Film Data For 1967
Film Daily's "Ten Best" of 1967:
1) In the Heat of the Night2) Bonnie and Clyde
3) Cool Hand Luke
4) To Sir, With Love
5) The Dirty Dozen
6) The Graduate
7) Up the Down Staircase
8) Ulysses
9) The Family Way
10) Thoroughly Modern Millie
Wait Until Dark (tie)
The Honor Roll:
12) Barefoot in the Park
13) Camelot
14) Doctor Dolittle
15) Far From the Madding Crowd
16) Two for the Road
17) The Flim-Flam Man
18) The Comedians
19) How to Succeed in Business Without Really Trying
20) Hombre
21) Elvira Madigan
22) Hotel
23) Point Blank
24) The President's Analyst
25) A Guide for the Married Man
26) The War Wagon
28) Rosie
29) Reflections in a Golden Eye
30) Guess Who's Coming to Dinner?
31) In Cold Blood
32) The Battle of Algiers
33) The Taming of the Shrew
34) Our Mother's House
Best Performances by Male Stars:
1) Rod Steiger in In the Heat of the Night
2) Paul Newman in Cool Hand Luke
3) Sidney Poitier in To Sir, With Love
4) Sidney Poitier in In the Heat of the Night
5) Warren Beatty in Bonnie and Clyde
Best Performances by Female Stars:
1) Faye Dunaway in Bonnie and Clyde
2) Audrey Hepburn in Wait Until Dark
3) Sandy Dennis in Up the Down Staircase
4) Julie Andrews in Thoroughly Modern Millie
5) Julie Christie in Far From the Madding Crowd
Anne Bancroft in The Graduate (tie)
Best Performances by Supporting Actors:
1) Michael J. Pollard in Bonnie and Clyde
2) George Kennedy in Cool Hand Luke
3) Gene Hackman in Bonnie and Clyde
4) John Mills in The Family Way
5) Charles Bronson in The Dirty Dozen
Best Performances by Supporting Actresses
1) Estelle Parsons in Bonnie and Clyde
2) Jo Van Fleet in Cool Hand Luke
3) Julie Harris in Reflections in a Golden Eye
4) Mildred Natwick in Barefoot in the Park
5) Carol Channing in Thoroughly Modern Millie
Finds of the Year
1) Dustin Hoffman in The Graduate
2) Faye Dunaway in Bonnie and Clyde
3) Michael Sarrazin in The Flim-Flam Man
4) Michael J. Pollard in Bonnie and Clyde
5) Katharine Houghton in Guess Who's Coming to Dinner?
1) Michael Sarrazin in The Flim-Flam Man
2) Christian Roberts in To Sir, With Love
3) Hywel Bennett in The Family Way
4) Jeff Howard in Up the Down Staircase
5) Mark Lester in Our Mother's House
William Dix in Doctor Dolittle
Juvenile Actresses
1) Judy Geeson in To Sir, With Love
2) Julie Herrod in Wait Until Dark
3) Pamela Franklin in Our Mother's House
4) Ellen O'Mara in Up the Down Staircase
5) Suzy Kendall in To Sir, With Love
The Year's Outstanding Directors
1) Arthur Penn for Bonnie and Clyde
2) Mike Nichols for The Graduate
3) Norman Jewison for In the Heat of the Night
4) Robert Aldrich for The Dirty Dozen
5) Stuart Rosenburg for Cool Hand Luke
1) Burnett Guffey for Bonnie and Clyde
2) Nicolas Roeg for Far from the Madding Crowd
3) Richard H. Kline for Camelot
4) Jorgen Persson for Elvira Madigan
5) Conrad Hall for Cool Hand Luke
Best Screenplay of the Year
1) David Newman and Robert Benton for Bonnie and Clyde
2) Stirling Silliphant for In the Heat of the Night
3) Donn Pearce and Frank R. Pierson for Cool Hand Luke
4) Leslie Bricusse for Doctor Dolittle
5) Joseph Strick and Fred Haines for Ulysses
Best Original Songs
1) "To Sir, With Love" from To Sir, With Love- Lyrics by Don Black; Music by Marc London
2) "Thoroughly Modern Millie" from Thoroughly Modern Millie- Lyrics and Music by Jimmy Van Heusen and Sammy Cahn
3) "Talk to the Animals" from Doctor Dolittle- Lyrics and Music by Leslie Bricusse
4) "In the Heat of the Night" from In the Heat of the Night- Lyrics by Marilyn and Alan Bergman; Music by Quincy Jones
5) "The Look of Love" from Casino Royale- Lyrics by Hal David; Music by Burt Bacharach
Best Musical Score
1) Alfred Newman and Ken Darby for Camelot
2) Elmer Bernstein for Thoroughly Modern Millie
3) Lionel Newman and Alexander Courage for Doctor Dolittle
4) Charles Strouse for Bonnie and Clyde
5) Nelson Riddle for How to Succeed in Business Without Really Trying
New York Film Critics Awards (Winners announced on December 28, 1967. Awards presented on January 28, 1968 at Sardi's restaurant in New York. Source: Tom O'Neil's Movie Awards, 2001)
