Hey, Look Me Over

Saturday, April 27, 2024

Film Data for 1945

The Film Daily's Ten Best Pictures of 1945
1) Wilson (1944)- 288
2) A Tree Grows in Brooklyn- 216
3) Keys of the Kingdom (1944)- 189
4) Valley of Decision- 188
5) A Song to Remember- 176
6) Laura (1944)- 165
7) The Story of G. I. Joe- 141
8) The Corn is Green- 138
9) National Velvet (1944)- 137
10) Anchors Aweigh- 128
The 1945 Honor Roll
11) Our Vines Have Tender Grapes- 125
12) The House on 92nd St.- 120
13) Meet Me in St. Louis (1944)- 116
14) A Bell for Adano- 115
15) Rhapsody in Blue- 113
16) Spellbound- 110
17) State Fair- 96
18) Love Letters- 93
19) The Enchanted Cottage- 92
20) Thirty Seconds Over Tokyo (1944)- 90
21) Mrs. Parkington (1944)- 85
22) Mildred Pierce- 83
23) The Fighting Lady (1944)- 72
24) The Picture of Dorian Gray- 67
25)  None But the Lonely Heart (1944)- 64
26) To Have and Have Not (1944)- 47
27) Pride of the Marines- 46
28) Kiss and Tell- 45
29) Thrill of a Romance- 42
30) I'll Be Seeing You (1944)- 41
31) The Clock- 40
32) Wonder Man- 38
33) You Came Along- 36
34) The Woman in the Window (1944)- 35
35) Winged Victory (1944)- 34
36) Weekend at the Waldorf- 33
37) The Affairs of Susan- 31
      Captain Eddie- 31
      Without Love- 31
40) The Southerner- 30
41) The Dolly Sisters- 29
      Junior Miss- 29
      A Medal for Benny- 29
      Murder, My Sweet (1944)- 29
45) Christmas in Connecticut- 28
46) Tomorrow the World (1944)- 27
47) God is My Co-Pilot- 25
      Objective, Burma!- 25
49) Frenchman's Creek (1944)- 24
      Incendiary Blonde- 24
      Music for Millions (1944)- 24
52) Conflict- 22
      Roughly Speaking- 22
54) The Life and Death of Colonel Blimp (1943)- 21
      Over 21- 21
56) The Suspect (1944)- 20
57) And Now Tomorrow (1944)- 18
      A Thousand and One Nights- 18
59) Blood on the Sun- 16
      Duffy's Tavern- 16
      Hollywood Canteen (1944)- 16
62) An American Romance (1944)- 15
      Our Hearts Were Young and Gay (1944)- 15
      The Three Caballeros (1944)- 15
65) A Royal Scandal- 14
66) Along Came Jones- 13
      Hangover Square- 13
68) Blithe Spirit- 11
69) Thunderhead- Son of Flicka- 10

Filmdom's Famous Fives

Best Performances by Male Stars
1) Alexander Knox in Wilson
2) Gregory Peck in The Keys of the Kingdom (1944)
3) Burgess Meredith in The Story of G.I. Joe
4) Gregory Peck in The Valley of Decision
5) Joseph Cotton in Love Letters
    James Dunn in A Tree Grows in Brooklyn
    Cary Grant in None But the Lonely Heart (1944)

Best Performances by Female Stars
1) Ingrid Bergman in Spellbound
    Greer Garson in The Valley of Decision
3) Joan Crawford in Mildred Pierce
4) Bette Davis in The Corn is Green
5) Greer Garson in Mrs. Parkington

Best Performances by Supporting Actors
1) Clifton Webb in Laura (1944)
2) J. Carroll Naish in A Medal for Benny
3) Robert Mitchum in The Story of G.I. Joe
4) John Dall in The Corn is Green
5) Keenan Wynn in Without Love

Best Performances by Supporting Actresses
1) Anne Revere in National Velvet (1944)
2) Joan Blondell in A Tree Grows in Brooklyn
3) Ethel Barrymore in None But the Lonely Heart (1944)
4) Joan Lorring in The Corn is Green
5) Ann Blyth in Mildred Pierce

