Hey, Look Me Over

Sunday, November 16, 2008

Film Data For 1962

The Film Daily's Ten Best Pictures of 1962
1) The Manchurian Candidate- 193 
2) The Music Man- 177 
3) The Miracle Worker- 174 
4) The Longest Day- 163 
5) To Kill a Mockingbird- 154 
6) Requiem for a Heavyweight- 150 
7) Bird Man of Alcatraz- 128 
8) Lawrence of Arabia- 122 
9) Billy Budd- 117 
10) A Taste of Honey (1961)- 111 
The Honor Roll: 
11) Advise and Consent- 81 
12) Gigot- 78 
13) Whatever Happened to Baby Jane?- 68 
14) Lolita- 67 
15) Sweet Bird of Youth- 65 
16) That Touch of Mink- 63 
17) Flower Drum Song (1961)- 62 
18) Hatari!- 59 
19) Lover Come Back (1961)- 58 
20) Divorce- Italian Style- 54 
21) Mr. Hobbs Takes a Vacation- 52 
22) The Interns- 51 
23) A View From the Bridge- 48 
24) Boccaccio ‘70- 47 
25) Gypsy- 44 
26) Summer and Smoke (1961)- 43 (placed #25 in 1961 with 20 votes) 
27) Period of Adjustment- 31 
28) In Search of the Castaways- 30 
      Walk on the Wild Side- 30 
30) Bon Voyage!- 28 
31) Shoot the Piano Player- 26 
32) David and Lisa- 24 (placed 4th in 1963 poll with 122 votes) 
33) Days of Wine and Roses- 22 (placed 13th in 1963 poll with 58 votes) 
34) The Chapman Report- 20 
35) Mutiny on the Bounty- 18 
36) Whistle Down the Wind (1961)- 12 

The Film Daily- Filmdom’s Famous Fives of 1962 (No vote counts given, but I believe The Film Daily listed them in order of preference) 

Best Performances by Male Stars 
1) Burt Lancaster in Bird Man of Alcatraz 
2) Robert Preston in The Music Man 
3) Jackie Gleason in Gigot 
4) James Cagney in One, Two, Three (1961) 
5) Anthony Quinn in Requiem for a Heavyweight

Best Performances by Female Stars 
1) Anne Bancroft in The Miracle Worker 
2) Sophia Loren in Two Women (1961) 
3) Doris Day in Lover Come Back (1961) 
4) Geraldine Page in Sweet Bird of Youth 
5) Deborah Kerr in The Innocents 

Best Performances by Supporting Actors 
1) Terence Stamp in Billy Budd 
2) Mickey Rooney in Requiem for a Heavyweight 
3) Charles Laughton in Advise and Consent 
4) Neville Brand in Bird Man of Alcatraz 
5) Paul Ford in The Music Man (tied with) Walter Matthau in Lonely are the Brave 

Best Performances by Supporting Actresses 
1) Angela Lansbury in The Manchurian Candidate 
2) Hermione Gingold in The Music Man 
3) Arlene Francis in One, Two, Three (1961) 
4) Betty Field in Bird Man of Alcatraz 
5) Audrey Meadows in That Touch of Mink 

Best Performances by Juvenile Actors 
1) Patty Duke in The Miracle Worker 
2) Hayley Mills in Whistle Down the Wind (1961) 
3) Kevin Corcoran in Bon Voyage! 
4) Sue Lyon in Lolita 

“Finds of the Year” 
1) Anne Bancroft in The Miracle Worker 
2) Terence Stamp in Billy Budd 
3) Patty Duke in The Miracle Worker 
4) Marcello Mastroianni in Divorce- Italian Style 
5) Rita Tushingham in A Taste of Honey 

The National Board of Review (winners announced on December 21, 1962. Source: Tom O’Neil’s Movie Awards)

The Top Ten Pictures (in order of preference) 
1) The Longest Day 
2) Billy Budd 
3) The Miracle Worker 
4) Lawrence of Arabia 
5) Long Day’s Journey into Night 
6) Whistle Down the Wind 
7) Requiem for a Heavyweight 
8) A Taste of Honey 
9) Bird Man of Alcatraz 
10) War Hunt 

Best Director 
David Lean for Lawrence of Arabia 

Best Actor 
Jason Robards for Long Day’s Journey into Night and Tender is the Night 

Best Actress 
Anne Bancroft in The Miracle Worker 

Best Supporting Actor 
Burgess Meredith in Advise and Consent 

Best Supporting Actress Angela Lansbury in The Manchurian Candidate and All Fall Down

Best Foreign Films (in order of preference) 
1) Sundays and Cybele (France) 
2) Barabbas (1961- Italy) 
3) Divorce- Italian Style (1961- Italy) 
4) The Island (1960- Japan) 
5) Through a Glass Darkly (1961- Sweden) 

The Golden Globes (Nominations announced on January 23, 1963. Awards presented on March 5th, 1963. Source: Tom O’Neil’s Movie Awards) Winners listed in bold print.

Best Drama Picture 
The Chapman Report 
Days of Wine and Roses 
Freud 
Hemingway’s Adventures of a Young Man 
Lawrence of Arabia 
Lisa 
The Longest Day
The Miracle Worker
Mutiny on the Bounty
To Kill a Mockingbird 

Best Comedy Picture 
Best of Enemies 
Boys Night Out 
If a Man Answers 
Period of Adjustment 
That Touch of Mink 

Best Musical Picture 
Girls! Girls! Girls! 
Gypsy 
Jumbo 
The Music Man 
The Wonderful World of the Brothers Grimm

Best Motion Picture Promoting International Understanding 
Best of Enemies 
The Interns 
To Kill a Mockingbird 

Best Director 
George Cukor for The Chapman Report 
Morton DaCosta for The Music Man 
Blake Edwards for Days of Wine and Roses 
John Frankenheimer for The Manchurian Candidate 
John Huston for Freud 
Stanley Kubrick for Lolita 
David Lean for Lawrence of Arabia 
Mervyn LeRoy for Gypsy 
Robert Mulligan for To Kill a Mockingbird 
Martin Ritt for Hemingway’s Adventures of a Young Man 
Ismael Rodriguez for Los Hermanos del Hierro

Best Actor, Drama 
Bobby Darin in Pressure Point 
Jackie Gleason in Gigot 
Laurence Harvey in The Wonderful World of the Brothers Grimm 
Burt Lancaster in Bird Man of Alcatraz 
Jack Lemmon in Days of Wine and Roses 
James Mason in Lolita 
Paul Newman in Sweet Bird of Youth 
Peter O’Toole in Lawrence of Arabia 
Gregory Peck in To Kill a Mockingbird 
Anthony Quinn in Lawrence of Arabia 
 
Best Actress, Drama 
Anne Bancroft in The Miracle Worker 
Bette Davis in Whatever Happened to Baby Jane? 
Katharine Hepburn in Long Day’s Journey into Night 
Glynis Johns in The Chapman Report 
Melina Mercouri in Phaedra 
Geraldine Page in Sweet Bird of Youth 
Lee Remick in Days of Wine and Roses 
Susan Strasberg in Hemingway’s Adventures of a Young Man
Shelley Winters in Lolita
Susannah York in Freud

Best Actor, Comedy or Musical 
Stephen Boyd in Jumbo 
Jimmy Durante in Jumbo 
Cary Grant in That Touch of Mink 
Charlton Heston in The Pigeon That Took Rome 
Karl Malden in Gypsy 
Marcello Mastroianni in Divorce- Italian Style (1961)
Robert Preston in The Music Man 
Alberto Sordi in The Best of Enemies 
James Stewart in Mr. Hobbs Takes a Vacation 

Best Actress, Comedy or Musical 
Doris Day in Jumbo 
Jane Fonda in Period of Adjustment 
Shirley Jones in The Music Man 
Rosalind Russell in Gypsy 
Natalie Wood in Gypsy 

Best Supporting Actor 
Ed Begley in Sweet Bird of Youth 
Victor Buono in Whatever Happened to Baby Jane? 
Harry Guardino in The Pigeon That Took Rome 
Ross Martin in Experiment in Terror 
Paul Newman in Hemingway’s Adventures of a Young Man 
Cesar Romero in If a Man Answers 
Telly Savalas in Bird Man of Alcatraz
Peter Sellers in Lolita 
Omar Sharif in Lawrence of Arabia 
Harold J. Stone in The Chapman Report 

Best Supporting Actress 
Patty Duke in The Miracle Worker 
Hermione Gingold in The Music Man 
Shirley Knight in Sweet Bird of Youth 
Susan Kohner in Freud 
Angela Lansbury in The Manchurian Candidate 
Gabriella Pollotta in The Pigeon That Took Rome 
Martha Raye in Jumbo 
Kay Stevens in The Interns 
Jessica Tandy in Hemingway’s Adventures of a Young Man 
Tarita in Mutiny on the Bounty 

Most Promising Newcomer- Male 
Keir Dullea in David and Lisa 
Omar Sharif in Lawrence of Arabia 
Terence Stamp in Billy Budd 
Peter O’Toole in Lawrence of Arabia 
Paul Wallace in Gypsy 

Most Promising Newcomer- Female 
Patty Duke in The Miracle Worker 
Sue Lyon in Lolita 
Rita Tushingham in A Taste of Honey 
Dahlia Lavi in Two Weeks in Another Town 
Janet Margolin in David and Lisa 
Suzanne Pleshette in Rome Adventure 

Best Foreign-Language Film
Best of Enemies (1961- Italy) (tied with) Divorce-Italian Style (1961- Italy) 

Best Cinematography (Black-and-White) 
The Longest Day 

Best Cinematography (Color)
Lawrence of Arabia 

Best Original Score 
Elmer Bernstein for To Kill a Mockingbird 

World Film Favorites 
Doris Day 
Rock Hudson
 
Samuel Goldwyn International Award 
Sundays and Cybele (France) 

Cecil B. DeMille Award 
Bob Hope 
The 1962 British Academy Awards (Source: Bo Smith- The BAFTA Film Awards, 1989) 

Best Film From Any Source and Best British Film 
Billy Budd (G.B.) 
The Island (1960- Japan) 
Jules et Jim (France) 
A Kind of Loving (G.B.) 
The Lady with the Little Dog (USSR) 
Last Year at Marienbad 1961- France/Italy) 
Lawrence of Arabia (G.B.)- won both awards 
Lola (1961- France/Italy) 
The Long Absence (1961- France/Italy) 
The L-Shaped Room (G.B.) 
The Manchurian Candidate (U.S.) 
The Miracle Worker (U.S.) 
Only Two Can Play (G.B.) 
Phaedra (1961- Greece) 
Thou Shalt Not Kill (1961- Italy/Yugoslavia/Liechtenstein) 
Through a Glass Darkly (1961- Sweden) 
The Vanishing Corporal (France) 
West Side Story (1961- U.S.) 