Best Picture:
Best Picture:
In the Heat of the Night
Best Director:
Mike Nichols for The Graduate
Best Actor:
Rod Steiger in In the Heat of the Night
Best Actress:
Dame Edith Evans in The Whisperers
Best Screenplay:
David Newman and Robert Benton for Bonnie and Clyde
Best Foreign Film:
La Guerre est Finie (France)
National Board of Review (Winners announced on December 31, 1967. Source: Tom O'Neil's Movie Awards, 2001)
Best Picture
Far from the Madding Crowd
Rest of the top ten (in order of preference)
The Whisperers
Ulysses
In Cold Blood
The Family Way
The Taming of the Shrew
Doctor Dolittle
The Graduate
The Comedians
Accident
Best Director
Richard Brooks for In Cold Blood
Best Actor
Peter Finch in Far from the Madding Crowd
Best Actress
Dame Edith Evans in The Whisperers
Best Supporting Actor
Paul Ford in The Comedians
Best Supporting Actress
Marjorie Rhodes in The Family Way
Best Foreign Film
Elvira Madigan (Sweden)
Runners-up (in order of preference)
The Hunt (Spain)
Africa Addio (Italy)
Persona (Sweden)
The Great British Train Robbery (Federal Republic of Germany)
National Society of Film Critics (Winners announced on January 3, 1968, at the Algonquin Hotel in New York. Source: Tom O'Neil's Movie Awards, 2001)
Best Picture
Persona
Best Director
Ingmar Bergman for Persona
Best Actor
Rod Steiger in In the Heat of the Night
Best Actress
Bibi Andersson in Persona
Best Supporting Actor
Gene Hackman, Bonnie and Clyde
Best Supporting Actress
Marjorie Rhodes, The Family Way
Best Screenplay
David Newman, Robert Benton, Bonnie and Clyde
Best Cinematography
Haskell Wexler, In the Heat of the Night
Best Drama Picture
Bonnie and Clyde
Far from the Madding Crowd
Guess Who's Coming to Dinner
In Cold Blood
In the Heat of the Night
Best Comedy or Musical Picture
Camelot
Doctor Dolittle
The Graduate
The Taming of the Shrew
Thoroughly Modern Millie
Best Director
Norman Jewison for In the Heat of the Night
Stanley Kramer for Guess Who's Coming to Dinner
Mike Nichols for The Graduate
Arthur Penn for Bonnie and Clyde
Mark Rydell for The Fox
Best Actor, Drama
Alan Bates in Far from the Madding Crowd
Warren Beatty in Bonnie and Clyde
Paul Newman in Cool Hand Luke
Sidney Poitier in In the Heat of the Night
Rod Steiger in In the Heat of the Night
Spencer Treacy in Guess Who's Coming to Dinner
Best Actress, Drama
Faye Dunaway in Bonnie and Clyde
Dame Edith Evans in The Whisperers
Audrey Hepburn in Wait Until Dark
Katharine Hepburn in Guess Who's Coming to Dinner
Anne Heywood in The Fox
Best Actor, Comedy or Musical
Richard Burton in The Taming of the Shrew
Richard Harris in Camelot
Rex Harrison in Doctor Dolittle
Dustin Hoffman in The Graduate
Ugo Tognazzi in The Climax
Best Actress, Comedy or Musical
Julie Andrews in Thoroughly Modern Millie
Anne Bancroft in The Graduate
Audrey Hepburn in Two for the Road
Shirley MacLaine in Woman Times Seven
Vanessa Redgrave in Camelot
Best Supporting Actor
Richard Attenborough in Doctor Dolittle
John Cassavetes in The Dirty Dozen
George Kennedy in Cool Hand Luke
Michael J. Pollard in Bonnie and Clyde
Efrem Zimbalist, Jr., in Wait Until Dark
Best Supporting Actress
Carol Channing in Thoroughly Modern Millie
Quentin Dean in In the Heat of the Night
Lillian Gish in The Comedians
Lee Grant in In the Heat of the Night
Prunella Ransome in Far from the Madding Crowd
Beah Richards in Guess Who's Coming to Dinner
Best Original Song
"If Ever I Would Leave You" from Camelot. Music by Frederick Loewe. Lyrics by Alan Jay Lerner*
"Talk to the Animals" from Doctor Dolittle. Music and Lyrics by Leslie Bricusse
"Circles in the Water (Des ronds dans l'eau)" from Live for Life (Vivre pour vivre). Music by Francis Lai. Lyrics by Norman Gimbel
"Please Don't Gamble with Love" from Ski Fever. Music and Lyrics by Guy Hemric and Jerry Styner
"Thoroughly Modern Millie" from Thoroughly Modern Millie. Music by Jimmy Van Heusen. Lyrics by Sammy Cahn
* Note: Not an original song- from the 1960 Broadway production.