Best Performances by Juvenile Actors
1) Skippy Homeier in Tomorrow, the World! (1944)
2) Jackie Jenkins in Our Vines Have Tender Grapes
3) Roddy McDowall in Thunderhead- Son of Flicka
4) Jackie Jenkins in National Velvet (1944)
5) Jerome Courtland in Kiss and Tell

Best Performances by Juvenile Actresses
1) Peggy Ann Garner in A Tree Grows in Brooklyn
2) Margaret O'Brien in Our Vines Have Tender Grapes
3) Elizabeth Taylor in National Velvet (1944)
4) Margaret O'Brien in Meet Me in St. Louis (1944)
5) Peggy Ann Garner in Junior Miss

Best Direction
1) Henry King for Wilson (1944)
2) Otto Preminger for Laura (1944)
3) Alfred Hitchcock for Spellbound
4) William Dieterle for Love Letters
5) Elia Kazan for A Tree Grows in Brooklyn

Outstanding Screenplays
1) Wilson (1944)- Lamar Trotti
2) Laura (1944)- Jay Dratler, Samuel Hoffenstein and Betty Reinhardt
3) The Story of G.I. Joe- Leopold Atlas, Gus Endore and Philip Stevenson
4) Love Letters- Ayn Rand (tied with)
    A Tree Grows in Brooklyn- Tess Slesinger and Frank Davis

Outstanding Photography
1) The Fighting Lady (1944) Technicolor; U.S. Navy Photographers under supervision of Com. Edward J. Steichen
2) Wilson (1944) Technicolor; Leon Shamroy
3) Anchors Aweigh, Technicolor; Robert Planck, Charles Boyle (tied with)
    National Velvet (1944), Technicolor; Leonard Smith
5) A Thousand and One Nights, Technicolor; Ray Rennahan
    The Picture of Dorian Gray; Harry Stradling

Finds of the Year
1) Lauren Bacall- Warner Bros.
2) Lizabeth Scott- Paramount-Hal B. Wallis
3) John Dahl- Warner Bros.
4) Gregory Peck- David O. Selznick
5) Cornel Wilde- Columbia; 20th-Fox


Ten Big Pictures of 1945 (Source: Box Office Digest 1946 Annual, with estimated gross listed):

1) The Bells of St. Mary's- $8,000,000
2) Spellbound- $7,500,000
3) Leave Her to Heaven- $7,250,000
4) Anchor's Aweigh- $6,500,000
5) Weekend at the Waldorf- $5,250,000
6) Saratoga Trunk- $4,750,000
7) Thrill of a Romance- $4,500,000
8) The Valley of Decision- $4,250,000
9) The Lost Weekend- $4,000,000
10) Here Comes the Waves (1944)$3,750,000

New York Film Critics Awards (Winners announced on January 1, 1946. Awards presented on January 20, 1946 at the Stork Club in New York. Sources: Tom O'Neil's Movie Awards, 2001 and Donald Lyons, "The Lights of New York," Film Comment, March-April, 1993)

Best Picture
The Lost Weekend (won on Ballot VI with 9 votes)
Runner-up: The Story of G.I. Joe (8 votes)

Best Director
Billy Wilder for The Lost Weekend (won on Ballot VI with 9 votes)
Runner-up: William Wellman, The Story of G.I. Joe (8 votes)

Best Actor
Ray Milland in The Lost Weekend (won on Ballot III with 13 votes)
Runner-up: Robert Mitchum in The Story of G.I. Joe (3 votes)

Best Actress
Ingrid Bergman in The Bells of St. Mary's and Spellbound (won on Ballot VI with 9 votes)
Runners-up: Joan Crawford in Mildred Pierce (3 votes)
                       Deborah Kerr in The Life and Death of Colonel Blimp and Love on the Dole (3 votes)

Special Awards: Best Documentary
The True Glory and The Fighting Lady (1944)

 
National Board of Review (Voting results announced on December 21, 1945. Source: Tom O'Neil's Movie Awards).