Best British Actor 
Richard Attenborough in The Dock Brief 
Alan Bates in A Kind of Loving 
James Mason in Lolita 
Laurence Olivier in Term of Trial 
Peter O’Toole in Lawrence of Arabia 
Peter Sellers in Only Two Can Play

Best British Actress 
Leslie Caron in The L-Shaped Room 
Virginia Maskell in The Wild and the Willing 
Janet Munro in Life for Ruth 
 
Best Foreign Actor 
Jean-Paul Belmondo in Leon Marin, Priest (1961)
Franco Citti in Accatone! (1961)
Kirk Douglas in Lonely are the Brave 
George Hamilton in A Light in the Piazza 
Burt Lancaster in Bird Man of Alcatraz 
Charles Laughton in Advise and Consent 
Anthony Quinn in Lawrence of Arabia 
Robert Ryan in Billy Budd 
Georges Wilson in The Long Absence (1961)

Best Foreign Actress 
Anouk Aimee in Lola (1961)
Harriet Andersson in Through a Glass Darkly (1961)
Anne Bancroft in The Miracle Worker 
Melina Mercouri in Phaedra 
Jeanne Moreau in Jules et Jim 
Geraldine Page in Sweet Bird of Youth 
Natalie Wood in Splendor in the Grass (1961)
 
Most Promising Newcomer 
Tom Courtenay in The Loneliness of the Long Distance Runner 
Mariette Hartley in Guns in the Afternoon (Ride the High Country
Ian Hendry in Live Now, Pay Later 
Sarah Miles in Term of Trial 
Terence Stamp in Billy Budd 

Best British Screenplay 
Peter Ustinov and DeWitt Bodeen for Billy Budd 
Keith Waterhouse and Willis Hall for A Kind of Loving 
Robert Bolt for Lawrence of Arabia 
Bryan Forbes for Only Two Can Play 
Geoffrey Cotterell and Ivan Foxwell for Tiara Tahiti 
Wolf Mankowitz for The Waltz of the Toreadors 

Best Short Film 
Lonely Boy (Canada)
An Occurrence at Owl Creek Bridge (France)
Pan (Holland) 
Zoo (Holland) 

Best Specialized Film 
Four Line Conics (Canada) 
What’s the Time (G.B.) 

Best Animated Film 
The Apple (G.B.) 
Four Line Conics (Canada) 
The Traveling Rune (Holland) 

United Nations Award 
Food or Famine (G.B.) 
Reach for Glory (G.B.) 
Thou Shalt Not Kill (Italy/Yugoslavia/Liechtenstein) 
  The Academy Awards (nominations announced February 25, 1963. Awards presented April 8, 1963. Sources: Tom O’Neil’s Movie Awards and Mason Wiley and Damien Bona’s Inside Oscar).

Best Picture 
Lawrence of Arabia, Horizon-Spiegel-Lean, Columbia. Produced by Sam Spiegel.
The Longest Day, Zanuck, 20th Century-Fox. Produced by Darryl F. Zanuck.
The Music Man, Warner Bros. Produced by Aaron Rosenberg.
Mutiny on the Bounty, Arcola, MGM. Produced by Aaron Rosenberg.
To Kill a Mockingbird, Pakula-Mulligan-Brentwood, U-I. Produced by Alan J. Pakula.

Best Director 
Pietro Germi for Divorce- Italian Style (Embassy Pictures).
David Lean for Lawrence of Arabia (Horizon-Spiegel-Lean, Columbia).
Robert Mulligan for To Kill a Mockingbird (Pakula-Mulligan-Brentwood, U-I).
Arthur Penn for The Miracle Worker (Playfilms, UA).
Frank Perry for David and Lisa (Heller-Perry, Continental).

Best Actor 
Burt Lancaster in Bird Man of Alcatraz (Hecht, UA).
Jack Lemmon in Days of Wine and Roses (Manulis-Jalem, Warner Bros.).
Marcello Mastroianni in Divorce- Italian Style (Embassy Pictures).
Peter O’Toole in Lawrence of Arabia (Horizon-Spiegel-Lean, Columbia).
Gregory Peck in To Kill a Mockingbird (Pakula-Mulligan-Brentwood, U-I).

Best Actress 
Anne Bancroft in The Miracle Worker (Playfilms, UA).
Bette Davis in Whatever Happened to Baby Jane? (Seven Arts-Associates & Aldrich Co., Warner Bros.).
Katharine Hepburn in Long Day’s Journey into Night (Landau, Embassy).
Geraldine Page in Sweet Bird of Youth (Roxbury, MGM).
Lee Remick in Days of Wine and Roses (Manulis-Jalem, Warner Bros.).

Best Supporting Actor 
Ed Begley in Sweet Bird of Youth (Roxbury, MGM).
Victor Buono in Whatever Happened to Baby Jane? (Seven Arts-Associates & Aldrich Co., Warner Bros.).
Telly Savalas in Bird Man of Alcatraz (Hecht, UA).
Omar Sharif in Lawrence of Arabia  (Horizon-Spiegel-Lean, Columbia).
Terence Stamp in Billy Budd (Harvest, Allied Artists).

Best Supporting Actress 
Mary Badham in To Kill a Mockingbird (Pakula-Mulligan-Brentwood, U-I).
Patty Duke in The Miracle Worker (Playfilms, UA).
Shirley Knight in Sweet Bird of Youth (Roxbury, MGM).
Angela Lansbury in The Manchurian Candidate (Axelrod-Frankenheimer, UA).
Thelma Ritter in Bird Man of Alcatraz (Hecht, UA).

Best Screenplay- Based on Material From Another Medium
David and Lisa, Heller-Perry, Continental. Eleanor Perry. 
Lawrence of Arabia, Horizon-Spiegel-Lean, Columbia. Robert Bolt. 
Lolita, Seven Arts, MGM. Vladimir Nabokov.
The Miracle Worker, Playfilms, UA. William Gibson.
To Kill a Mockingbird, Pakula-Mulligan-Brentwood, U-I. Horton Foote. 

Best Story and Screenplay Written Directly for the Screen 
Divorce- Italian Style, Embassy Pictures (Italian). Ennio de Concini, Alfredo Giannetti and Pietro Germi.
Freud, Huston, U-I. Charles Kaufman and Wolfgang Reinhardt.
Last Year at Marienbad (1961), Astor Pictures (French). Alain Robbe-Grillet.
That Touch of Mink, Granley-Arwin-Shapiro, U-I. Stanley Shapiro and Nate Monaster.
Through a Glass Darkly (1961), Janus Films (Swedish). Ingmar Bergman.

Best Cinematography (Black-and-White) 
Bird Man of Alcatraz, Hecht, UA. Burnett Guffey. 
The Longest Day, Zanuck, 20th Century-Fox. Jean Bourgoin and Walter Wottitz.
To Kill a Mockingbird, Pakula-Mulligan-Brentwood, U-I. Russell Harlan.
Two for the Seesaw, Mirisch-Argyle-Talbot-Seven Arts, UA. Ted McCord.
Whatever Happened to Baby Jane?, Seven Arts-Associates & Aldrich Co., Warner Bros. Ernest Haller.

Best Cinematography (Color) 
Gypsy, Warner Bros. Harry Stradling, Sr.
Hatari!, Malabar, Paramount. Russell Harlan.
Lawrence of Arabian Horizon-Spiegel-Lean, Columbia. Fred A. Young.
Mutiny on the Bounty, Arcola, MGM. Robert L. Surtees.
The Wonderful World of the Brothers Grimm, MGM and Cinerama. Paul C. Vogel.

Art Direction-Set Direction (Black-and-White)
Days of Wine and Roses, Manulis-Jalem, Warner Bros. Joseph Wright; George James Hopkins.
The Longest Day, Zanuck, 20th Century-Fox. Ted Haworth, Leon Barasa and Vincent Korda; Gabriel Bechir.
Period of Adjustment, Marten, MGM. George W. Davis and Edward Carfagno; Henry Grace and Dick Pefferle.
The Pigeon That Took Rome, Lienroe, Paramount. Hal Pereira and Roland Anderson; Sam Comer and Frank R. McKelvy.
To Kill a Mockingbird, Pakula-Mulligan-Brentwood, U-I. Alexander Golitzen and Henry Bumstead; Oliver Emert.

Art Direction-Set Direction (Color) 
Lawrence of Arabia, Horizon-Spiegel-Lean, Columbia. John Box and John Stoll; Dario Simoni.
The Music Man, Warner Bros. Paul Groesse; George James Hopkins.
Mutiny on the Bounty, Arcola, MGM. George W. Davis and J. McMillan Johnson; Henry Grace and Hugh Hunt.
That Touch of Mink, Granley-Arwin-Shapiro, U-I. Alexander Golitzen and Robert Clatworthy; George Milo.
The Wonderful World of the Brothers Grimm, MGM and Cinerama. George W. Davis and Edward Carfagno; Henry Grace and Dick Pefferle.

Best Sound 
Bon Voyage, Disney, Buena Vista. Walt Disney Studios Sound Department; Robert O. Cook, sound director.
Lawrence of Arabia, Horizon-Spiegel-Lean, Columbia. Shepperton Studio Sound Dept.; John Cox, sound director .
The Music Man, Warner Bros. Warner Bros. Studio Sound Dept.; George R. Groves, sound director. 
That Touch of Mink, Granley-Arwin-Shapiro, U-I. Universal City Studio Sound Dept.; Waldon O. Watson, sound director. 
Whatever Happened to Baby Jane?, Seven Arts-Associates & Aldrich Co., Warner Bros. Warner Bros. Glen Glenn Sound Dept.; Joseph Kelly, sound director.

Best Song 
"Days of Wine and Roses" (Days and Wine Roses, Manulis-Jalem, Warner Bros.); Music by Henry Mancini. Lyrics by Johnny Mercer.
"Love Song from Mutiny on the Bounty (Follow Me)" (Mutiny on the Bounty, Arcola, ,MGM); Music by Bronislau Kaper. Lyrics by Paul Francis Webster. 
“Song from Two for the Seesaw (Second Chance)" (Two for the Seesaw, Mirisch-Argyle-Talbot-Seven Arts, UA); Music by Andre Previn. Lyrics by Dory Langdon. 
“Tender is the Night” (Tender is the Night, 20th Century-Fox); Music by Sammy Fain. Lyrics by Paul Francis Webster. 
“Walk on the Wild Side” (Walk on the Wild Side, Feldman-Famous Artists, Columbia); Music by Elmer Bernstein. Lyrics by Mack David.

Best Music Score- Substantially Original 
Freud, Huston, U-I. Jerry Goldsmith.
Lawrence of Arabia, Horizon-Spiegel-Lean, Columbia. Maurice Jarre.
Mutiny on the Bounty, Arcola, MGM. Bronislau Kaper.
Taras Bulba, Hecht, UA. Franz Waxman.
To Kill a Mockingbird, Pakula-Mulligan-Brentwood, U-I. Elmer Bernstein. 

Best Scoring of Music- Adaptation or Treatment 
Billy Rose’s Jumbo, Euterpe-Arwin, MGM. George Stoll.
Gigot, Seven Arts, 20th Century-Fox. Michel Magne.
Gypsy, Warner Bros. Frank Perkins.
The Music Man, Warner Bros. Ray Heindorf.
The Wonderful World of the Brothers Grimm, MGM and Cinerama. Leigh Harline.

Best Film Editing 
Lawrence of Arabia, Horizon-Spiegel-Lean, Columbia. Anne Coates.
The Longest Day, Zanuck, 20th Century-Fox. Samuel E. Beetley.
The Manchurian Candidate, Axelrod-Frankenheimer, UA. Ferris Webster.
The Music Man, Warner Bros. William Ziegler.
Mutiny on the Bounty, Arcola, MGM. John McSweeney, Jr. 