Best Original Score
Frederick Loewe for Camelot
Best Screenplay
Robert Benton and David Newman for Bonnie and Clyde
Lewis John Carlino and Howard Koch for The Fox
Buck Henry and Calder Willingham for The Graduate
William Rose for Guess Who's Coming to Dinner
Stirling Silliphant for In the Heat of the Night
Most Promising Newcomer- Male
Dustin Hoffman
Oded Kotler
Franco Nero
Michael J. Pollard
Tommy Steele
Most Promising Newcomer- Female
Greta Baldwin
Pia Degermark
Faye Dunaway
Katharine Houghton
Katharine Ross
Sharon Tate
Best Foreign-Language Foreign Film
The Climax (France/Italy)
Closely Watched Trains (Czechoslovakia)
Elvira Madigan (Sweden)
Live for Life (France)
The Stranger (France)
Best English-Language Foreign Film
Accident
The Fox
The Jokers
Smashing Time
Ulysses
The Whisperers
World Film Favorites
Julie Andrews
Laurence Harvey
Cecil B. DeMille Award
Kirk Douglas
The 1967 British Academy Awards
Best Film from Any Source
Bonnie and Clyde- Arthur Penn
In the Heat of the Night- Norman Jewison
A Man for All Seasons (1966)- Fred Zinnemann
A Man and a Woman (1966)- Claude Lelouch
Best British Film
Accident- Joseph Losey
Blow-Up- Michelangelo Antonioni
The Deadly Affair- Sidney Lumet
A Man for All Seasons (1966)- Fred Zinnemann
Best British Actor
Dirk Bogarde in Accident
Best British Actor
Dirk Bogarde in Accident
Dirk Bogarde in Our Mother's House
Richard Burton in The Taming of the Shrew
James Mason in The Deadly Affair
Paul Scofield in A Man for all Seasons (1966)
Best British Actress
Edith Evans in The Whisperers
Barbara Jefford in Ulysses
Elizabeth Taylor in The Taming of the Shrew
Best Foreign Actor
Warren Beatty in Bonnie and Clyde
Sidney Poitier in In the Heat of the Night
Rod Steiger in In the Heat of the Night
Orson Welles in Chimes at Midnight
Best Foreign Actress
Anouk Aimee in A Man and a Woman (1966)
Bibi Andersson in My Sister, My Love (1966)
Bibi Andersson in Persona
Jane Fonda in Barefoot in the Park
Simone Signoret in The Deadly Affair
Most Promising Newcomer to Leading Film Roles
Faye Dunaway in Bonnie and Clyde and Hurry Sundown
Milo O'Shea in Ulysses
Michael J. Pollard in Bonnie and Clyde
Peter Kastner in You're a Big Boy Now
Best British Screenplay
Harold Pinter for Accident
Paul Dehn for The Deadly Affair
Robert Bolt for A Man for all Seasons (1966)
Harold Pinter for Accident
Paul Dehn for The Deadly Affair
Robert Bolt for A Man for all Seasons (1966)
Frederic Raphael for Two for the Road
Best British Cinematography (Black-and-White)
David Watkin for Mademoiselle (1966)
David Watkin for Mademoiselle (1966)
Raoul Coutard for The Sailor from Gibraltar
Wolfgang Suschitzky for Ulysses
Gerry Turpin for The Whisperers
Carlo De Palma for Blow-Up (1966)
Freddie Young for The Deadly Affair
Nicolas Roeg for Far from the Madding Crowd
Ted Moore for A Man for all Seasons (1966)
Carmen Dillon for Accident
Assheton Gorton for Blow-Up (1966)
John Box for A Man for all Seasons (1966)
Ken Adam for You Only Live Twice
Best British Costume Design (Black and White)
Jocelyn Rickards for Mademoiselle (1966)
Jocelyn Rickards for Mademoiselle (1966)
Jocelyn Rickards for The Sailor from Gibraltar
Best British Costume Design (Colour)
Julie Harris for Casino Royale
Alan Barrett for Far from the Madding Crowd
Elizabeth Haffenden and Joan Bridge for Half a Sixpence
Elizabeth Haffenden and Joan Bridge for A Man for all Seasons (1966)
Robert Flaherty Award for Best Feature-Length Documentary
Famine- Jack Gold
The Things I Cannot Change- Tanya Ballentyne
To Die in Madrid- Frederic Rossif
Best Specialised Film
Energy and Matter- Robert Verrall
How the Motor Car Works- Derek Armstrong
Paint- Michael Heckford
Revolutions for All- Jeff Inham
Best Short Film
Indus Waters- Derek Williams
Mafia No!- John Irvin
Opus- Don Levy
Rail- Geoffrey Jones
Best Animated Film
Notes on a Triangle- Rene Jodoin
Tidy Why- Bill Sewell
Toys- Grant Munro
United Nations Award
The Gospel According to St. Matthew (1964)- Pier Paolo Pasolini
In the Heat of the Night- Norman Jewison
The Academy Awards (Nominations announced on February 19, 1968. Awards presented on April 10th at the Santa Monica Civic Auditorium. The ceremony was telecast by ABC. Sources Tom O'Neil's Movie Awards and Mason Wiley and Damien Bona's Inside Oscar). (Winners in bold print).
Best Scoring of Music-Adaptation or Treatment
Best Picture
Bonnie and Clyde, Tatira-Hiller, Warner Bros.-Seven Arts. Produced by Warren Beatty.
Doctor Dolittle, Apjac, 20th Century-Fox. Produced by Arthur P. Jacobs.
The Graduate, Nichols-Turman, Embassy. Produced by Lawrence Turman.
Guess Who's Coming to Dinner?, Kramer, Columbia. Produced by Stanley Kramer.
In the Heat of the Night, Mirisch, UA. Produced by Walter Mirisch.
Best Director
Richard Brooks for In Cold Blood (Pax Enterprises, Columbia).
Norman Jewison for In the Heat of the Night (Mirisch, UA).
Stanley Kramer for Guess Who's Coming to Dinner? (Kramer, Columbia).
Mike Nichols for The Graduate (Nichols-Turman, Embassy).
Arthur Penn for Bonnie and Clyde (Tatira-Hiller, Warner Bros.-Seven Arts).
Best Actor
Warren Beatty in Bonnie and Clyde (Tatira-Hiller, Warner Bros.-Seven Arts).
Duston Hoffman in The Graduate (Nichols-Turman, Embassy).