Best Film
The True Glory
Rest of the Top Ten (Listed in order of preference)
The Lost Weekend
The Southerner
The Story of G.I. Joe
The Last Chance
The Life and Death of Colonel Blimp (1943)
A Tree Grows in Brooklyn
The Fighting Lady
The Way Ahead
The Clock

Best Director
Jean Renoir, The Southerner

Best Actor
Ray Milland, The Lost Weekend

Best Actress
Joan Crawford, Mildred Pierce
The Golden Globes (Winners were announced on March 6, 1946. Awards were presented on March 30, at the Hollywood Knickerbocker Club. Source: Tom O'Neil's Movie Awards).

Best Picture
The Lost Weekend

Best Director
Billy Wilder, The Lost Weekend

Best Actor
Ray Milland, The Lost Weekend

Best Actress
Ingrid Bergman, The Bells of St. Mary's

Best Supporting Actor
J. Carrol Naish, A Medal for Benny

Best Supporting Actress
Angela Lansbury, The Picture of Dorian Gray

Best Film Promoting International Understanding
The House I Live In

The Academy Awards (Nominations announced on January 27, 1946. Awards were presented on March 7, 1946 at Grauman's Chinese Theater in Hollywood. Sources: Tom O'Neil's Movie Awards and Mason Wiley and Damien Bona's Inside Oscar). (Winners in bold print).

Best Picture 
Anchors Aweigh, MGM. Produced by Joe Pasternak.
The Bells of St. Mary's, Rainbow, RKO Radio. Produced by Leo McCarey.
The Lost Weekend, Paramount. Produced by Charles Brackett.
Mildred Pierce, Warner Bros. Produced by Jerry Wald.
Spellbound, Selznick, UA. Produced by David O. Selznick.

Best Director 
Clarence Brown for National Velvet (1944) (MGM).
Alfred Hitchcock for Spellbound (Selznick, UA).
Leo McCarey for The Bells of St. Mary's (Rainbow, RKO Radio).
Jean Renoir for The Southerner (Loew-Hakim, UA).
Billy Wilder for The Lost Weekend (Paramount).

Best Actor 
Bing Crosby in The Bells of St. Mary's (Rainbow, RKO Radio).
Gene Kelly in Anchors Aweigh (MGM).
Ray Milland in The Lost Weekend (Paramount).
Gregory Peck in The Keys of the Kingdom (1944) (20th Century-Fox).
Cornel Wilde in A Song to Remember (Columbia).

Best Actress 
Ingrid Bergman in The Bells of St. Mary's (Rainbow, RKO Radio).
Joan Crawford in Mildred Pierce (Warner Bros.).
Greer Garson in The Valley of Decision (MGM).
Jennifer Jones in Love Letters (Wallis, Paramount).
Gene Tierney in Leave Her to Heaven (20th Century-Fox). 

Best Supporting Actor 
Michael Chekhov in Spellbound (Selznick, UA).
John Dall in The Corn is Green (Warner Bros.).
James Dunn in A Tree Grows in Brooklyn (20th Century-Fox). 
Robert Mitchum in The Story of G.I. Joe (Cowan, UA).
J. Carrol Naish in A Medal for Benny (Paramount). 

Best Supporting Actress 
Eve Arden in Mildred Pierce (Warner Bros.).
Ann Blyth in Mildred Pierce (Warner Bros.).
Angela Lansbury in The Picture of Dorian Gray (1945).
Joan Lorring in The Corn is Green (Warner Bros.).
Anne Revere in National Velvet (1944)(MGM).


Writing- Best Original Story 
The Affairs of Susan, Wallis, Paramount. Laszlo Gorog and Thomas Monroe.
The House on 92nd Street, 20th Century-Fox. Charles G. Booth.
A Medal for Benny, Paramount. John Steinbeck and Jack Wagner.
Objective, Burma, Warner Bros. Alvah Bessie.

Best Original Screenplay
Dillinger, Monogram. Philip Yordan.
Marie-Louise, Praesens Films (Swiss). Richard Schweizer.
Music for Millions, MGM. Myles Connolly.
Salty O'Rourke, Paramount. Milton Holmes.
What Next, Corporal Hargrove? MGM. Harry Kurnitz.