Best Costume Design (Black-and-White) 
Days of Wine and Roses, Manulis-Jalem, Warner Bros. Don Feld.
The Man Who Shot Liberty Valance, Ford, Paramount. Edith Head.
Whatever Happened to Baby Jane?, Seven Arts-Associates & Aldrich Co., Warner Bros. Norma Koch.
The Miracle Worker, Playfilms, UA. Ruth Morley.
Phaedra, Dassin-Melindafilm, Lopert Pictures. Denny Vachlioti.
 
Best Costume Design (Color) 
Bon Voyage, Disney, Buena Vista. Bill Thomas.
Gypsy, Warner BrosOrry-Kelly.
The Music Man, Warner Bros. Dorothy Jeakins.
My Geisha, Sachiko, Paramount. Edith Head.
The Wonderful World of the Brothers Grimm, MGM and Cinerama. Mary Wills.

Best Special Effects 
The Longest Day, Darryl F. Zanuck Prods., 20th Century-Fox. Robert MacDonald (Visual) and Jacques Maumont (Audible).
Mutiny on the Bounty, Arcola, MGM. A. Arnold Gillespie (Visual) and Milo Lory (Audible).

Best Short Subject Cartoon 
The Hole, Storyboard Inc., Brandon Films. John and Faith Hubley, producers.
Icarus Montgolfier Wright, Format Films, UA. Jules Engel, producer. 
Now Hear This, Warner Brothers. 
Self-Defense-For Cowards, Rembrandt Films, Film Representations. William L. Snyder, producer. 
Symposium on Popular Songs, Disney, Buena Vista. Walt Disney, producer.
 
Best Live Action Short Subject
Big City Blues, Mayfair Pictures. Martina and Charles Huguenot van der Linden, producers.
The Cadillac, United Producers Releasing. Robert Clouse, producer.
The Cliff Dwellers (a.k.a. One Plus One), Group II Film Prods., Schoenfeld Films. Hayward Anderson, producer.
Heureux Anniversaire (Happy Anniversary), Atlantic Pictures Corp. (French). Pierre Etaix and J.C. Carriere, producers.
Pan, Mayfair Pictures. Herman van der Horst, producer. 

Best Documentary Short Subject 
Dylan Thomas, TWW Ltd., Janus Films (Welsh). Jack Howells, producer .
The John Glenn Story, Department of the Navy, Warner Bros. William L. Hendricks, producer.
The Road to the Wall, CBS Films, Department of Defense. Robert Saudek, producer.

Best Documentary Feature 
Alvorada (Brazil’s Changing Face), MW Filmproduktion (German). Hugo Niebeling, producer. 
Black Fox, Image Prods., Heritage Films. Louis Clyde Stoumen, producer. 
 
Best Foreign Language Film 
Electra (Greece). 
The Four Days of Naples (Italy). 
The Keeper of Promises (The Given Word) (Brazil). 
Sundays and Cybele (France).
Tlayucan (Mexico).

Irving G. Thalberg Memorial Award
Not given this year.

Jean Hersholt Humanitarian Award 
Steve Broidy. 

Honorary Awards
Not given this year.

Scientific or Technical
Class I (Statuette)
None.

Class II (Plaque)
Ralph Chapman for the design and development of an advanced motion picture camera crane.

Albert S. Pratt, James L. Wassell and Hans C. Wohlrab of the Professional Division, Bell & Howell Co., for the design and development of a new and improved automatic motion picture additive color printer.

North American Philips Co., Inc. for the design and engineering of the Norelco Universal 70/35mm motion picture projector.

Charles E. Suter, William Bryson Smith and Louis C. Kennell of Paramount Pictures Corp. for the engineering and application to motion picture production of a new system of electric power distribution.

Class III (Citation)
Electro-Voice, Inc., for a highly directional dynamic line microphone.

Louis G. MacKenzie for a selective sound effects repeater.

Directors Guild of America (Best Director award was presented on February 9, 1963 via a dual ceremony at the Beverly Hilton Hotel in Los Angeles and the Waldorf-Astoria Hotel in New York. Source: Tom O'Neil's Movie Awards, 2001).

Best Director
David Lean, Lawrence of Arabia

Other finalists:
John Frankenheimer, The Manchurian Candidate
Pietro Germi, Divorce-Italian Style
John Huston, Freud
Stanley Kubrick, Lolita
Sidney Lumet, Long Day's Journey into Night
Peter Ustinov, Billy Budd
Bernhard Wicki, Ken Annakin, Andrew Marton, The Longest Day

Other directors mentioned:
Robert Aldrich, Whatever Happened to Baby Jane?
Morton DaCosta, The Music Man
John Frankenheimer, Bird Man of Alcatraz
Lewis Milestone, Mutiny on the Bounty
Robert Mulligan, To Kill a Mockingbird
Ralph Nelson, Requiem for a Heavyweight
Arthur Penn, The Miracle Worker
Tony Richardson, A Taste of Honey (1961)

 
Writers Guild of America (Awards were presented on May 7, 1963 at the Beverly Hills Hotel in Los Angeles. Source: Tom O'Neil's Movie Awards). (Winners in bold print).

Best Written Drama
Billy Budd, Peter Ustinov, DeWitt Bodeen, from the play by Luis O. Coxe, Robert H. Chapman, based on the novel by Herman Melville
Birdman of Alcatraz, Guy Trosper, based on the book by Thomas E. Gaddis
Freud, Charles Kaufman, Wolfgang
The Miracle Worker, William Gibson
To Kill a Mockingbird, Horton Foote, based on the novel by Harper Lee

Best Written Comedy
Mr. Hobbs Takes a Vacation, Nunnally Johnson, based on the novel by Edward Streeter
The Notorious Landlady, Larry Gelbart, Blake Edwards, based on a story by Margey Sharp
Period of Adjustment, Isobel Lennart, based on the play by Tennessee Williams
The Pigeon That Took Rome, Melville Shavelson, based on the novel The Easter Dinner by Donald Downes
That Touch of Mink, Stanley Shapiro, Nate Manaster

Best Written Musical
Billy Rose's Jumbo, Sidney Sheldon, based on the musical and book by Ben Hecht and Charles MacArthur
Gypsy, Leonard Spigelgass, based on the musical play by Arthur Laurents and the memoirs of Gypsy Rose Lee
Hey, Let's Twist, Hal Hackady
The Music Man, Marion Hargrove, based on the musical by Meredith Willson from a story by Meredith Willson and Franklin Lacey
State Fair, Richard Breen, from the novel by Phil Stong, the 1933 adaptation by Sonya Levien and Paul Green, and the 1945 screenplay by Oscar Hammerstein II

Laurel Award
Joseph L. Mankiewicz

Valentine Davies Award
Allen Rivkin

Screen Actor's Guild (Source: Tom O'Neil's Movie Awards, 2001).

Lifetime Achievement Award
Eddie Cantor
1962 Berlin Film Festival (Source: Film Facts, 1980, edited by Cobbett Steinberg).

Best Film 
A Kind of Loving (John Schlesinger, England) 

Best Direction 
Francesco Rosi for Salvatore Giuliano 

Best Actor 
James Stewart in Mr. Hobbs Takes a Vacation 

Best Actress 
Rita Gam and Viveca Lindfors in No Exit 

Best Documentary 
Galapagos (Germany)

Best Short Subject 
The Painter Karel Appel (Holland)

International Film Critics Prize 
Zoo (1961- Holland) 

Most Promising Newcomer 
Jon Young Sun in To the Last Day (1960- Korea) 

1962 Cannes Film Festival (Source: Film Facts, 1980, edited by Cobbett Steinberg).

Best Film 
The Given Word (Anselmo Duarte, Brazil) 

Best Acting 
Katharine Hepburn, Ralph Richardson, Jason Robards and Dean Stockwell in Long Day’s Journey into Night 
Rita Tushingham and Murray Melvin in A Taste of Honey (1961)

Special Jury Prize 
Robert Bresson for Le Proces de Jeanne D’Arc (1928)
Michelangelo Antonioni for L’Eclipse 

International Critics Prize 
Luis Bunuel for The Exterminating Angel 

Catholic Film Office Award 
Michelangelo Antonioni for L’Eclipse 

1962 Venice Film Festival (Source: Film Facts, 1980, edited by Cobbett Steinberg).

Best Film: Lion of St. Mark 
Childhood of Ivan (Andrev Tarkovski, USSR)
Family Diary (Valerio Zurlini, Italy)

Best Actor 
Burt Lancaster, Bird Man of Alcatraz

Best Actress 
Emmanuelle Riva, Therese Desqueyroux
Special Jury Prizes 
Vivre Sa Vie (Jean-Luc Godard, France)

Best First Film 
David and Lisa (Frank Perry, USA)
Los Innudados (1961- Ferando Birri, Argentina)

Catholic Film Office Award 
Term of Trail (England)

International Film Critics Award 
Knife in the Water (Roman Polanski, Poland)

San Giorgio Prize
Bird Man of Alcatraz
The New York Times Annual Ten Best List (in chronological order. Source: Film Facts, 1980, edited by Cobbett Steinberg).
Lover Come Back (1961) 
Last Year at Marienbad (1961)
Whistle Down the Wind (1961)
A Taste of Honey (1961)
Divorce-Italian Style (1961)
The Longest Day 
Long Day’s Journey into Night 
Sundays and Cybele 
Freud 
Electra 
The Top Box-Office Hits of 1962 (According to Variety- lists U.S. and Canadian rental fees up to the end of the calendar year. Late 1961 releases that primarily earned revenue in 1962 are included. Source: Film Facts, 1980, edited by Cobbett Steinberg. Includes actual and estimated domestic rentals to theaters in U.S. and Canada, not box-office takes, which would be higher. If the final first-run rental take for films gaining $4,000,000 or more in rentals varies from the total originally listed, I'm showing that figure after the original total. Final first-run rentals data comes from Variety's January 9, 1963 "All-Time Top Film Grosses" list (only films taking $4,000,000 or more in rentals were mentioned on the "All-Time" list; unfortunately, I have no data for films with a final gross under $4,000,000 that may have ended up with a higher take than shown below). Occasionally a film will end up on the "All-Time" list with a lower rental box-office take than when the film originally appeared on the yearly list of top box-office films. This is due to the estimated rentals, which were sometimes revised to a lower amount for the All-Time list).

