<?xml version='1.0' encoding='UTF-8'?><?xml-stylesheet href="http://www.blogger.com/styles/atom.css" type="text/css"?><feed xmlns='http://www.w3.org/2005/Atom' xmlns:openSearch='http://a9.com/-/spec/opensearchrss/1.0/' xmlns:georss='http://www.georss.org/georss' xmlns:gd='http://schemas.google.com/g/2005' xmlns:thr='http://purl.org/syndication/thread/1.0'><id>tag:blogger.com,1999:blog-22096293</id><updated>2011-07-28T14:03:43.341-07:00</updated><title type='text'>Hey, Look Me Over</title><subtitle type='html'></subtitle><link rel='http://schemas.google.com/g/2005#feed' type='application/atom+xml' href='http://heylookmeover.blogspot.com/feeds/posts/default'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/22096293/posts/default?max-results=100'/><link rel='alternate' type='text/html' href='http://heylookmeover.blogspot.com/'/><link rel='hub' href='http://pubsubhubbub.appspot.com/'/><author><name>Vertigo's Psycho</name><uri>http://www.blogger.com/profile/17701774152300870403</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><generator version='7.00' uri='http://www.blogger.com'>Blogger</generator><openSearch:totalResults>13</openSearch:totalResults><openSearch:startIndex>1</openSearch:startIndex><openSearch:itemsPerPage>100</openSearch:itemsPerPage><entry><id>tag:blogger.com,1999:blog-22096293.post-2157908101523197755</id><published>2008-11-16T23:26:00.001-08:00</published><updated>2009-08-09T13:56:54.953-07:00</updated><title type='text'>Film Data For 1962</title><content type='html'>&lt;strong&gt;The Film Daily's Ten Best Pictures of 1962&lt;/strong&gt;&lt;br /&gt;&lt;br /&gt;&lt;a href="http://4.bp.blogspot.com/_bzQchKv0KQA/SR7cydcamAI/AAAAAAAAAqY/5f9xtD3LsgA/s1600-h/Manchurian+Candidate.jpg"&gt;&lt;img id="BLOGGER_PHOTO_ID_5268891373525440514" style="DISPLAY: block; MARGIN: 0px auto 10px; WIDTH: 266px; CURSOR: hand; HEIGHT: 400px; TEXT-ALIGN: center" alt="" src="http://4.bp.blogspot.com/_bzQchKv0KQA/SR7cydcamAI/AAAAAAAAAqY/5f9xtD3LsgA/s400/Manchurian+Candidate.jpg" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;1) &lt;em&gt;The Manchurian Candidate&lt;/em&gt;- 193&lt;br /&gt;2) &lt;em&gt;The Music Man&lt;/em&gt;- 177&lt;br /&gt;3) &lt;em&gt;The Miracle Worker&lt;/em&gt;- 174&lt;br /&gt;4) &lt;em&gt;The Longest Day&lt;/em&gt;- 163&lt;br /&gt;5) &lt;em&gt;To Kill a Mockingbird&lt;/em&gt;- 154&lt;br /&gt;6) &lt;em&gt;Requiem for a Heavyweight&lt;/em&gt;- 150&lt;br /&gt;7) &lt;em&gt;Bird Man of Alcatraz&lt;/em&gt;- 128&lt;br /&gt;8) &lt;em&gt;Lawrence of Arabia&lt;/em&gt;- 122&lt;br /&gt;9) &lt;em&gt;Billy Budd&lt;/em&gt;- 117&lt;br /&gt;10) &lt;em&gt;A Taste of Honey&lt;/em&gt; (1961)- 111&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;The Honor Roll:&lt;/strong&gt;&lt;br /&gt;11) &lt;em&gt;Advise and Consent&lt;/em&gt;- 81&lt;br /&gt;12) &lt;em&gt;Gigot&lt;/em&gt;- 78&lt;br /&gt;13) &lt;em&gt;Whatever Happened to Baby Jane?- &lt;/em&gt;68&lt;br /&gt;14) &lt;em&gt;Lolita&lt;/em&gt;- 67&lt;br /&gt;15) &lt;em&gt;Sweet Bird of Youth&lt;/em&gt;- 65&lt;br /&gt;16) &lt;em&gt;That Touch of Mink&lt;/em&gt;- 63&lt;br /&gt;17) &lt;em&gt;Flower Drum Song&lt;/em&gt; (1961)- 62&lt;br /&gt;18) &lt;em&gt;Hatari!