Best Screenplay
The Lost Weekend, Paramount. Charles Brackett and Billy Wilder.
Mildred Pierce, Warner Bros. Ranald MacDougall.
Pride of the Marines, Warner Bros. Albert Maltz.
The Story of G.I. Joe, Cowan, UA. Leopold Atlas, Guy Endore and Philip Stevenson.
A Tree Grows in Brooklyn, 20th Century-Fox. Frank Davis and Tess Slesinger.

Best Cinematography (Black-and-White)
The Keys of the Kingdom (1944), 20th Century-Fox. Arthur Miller.
The Lost Weekend, Paramount. John F. Seitz.
Mildred Pierce, Warner Bros. Ernest Haller.
The Picture of Dorian Gray, MGM. Harry Stradling.
Spellbound, Selznick, UA. George Barnes.

Best Cinematography (Color)
Anchors Aweigh, MGM. Robert Planck and Charles Boyle.
Leave Her to Heaven, 20th Century-Fox. Leon Shamroy.
National Velvet (1944), MGM. Leonard Smith.
A Song to Remember, Columbia. Tony Gaudio and Allen M. Davey.
The Spanish Main, RKO Radio. George Barnes.

Best Interior Decoration (Black-and-White)
Blood on the Sun, Cagney, UA. Wiard Ihnen; A. Roland Fields.
Experiment Perilous, RKO Radio. Albert S. D'Agostino and Jack Okey; Darrell Silvera and Claude Carpenter.
The Keys of the Kingdom (1944), 20th Century-Fox. James Basevi and William Darling; Thomas Little and Frank E. Hughes.
Love Letters, Wallis, Paramount. Hans Dreier and Roland Anderson; Sam Comer and Ray Moyer.
The Picture of Dorian Gray, MGM. Cedric Gibbons and Hans Peters; Edwin B. Willis, John Bonar and Hugh Hunt.

Best Interior Decoration (Color)
Frenchman's Creek (1944)Paramount. Hans Dreier and Ernst Fegte; Sam Comer.
Leave Her to Heaven, 20th Century-Fox. Lyle Wheeler and Maurice Ransford; Thomas Little.
National Velvet (1944), MGM. Cedric Gibbons and Urie McCleary; Edwin B. Willis and Mildred Griffiths.
San Antonio, Warner Bros. Ted Smith; Jack McConaghy.
A Thousand and One Night, Columbia. Stephen Goosson and Rudolph Sternad; Frank Tuttle.

Best Sound Recording
The Bells of St. Mary's, Rainbow, RKO Radio. Stephen Dunn.
The Flame of the Barbary Coast, Republic. Daniel J. Bloomberg.
Lady on a Train, Universal. Bernard B. Brown.
Leave Her to Heaven, 20th Century-Fox. Thomas T. Moulton.
Rhapsody in Blue, Warner Bros. Nathan Levinson.
A Song to Remember, Columbia. John Livadary.
The Southerner, Loew-Hakim, UA. Jack Whitney, General Service.
They Were Expendable, MGM. Douglas Shearer.
The Three Caballeros, Disney, RKO Radio. C.O. Slyfield.
Three is a Family, Master Productions, UA. W.V. Wolfe, RCA Sound.
The Unseen, Paramount. Loren Ryder
Wonder Man, Goldwyn, RKO Radio. Gordon Sawyer.

Best Song
"Accentuate the Positive" (Here Come the Waves, Paramount); Music by Harold Arlen. Lyrics by Johnny Mercer. 
"Anywhere" (Tonight and Every Night, Columbia); Music by Jule Styne. Lyrics by Sammy Cahn.
"Aren't You Glad You're You" (The Bells of St. Mary's, Rainbow, RKO Radio); Music by James Van Heusen. Lyrics by Johnny Burke.
"The Cat and the Canary" (Why Girls Leave Home, PRC); Music by Jay Livingston. Lyrics by Ray Evans.
"Endlessly" (Earl Carroll Vanities, Republic); Music byWalter Kent. Lyrics by Kim Gannon.
"I Fall in Love Too Easily" (Anchors Aweigh, MGM); Music by Jule Styne. Lyrics by Sammy Cahn.
"I'll Buy That Dream" (Sing Your Way Home, RKO Radio); Music by Allie Wrubel. Lyrics by Herb Magidson.
"It Might As Well Be Spring" (State Fair, 20th Century-Fox); Music by Richard Rogers. Lyrics by Oscar Hammerstein II.
"Linda" (The Story of G.I. Joe, Cowan, UA); Music and Lyrics by Ann Ronell.
"Love Letters" (Love Letters, Wallis, Paramount); Music by Victor Young; Lyrics by Edward Heyman.
"More and More" (Can't Help Singing, Universal); Music by Jerome Kern. Lyrics by E.Y. Harburg.
"Sleighride in July" (Belle of the Yukon, International, RKO Radio); Music by James Van Heusen. Lyrics by Johnny Burke.
"So in Love" (Wonder Man, Goldwyn, RKO Radio); Music by David Rose. Lyrics by Leo Robin.
"Some Sunday Morning" (San Antonio, Warner Bros.); Music by Ray Heindorf and M.K. Jerome. Lyrics by Ted Koehler.