1) Spartacus (1960)- $13,500,000 (final rentals of $14,000,000)
2) West Side Story (1961)- $11,000,000 (final rentals of $19,000,000)
3) Lover Come Back (1961)- $8,500,000 (final rentals of $11,500,000)
    That Touch of Mink- $8,500,000
5) El Cid (1961)- $8,000,000 (final rentals of $11,500,000)
    The Music Man- $8,000,000
7) King of Kings (1961)- $7,500,000 (final rentals of $8,000,000)
8) Hatari!- $6,000,000 (final rentals of $7,000,000)
9) Flower Drum Song (1961)- $5,000,000
    The Interns- $5,000,000
11) Blue Hawaii (1961)- $4,700,000
12) Lolita (1962)- $4,500,000
13) Babes in Toyland (1961)- $4,400,000 (final rentals of $4,700,000)
14) Bon Voyage!- $4,100,000 (final rentals of $5,500,000)
15) Whatever Happened to Baby Jane?- $4,000,000
16) Sergeants 3- $3,955,000 (final rentals of $4,100,000)
17) The Man Who Shot Liberty Valance- $3,900,000
18) Judgement at Nuremberg (1961)- $3,800,000 (final rentals of $5,000,000)
19) Moon Pilot- $3,500,000
      Splendor in the Grass (1961)- $3,500,000 (Splendor also placed at #10 on Variety's 1961 list- final rentals of $5,500,000)
The Golden Laurel Awards for 1963 (1962 films, unless otherwise noted. Published in the Motion Picture Exhibitor Magazine on September 11th, 1963. Listed in order of preference) 

Top Drama 
1) Days of Wine and Roses 
2) The Miracle Worker 
3) Bird Man of Alcatraz 
4) Mutiny on the Bounty 
5) The Interns 

Top Comedy
1) That Touch of Mink 
2) Son of Flubber (1963) 
3) Mr. Hobbs Takes a Vacation 
4) The Courtship of Eddie’s Father (1963) 
5) 40 Pounds of Trouble 

Top Action Drama 
1) The Longest Day 
2) Hatari! 
3) The Manchurian Candidate 
4) In Search of the Castaways 
5) The Man Who Shot Liberty Valance

Top Musical 
1) The Music Man 
2) Gypsy 
3) Girls! Girls! Girls! 
4) Billy Rose’s Jumbo 

Top General Entertainment 
To Kill a Mockingbird 

Top Road Show 
Lawrence of Arabia Sleeper of the Year (two winners) 
David and Lisa 
Whatever Happened to Baby Jane? 

Top Male Dramatic Performance 
1) Jack Lemmon in Days of Wine and Roses 
2) Gregory Peck in To Kill a Mockingbird 
3) Burt Lancaster in Birdman of Alcatraz 
4) Peter O’Toole in Lawrence of Arabia 
5) Henry Fonda in Spencer’s Mountain (1963) 

Top Female Dramatic Performance 
1) Lee Remick in Days of Wine and Roses 
2) Anne Bancroft in The Miracle Worker 
3) Bette Davis in Whatever Happened to Baby Jane? 
4) Shirley MacLaine in Two for the Seesaw 
5) Katharine Hepburn in Long Day’s Journey into Night 

Top Male Comedy Performance 
1) Cary Grant in That Touch of Mink 
2) Tony Curtis in 40 Pounds of Trouble 
3) James Stewart in Mr. Hobbs Takes a Vacation 
4) Glenn Ford in The Courtship of Eddie’s Father (1963) 
5) Fred MacMurray in Son of Flubber (1963) 

Top Female Comedy Performance 
1) Doris Day in That Touch of Mink 
2) Jane Fonda in Period of Adjustment 
3) Debbie Reynolds in My Six Loves (1963) 
4) Sandra Dee in If a Man Answers 
5) Maureen O’Hara in Mr. Hobbs Takes a Vacation 

Top Male Musical Performance 
1) Robert Preston in The Music Man 
2) Elvis Presley in Girls! Girls! Girls! 
3) Maurice Chevalier in In Search of the Castaways 
4) Pat Boone in State Fair 
5) Jimmy Durante in Billy Rose’s Jumbo
Top Female Comedy Performance 
1) Ann-Margret in State Fair 
2) Natalie Wood in Gypsy 
3) Shirley Jones in The Music Man 
4) Connie Francis in Follow the Boys (1963) 
5) Rosalind Russell in Gypsy 

Top Action Performance 
1) John Wayne in The Man Who Shot Liberty Valance 
2) Frank Sinatra in The Manchurian Candidate 
3) Kirk Douglas in Lonely are the Brave 
4) Lee Marvin in The Man Who Shot Liberty Valance 
5) Robert Mitchum in The Longest Day 

Top Male Supporting Performance 
1) Gig Young in That Touch of Mink 
2) Karl Malden in Gypsy 
3) Charles Bickford in Days of Wine and Roses 
4) Omar Sharif in Lawrence of Arabia 
5) Mickey Rooney in Requiem for a Heavyweight 

Top Female Supporting Performance 
1) Patty Duke in The Miracle Worker 
2) Mary Badham in To Kill a Mockingbird 
3) Thelma Ritter in Bird Man of Alcatraz 
4) Angela Lansbury in The Manchurian Candidate 
5) Roberta Sherwood in The Courtship of Eddie’s Father (1963) 

Top Male Star 
1) Rock Hudson 
2) Cary Grant 
3) Gregory Peck 
4) John Wayne 
5) Jack Lemmon 
6) Frank Sinatra 
7) Burt Lancaster 
8) Jerry Lewis 
9) Paul Newman 
10) Elvis Presley 
11) Henry Fonda 
12) James Stewart 
13) Tony Curtis 
14) William Holden 
15) Charlton Heston 

Top Female Star 
1) Doris Day 
2) Elizabeth Taylor 
3) Natalie Wood 
4) Ann-Margret 
5) Debbie Reynolds 
6) Sandra Dee 
7) Lee Remick 
8) Hayley Mills 
9) Shirley MacLaine 
10) Audrey Hepburn 
11) Kim Novak 
12) Anne Bancroft
13) Angie Dickinson 
14) Shirley Jones 
15) Jane Fonda 

Top New Male Personality 
1) Peter O’Toole 
2) James MacArthur 
3) Terence Stamp 
4) Omar Sharif 
5) Robert Walker 
6) Ty Hardin 
7) Victor Buono 
8) Keir Dullea 
9) Ron Howard 
10) Telly Savalas 

Top New Female Personality 
1) Suzanne Pleshette 
2) Elizabeth Allen 
3) Sue Lyon 
4) Stefanie Powers 
5) Janet Margolin 
6) Mimsy Farmer 
7) Rita Tushingham 
8) Anne Helm 
9) Lois Nettleton 
10) Pamela Franklin 

Top Director 
1) Fred Zinnemann 
2) Joseph L. Mankiewicz 
3) David Lean 
4) Henry Koster 
5) George Seaton 
6) John Frankenheimer 
7) Stanley Kubrick 
8) Vincente Minnelli 
9) John Sturges 
10) Delbert Mann 

Top Producer/Director 
1) Billy Wilder 
2) Alfred Hitchcock 
3) John Ford 
4) John Huston 
5) William Wyler 
6) Stanley Kramer 
7) Mervyn LeRoy 
8) Darryl F. Zanuck 
9) Otto Preminger 
10) Delmer Daves 

Top Producer 
1) Walt Disney 
2) Ross Hunter 
3) Sam Spiegel 
4) Hal B. Wallis 
5) Carl Foreman 
6) Walter Mirisch 
7) Samuel Bronston 
8) Robert Arthur 
9) Joe Pasternak 
10) Jerry Bresler 

Top Song 
1) “Love Song from Mutiny on the Bounty (Follow Me).” Music by Bronislau Kaper. Lyrics by Paul Francis Webster 
2) “Song from Two for the Seesaw (Second Chance).” Music by Andre Previn. Lyrics by Dory Langdon. 
3) “The Dancing Princess” from The Wonderful World of the Brothers Grimm. Music and Lyrics by Bob Merrill 
4) "Days of Wine and Roses" from Days of Wine and Roses. Music by Henry Mancini. Lyrics by Johnny Mercer 
5) Theme Song from Lawrence of Arabia. Music by Maurice Jarre 
 
Top Music 
1) Dimitri Tiomkin 
2) Johnny Green 
3) Max Steiner 
4) Andre Previn 
5) Meredith Wilson
Special Award (Three winners)
Bob Hope 
How the West Was Won 
The Wonderful World of the Brothers Grimm

The Top Ten Box-Office Stars of 1962 (according to Quigley Publishing’s poll of film exhibitors) 
1) Doris Day 
2) Rock Hudson
3) Cary Grant 
4) John Wayne 
5) Elvis Presley 
6) Elizabeth Taylor
7) Jerry Lewis 
8) Frank Sinatra 
9) Sandra Dee 
10) Burt Lancaster 

The Next Fifteen: 
11) Paul Newman 
12) Charlton Heston 
13) James Stewart 
14) Jack Lemmon 
15) William Holden 
16) Debbie Reynolds 
17) Kirk Douglas 
18) Tony Curtis 
19) Natalie Wood 
20) Hayley Mills 
21) Glenn Ford 
22) Kin Novak 
23) Shirley MacLaine 
24) Audrey Hepburn 
25) Gregory Peck 

1962's Top Ten "Stars of Tomorrow" (according to Quigley Publishing's poll of film exhibitors) 
1) Bobby Darin 
2) Ann-Margret 
3) Richard Beymer 
4) Suzanne Pleshette 
5) Capucine 
6) George Peppard 
7) James MacArthur 
8) Peter Falk
 9) Michael Callan 
10) Yvette Mimieux 

The Next Fifteen: 
11) Patty Duke 
12) Pamela Tiffin 
13) Dean Stockwell 
14) Elsa Martinelli 
15) Barbara Eden 
16) Sue Lyon 
17) David Ladd 
18) Tommy Sands 
19) Brandon deWilde 
20) Joan Blackman
21) Kevin Corcoran 
22) Harry Guardino 
23) Christine Kaufmann 
24) Stella Stevens 
25) Ty Hardin 

Great Britain’s Top Ten Box-Office Stars of 1962 (according to the Motion Picture Herald’s poll of British film exhibitors) 
1) Cliff Richard 
2) Elvis Presley 
3) Peter Sellers 
4) Kenneth More 
5) Hayley Mills 
6) Doris Day 
7) Sophia Loren
 8) John Wayne 
9) Frank Sinatra 
10) Sean Connery 

Great Britain’s Top Ten Box-Office hits of 1962 (according to the Motion Picture Herald) 
1) The Guns of Navarone 
2) The Young Ones 
3) Only Two Can Play 
4) The Comancheros 
5) Dr. No 
6) A Kind of Loving 
7) Sergeants Three 
8) Blue Hawaii 
9) The Road to Hong Kong 
10) That Touch of Mink 
11) The Waltz of the Toreadors 
12) Carry On Cruising 
Harvard Lampoon's Movie Worst Awards (Source: Film Facts, 1980, edited by Cobbett Steinberg).

Ten Worst:
The Chapman Report
If a Man Answers
Adventures of a Young Man
Diamond Head
The Wonderful World of the Brothers Grimm
White Slave Ship (1961)
Mutiny on the Bounty
Taras Bulba
Barabbas (1961)
The Mongols (1961); The Tartars (1961); The Huns (1960)

Worst Actress:
Jane Fonda, The Chapman Report

The Kirk Douglas Award for Worst Actor:
Charlton Heston, Diamond Head; The Pigeon That Took Rome

Worst Supporting Actress:
Pier Angeli, Sodom and Gomorrah

Worst Supporting Actor:
William Frawley, Safe at Home

The Uncrossed Heart:
(to the least promising young actor of the year)
Ann-Margret

The Tin Pan:
(to the most nauseating movie song of the year)
"Lolita, Yah-Yah"

The Wilde Oscar:
(to the performer who has been willing to flout convention and risk worldly reputation in the pursuit of artistic fulfillment)
Pier Angeli, for her part as a Pillar of Salt in Sodom and Gomorrah

The Merino Award:
In 1960 to Maureen O'Hara; in 1961 to Rita Moreno; this year to Maureen O'Sullivan

The Diamond-in-the-Rough Award:
Rosalind Russell for making Gypsy palatable despite Natalie Wood, Karl Malden, etc.