&lt;/em&gt;- 59&lt;br /&gt;19) &lt;em&gt;Lover Come Back&lt;/em&gt; (1961)- 58&lt;br /&gt;20) &lt;em&gt;Divorce- Italian Style&lt;/em&gt;- 54&lt;br /&gt;21) &lt;em&gt;Mr. Hobbs Takes a Vacation&lt;/em&gt;- 52&lt;br /&gt;22) &lt;em&gt;The Interns&lt;/em&gt;- 51&lt;br /&gt;23) &lt;em&gt;A View From the Bridge&lt;/em&gt;- 48&lt;br /&gt;24) &lt;em&gt;Boccaccio ‘70&lt;/em&gt;- 47&lt;br /&gt;25) &lt;em&gt;Gypsy&lt;/em&gt;- 44&lt;br /&gt;26) &lt;em&gt;Summer and Smoke&lt;/em&gt; (1961)- 43 (placed #25 in 1961 with 20 votes)&lt;br /&gt;27) &lt;em&gt;Period of Adjustment&lt;/em&gt;- 31&lt;br /&gt;28) &lt;em&gt;In Search of the Castaways&lt;/em&gt;- 30&lt;br /&gt;&lt;em&gt;Walk on the Wild Side&lt;/em&gt;- 30&lt;br /&gt;30) &lt;em&gt;Bon Voyage!&lt;/em&gt;- 28&lt;br /&gt;31) &lt;em&gt;Shoot the Piano Player&lt;/em&gt;- 26&lt;br /&gt;32) &lt;em&gt;David and Lisa&lt;/em&gt;- 24 (placed 4th in 1963 poll with 122 votes)&lt;br /&gt;33) &lt;em&gt;Days of Wine and Roses&lt;/em&gt;- 22 (placed 13th in 1963 poll with 58 votes)&lt;br /&gt;34) &lt;em&gt;The Chapman Report&lt;/em&gt;- 20&lt;br /&gt;35) &lt;em&gt;Mutiny on the Bounty&lt;/em&gt;- 18&lt;br /&gt;36) &lt;em&gt;Whistle Down the Wind&lt;/em&gt; (1961)- 12&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;The Film Daily- Filmdom’s Famous Fives of 1962 &lt;/strong&gt;(No vote counts given, but I believe The Film Daily listed them in order of preference)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Best Performances by Male Stars&lt;/strong&gt;&lt;br /&gt;1) Burt Lancaster in &lt;em&gt;Bird Man of Alcatraz&lt;/em&gt;&lt;br /&gt;2) Robert Preston in &lt;em&gt;The Music Man&lt;/em&gt;&lt;br /&gt;3) Jackie Gleason in &lt;em&gt;Gigot&lt;/em&gt;&lt;br /&gt;4) James Cagney in &lt;em&gt;One, Two, Three&lt;/em&gt; (1961)&lt;br /&gt;5) Anthony Quinn in &lt;em&gt;Requiem for a Heavyweight&lt;/em&gt;&lt;br /&gt;&lt;br /&gt;&lt;a href="http://2.bp.blogspot.com/_bzQchKv0KQA/SR_Nu_qRLrI/AAAAAAAAAsA/ieduVo8Ab4c/s1600-h/Miracle+Worker.jpg"&gt;&lt;img id="BLOGGER_PHOTO_ID_5269156296293166770" style="DISPLAY: block; MARGIN: 0px auto 10px; WIDTH: 266px; CURSOR: hand; HEIGHT: 400px; TEXT-ALIGN: center" alt="" src="http://2.bp.blogspot.com/_bzQchKv0KQA/SR_Nu_qRLrI/AAAAAAAAAsA/ieduVo8Ab4c/s400/Miracle+Worker.jpg" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;strong&gt;Best Performances by Female Stars&lt;/strong&gt;&lt;br /&gt;1) Anne Bancroft in &lt;em&gt;The Miracle Worker&lt;/em&gt;&lt;br /&gt;2) Sophia Loren in &lt;em&gt;Two Women&lt;/em&gt; (1961)&lt;br /&gt;3) Doris Day in &lt;em&gt;Lover Come Back&lt;/em&gt; (1961)&lt;br /&gt;4) Geraldine Page in &lt;em&gt;Sweet Bird of Youth&lt;/em&gt;&lt;br /&gt;5) Deborah Kerr in &lt;em&gt;The Innocents&lt;/em&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Best Performances by Supporting Actors&lt;/strong&gt;&lt;br /&gt;1) Terence Stamp in &lt;em&gt;Billy Budd&lt;/em&gt;&lt;br /&gt;2) Mickey Rooney in &lt;em&gt;Requiem for a Heavyweight&lt;/em&gt;&lt;br /&gt;3) Charles Laughton in &lt;em&gt;Advise and Consent&lt;/em&gt;&lt;br /&gt;4) Neville Brand in &lt;em&gt;Bird Man of Alcatraz&lt;/em&gt;&lt;br /&gt;5) Paul Ford in &lt;em&gt;The Music Man&lt;/em&gt; (tied with)&lt;br /&gt;Walter Matthau in &lt;em&gt;Lonely are the Brave&lt;/em&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Best Performances by Supporting Actresses&lt;/strong&gt;&lt;br /&gt;1) Angela Lansbury in &lt;em&gt;The Manchurian Candidate&lt;/em&gt;&lt;br /&gt;2) Hermione Gingold in &lt;em&gt;The Music Man&lt;/em&gt;&lt;br /&gt;3) Arlene Francis in &lt;em&gt;One, Two, Three&lt;/em&gt; (1961)&lt;br /&gt;4) Betty Field in &lt;em&gt;Bird Man of Alcatraz&lt;/em&gt;&lt;br /&gt;5) Audrey Meadows in &lt;em&gt;That Touch of Mink&lt;/em&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Best Performances by Juvenile Actors&lt;/strong&gt;&lt;br /&gt;1) Patty Duke in &lt;em&gt;The Miracle Worker&lt;/em&gt;&lt;br /&gt;2) Hayley Mills in &lt;em&gt;Whistle Down the Wind&lt;/em&gt; (1961)&lt;br /&gt;3) Kevin Corcoran in &lt;em&gt;Bon Voyage!