Paul Newman in Cool Hand Luke (Jalem, Warner Bros.-Seven Arts).
Rod Steiger in In the Heat of the Night (Mirisch, UA).
Spencer Tracy in Guess Who's Coming to Dinner? (Kramer, Columbia).
Best Actress
Anne Bancroft in The Graduate (Nichols-Turman, Embassy).
Faye Dunaway in Bonnie and Clyde (Tatira-Hiller, Warner Bros.-Seven Arts).
Dame Edith Evans in The Whisperers (Seven Pines, UA/Lopert) (British).
Audrey Hepburn in Wait Until Dark (Warner Bros.-Seven Arts).
Katharine Hepburn in Guess Who's Coming to Dinner? (Kramer, Columbia).
Best Supporting Actor
John Cassavetes in The Dirty Dozen (Aldrich, MGM).
Gene Hackman in Bonnie and Clyde (Tatira-Hiller, Warner Bros.-Seven Arts).
Cecil Kellaway in Guess Who's Coming to Dinner? (Kramer, Columbia).
George Kennedy in Cool Hand Luke (Jalem, Warner Bros.-Seven Arts).
Michael J. Pollard in Bonnie and Clyde (Tatira-Hiller, Warner Bros.-Seven Arts).
Best Supporting Actress
Carol Channing in Thoroughly Modern Millie (Hunter, Universal).
Mildred Natwick in Barefoot in the Park (Wallis, Paramount).
Estelle Parsons in Bonnie and Clyde (Tatira-Hiller, Warner Bros.-Seven Arts).
Beah Richards in Guess Who's Coming to Dinner? (Kramer, Columbia).
Katharine Ross in The Graduate (Nichols-Turman, Embassy).
Best Screenplay- Based on Material from Another Medium
Cool Hand Luke, Jalem, Warner-Bros.-Seven Arts. Donn Pearce and Frank R. Pierson.
The Graduate, Nichols-Turman, Embassy. Calder Willingham and Buck Henry.
In Cold Blood, Pax Enterprises, Columbia. Richard Brooks.
In the Heat of the Night, Mirisch, UA. Stirling Silliphant.
Ulysses, Walter Reade-Continental Distributing. Joseph Strick and Fred Haines.
Best Story and Screenplay- Written Directly for the Screen
Bonnie and Clyde, Tatira-Hiller, Warner Bros.-Seven Arts. David Newman and Robert Benton.
Divorce American Style, Tandem-National General, Columbia. Robert Kaufman; Norman Lear.
Guess Who's Coming to Dinner?, Kramer, Columbia. William Rose.
La Guerre Est Finie, Sofracima-Europa, Brandon Films (French). Jorge Semprun.
Two for the Road, Donen, 20th Century-Fox. Frederic Raphael.
Best Cinematography
Bonnie and Clyde, Tatira-Hiller, Warner Bros.-Seven Arts Burnett Guffey.
Camelot, Warner Bros.-Seven Arts. Richard H. Kline.
Doctor Dolittle, Apjac, 20th Century-Fox. Robert Surtees.
The Graduate, Nichols-Turman, Embassy. Robert Surtees.
In Cold Blood, Pax Enterprises, Columbia. Conrad Hall.
Best Art Direction-Set Direction
Camelot, Warner Bros.-Seven Arts. John Truscott and Edward Carrere; John W. Brown.
Doctor Dolittle, Apjac, 20th Century-Fox. Mario Chiari, Jack Martin Smith and Ed Graves; Walter M. Scott and Stuart A. Reiss.
Guess Who's Coming to Dinner?, Kramer, Columbia. Robert Clatworthy; Frank Tuttle.
The Taming of the Shrew, Royal Films International, Columbia. Renzo Mongiardino, John DeCuir, Elven Webb and Giuseppe Mariani; Dario Simoni and Luigi Gervasi.
Thoroughly Modern Millie, Hunter, Universal. Alexander Golitzen and George C. Webb; Howard Bristol.
Best Sound
Camelot, Warner Bros.-Seven Arts. Warner Bros.-Seven Arts Studio Sound Dept.
The Dirty Dozen, Aldrich, MGM. MGM Studio Sound Dept.
Doctor Dolittle, Apjac, 20th Century-Fox. 20th Century-Fox Studio Sound Dept.
In the Heat of the Night, Mirisch, UA. Samuel Goldwyn Studio Sound Dept.
Thoroughly Modern Millie, Hunter, Universal. Universal City Studio Sound Dept.
Best Song
"The Bare Necessities" (The Jungle Book, Disney, Buena Vista); Music and Lyrics by Terry Gilkyson.
"The Eyes of Love" (Banning, Universal); Music by Quincy Jones. Lyrics by Bob Russell.
"The Look of Love" (Casino Royale, Famous Artists, Columbia); Music by Burt Bacharach. Lyrics by Hal David.
"Talk to the Animals" (Doctor Dolittle, Apjac, 20th Century-Fox); Music and Lyrics by Leslie Bricusse.
"Thoroughly Modern Millie" (Thoroughly Modern Millie, Hunter, Universal); Music and Lyrics by Jimmy Van Heusen and Sammy Cahn.
Best Original Score
Cool Hand Luke, Jalem, Warner-Bros.-Seven Arts. Lalo Schifrin.
Doctor Dolittle, Apjac, 20th Century-Fox. Leslie Bricusse.
Far from the Madding Crowd, Appia, MGM. Richard Rodney Bennett.
In Cold Blood, Pax Enterprises, Columbia. Quincy Jones.