The Cellophane Figleaf:
(for false modesty)
Sue Lyon, who played the part of Lolita, and thereafter drummed up most of her publicity by insisting she is not a Lolita in real life 

The Bratwurst Award:
(for the most obnoxious child star)
A tie between Kevin Corcoran in In Search of the Castaways and the entire Vienna Boys Choir in Almost Angels

The Hon. "W.W." Corrigan Memorial Palm:
(for the worst direction of a film)
Otto Preminger for Lolita (note: Stanley Kubrick directed the film, so a W.W. Corrigan to the Havard Lampoon for this one)

The Timothy Cratchit Memorial Crutch:
To that Hollywood personality who offers the lamest justification for unsavory behavior: to Tony Curtis for calling a press conference to insist there was nothing immoral about his living with Christine Kaufman, since she had her parent's permission

The Arrested-Development Oblation:
(to that adult actor who has displayed the lowest level of maturity)
Jerry Lewis, It's Only Money

The Worst All-Around Performance by a Cast in Toto:
The Longest Day

The Please-Don't-Put-Us-Through-DeMille-Again Award:
Presented to that religious movie of the past year which best embodies the pretentious extravagance and blundering ineffectiveness of the traditional Christian Screen Spectacular: Awarded this year to two movies: Barabbas (1961) and Sodom and Gomorrah

The Great Ceremonial Hot Dog:
(for the worst scenes of the past cinema season)
The naming of the fairy tale characters in The Wonderful World of the Brothers Grimm and the Polish army hurtling over the cliff in Taras Bulba

The Roscoe Award:
To Natalie Wood, for her unquestionably atrocious performance in Gypsy, which she did her utmost to ruin

Film Data For 1961

The Film Daily’s Ten Best Pictures of 1961
1) The Guns of Navarone- 187
2) The Hustler- 167
3) Breakfast at Tiffany’s- 161
4) Fanny- 159
5) West Side Story- 155
6) Judgement of Nuremberg- 150
7) The Parent Trap- 128
8) Exodus (1960)- 126
9) Splendor in the Grass- 122
10) The Mark- 117
The Honor Roll:
11) The World of Suzie Wong (1960)- 77
12) A Raisin in the Sun- 60
13) The Alamo (1960)- 58
14) King of Kings- 52
15) Pocketful of Miracles- 48
16) Saturday Night and Sunday Morning (1960)- 42
17) The Absent-Minded Professor- 40
18) One-Eyed Jacks- 35
19) The Roman Spring of Mrs. Stone- 28
20) Come September- 27
21) Swiss Family Robinson (1960)- 25
22) Bachelor in Paradise- 24
 
23) 101 Dalmatians- 23
24) Devil at 4 O'Clock- 21
      Where the Boys Are (1960)- 21
26) Pepe (1960)- 20
      Summer and Smoke- 20
28) The Pleasure of His Company- 19
29) Cimarron- 18
30) Francis of Assisi- 17
31) Romanoff and Juliet- 15
32) The Great Imposter- 14
       Parrish- 14
34) La Dolce Vita (1960)- 13
      The Grass is Greener- 13
36) The Village of the Damned- 12
37) Return to Peyton Place- 11
 
The Film Daily- Filmdom’s Famous Fives of 1961 (no vote counts given, but I believe they're listed in order of preference)

Best Performances by Male Stars
1) Paul Newman in The Hustler
2) Gregory Peck in The Guns of Navarone
3) Spencer Tracy in Judgement at Nuremberg
4) Albert Finney in Saturday Night and Sunday Morning
5) Sidney Poitier in A Raisin in the Sun

Best Performances by Female Stars
1) Audrey Hepburn in Breakfast at Tiffany’s
2) Natalie Wood in Splendor in the Grass
3) Natalie Wood in West Side Story
4) Leslie Caron in Fanny
5) Geraldine Page in Summer and Smoke

Best Performances by Supporting Actors
1) George C. Scott in The Hustler
2) Jackie Gleason in The Hustler
3) Anthony Quinn in The Guns of Navarone
4) Karl Malden in One-Eyed Jacks

Best Performances by Supporting Actresses
1) Rita Moreno in West Side Story
2) Piper Laurie in The Hustler
3) Mary Astor in Return to Peyton Place
4) Paula Prentiss in Where the Boys Are (1960)
5) Judy Garland in Judgement at Nuremberg

Best Performances by Juvenile Actors
1) David Ladd in Misty
2) Tommy Kirk in The Absent-Minded Professor
3) Kevin Corcoran in Swiss Family Robinson (1960)
4) David Kory in Dondi
Best Performances by Juvenile Actresses
1) Hayley Mills in The Parent Trap
2) Jill Haworth in Exodus (1960)

The Year’s Outstanding Directors
1) Robert Rossen for The Hustler
2) Joshua Logan for Fanny
3) Robert Wise and Jerome Robbins for West Side Story
4) Otto Preminger for Exodus (1960)
5) J. Lee Thompson for The Guns of Navarone

Best Photographed Pictures of the Year
1) Daniel Fapp for West Side Story
2) Oswald Morris and John Wilcox for The Guns of Navarone
3) Jack Cardiff for Fanny
4) Geoffrey Unsworth for The World of Suzie Wong (1960)
5) Franz F. Planer, Milton Kransner and Manuel Berenguer for King of Kings

Best Screenplays of the Year
1) Robert Rossen and Sidney Carroll for The Hustler
2) Carl Foreman for The Guns of Navarone
3) William Inge for Splendor in the Grass
4) Julius J. Epstein for Fanny
5) Ernest Lehman for West Side Story

“Finds of the Year”
1) Warren Beatty in Splendor in the Grass
2) George Chakiris in West Side Story
3) Nancy Kwan in The World of Suzie Wong
4) Paula Prentiss in Where the Boys Are (1960)
5) Albert Finney in Saturday Night and Sunday Morning (1960)

The National Board of Review (winners announced on December 19, 1961, Source: Tom O’Neil’s Movie Awards, 2001).

The Top Ten Pictures (in order of preference)
1) Question 7
2) The Hustler
3) West Side Story
4) The Innocents
5) The Hoodlum Priest
6) Summer and Smoke
7) The Young Doctors
8) Judgement at Nuremberg
9) One, Two, Three
10) Fanny

Best Director
Jack Clayton for The Innocents

Best Actor
Albert Finney in Saturday Night and Sunday Morning (1960)
 
Best Actress
Geraldine Page in Summer and Smoke

Best Supporting Actor
Jackie Gleason in The Hustler

Best Supporting Actress
Ruby Dee in A Raisin in the Sun

Best Foreign Films (in order of preference)
1) The Bridge (1959- Federal Republic of Germany)
2) La Dolce Vita (1960- Italy/France)
3) Two Women (1960- Italy/France)
4) Saturday Night and Sunday Morning (1960- U.K.)
5) A Summer to Remember (1960- U.S.S.R.)
New York Film Critics Awards (Winners announced on December 28, 1961. Awards presented on January 20, 1962 at Sardi's restaurant in New York. Sources: Tom O'Neil's Movie Awards, 2001 and Donald Lyons, "The Lights of New York," Film Comment, March-April, 1993).

Best Picture
West Side Story (8 votes on ballot III)
Runner-up: Judgement at Nuremberg (3 votes)

Best Director
Robert Rossen, The Hustler (10 votes on ballot VI)
Runner-up: Robert Wise and Jerome Robbins, West Side Story, 6 votes)

Best Actor
Maximilian Schell, Judgement at Nuremberg (10 votes on ballot VI)
Runner-up: James Cagney, One, Two, Three (4 votes)
3rd Place: Paul Newman, The Hustler (2 votes)

Best Actress
Sophia Loren, Two Women (11 votes on ballot VI)
Runner-up: Geraldine Page, Summer and Smoke (4 votes)
3rd Place: Piper Laurie, The Hustler (1 vote)

On ballot I, Loren and Page both had 4 votes, and Laurie had 3 votes.

Best Screenplay
Abby Mann, Judgement at Nuremberg

Best Foreign Film
La Dolce Vita (1960- Italy)
                                      
The Golden Globes (Nominations announced on January 31, 1962. Awards presented on March 5, 1962. Source Tom O'Neil's Movie Awards)

Winners listed in bold print

Best Drama Picture
El Cid
Fanny
The Guns of Navarone
Judgement at Nuremberg
Splendor in the Grass

Best Comedy Picture
Breakfast at Tiffany's
A Majority of One
One, Two, Three
The Parent Trap
Pocketful of Miracles

Best Musical Picture
Babes in Toyland
Flower Drum Song
West Side Story

Best Motion Picture Promoting International Understanding
Bridge to the Sun
Judgement at Nuremberg
A Majority of One

Best Director
Stanley Kramer for Judgement at Nuremberg
Anthony Mann for El Cid
J. Lee Thompson for The Guns of Navarone
Robert Wise and Jerome Robbins for West Side Story
William Wyler for The Children's Hour

Best Actor, Drama
Warren Beatty in Splendor in the Grass
Maurice Chevalier in Fanny
Paul Newman in The Hustler
Sidney Poitier in A Raisin in the Sun
Maximilian Schell in Judgement at Nuremberg

Best Actress, Drama
Leslie Caron in Fanny
Shirley MacLaine in The Children's Hour
Claudia McNeil in A Raisin in the Sun
Geraldine Page in Summer and Smoke
Natalie Wood in Splendor in the Grass

Best Actor, Comedy or Musical
Fred Astaire in The Pleasure of His Company
Richard Beymer in West Side Story
Glenn Ford in Pocketful of Miracles
Bob Hope in Bachelor in Paradise
Fred MacMurray in The Absent-Minded Professor

Best Actress, Comedy or Musical
Bette Davis in Pocketful of Miracles
Audrey Hepburn in Breakfast at Tiffany's
Hayley Mills in The Parent Trap
Rosalind Russell in A Majority of One
Miyoshi Umeki in Flower Drum Song

Best Supporting Actor
George Chakiris in West Side Story
Montgomery Clift in Judgement at Nuremberg
Jackie Gleason in The Hustler
Tony Randall in Lover Come Back
George C. Scott in The Hustler

Best Supporting Actress
Fay Bainter in The Children's Hour
Judy Garland in Judgement at Nuremberg
Lotte Lenya in The Roman Spring of Mrs. Stone
Rita Moreno in West Side Story
Pamela Tiffin in One, Two, Three

Most Promising Newcomer- Male
Warren Beatty
Richard Beymer
George Chakiris
Bobby Darin
George C. Scott

Most Promising Newcomer- Female
Ann-Margret
Jane Fonda
Christine Kaufmann
Pamela Tiffin
Cordula Trantow

Best Foreign-Language Film
Two Women (Italy)

Silver Globes
Animas Tru Jano (Mexico)
The Good Soldier Schweik (Germany)

Best Original Score
Dimitri Tiomkin for The Guns of Navarone

Best Song
"Town Without Pity" from Town Without Pity. Music by Dimitri Tiomkin. Lyrics by Ned Washington

World Film Favorites
Charlton Heston
Marlyn Monroe

Samuel Goldwyn International Award
The Mark

Cecil B. DeMille Award
Judy Garland


Special Merit Award
Samuel Bronston for El Cid

Special Journalistic Merit Award
Army Archerd, Daily Variety
Mike Connolly, Hollywood Reporter