Best Scoring of a Dramatic or Comedy Picture
The Bells of St. Mary's Rainbow, RKO Radio. Robert Emmet Dolan
Brewster's Millions, Small, UA. Lou Forbes.
Captain Kidd, Bogeaus, UA. Werner Janssen.
Enchanted Cottage, RKO Radio. Roy Webb.
Flame of the Barbary Coast, Republic. Dale Butts and Morton Scott.
G.I. Honeymoon, Monogram. Edward J. Kay
Guest in the House, Guest in the house, Inc., UA. Werner Janssen.
Guest Wife, Green Tree, Prods., UA. Daniele Amfitheatrof.
The Keys of the Kingdom (1944), 20th Century-Fox. Alfred Newman.
The Lost Weekend, Paramount. Milos Rozsa. 
Love Letters, Wallis, Paramount. Victor Young.
The Man Who Walked Alone, PRC. Karl Hajos.
Objective, Burma, Warner Bros. Franz Waxman.
Paris, Underground, Bennett, UA. Alexander Tansman.
A Song to Remember, Columbia. Miklos Rozsa and Morris Stoloff.
The Southerner, Loew-Hakim, UA. Werner Janssen.
Spellbound, Selznick, UA. Miklos Rozsa.
The Story of G.I. Joe, Cowan, UA. Louis Applebaum and Ann Ronell.
This Love of Ours, Universal. H.J. Salter.
The Valley of Decision, MGM. Herbert Stothart.
The Woman in the Window (1944), International, RKO Radio. Hugo Friedhofer and Arthur Lange. 

Best Scoring of a Musical Picture
Anchors Aweigh, MGM. Georgie Stoll.
Belle of the Yukon, International, RKO Radio. Arthur Lange.
Can't Help Singing, Universal. Jerome Kern and H.J. Salter.
Hitchhike to Happiness, Republic. Morton Scott.
Incendiary Blonde, Paramount. Robert Emmett Dolan. 
Rhapsody in Blue, Warner Bros. Ray Heindorf and Max Steiner.
State Fair, 20th Century-Fox. Charles Henderson and Alfred Newman.
Sunbonnet Sue, Monogram. Edward J. Kay. 
The Three Caballeros, Disney, RKO Radio. Edward Plumb, Paul J. Smith and Charles Wolcott.
Tonight and Every Night, Columbia. Marlin Skiles and Morris Stoloff.
Why Girls Leave Home, PRC. Walter Greene.
Wonder Man, Goldwyn, RKO Radio. Lou Forbes and Ray Heindorf.

Best Film Editing
The Bells of St. Mary's Rainbow, RKO Radio. Harry Marker.
The Lost Weekend, Paramount. Doane Harrison.
National Velvet (1944), MGM. Robert J. Kern.
Objective, Burma, Warner Bros. George Amy.
A Song to Remember, Columbia. Charles Nelson. 

Best Special Effects
Captain Eddie, 20th Century-Fox. Photographic: Fred Sersen and Sol Halprin. Sound: Roger Heman and Harry Leonard.
Spellbound, Selznick, UA. Photographic: Jack Cosgrove. Sound: No credits listed.
They Were Expendable, MGM. Photographic: A. Arnold Gillespie, Donald Jahraus and R.A. MacDonald. Sound: Michael Steinore.
A Thousand and One Nights, Columbia. Photographic: L. W. Butler. Sound: Ray Bomba.
Wonder Man, Goldwyn, RKO Radio. Photographic: John Fulton. Sound: A. W. Johns.