&lt;/em&gt;&lt;br /&gt;4) Sue Lyon in &lt;em&gt;Lolita&lt;/em&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;“Finds of the Year”&lt;/strong&gt;&lt;br /&gt;1) Anne Bancroft in &lt;em&gt;The Miracle Worker&lt;/em&gt;&lt;br /&gt;2) Terence Stamp in &lt;em&gt;Billy Budd&lt;/em&gt;&lt;br /&gt;3) Patty Duke in &lt;em&gt;The Miracle Worker&lt;/em&gt;&lt;br /&gt;4) Marcello Mastroianni in &lt;em&gt;Divorce- Italian Style&lt;/em&gt;&lt;br /&gt;5) Rita Tushingham in &lt;em&gt;A Taste of Honey&lt;/em&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;The National Board of Review&lt;/strong&gt; (winners announced on December 21, 1962. Source: Tom O’Neil’s &lt;em&gt;Movie Awards&lt;/em&gt;)&lt;br /&gt;&lt;br /&gt;&lt;a href="http://4.bp.blogspot.com/_bzQchKv0KQA/SR7i-ZPGi6I/AAAAAAAAAqg/AJGfReI-g1Q/s1600-h/The+Longest+Day.jpg"&gt;&lt;img id="BLOGGER_PHOTO_ID_5268898175624055714" style="DISPLAY: block; MARGIN: 0px auto 10px; WIDTH: 259px; CURSOR: hand; HEIGHT: 400px; TEXT-ALIGN: center" alt="" src="http://4.bp.blogspot.com/_bzQchKv0KQA/SR7i-ZPGi6I/AAAAAAAAAqg/AJGfReI-g1Q/s400/The+Longest+Day.jpg" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;strong&gt;The Top Ten Pictures&lt;/strong&gt; (in order of preference)&lt;br /&gt;1) &lt;em&gt;The Longest Day&lt;/em&gt;&lt;br /&gt;2) &lt;em&gt;Billy Budd&lt;/em&gt;&lt;br /&gt;3) &lt;em&gt;The Miracle Worker&lt;/em&gt;&lt;br /&gt;4) &lt;em&gt;Lawrence of Arabia&lt;/em&gt;&lt;br /&gt;5) &lt;em&gt;Long Day’s Journey into Night&lt;/em&gt;&lt;br /&gt;6) &lt;em&gt;Whistle Down the Wind&lt;/em&gt;&lt;br /&gt;7) &lt;em&gt;Requiem for a Heavyweight&lt;/em&gt;&lt;br /&gt;8) &lt;em&gt;A Taste of Honey&lt;/em&gt;&lt;br /&gt;9) &lt;em&gt;Bird Man of Alcatraz&lt;/em&gt;&lt;br /&gt;10) &lt;em&gt;War Hunt&lt;/em&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Best Director&lt;/strong&gt;&lt;br /&gt;David Lean for &lt;em&gt;Lawrence of Arabia&lt;/em&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Best Actor&lt;/strong&gt;&lt;br /&gt;Jason Robards for &lt;em&gt;Long Day’s Journey into Night&lt;/em&gt; and &lt;em&gt;Tender is the Night&lt;/em&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Best Actress&lt;/strong&gt;&lt;br /&gt;Anne Bancroft in &lt;em&gt;The Miracle Worker&lt;/em&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Best Supporting Actor&lt;/strong&gt;&lt;br /&gt;Burgess Meredith in &lt;em&gt;Advise and Consent&lt;/em&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Best Supporting Actress&lt;/strong&gt;&lt;br /&gt;Angela Lansbury in &lt;em&gt;The Manchurian Candidate&lt;/em&gt; and &lt;em&gt;All Fall Down&lt;/em&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Best Foreign Films&lt;/strong&gt; (in order of preference)&lt;br /&gt;1) &lt;em&gt;Sundays and Cybele&lt;/em&gt; (France)&lt;br /&gt;2) &lt;em&gt;Barabbas&lt;/em&gt; (Italy)&lt;br /&gt;3) &lt;em&gt;Divorce- Italian Style&lt;/em&gt; (Italy)&lt;br /&gt;4) &lt;em&gt;The Island&lt;/em&gt; (Japan)&lt;br /&gt;5) &lt;em&gt;Through a Glass