The 1961 British Academy Awards (Source: Bo Smith- The BAFTA Film Awards, 1989)

Best Film from Any Source and Best British Film
Ballad of a Soldier (1959- USSR)- won for Best Film From Any Source (tie)
The Hustler (U.S.)- won for Best Film from Any Source (tie)
The Innocents (Great Britain)
Judgement at Nuremberg (U.S.)
Le Trou (France)
The Long and the Short and the Tall
Rocco and His Brothers (Italy)
The Sundowners (G.B.)
A Taste of Honey (G.B.)- won for Best British Film
Whistle Down the Wind (G.B.)
The World of Apu (India)

                                
Best British Actor
Dirk Bogarde in Victim
Peter Finch in No Love for Johnnie

Best British Actress
Dora Bryan in A Taste of Honey
Deborah Kerr in The Sundowners
Hayley Mills in Whistle Down the Wind

Best Foreign Actor
Montgomery Clift in Judgement at Nuremberg
Vladimir Ivashov in Ballad of a Soldier
Philippe Leroy in Le Trou
Paul Newman in The Hustler
Sidney Poitier in A Raisin in the Sun
Maximilian Schell in Judgement at Nuremberg
Alberto Sordi in The Best of Enemies

Best Foreign Actress
Annie Girardot in Rocco and His Brothers
Piper Laurie in The Hustler
Sophia Loren in Two Women
Claudia McNeil in A Raisin in the Sun
Jean Seberg in Breathless

Most Promising Newcomer
Anthony Hancock in The Rebel
Murray Melvin in A Taste of Honey
Rita Tushingham in A Taste of Honey

Best British Screenplay
Wolf Mankowitz and Val Guest for The Day the Earth Caught Fire (tie)
Ted Willis for Flame in the Streets
Carl Foreman for The Guns of Navarone
Shelagh Delaney and Tony Richardson for A Taste of Honey (tie)
Janet Green and John McCormick for Victim
Keith Waterhouse and Willis Hall for Whistle Down the Wind

The Robert Flaherty Award for Best Feature-Length Documentary
Volcano (Le Rendez-Vous du Diable) (France)

Best Short Film
Eyes of a Child(G.B.)
Let My People Go (G.B.)
Terminus (G.B.)

Best Specialized Film (no winner chosen)
Electron Microscopy
Mr. Marsh Comes to School (G.B.)
"O" for Oxygen

Best Animated Film
Do it Yourself Cartoon Kit (G.B.)
For Better . . . For Worse (G.B.)
101 Dalmatians (U.S.)

United Nations Award
The Best of Enemies (Italy)
Let My People Go (G.B.)
Take a Giant Step (U.S.)
The Academy Awards (Nominations announced on February 26, 1962. Awards presented on April 9, 1962. Sources Tom O'Neil's Movie Awards and Mason Wiley and Damien Bona's Inside Oscar). (Winners in bold print).

Best Picture
Fanny, Mansfield, Warner Bros. Produced by Joshua Logan.
The Guns of Navarone, Foreman, Columbia. Produced by Carl Foreman.
The Hustler, Rossen. 20th Century-Fox. Produced by Robert Rossen.
Judgement at Nuremberg, Kramer, UA. Produced by Stanley Kramer.
West Side Story, Mirisch-B&P Enterprises, UA. Produced by Robert Wise.

Best Director
Federico Fellini for La Dolce Vita (1960)(Astor Pictures)(Italian).
Stanley Kramer for Judgement at Nuremberg (Kramer, UA).
Robert Rossen for The Hustler (Rossen, 20th Century-Fox).
J. Lee Thompson for The Guns of Navarone (Foreman, Columbia).
Robert Wise and Jerome Robbins for West Side Story (Mirisch-B&P Enterprises, UA).

Best Actor
Charles Boyer in Fanny (Mansfield, Warner Bros.).
Paul Newman in The Hustler (Rossen, 20th Century-Fox).
Maximilian Schell in Judgement at Nuremberg (Kramer, UA).
Spencer Tracy in Judgement at Nuremberg (Kramer, UA).
Stuart Whitman in The Mark (Stross-Buchman, Continental) (British).

Best Actress
Audrey Hepburn in Breakfast at Tiffany’s (Jurow-Shephard, Paramount).
Piper Laurie in The Hustler (Rossen, 20th Century-Fox).
Sophia Loren in Two Women (Ponti, Embassy-Italian).
Geraldine Page in Summer and Smoke (Wallis, Paramount).
Natalie Wood in Splendor in the Grass (Kazan, Warner Bros.).

Best Supporting Actor
George Chakiris in West Side Story (Mirisch-B&P Enterprises, UA).
Montgomery Clift in Judgement at Nuremberg (Kramer, UA).
Peter Falk in Pocketful of Miracles (Franton, UA).
Jackie Gleason in The Hustler (Rossen, 20th Century-Fox).
George C. Scott in The Hustler (Rossen, 20th Century-Fox).

Best Supporting Actress
Fay Bainter in The Children’s Hour (Mirisch-Worldwide, UA).
Judy Garland in Judgement at Nuremberg (Kramer, UA).
Lotte Lenya in The Roman of Mrs. Stone (Seven Arts, Warner Bros.).
Una Merkel in Summer and Smoke (Wallis, Paramount).
Rita Moreno in West Side Story (Mirisch-B&P Enterprises, UA).

Best Screenplay Based on Material from Another Medium
Breakfast at Tiffany’s, Jurow-Shephard, Paramount. George Axelrod.
The Guns of Navarone, Foreman, Columbia. Carl Foreman.
The Hustler, Rossen, 20th Century-Fox. Sidney Carroll and Robert Rossen.
Judgement at Nuremberg, Kramer, UA. Abby Mann.
West Side Story, Mirisch-B&P Enterprises, UA. Ernest Lehman.
 
Best Story and Screenplay Written Directly for the Screen
Ballad of a Soldier (1959), Kingsley International-M.J.P. (Russian). Valentin Yoshov and Grigori Chukhrai.
General Della Rovere (1959), Continental Distributing (Italian). Sergio Amidei, Deigo Fabbri and Indro Montanelli.
La Dolce Vita, Astor Pictures (Italian). Federico Fellini, Tullio Pinelli, Ennio Flaiano and Brunello Rondi.
Lover Come Back, Shapiro-Arwin, U-I. Stanley Shapiro and Paul Henning.
Splendor in the Grass, Kazan, Warner Bros. William Inge.

Best Cinematography (Black-and-White)
The Absent-Minded Professor, Disney, Buena Vista. Edward Colman.
The Children's Hour, Mirisch-Worldwide, UA. Franz F. Planner.
The Hustler, Rossen, 20th Century-Fox. Eugen Shuftan.
Judgement at Nuremberg, Kramer, UA. Ernest Laszlo.
One, Two, Three, Mirisch-Pyramid, UA. Daniel L. Fapp.

Best Cinematography (Color)
Fanny, Mansfield, Warner Bros. Jack Cardiff.
Flower Drum Song, Hunter, U-I. Russell Metty.
A Majority of One, Warner Bros. Harry Stradling, Sr.
One-Eyed Jacks, Pennebaker, Paramount. Charles Lang, Jr.
West Side Story, Mirisch-B&P Enterprises, UA. Daniel L. Fapp.

Best Art Direction-Set Direction (Black-and-White)
The Absent-Minded Professor, Disney, Buena Vista. Carroll Clark; Emile Kuri and Hal Gausman.
The Children's Hour, Mirisch-Worldwide, UA. Fernando Carrere; Edward G. Boyle.
The Hustler, Rossen, 20th Century-Fox. Harry Horner; Gene Callahan.
Judgement at Nuremberg, Kramer, UA. Rudolph Sternad; George Milo.
La Dolce Vita, Astor Pictures (Italian). Piero Gherardi.

Best Art Direction-Set Direction (Color)
Breakfast at Tiffany's, Jurow-Shephard, Paramount. Hal Pereira and Roland Anderson; Sam Comer and Ray Moyer.
El Cid, Bronston, Allied Artists. Veniero Colasanti and John Moore.
Flower Drum Song, Hunter, U-I. Alexander Golitzen and Joseph Wright; Howard Bristol.
Summer and Smoke, Wallis, Paramount. Hal Pereira and Walter Tyler; Sam Comer and Arthur Krams.
West Side Story, Mirisch-B&P Enterprises, UA. Boris Leven; Victor A. Gangelin.

Best Sound
The Children's Hour, Mirisch-Worldwide, UA. Gordon E. Sawyer, sound director.
Flower Drum Song, Hunter, U-I. Waldon O. Watson, sound director.
The Guns of Navarone, Foreman, Columbia. John Cox, sound director.
The Parent Trap, Disney, Buena Vista. Robert O. Cook, sound director.
West Side Story, Mirisch-B&P Enterprises, UA. Fred Hynes, sound director and Gordon E. Sawyer, sound director.

Best Song
"Bachelor in Paradise" (Bachelor in Paradise, Richmond, MGM); Music by Henry Mancini. Lyrics by Mack David.
"Love Theme from El Cid (The Falcon and the Dove)" (El Cid, Bronston, Allied Artists); Music by Miklos Rozsa. Lyrics by Paul Francis Webster.
"Moon River" (Breakfast at Tiffany's, Jurow-Shephard, Paramount); Music by Henry Mancini. Lyrics by Johnny Mercer.
"Pocketful of Miracles" (Pocketful of Miracles, Franton, UA); Music by James Van Heusen. Lyrics by Sammy Cahn.
"Town Without Pity" (Town Without Pity, Mirisch-Gloria, UA); Music by Dimitri Tiomkin. Lyrics by Ned Washington.

Best Scoring of a Dramatic or Comedy Picture
Breakfast at Tiffany's, Jurow-Shephard, Paramount. Henry Mancini.
El Cid, Bronston, Allied Artists. Miklos Rozsa.
Fanny, Logan, Warner Bros. Morris Stoloff and Harry Sukman.
The Guns of Navarone, Foreman, Columbia. Dimitri Tiomkin.
Summer and Smoke, Wallis, Paramount. Elmer Bernstein.

Best Scoring of a Musical Picture
Babes in Toyland, Disney, Buena Vista. George Bruns.
Flower Drum Song, Hunter, U-I. Alfred Newman and Ken Darby.
Khovanshchina, Artkino (Russian). Dimitri Shostakovich.
Paris Blues, Pennebaker, UA. Duke Ellington.
West Side Story, Mirisch-B&P Enterprises, UA. Saul Chaplin, Johnny Green, Sid Ramin and Irwin Kostal 

Best Film Editing
Fanny, Mansfield, Warner Bros. William H. Reynolds.
The Guns of Navarone, Foreman, Columbia. Alan Osbiston.
Judgement at Nuremberg, Kramer, UA. Frederic Knudtson.
The Parent Trap, Disney, Buena Vista. Philip W. Anderson.
West Side Story, Mirisch-B&P Enterprises, UA. Thomas Stanford.
 
Best Costume Design (Black-and-White)
The Children's Hour, Mirisch-Worldwide, UA. Dorothy Jeakins.
Claudelle Inglish, Warner Bros. Howard Shoup.
Judgement at Nuremberg, Kramer, UA. Jean Louis.
La Dolce Vita (1960), Astor Pictures (Italian). Piero Gherardi.
Yojimbo, Toho Company (Japanese). Yoshiro Muraki.