Best Short Subject Cartoon
Donald's Crime, Disney, RKO Radio (Donald Duck). Walt Disney, producer.
Jasper and the Beanstalk, Paramount (Puppetoon). George Pal, producer.
Life with Feathers, Warner Bros. (Merrie Melodies). Eddie Selzer, producer.
Mighty Mouse in Gypsy Life, 20th Century-Fox (Terrytoon). Paul Terry, producer.
Poet and Peasant, Universal (Lantz Technicolor Cartune). Walter Lantz, producer.
Quiet Please, MGM (Tom & Jerry Series). Frederick Quimby, producer.
Rippling Romance, Columbia (Color Rhapsodies).

Best Short Subject (One-Reel) 
Along the Rainbow Trail, 20th Century-Fox (Movietone Adventure). Edmund Reek, producer.
Screen Snapshots 25th Anniversary, Columbia (Screen Snapshots). 
Stairway to Light, MGM (John Nesbitt Passing Parade). Herbert Moulton, producer.
Story of a Dog, Warner Bros. (Vitaphone Varieties). Gordon Hollingshead, producer.
White Rhapsody, Paramount (Sportslights). Grantland Rice, producer.
Your National Gallery, Universal (Variety Views). Joseph O'Brien and Thomas Mead, producers.

Best Short Subject (Two-Reel)
A Gun in His Hand, MGM (Crime Does Not Pay). Chester Franklin, producer.
The Jury Goes Round 'N' Round, Columbia (All Star Comedies). Jules While, producer.
The Little Witch, Paramount (Musical Parade). George Templeton, producer.
Star in the Night, Warner Bros. (Broadway Brevities). Gordon Hollingshead, producer.

Best Documentary Short Subject
Hitler Lives? Warner Bros.
Library of Congress, Overseas Motion Picture Bureau, Office of War Information.
To the Shores of Iwo Jima, U.S. Marine Corps.

Best Documentary Feature
The Last Bomb, U.S. Army Air Force.
The True Glory, Governments of Great Britian and USA.

Irving G. Thalberg Memorial Award
Not given this year.

Special Award
Walter Wanger for his six years service as President of the Academy of Motion Picture Arts and Sciences (special plaque).

Peggy Ann Garner, outstanding child actress of 1945 (statuette).

The House I Live In, tolerance short subject; produced by Frank Ross and Mervyn LeRoy; directed by Mervyn LeRoy; screenplay by Albert Maltz; sone "The House I Live In," music by Earl Robinson, lyrics by Lewis Allen; starring Frank Sinatra; released by RKO Radio (statuette).

Republic Studio, Daniel J. Bloomberg and the Republic Sound Department for the building of an outstanding musical scoring auditorium which provides optimum recording conditions and combines all elements of acoustic and engineering design (certificates).

Scientific or Technical
Class I (Statuette)
None.

Class II (Plaque)
None. 

Class III (Citation)
Loren L. Ryder, Charles R. Daily and the Paramount Studio Sound Department for the design, construction and use of the first dial-controlled step-by-step sound channel line-up and test circuit.

Michael S. Leshing, Benjamin C. Robinson, Arthur B. Chatelain and Robert C. Stevens of 20th Century-Fox Studio and John G. Capstaff of Eastman Kodak Co. for the 20th Century-Fox film processing machine. 

Venice Film Festival (Source: Film Facts, 1980, edited by Cobbett Steinberg).

Festival not held.

The New York Times Ten Best List (Listed in chronological order. Source: Film Facts, 1980, edited by Cobbett Steinberg).