Thoroughly Modern Millie, Hunter, Universal. Elmer Bernstein.
Camelot, Warner Bros.-Seven Arts. Alfred Newman and Ken Darby.
Doctor Dolittle, Apjac, 20th Century-Fox. Lionel Newman and Alexander Courage.
Guess Who's Coming to Dinner?, Kramer, Columbia. DeVol.
Thoroughly Modern Millie, Hunter, Universal. Andre Previn and Joseph Gershenson.
Valley of the Dolls, Red Lion, 20th Century-Fox. John Williams.
Film Editing
Beach Red, Theodora, UA. Frank P. Keller.
The Dirty Dozen, Aldrich, MGM. Michael Luciano.
Doctor Dolittle, Apjac, 20th Century-Fox. Samuel E. Beetley and Marjorie Fowler.
Guess Who's Coming to Dinner?, Kramer, Columbia. Robert C. Jones.
In the Heat of the Night, Mirisch, UA. Hal Ashby.
Best Costume Design
Bonnie and Clyde, Tatira-Hiller, Warner Bros.-Seven Arts. Theadora Van Runkle.
Camelot, Warner Bros.-Seven Arts. John Truscott.
The Happiest Millionaire, Disney, Buena Vista. Bill Thomas.
The Taming of the Shrew, Royal Films International, Columbia. Irene Sharaff and Danilo Donati.
Thoroughly Modern Millie, Hunter, Universal. Jean Louis.
Special Visual Effects
Doctor Dolittle, Apjac, 20th Century-Fox. L.B. Abbott.
Tobruk, Gibraltar-Corman, Universal. Howard A. Anderson, Jr. and Albert Whitlock.
Best Sound Effects
The Dirty Dozen, Aldrich, MGM. John Poyner.
In the Heat of the Night, Mirisch, UA. James A. Richard.
Best Short Subject Cartoon
The Box, Brandon Films. Fred Wolf, producer.
Hypothese Beta, Films Orzeaux, Pathe Contemporary Films. Jean-Charles Meunier, producer.
What on Earth?, National Film Board of Canada, Columbia. Robert Verrall and Wolf Koenig, producers.
Best Live Action Short Subject
Paddle to the Sea, National Film Board of Canada, Favorite Films. Julian Biggs, producer.
A Place to Stand, T.D.F. Prod. for Ontario Dept. of Economics and Development, Columbia. Christopher Chapman, producer.
Sky Over Holland, Ferno Prod. for The Netherlands, Seneca International. John Ferno, producer.
Best Documentary Short Subject
Monument to the Dream, Guggenheim Prods. Charles E. Guggenheim, producer.
A Place to Stand, T.D.F. Prod. for Ontario Dept. of Economics and Development, Columbia. Christopher Chapman, producer.
The Redwoods, King Screen Prod. Mark Harris and Trevor Greenwood, producers.
See You at the Pillar, Associated British-Pathe Prod. Robert Fitchett, producer.
While I Run This Race, Sun Dial Films for VISTA. Carl V. Ragsdale, producer.
Best Documentary Feature
The Anderson Platoon, French Broadcasting System. Pierre Schoendoerffer, producer.
Festival, Patchke Prods. Murray Lerner, producer.
Harvest, U.S. Information Agency. Carroll Ballard, producer.
A King's Story, Jack Le Vien Prod. Jack Le Vien, producer.
A Time for Burning, Quest Prods. for Lutheran Film Associates. William C. Jersey, producer.
Best Foreign Language Film
Closely Watched Trains (1966- Czechoslovakia).
El Amor Brujo (Spain).
I Even Met Happy Gypsies (Yugoslavia).
Live for Life (France).
Portrait of Chieko (Japan).
Irving G. Thalberg Memorial Award
Alfred Hitchcock.
Jean Hersholt Humanitarian Award
Gregory Peck.
Honorary Award
Arthur Freed for distinguished service to the Academy and the production of six top-rated Awards telecasts (statuette).
Scientific or Technical Awards
Class I (Statuette)
None.
Class II (Plaque)
None.
Class III (Citation)
Electro-Optical Division of the Kollmorgen Corporation for the design and development of a series of Motion Picture Projection Lenses.
Panavision Incorporated for a Variable Speed Motor for Motion Picture Cameras.
Fred R. Wilson of the Samuel Goldyn Studio Sound Dept. for an Audio Level Clamper.
Waldon O. Watson and the Universal City Studio Sound Dept. for new concepts in the design of a Music Scoring Stage.
Director's Guild of America Awards (Source: Tom O'Neil's Movie Awards, 2001. Awards were presented on February 17, 1968, at the Beverly Hilton Hotel in Los Angeles and the Hilton Hotel in New York). Winner listed in bold print. Finalists mentioned in parenthesis.
Best Director
Robert Aldrich for The Dirty Dozen
Richard Brooks for In Cold Blood (finalist)
James Clavell for To Sir, With Love
Stanley Donen for Two for the Road
Norman Jewison for In the Heat of the Night (finalist)
Stanley Kramer for Guess Who's Coming to Dinner (finalist)
Mike Nichols for The Graduate
Arthur Penn for Bonnie and Clyde (finalist)
Stuart Rosenberg for Cool Hand Luke
Joseph Strick for Ulysses
Writers Guild of America Awards (Source: Tom O'Neil's Movie Awards, 2001. Awards were presented on March 22, 1968, at the Beverly Hilton Hotel in Los Angeles). Winners listed in bold.
