Barbara Parkins preparing to meet the Fate Worse Than Death in Valley of the Dolls

The Beast of Buchenwald Award:

To those actors who must thoroughly degrade themselves in order to pull in the paycheck, this handsomely tooled lampshade goes to the extras who played the apes in the beginning of 2001: A Space Odyssey (1968)

The Ayn Rand Award:

(for that writer whose bad books made worse movies)

Graham Greene, an otherwise fine author, for the Comedians

The Dance of the Seven Scott Tissues Award:

(to the most lewd and completely unwarranted dancing scene)

Raquel Welch, Bedazzled

Worst Performance by a Cast in Toto:

The Mills family, The Family Way

The Arrested-Development Oblation:

(to that adult actor who has displayed the lowest level of maturity)

Always given to Jerry Lewis

The Elsa Maxwell Kudo:

(for the most unattractive social event)

To the "show" in Titicut Follies

The Great Ceremonial Hot Dog:

(for the worst scenes of the cinema season)

Patty Duke's withdrawal fit in Valley of the Dolls

The Tedium is the Medium Citation:

(to the worst student film)

Tim Hunter's Desire is the Fire

The Exhausted Udder:

Presented by the Dairy Farmers Assn., in recognition of the attempts to milk every penny possible from a marketable idea, such as film versions of obviously unfilmable sellers, etc.; this year, the handsome prize in withered polyurethane goes to the producers of The Fox

The Tin Pan:

(to the most obnoxious movie song)

Leslie Bricusse's "Talk to the Animals" in Doctor Dolittle, for blood-curdling anthropomorphism

The Best Argument for Reactivating Ellis Island:

(to the worst foreign film)

Poor Cow

The Sentimental Mushmelon:

(to the film that best reminds us of that true Poignancy, that bitter Sweetness, which we know as Life)

Elvira Madigan

The Cheap-at-Half-the-Price Award:

For the worst bargain in a film from the last year, to Half a Sixpence

The Guess-Who's-Stepping-Out-to-Tommy's-Lunch Award:

Guess Who's Coming to Dinner

The Timothy Cratchit Memorial Crutch:

(to that Hollywood personality who offers the lamest justification for unsavory behavior)

Mia Farrow, who followed the Maharishi all the way to India just to be able to cream an Indian reporter with her handbag

The H.J. Heinz Laurel Wreath:

(to that film that makes most extensive use of the company's various vegetable derivatives)

Bonnie and Clyde

The Bratwurst Award:

(to the most obnoxious child star)

Lulu, as the warbling adolescent in To Sir, with Love

Best Argument for Vivisection:

Doctor Dolittle, The Jungle Book, and The Fox, an unusual spate of bad sentimentalism and worse symbolism

The On-A-Clear-Day-You-Can-See-Fall-River Citation:

(for the most stereotypical New England Scenery)

Valley of the Dolls for the eternally snow-blanketed shots of "Lawrenceville, N.H.," which was really Bedford, N.Y.

The Bennett:

(to the worst surfing movie)

Surfari

The Merino Award:

To the Pushme-Pullyou in Doctor Dolittle, who is, as we take it, a distant cousin to the merinos, and at any rate leads just as tenuous an existence

The Roscoe Award:

Sanny Dennis, Up the Down Staircase, The Fox