Darkly&lt;/em&gt; (Sweden)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;The New York Times Ten Best Films of 1962&lt;/strong&gt; (in chronological order)&lt;br /&gt;&lt;em&gt;Lover Come Back&lt;/em&gt; (1961)&lt;br /&gt;&lt;em&gt;Last Year at Marienbad&lt;/em&gt;&lt;br /&gt;&lt;em&gt;Whistle Down the Wind&lt;/em&gt;&lt;br /&gt;&lt;em&gt;A Taste of Honey&lt;/em&gt;&lt;br /&gt;&lt;em&gt;Divorce-Italian Style&lt;/em&gt;&lt;br /&gt;&lt;em&gt;The Longest Day&lt;/em&gt;&lt;br /&gt;&lt;em&gt;Long Day’s Journey into Night&lt;/em&gt;&lt;br /&gt;&lt;em&gt;Sundays and Cybele&lt;/em&gt;&lt;br /&gt;&lt;em&gt;Freud&lt;/em&gt;&lt;br /&gt;&lt;em&gt;Electra&lt;/em&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;1962 Berlin Film Festival&lt;/strong&gt;&lt;br /&gt;&lt;br /&gt;&lt;a href="http://3.bp.blogspot.com/_bzQchKv0KQA/SR7lHnYwYqI/AAAAAAAAAqo/EvooZWzayWc/s1600-h/A+Kind+of+Loving.jpg"&gt;&lt;img id="BLOGGER_PHOTO_ID_5268900533064721058" style="DISPLAY: block; MARGIN: 0px auto 10px; WIDTH: 350px; CURSOR: hand; HEIGHT: 264px; TEXT-ALIGN: center" alt="" src="http://3.bp.blogspot.com/_bzQchKv0KQA/SR7lHnYwYqI/AAAAAAAAAqo/EvooZWzayWc/s400/A+Kind+of+Loving.jpg" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;strong&gt;Best Film&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;A Kind of Loving&lt;/em&gt; (John Schlesinger, England)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Best Direction&lt;/strong&gt;&lt;br /&gt;Francesco Rosi for &lt;em&gt;Salvatore Giuliano&lt;/em&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Best Actor&lt;/strong&gt;&lt;br /&gt;James Stewart in &lt;em&gt;Mr. Hobbs Takes a Vacation&lt;/em&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Best Actress&lt;/strong&gt;&lt;br /&gt;Rita Gam and Viveca Lindfors in &lt;em&gt;No Exit&lt;/em&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Best Documentary&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;Galapagos&lt;/em&gt; (Germany)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Best Short Subject&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;The Painter Karel Appel&lt;/em&gt; (Holland)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;International Film Critics Prize&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;Zoo&lt;/em&gt; (Holland)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Most Promising Newcomer&lt;/strong&gt;&lt;br /&gt;Jon Young Sun in &lt;em&gt;To the Last Day&lt;/em&gt; (Korea)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;1962 Cannes Film Festival&lt;/strong&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Best Film&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;The Given Word&lt;/em&gt; (Anselmo Duarte, Brazil)&lt;br /&gt;&lt;br /&gt;&lt;a href="http://4.bp.blogspot.com/_bzQchKv0KQA/SR_Qkms8B3I/AAAAAAAAAsQ/2dVM5Ch3CnE/s1600-h/Long+Day%27s+Journey+Into+Night.jpg"&gt;&lt;img style="display:block; margin:0px auto 10px; text-align:center;cursor:pointer; cursor:hand;width: 400px; height: 317px;" src="http://4.bp.blogspot.com/_bzQchKv0KQA/SR_Qkms8B3I/AAAAAAAAAsQ/2dVM5Ch3CnE/s400/Long+Day%27s+Journey+Into+Night.jpg" border="0" alt=""id="BLOGGER_PHOTO_ID_5269159416329668466" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;strong&gt;Best Acting&lt;/strong&gt;&lt;br /&gt;Katharine Hepburn, Ralph Richardson, Jason Robards and Dean Stockwell in &lt;em&gt;Long Day’s Journey into Night&lt;/em&gt;&lt;br /&gt;Rita