Best Written Drama
Bonnie and Clyde, David Newman and Robert Benton
Guess Who's Coming to Dinner, William Rose
In Cold Blood, Richard Brooks, based on the book by Truman Capote
In the Heat of the Night, Stirling Silliphant, based on the novel by John Ball
Up the Down Staircase, Tad Mosel, based on the novel by Bel Kaufman
Best Written Comedy
Barefoot in the Park, Neil Simon
Divorce American Style, Norman Lear, story by Robert Kaufman
The Flim-Flam Man, William Rose, based on the novel by Guy Owen
The Graduate, Calder Willingham, Buck Henry, based on the novel by Charles Webb
A Guide for the Married Man, Frank Tarloff
Best Written Musical
Camelot, Alan Jay Lerner, based on the musical and the novel by T.H. White
Doctor Dolittle, Leslie Bricusse, based on the stories by Hugh Lofting
How to Succeed in Business without Really Trying, David Swift, based on the musical by Abe Burrows, Jack Weinstock and Willie Gilbert and the novel by Shepherd Mead
Thoroughly Modern Millie, Richard Morris
Best Written Screenplay
Bonnie and Clyde, David Newman and Robert Benton
Guess Who's Coming to Dinner, William Rose
The President's Analyst, Theodore J. Flicker
Laurel Award
Casey Robinson
Valentine Davies Award
George Seaton
Berlin Film Festival (Source: Film Facts, 1980, edited by Cobbett Steinberg)
Golden Bear for Best Film:
Le Depart (Jerzg Skolimowksi, Belgium)
Silver Bear for Best Director:
Zivojin Pavlovic, The Rats Awaken
Silver Bear for Best Actor:
Michel Simon, The Old Man and the Boy
Silver Bear for Best Actress:
Edith Evans, The Whisperers
Special Jury Prize:
La Collectionneuse (Eric Rohmer, France)
Best Screenplay:
Michael Lentz, Every Year Again
Best Short:
Through the Eyes of a Painter (India)
International Critics Prize:
Every Year Again (Germany)
Catholic Office Film Award:
The Whisperers (Bryan Forbes, England)
Cannes Film Festival (Source: Film Facts, 1980, edited by Cobbett Steinberg)
Best Picture:
Blow-Up (1966- Michelangelo Antonioni, England)
Best Director:
Ferenc Kosa, Ten Thousand Suns
Best Actor:
Odded Kotler, Three Days and a Child
Best Actress:
Pia Degermark, Elvira Madigan
Special Jury Prize (tie):
Joseph Losey, Accident
Alexander Petrovic, Happy Gypsies
Venice Film Festival (Source: Film Facts, 1980, edited by Cobbett Steinberg)
Best Film:
Belle de Jour (Luis Bunuel, France)
Best Actor:
Ljubisa Samardzic, Dawn (Yugoslavia)
Best Actress:
Shirley Knight, Dutchman (England)
Special Jury Prizes:
La Chinoise (Jean-Luc Godard, France)
China is Near (Marco Bellocchio, Italy)
Opera Prima Prize:
Edgar Reitz, Mahizelten
Catholic Office Award:
Silent Voyage (Christian de Chalone, France)
The New York Times Ten Best List (Listed in chronological order. Source: Film Facts, 1980, edited by Cobbett Steinberg)
La Guerre 'est finie
Ulysses
The Hunt
In the Heat of the Night
Father
Elvira Madigan
Closely Watched Trains
Cool Hand Luke
In Cold Blood
The Graduate
The Top Box-Office Hits of 1967 (According to Variety- lists U.S. and Canadian rental fees up to the end of the calendar year. Late 1966 releases that primarily earned revenue in 1967 are included. Source: Film Facts, 1980, edited by Cobbett Steinberg)
1) The Dirty Dozen- $18,200,000
2) You Only Live Twice- $16,300,000
3) Casino Royale- $10,200,000
4) A Man for All Seasons (1966)- $9,250,000
5) Thoroughly Modern Millie- $8,500,000
6) Barefoot in the Park- $8,250,000
7) Georgy Girl (1966)- $7,330,000
8) To Sir, with Love- $7,200,000
9) Grand Prix (1966)- $7,000,000
10) Hombre- $6,500,000
11) Murderer's Row (1966)- $6,240,000
12) Gone with the Wind (1939- reissue)- $6,200,000
13) El Dorado- $5,950,000
14) Blow-Up (1966)- $5,900,000
15) The War Wagon- $5,500,000
16) Follow Me, Boys (1966)- $5,350,000
17) Divorce American Style- $5,150,000
18) In Like Flint- $5,000,000
A Guide for the Married Man- $5,000,000
Up the Down Staircase- $5,000,000
The Top Ten Box-Office Stars of 1967 (according to Quigley Publishing's poll of film exhibitors)
1) Julie Andrews
1) Julie Andrews
2) Lee Marvin
3) Paul Newman
4) Dean Martin
5) Sean Connery
6) Elizabeth Taylor
7) Sidney Poitier
8) John Wayne
9) Richard Burton
10) Steve McQueen
The Next Fifteen:
11) Jane Fonda
12) James Coburn
13) Jack Lemmon
14) Julie Christie
15) Michael Caine
16) Elvis Presley
17) Cary Grant
18) Sandy Dennis
19) Frank Sinatra
20) Bob Hope
21) Shirley MacLaine
22) Audrey Hepburn
23) Dick Van Dyke
24) Jerry Lewis
25) Doris Day