Best Costume Design (Color)
Babes in Toyland, Disney, Buena Vista. Bill Thomas.
Back Street, Hunter, U-I. Jean Louis.
Flower Drum Song, Hunter, U-I. Irene Shariff.
Pocketful of Miracles, Franton, UA. Edith Head and Walter Plunkett.
West Side Story, Mirisch-B&P Enterprises, UA. Irene Shariff.

Best Special Effects
The Absent-Minded Professor, Disney, Buena Vista Dist. Co. Robert A. Mattey and Eustace Lycett.
The Guns of Navarone, Carl Foreman Prod., Columbia. Visual: Bill Warrington and Audible: Vivian C. Greenham.

Best Short Subject Cartoon
Aquamania, Disney, Buena Vista. Walt Disney, producer.
Beep Prepared, Warner Bros. Chuck Jones, producer.
Ersatz (The Substitute), Zagred Film, Herts-Lion International.
Nelly's Folly, Warner Bros. Chuck Jones, producer.
Pied Piper of Guadalupe, Warner Bros. Friz Freleng, producer.

Best Live Action Short Subject
Ballon Vole (Play Ball!), Cine-Documents, Kingsley International.
The Face of Jesus, Jennings-Stern, Inc. Dr. John D. Jennings, producer.
Rooftops of New York, McCarty-Rush-Gaffney, Columbia.
Seawards the Great Ships, Templar Film Studios, Schoenfeld Films.
Very Nice, Very Nice, National Film Board of Canada, Kingsley International.

Best Documentary Short Subject
Breaking the Language Barrier, U.S. Air Force.
Cradle of Genius, Plough Prods., Lesser Films (Irish). Jim O'Connor and Tom Hayes, producers.
Kahl, Dido-Film-GmbH., AEG-Filmdienst (German).
L'Uomo in Grigio (The Man in Gray) (Italian). Benedetto Benedetti, producer.
Project Hope, Klaeger Films. Frank P. Bibas, producer.

Best Documentary Feature
La Grande Olimipade (Olympic Games 1960), Cineriz (Italian).
Le Ciel et la Boue (Sky Above and Mud Beneath), Rank Films (French). Arthur Cohn and Rene Lafuite, producers.
Best Foreign Film
Harry and the Butler (Denmark).
Immortal Love (Japan).
The Important Man (Mexico).
Placido (1960- Spain).
Through a Glass Darkly (Sweden).

Irving G. Thalberg Memorial Award
Stanley Kramer

Jean Hersholt Humanitarian Award
George Seaton

Honorary Awards
William Hendricks for his outstanding patriotic service in the conception, writing and production of the Marine Corps film, A Force in Readiness, which has brought honor to the Academy and the motion picture industry (statuette).

Fred L. Metzler for his dedication and outstanding service to the Academy of Motion Picture Arts and Sciences (statuette).

Jerome Robbins for his brilliant achievements in the art of choreography (statuette).

Scientific or Technical
Class I (Statuette)
None.

Class II (Plaque)
Sylvania Electric Products, Inc., for the development of a handheld high-power photographic lighting unit known as the Sun Gun Professional.

James Dale, S. Wilson, H.E. Rice, John Rude, Laurie Atkin, Wadsworth E. Pohl, H. Peasgood and Technicolor Corp. for a process of automatic selective printing.

20th Century-Fox Research Dept., under the direction of E.I. Sponable and Herbert E. Bragg, and Deluxe Laboratories, Inc., with the assistance of F.D. Leslie, R.D. Whitmore, A.A. Aiden, Endel Pool and James B. Gordon for a system of decompressing and recomposing CinemaScope pictures for conventional aspects ratios.

Class III (Citation)
Hurletron, Inc., Electric Eye Equipment Division, for an automatic light changing system for motion picture printers.

Wadsworth E. Pohl and Technicolor Corp. for an integrated sound and picture transfer process.

Directors Guild of America (Best Director award was presented on February 10, 1962 via a dual ceremony at the Beverly Hilton Hotel in Los Angeles and the Waldorf-Astoria Hotel in New York. Source: Tom O'Neil's Movie Awards, 2001).

Best Director
Jerome Robbins, Robert E. Wise, West Side Story

Other finalists:
Blake Edwards, Breakfast at Tiffany's
Stanley Kramer, Judgement at Nuremberg
Robert Rossen, The Hustler
J. Lee Thompson, The Guns of Navarone

Other directors mentioned:
Marlon Brando, One-Eyed Jacks
Frank Capra, Pocketful of Miracles
Jack Clayton, The Innocents
Peter Glenville, Summer and Smoke
John Huston, The Misfits
Elia Kazan, Splendor in the Grass
Henry Koster, Flower Drum Song
Philip Leacock, Hand in Hand
Mervyn LeRoy, A Majority of One
Joshua Logan, Fanny
Anthony Mann, El Cid
Robert Mulligan, The Great Imposter
Daniel Petrie, A Raisin in the Sun
Robert Stevenson, The Absent-Minded Professor
Peter Ustinov, Romanoff and Juliet
William Wyler, The Children's Hour

Writers Guild of America (Awards were presented on March 15, 1962 at the Hollywood Palladium. Source: Tom O'Neil's Movie Awards). (Winners in bold print).

Best Written Drama
Fanny, Julius Epstein, based on the play by S.N. Behrman and Joshua Logan, adapted from the plays of Marcel Pagnol
The Hustler, Sidney Carroll, Robert Rossen, based on the novel by Walter Tevis
The Innocents, William Archibald, Truman Capote, based on William Archibald's dramatization of the novel The Turn of the Screw by Henry James
Judgement at Nuremberg, Abby Mann
A Raisin in the Sun, Lorraine Hansberry

Best Written Comedy
The Absent-Minded Professor, Bill Walsh, based on the short story "A Situation of Gravity" by Samuel W. Taylor
Breakfast at Tiffany's, George Axelrod, based on the novella by Truman Capote
A Majority of One, Leonard Spigelgass
One, Two, Three, Billy Wilder, I.A.L. Diamond, based on the play by Ferenc Molnar
The Parent Trap, David Swift, based on the novel Das Doppelte Lottchen by Erich Kastner

Best Written Musical
Babes in Toyland, Ward Kimball, Lowell Hawley, based on the operetta by Victor Herbert and Glenn MacDonough
Blue Hawaii, Hal Kanter, story by Allan Weiss
Flower Drum Song, Joseph Fields, based on the novel by C.Y. Lee and the musical by Rodgers and Hammerstein 
Snow White and the Three Stooges, Noel Langley, Elwood Ullman, story by Charles Wick
West Side Story, Ernest Lehman, based on the musical by Arthur Laurents

Laurel Award
Philip Dunne

Valentine Davies Award
Mary McCall, Jr.
Berlin Film Festival (Source: Film Facts1980, edited by Cobbett Steinberg).

Best Film:
La Notte (Michelangelo Antonioni, Italy)

Best Direction:
Bernhard Wicki, The Miracle of Father Malachias

Best Actor:
Peter Finch, No Love for Johnnie
Best Actress:
Anna Karina, A Woman is a Woman 

Best Documentary:
Description of a Struggle (1960- Israel)

Cannes Film Festival (Source: Film Facts, 1980, edited by Cobbett Steinberg).

Best Film:
Viridiana (Luis Bunuel, Spain) and Une aussi longue absence (Henri Colpi, France)(tied)

Best Director:
Yulia Solntzeva, History of the Flaming Years
Best Actor:
Anthony Perkins, Goodbye Again

Best Actress:
Sophia Loren, Two Women (1960)

Special Jury Prize:
Jerzy Kawalerowicz, Mother Joan of the Angels

International Critics Prize:
Hands in the Trap, Torre Nilsson
Chronicle of a Summer, Jean Rouch

Gary Cooper Award for Human Values:
A Raisin in the Sun

Catholic Film Office Award:
The Hoodlum Priest, Irvin Kershner


Venice Film Festival (Source: Film Facts, 1980, edited by Cobbett Steinberg).

Best Film, Lion of St. Mark:
Last Year at Marienbad (Alain Resnais, France)

Best Actor:
Toshiro Mifune, Yojimbo
Best Actress:
Suzanne Flon, Thou Shall Not Kill (Yugoslavia)

Special Jury Prize:
Peace to All Who Enter (Alexander Alov, USSR)

Catholic Film Office Award:
Il Posto (Ermanno Olmi, Italy)

International Film Critics Award:
Il Brigante (Renato Castellani)

San Giorgio Prize:
Banditti a Orgasolo (Vittorio de Seta, Italy)

The New York Times Annual Ten Best List (in chronological order. Source: Film Facts, 1980, edited by Cobbett Steinberg)
The Facts of Life (1960)
A Raisin in the Sun
Saturday Night and Sunday Morning (1960)
Fanny
The Hustler
Splendor in the Grass
West Side Story
El Cid
Judgement at Nuremberg
One, Two, Three
Best Foreign Films
Don Quixote (1957- Russia)
Breathless (1960- France)
La Dolce Vita (1960- Italy)
The Bridge (1959- Germany)
Two Women (1960- Italy)
Ashes and Diamonds (1958- Poland)
Rocco and His Brothers (Italy)
Purple Noon (1960- France)
Girl with a Suitcase (Italy)
A Summer to Remember (Russia)
   
Time Magazine’s Best Films of 1961 (in chronological order. Source: Film Facts, 1980, edited by Cobbett Steinberg) 
The Facts of Life (1960)
101 Dalmatians
Shadows
A Cold Wind in August
The Honeymoon Machine
Homicidal
The Hustler
The Mark
El Cid
Best Foreign Films
A Midsummer Night's Dream (1959)
Ballad of a Soldier (1959)
Breathless (1960)
Saturday Night and Sunday Morning (1960)
L'Avventura (1960)
La Dolce Vita (1960)
Rocco and His Brothers (1960)
The Kitchen
The Five-Day Lover
Throne of Blood (1957)
The Top Box-Office Hits of 1961 (According to Variety- lists U.S. and Canadian rental fees up to the end of the calendar year. Late 1960 releases that primarily earned revenue in 1961 are included. Source: Film Facts, 1980, edited by Cobbett Steinberg. Includes actual and estimated domestic rentals to theaters in U.S. and Canada, not box-office takes, which would be higher. If the final first-run rental take for films gaining $4,000,000 or more in rentals varies from the total originally listed, I'm showing that figure after the original total. Final first-run rentals data comes from Variety's January 9, 1963 "All-Time Top Film Grosses" list (only films taking $4,000,000 or more in rentals were mentioned on the "All-Time" list; unfortunately, I have no data for films with a final gross under $4,000,000 that may have ended up with a higher take than shown below). Occasionally a film will end up on the "All-Time" list with a lower rental box-office take than when the film originally appeared on the yearly list of top box-office films. This is due to the estimated rentals, which were sometimes revised to a lower amount for the All-Time list).