A Tree Grows in Brooklyn
The Way Ahead
Anchors Aweigh
Pride of the Marines
The House on 92nd Street
The Story of G.I. Joe
Spellbound
The Last Chance
The Lost Weekend
They Were Expendable
Time Magazine Ten Best List (Listed in chronological order. Source: Film Facts, 1980, edited by Cobbett Steinberg).
The Fighting Lady
A Tree Grows in Brooklyn
The Life and Death of Colonel Blimp (1943)
The Clock
San Pietro
The Southerner
Anchors Aweigh
The True Glory
The House on 92nd Street
The Lost Weekend

The Top Box-Office Hits of 1945 (According to Variety. Source: Film Facts1980, edited by Cobbett Steinberg. Totals were not listed.).

1945 films listed on the 1944/45 list:
Affairs of Susan
Along Came Jones
Anchors Aweigh
Christmas in Connecticut
Diamond Horseshoe
God is My Co-Pilot
Nob Hill
Rhapsody in Blue
Salty O'Rourke
A Song to Remember
Thrill of a Romance
Thunderhead- Son of Flicka
A Tree Grows in Brooklyn
The Valley of Decision
Without Love
Wonder Man
1945 films listed on the 1945/46 list:
The Bells of St. Mary's
Caesar and Cleopatra
The Dolly Sisters
Duffy's Tavern
The House on 92nd Street
Kitty
Leave Her to Heaven
The Lost Weekend
Love Letters
Mildred Pierce
San Antonio
Saratoga Trunk
The Spanish Main
Spellbound
The Stork Club
They Were Expendable
Weekend at the Waldorf
Ziegfeld Follies

The Top Ten Box Office Stars (according to Quigley Publications)
1) Bing Crosby
2) Van Johnson
3) Greer Garson
4) Betty Grable
5) Spencer Tracy
6) Humphrey Bogart & Gary Cooper (tie)
7) Bob Hope
8) Judy Garland
9) Margaret O'Brien
10) Roy Rogers

The Next Fifteen:
11) Abbott & Costello
12) Betty Hutton
13) Ingrid Bergman
14) Bette Davis
15) Alan Ladd
16) Dane Clark
17) Joseph Cotton
18) Claudette Colbert
19) Walter Pidgeon
20) Fred MacMurray
21) Danny Kaye
22) Gregory Peck
23) Ginger Rogers
24) John Wayne
25) Mickey Rooney

The Stars of Tomorrow (according to Quigley Publishing's poll of film exhibitors).
1) Dane Clark
2) Jeanne Crain
3) Keenan Wynn
4) Peggy Ann Garner
5) Cornel Wilde
6) Ton Drake
7) Lon McCallister
8) Diana Lynn
9) Marilyn Maxwell
10) William Eythe

The Top Ten Western Stars of 1945 (according to Quigley Publishing's poll of film exhibitors).
1) Roy Rogers
2) Gabby Hayes
3) William Boyd
4) Bill Elliot
5) Smiley Burnett
6) Johnny Mack Brown
7) Charles Starrett
8) Red Barry
9) Tex Ritter
10) Rod Cameron

The Top Ten Box-Offices Stars of 1945 in Britain (according to The Motion Picture Herald).

British Stars:
1) James Mason
2) Stewart Granger
3) Margaret Lockwood
4) John Mills
5) Phyllis Calvert
6) Rex Harrison
7) Laurence Olivier
8) Anna Neagle
9) George Formby
10) Eric Portman

International Stars:
1) Bing Crosby
2) Bette Davis
3) Greer Garson
4) Humphrey Bogart
5) Bob Hope
6) Betty Grable
7) Spencer Tracy and James Mason (tie)
8) Abbott & Costello
9) Stewart Granger
10) Joan Fontaine

Harvard Lampoon's Movie Worst Awards (Source: Film Facts, 1980, edited by Cobbett Steinberg).

Ten Worst Pictures:
Weekend at the Waldorf
Music for Millions
This Love of Ours
The Enchanted Cottage
Where Do We Go from Here
Spellbound
Anchors Aweigh
Guest Wife
She Wouldn't Say Yes
Uncle Harry

Worst Single Performance- Female:
June Allyson, Her Highness and the Bellboy

Worst Single Performance- Male:
Van Johnson, Thrill of a Romance

Most Consistently Bad Performances:
Alexis Smith

Oldest Actress of the Year
Joan Crawford (honorable mention to Joan Bennett)




0 Comments:

Post a Comment

Subscribe to Post Comments [Atom]

<< Home