1967's Top Ten "Stars of Tomorrow" (according to Quigley Publishing's poll of film exhibitors)
1) Lynn Redgrave
2) Faye Dunaway
3) James Caan
4) John Phillip Law
5) Michele Lee
6) Michael Sarrazin
7) Sharon Tate
8) Michael York
9) Hywell Bennett
10) David Hemmings
The Golden Laurel Awards of 1968 (1967 films, unless otherwise noted. Source: IMDB)
Top Drama
1) In the Heat of the Night
2) Rosemary's Baby (1968)
3) Cool Hand Luke
4) Valley of the Dolls
5) Wait Until Dark
Top Comedy
1) The Odd Couple (1968)
2) The Graduate
3) Guess Who's Coming to Dinner
4) Barefoot in the Park
5) The Jungle Book
Top Action Drama
1) Bonnie and Clyde
2) Planet of the Apes (1968)
3) The Dirty Dozen
4) The Green Berets (1968)
5) The Thomas Crown Affair (1968)
Top General Entertainment
Yours, Mine and Ours (1968)
Sleeper of the Year
To Sir, with Love
Wild in the Streets (1968)
Top Road Show
2001: A Space Odyssey (1968)
Top Male Comedy Performance
1) Walter Matthau in The Odd Couple (1968)
2) Jack Lemmon in The Odd Couple (1968)
3) Henry Fonda in Yours, Mine and Ours (1968)
4) Dustin Hoffman in The Graduate
5) Robert Redford in Barefoot in the Park
Top Female Comedy Performance
1) Lucille Ball in Yours, Mine and Ours (1968)
2) Jane Fonda in Barefoot in the Park
3) Debbie Reynolds in Divorce American Style
4) Inger Stevens in A Guide for the Married Man
5) Doris Day in Where Were You When the Lights Went Out? (1968)
Top Male Dramatic Performance
1) Rod Steiger in In the Heat of the Night
2) Sidney Poitier in In the Heat of the Night
3) Paul Newman in Cool Hand Luke
4) Spencer Tracy in Guess Who's Coming to Dinner
5) Steve McQueen in The Thomas Crown Affair (1968)
Top Female Dramatic Performance
1) Faye Dunaway in Bonnie and Clyde
2) Mia Farrow in Rosemary's Baby (1968)
3) Audrey Hepburn in Wait Until Dark
4) Anne Bancroft in The Graduate
5) Anne Heywood in The Fox
Top Action Performance
1) Lee Marvin in The Dirty Dozen
2) Clint Eastwood in The Good, the Bad and the Ugly (1966)
3) John Wayne in The Green Berets (1968)
4) Rod Taylor in Dark of the Sun (1968)
5) Burt Lancaster in The Scalphunters (1968)
Top Female Supporting Performance
1) Katharine Ross in The Graduate
2) Estelle Parsons in Bonnie and Clyde
3) Ruth Gordon in Rosemary's Baby (1968)
4) Mildred Natwick in Barefoot in the Park
5) Shirley Knight in Petulia (1968)
Top Male Supporting Performance
1) George Kennedy in Cool Hand Luke
2) Jim Brown in The Dirty Dozen
3) Telly Savalas in The Scalphunters (1968)
4) John Cassavetes in The Dirty Dozen
5) Michael J. Pollard in Bonnie and Clyde
Top Director
1) Norman Jewison
2) Stanley Kubrick
3) Mike Nichols
4) George Cukor
5) David Lean
6) Richard Brooks
7) John Frankenheimer
8) Norman Taurog
9) Joseph L. Mankiewicz
10) Roman Polanski
Top Producer
1) Ross Hunter
2) Walter Mirisch
3) Hal B. Wallis
4) Joe Pasternak
5) Sol C. Siegel
6) Harry Saltzman
7) Sam Spiegel
8) Albert R. Broccoli
9) Irving Allen
10) Martin Rackin
Top Producer/Director
1) Robert Wise
2) Stanley Kramer
3) Blake Edwards
4) Robert Aldrich
5) George Stevens
6) Alfred Hitchcock
7) ? (not listed)
8) John Huston
9) Mervyn LeRoy
10) Fred Zinnemann
Top Male Star
1) Paul Newman
2) Sidney Poitier
3) Lee Marvin
4) Steve McQueen
5) Rod Steiger
6) John Wayne
7) Jack Lemmon
8) Clint Eastwood
9) Walter Matthau
10) Dean Martin
11) Sean Connery
12) Cary Grant
13) Charlton Heston
14) Richard Burton
15) Kirk Douglas
Top Female Star
1) Julie Andrews
2) Audrey Hepburn
3) Jane Fonda
4) Faye Dunaway
5) Julie Christie
6) Anne Bancroft
7) Elizabeth Taylor
8) Shirley MacLaine
9) Raquel Welch
10) Joanne Woodward
11) Lee Remick
12) Natalie Wood
13) Debbie Reynolds
14) Doris Day
15) Sophia Loren
Top Male New Face
1) Christopher Jones
2) Dustin Hoffman
3) Jim Brown
4) Michael Sarrazin
5) James Caan
6) John Davidson
7) Michael J. Pollard
8) Gene Hackman
9) Tommy Steele
10) Tony Scotti
11) Robert Blake
12) Christian Roberts
13) Scott Wilson
14) Godfrey Cambridge
15) Barry Evans
Top Female New Face
1) Mia Farrow
2) Judy Geeson
3) Katharine Houghton
4) Sharon Tate
5) Jacqueline Bisset
6) Barbara Parkins
7) Gayle Hunnicutt
8) Barbara Feldon
9) Estelle Parsons
10) Carol White
11) Pamela Austin
12) Samantha Jones
13) Linda Harrison
14) Charlene Holt
15) Lesley Ann Warren
Harvard Lampoon's Movie Worst Awards (Source: Film Facts, 1980, edited by Cobbett Steinberg)
Ten Worst Movies:
Guess Who's Coming to Dinner
Valley of the Dolls
Up the Down Staircase
One Million Years B.C.