1) The Guns of Navarone- $8,600,000 (final rentals of $12,500,000)
2) The Absent-Minded Professor- $8,200,000 (final rentals of $9,000,000)
3) The Parent Trap- $8,000,000 (final rentals of $9,300,000)
4) Swiss Family Robinson (1960)- $7,500,000 (final rentals of $7,900,000)
5) Exodus (1960)- $7,350,000 (final rentals of $8,700,000)
6) The World of Suzie Wong (1960)- $7,300,000
7) The Alamo (1960)- $7,250,000
8) Gone With the Wind (1939 reissue)- $6,000,000
9) 101 Dalmatians- $5,800,000 (final rentals of $6,300,000)
10) Splendor in the Grass- $5,100,000 (Splendor also placed at #19 on Variety's 1962 list- final rentals of $5,500,500)

11) Come September- $4,500,000 (final rentals of $7,500,000)
      North to Alaska (1960)- $4,500,000 (final rentals of $5,000,000)
      Fanny- $4,500,000
14) Pepe (1960)- $4,300,000 (final rentals of $4,800,000)
      One-Eyed Jacks- $4,300,000
16) Parrish- $4,200,000
17) The Misfits- $3,900,000 (final rentals of $4,100,000)
18) The Sundowners (1960)- $3,800,000
19) Midnight Lace (1960)- $3,500,000
20) Never on Sunday (1960)- $3,300,000
      Where the Boys Are (1960)- $3,300,000
      The Wackiest Ship in the Army (1960)- $3,300,000

Great Britain's Top Ten Box-Office Stars of 1961 (according to the Motion Picture Herald's poll of British film exhibitors)
1) Hayley Mills
2) Sophia Loren
3) Kenneth More
4) Elizabeth Taylor
5) John Mills
6) Peter Sellers
7) Audrey Hepburn
8) Dirk Bogarde
9) Jack Lemmon
10) John Wayne

Great Britain's Top Box-Office films (according to the Motion Picture Herald- listed in order of precedence)


1) Swiss Family Robinson
2) The Magnificent Seven
3) Saturday Night and Sunday Morning
4) 101 Dalmatians
5) Pollyanna
6) The Rebel
7) The Sundowners
8) Whistle Down the Wind
9) Butterfield 8
10) Carry On Regardless
11) The Parent Trap
12) The Long and the Short and the Tall
 
The Golden Laurel Awards for 1962 (Covers 1961 films, unless otherwise noted. Published in the Motion Picture Exhibitor Magazine on September 26th, 1962. Winners listed in order of preference).

Top Drama
1) The Guns of Navarone
2) The Hustler
3) Judgement at Nuremberg
4) Fanny
5) La Ciociara (1960)

Top Comedy
1) Lover Come Back
2) Bachelor in Paradise
3) Breakfast at Tiffany's
4) One, Two, Three
5) A Majority of One

Top Musical
1) West Side Story
2) Flower Drum Song
3) Babes in Toyland
4) Blue Hawaii

Top Action Drama
1) El Cid
2) Sergeants Three (1962)
3) The Comancheros
4) One-Eyed Jacks
5) A Thunder of Drums

Top General Entertainment
1) The Parent Trap

Top Male Dramatic Performance
1) Paul Newman in The Hustler
2) Maximilian Schell in Judgement at Nuremberg
3) Gregory Peck in The Guns of Navarone
4) Tony Curtis in The Outsider
5) Charles Boyer in Fanny
Top Female Dramatic Performance
1) Shirley MacLaine in The Children's Hour
2) Piper Laurie in The Hustler
3) Natalie Wood in Splendor in the Grass
4) Audrey Hepburn in The Children's Hour
5) Leslie Caron in Fanny

Top Male Comedy Performance
1) Bob Hope in Bachelor in Paradise
2) Rock Hudson in Lover Come Back
3) Tony Randall in Lover Come Back
4) James Cagney in One, Two, Three
5) Brian Keith in The Parent Trap

Top Female Comedy Performance
1) Doris Day in Lover Come Back
2) Hayley Mills in The Parent Trap
3) Audrey Hepburn in Breakfast at Tiffany's
4) Debbie Reynolds in The Second Time Around
5) Edie Adams in Lover Come Back

Top Action Performance
1) John Wayne in The Comancheros
2) Frank Sinatra in The Devil at 4 O'Clock
3) James Stewart in Two Rode Together
4) Kirk Douglas in The Last Sunset
5) Stuart Whitman in The Comancheros

Top Male Supporting Performance
1) Jackie Gleason in The Hustler
2) George Chakiris in West Side Story
3) Ed Begley in Sweet Bird of Youth (1962)
4) Montgomery Clift in Judgement at Nuremberg
5) Lee Marvin in The Comancheros

Top Female Supporting Performance
1) Rita Moreno in West Side Story
2) Fay Bainter in The Children's Hour
3) Thelma Ritter in The Second Time Around
4) Juanita Hall in Flower Drum Song
5) Judy Garland in Judgement at Nuremberg

Musical Men:
1) Dimitri Tiomkin
2) Andre Previn
3) Max Steiner
4) Johnny Green
5) Elmer Bernstein

Top New Female Personalities:
1) Ann-Margret
2) Connie Stevens
3) Pamela Tiffin
4) Diane McBain
5) Carol Lawrence
6) Deborah Walley
7) Vicki Trickett
8) Stella Stevens
9) Sharon Hugueny
10) Genevieve Page

Top New Male Personalities:

Top Male Star
1) Rock Hudson
2) Cary Grant
3) Paul Newman
4) Tony Curtis
5) Kirk Douglas
6) Robert Mitchum
7) Burt Lancaster
8) John Wayne
9) Jerry Lewis
10) Jack Lemmon
11) Bob Hope
12) William Holden
13) Frank Sinatra
14) James Stewart
15) Charlton Heston

Top Female Star
1) Doris Day
2) Shirley MacLaine
3) Audrey Hepburn
4) Hayley Mills
5) Natalie Wood
6) Elizabeth Taylor
7) Debbie Reynolds
8) Angie Dickinson
9) Shirley Jones
10) Marilyn Monroe
11) Sandra Dee
12) Sophia Loren
13) Kim Novak
14) Paula Prentiss
15) Joanne Woodward

Top New Female Personalities:
1) Ann-Margret
2) Connie Stevens
3) Pamela Tiffin
4) Diane McBain
5) Carol Lawrence
6) Deborah Walley
7) Vicki Trickett
8) Stella Stevens
9) Sharon Hugueny
10) Genevieve Page

Top New Male Personalities:
1) Maximilian Schell
2) Warren Beatty
3) Peter Falk
4) George Chakiris
5) Bobby Darin
6) Richard Beymer
7) Joey Bishop
8) Tommy Sands
9) Jason Robards, Jr.
10) Karl Boehm

The Top Ten Box-Office Stars of 1961 (according to Quigley Publishing’s poll of film exhibitors)

1) Elizabeth Taylor
2) Rock Hudson
3) Doris Day
4) John Wayne
5) Cary Grant
6) Sandra Dee
7) Jerry Lewis
8) William Holden
9) Tony Curtis
10) Elvis Presley

The Next Fifteen:
11) Burt Lancaster
12) Frank Sinatra
13) Debbie Reynolds
14) Jack Lemmon
15) Glenn Ford
16) Kirk Douglas
17) Paul Newman
18) Charlton Heston
19) Susan Hayward
20) Gregory Peck
21) Marlon Brando
22) James Stewart
23) Shirley MacLaine
24) Troy Donahue
25) Natalie Wood

The Stars of Tomorrow (according to Quigley Publishing's poll of film exhibitors).
1) Hayley Mills
2) Nancy Kwan
3) Horst Buchholtz
4) Carol Lynley
5) Dolores Hart
6) Paula Prentiss
7) Jim Hutton
8) Juliet Prowse
9) Connie Stevens
10) Warren Beatty
 
Harvard Lampoon's Movie Worst Awards (Source: Film Facts, 1980, edited by Cobbett Steinberg).

Ten Worst:
King of Kings; Parrish (tied)
By Love Possessed
The Devil at 4 O'Clock
The Last Sunset
The Young Doctors
Ada
Flower Drum Song
Babes in Toyland
Sergeant's Three (1962)

The Kirk Douglas Award for Worst Actor:
Richard Beymer, West Side Story

Worst Actress:
Susan Hayward, Back Street

Worst Supporting Actor:
Robert Ryan as John the Baptist, King of Kings

Worst Supporting Actress:
Sandra Dee, Romanoff and Juliet; Come September

The Uncrossed Heart:
(to the least promising young actor of the year)
Richard Beymer, West Side Story
The Worst All-Around Performance by a Cast in Toto:
King of Kings, with special mention to Jeffrey Hunter, Siobhan McKenna, Robert Ryan and Frank Thring

The Last Sunset, with special mention to Kirk Douglas, Rock Hudson, Dorothy Malone and Carol Lynley

The Best Argument for Vivisection:
Lad a Dog (1962)

The Worst Duos of the Year:
Troy Donahue and Connie Stevens
Natalie Wood and (1) Warren Beatty, (2) Richard Beymer, (3) Anyone

The Greatest Setback to Christianity Since The Robe:
King of Kings

The Hon. "W.W." Corrigan Memorial Palm:
(to the worst director)
Elai Kazan, Splendor in the Grass

The Tin Pan:
(to the most nauseating movie song of the year)
"Pocketful of Miracles"

The Merino Award:
Rita Moreno for saving West Side Story from Richard Beymer and Natalie Wood

The Once-Was-Enough Award:
The Second Time Around

The Wilde Oscar:
(to that actor willing to flout convention and reputation in the pursuit of artistic fulfillment)
Mickey Rooney as Mr. Yunioshi, Breakfast at Tiffany's

The Great Ceremonial Hot Dog:
(for the worst scenes of the cinema season)
Kirk Douglas fighting a mad dog, The Last Sunset
Salome's Dance in King of Kings
Richard Beymer singing "Maria" in West Side Story

The Along-the-Mohawk Grant:
(for the most drummed-up publicity campaign of the year)
Jayne Mansfield, her husband, and her publicity agent for the heroism they displayed during and after their near-tragic boating traffic
 
The Arrested-Development Oblation:
(to that adult actor who displays the lowest level of maturity)
Jerry Lewis, The Errand Boy

The Cellophane Figleaf:
This trophy, awarded annually for false modesty, is this year given to Warren Beatty, most of whose publicity has been based on his constant statements that he wants no publicity from the fact that he is Shirley MacLaine's brother

The Vanity Fair Citation:
(to that actress who most tirelessly champions the cause of womanhood)
Sophia Loren for carrying to court her fight to be billed above Charlton Heston for her performance in El Cid

The Ok-Doc-Break-the-Arm-Again Award:
This citation, awarded annually for the most flagrant example of miscasting, goes this year to the producers of A Majority of One for putting Alec Guinness in the role of a Japanese businessman and Rosalind Russell in the role of a Jewish housewife

The Luce Laurel:
Awarded in 1960 to Shirley MacLaine for gracing, if not monopolizing, the pages of Life magazine, this year goes to. . .
Shirley MacLaine for gracing, if not monopolizing, the pages of Life magazine

The "Any Connection?" Prize:
(awarded annually to those films which would best appear as double features)
The Unstoppable Man and The Explosive Generation
Anatomy of a Psycho and The Man Who Wagged His Tail
Capture That Capsule and You Have to Run Fast
The Sergeant Was a Lady and Marines, Let's Go
Deadly Companions and Snow White and the Three Stooges

Thank You:
Victor Mature for not making a picture this year

The Roscoe Award:
Natalie Wood for so gallantly persisting in her career despite a total inability to act