The Comedians
Reflections in a Golden Eye
Thoroughly Modern Millie
Doctor Dolittle
The Fox
Carmen Baby
The Kirk Douglas Award to Worst Actor:
Richard Burton for his disheartening performance in Doctor Faustus; The Comedians
Natalie Wood Award to Worst Actress:
Raquel Welch in One Million Years B.C. (1966); The Biggest Bundle of Them All (1968); Bedazzled
Worst Supporting Actor:
Whatsisname, The Valley of the Dolls
Worst Supporting Actress:
Jean Shrimpton, Privilege
The Ok-Doc-Break-the-Arm-Again Award:
The Comedians for the waste of Peter Ustinov and Alec Guinness in roles as dull as they were uninteresting, and to Charlton Heston for portraying a human being in Plant of the Apes
The Hey-Jack-Which-Way-to-Mecca-Award:
(for worst direction)
Claude Lelouche, Live for Life
The Please-Don't-Put-Us-Through-DeMille-Again Award:
(for that film which best embodies pretentious extravagance and blundering ineffectiveness of the traditional Screen Spectacular)
Camelot
The Piltdown Mandible:
(to the most obviously and unabashedly spurious scientific phenomena)
One Million Years B.C. (1966) for the contemporaneous existence of Raquel Welch and a passel of dinosaurs; an unscientific juxtaposition redounding entirely to the credit of the dinosaurs
The Uncrossed Heart:
(for the least promising young performer)
Katharine Hepburn's niece Katharine Houghton, Guess Who's Coming to Dinner
The Mobius Strip:
(to the most boring and unnecessary undressing scene)
Barbara Parkins preparing to meet the Fate Worse Than Death in Valley of the Dolls
The Beast of Buchenwald Award:
To those actors who must thoroughly degrade themselves in order to pull in the paycheck, this handsomely tooled lampshade goes to the extras who played the apes in the beginning of 2001: A Space Odyssey (1968)
The Ayn Rand Award:
(for that writer whose bad books made worse movies)
Graham Greene, an otherwise fine author, for the Comedians
The Dance of the Seven Scott Tissues Award:
(to the most lewd and completely unwarranted dancing scene)
Raquel Welch, Bedazzled
Worst Performance by a Cast in Toto:
The Mills family, The Family Way
The Arrested-Development Oblation:
(to that adult actor who has displayed the lowest level of maturity)
Always given to Jerry Lewis
The Elsa Maxwell Kudo:
(for the most unattractive social event)
To the "show" in Titicut Follies
The Great Ceremonial Hot Dog:
(for the worst scenes of the cinema season)
Patty Duke's withdrawal fit in Valley of the Dolls
The Tedium is the Medium Citation:
(to the worst student film)
Tim Hunter's Desire is the Fire
The Exhausted Udder:
Presented by the Dairy Farmers Assn., in recognition of the attempts to milk every penny possible from a marketable idea, such as film versions of obviously unfilmable sellers, etc.; this year, the handsome prize in withered polyurethane goes to the producers of The Fox
The Tin Pan:
(to the most obnoxious movie song)
Leslie Bricusse's "Talk to the Animals" in Doctor Dolittle, for blood-curdling anthropomorphism
The Best Argument for Reactivating Ellis Island:
(to the worst foreign film)
Poor Cow
The Sentimental Mushmelon:
(to the film that best reminds us of that true Poignancy, that bitter Sweetness, which we know as Life)
Elvira Madigan
The Cheap-at-Half-the-Price Award:
For the worst bargain in a film from the last year, to Half a Sixpence
The Guess-Who's-Stepping-Out-to-Tommy's-Lunch Award:
Guess Who's Coming to Dinner
The Timothy Cratchit Memorial Crutch:
(to that Hollywood personality who offers the lamest justification for unsavory behavior)
Mia Farrow, who followed the Maharishi all the way to India just to be able to cream an Indian reporter with her handbag
The H.J. Heinz Laurel Wreath:
(to that film that makes most extensive use of the company's various vegetable derivatives)
Bonnie and Clyde
The Bratwurst Award:
(to the most obnoxious child star)
Lulu, as the warbling adolescent in To Sir, with Love
Best Argument for Vivisection:
Doctor Dolittle, The Jungle Book, and The Fox, an unusual spate of bad sentimentalism and worse symbolism
The On-A-Clear-Day-You-Can-See-Fall-River Citation:
(for the most stereotypical New England Scenery)
Valley of the Dolls for the eternally snow-blanketed shots of "Lawrenceville, N.H.," which was really Bedford, N.Y.
The Bennett:
(to the worst surfing movie)
Surfari
The Merino Award:
To the Pushme-Pullyou in Doctor Dolittle, who is, as we take it, a distant cousin to the merinos, and at any rate leads just as tenuous an existence
The Roscoe Award:
Sanny Dennis, Up the Down Staircase, The Fox
posted by Vertigo's Psycho @ 8:41 PM
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