Tushingham and Murray Melvin in &lt;em&gt;A Taste of Honey&lt;/em&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Special Jury Prize&lt;/strong&gt;&lt;br /&gt;Robert Bresson for &lt;em&gt;Le Proces de Jeanne D’Arc&lt;/em&gt;&lt;br /&gt;Michelangelo Antonioni for &lt;em&gt;L’Eclipse&lt;/em&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;International Critics Prize&lt;/strong&gt;&lt;br /&gt;Luis Bunuel for &lt;em&gt;The Exterminating Angel&lt;/em&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Catholic Film Office Award&lt;/strong&gt;&lt;br /&gt;Michelangelo Antonioni for &lt;em&gt;L’Eclipse&lt;/em&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;1962 Venice Film Festival&lt;/strong&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Best Film: Lion of St. Mark&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;Red Desert&lt;/em&gt; (Michelangelo Antonioni, Italy)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Best Actor&lt;/strong&gt;&lt;br /&gt;Tom Courtenay in &lt;em&gt;King and Country&lt;/em&gt; (England)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Best Actress&lt;/strong&gt;&lt;br /&gt;Harriet Anderson in &lt;em&gt;To Love&lt;/em&gt; (Sweden)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Special Jury Prizes&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;Hamlet&lt;/em&gt; (Kosintzev, USSR)&lt;br /&gt;&lt;em&gt;Il Vangelo Secondo Matteo&lt;/em&gt; (Pier Paolo Pasolini, Italy)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Best First Film&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;La Vie a l’Envers&lt;/em&gt; (Alain Jessua, France)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Catholic Film Office Award&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;Il Vangelo Secondo Matteo&lt;/em&gt; (Italy)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;International Film Critics Award&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;Red Desert&lt;/em&gt; (Italy)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;San Giorgio Prize&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;Nothing But a Man&lt;/em&gt; (USA)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;The Golden Globes&lt;/strong&gt; (Nominations announced on January 23, 1963. Awards presented on March 5th, 1963. Source: Tom O’Neil’s &lt;em&gt;Movie Awards&lt;/em&gt;)&lt;br /&gt;&lt;br /&gt;Winners listed in bold print&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Best Drama Picture&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;The Chapman Report&lt;/em&gt;&lt;br /&gt;&lt;em&gt;Days of Wine and Roses&lt;/em&gt;&lt;br /&gt;&lt;em&gt;Freud&lt;/em&gt;&lt;br /&gt;&lt;em&gt;Hemingway’s Adventures of a Young Man&lt;/em&gt;&lt;br /&gt;&lt;strong&gt;&lt;em&gt;Lawrence of Arabia&lt;/em&gt;&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;Lisa&lt;/em&gt;&lt;br /&gt;&lt;em&gt;The Longest Day&lt;/em&gt;&lt;br /&gt;&lt;em&gt;The Miracle Worker&lt;/em&gt;&lt;br /&gt;&lt;em&gt;Mutiny on the Bounty&lt;/em&gt;&lt;br /&gt;&lt;em&gt;To Kill a Mockingbird&lt;/em&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Best Comedy Picture&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;Best of Enemies&lt;/em&gt;&lt;br /&gt;&lt;em&gt;Boys Night Out&lt;/em&gt;&lt;br /&gt;&lt;em&gt;If a Man Answers&lt;/em&gt;&lt;br /&gt;&lt;em&gt;Period of Adjustment&lt;/em&gt;&lt;br /&gt;&lt;strong&gt;&lt;em&gt;That Touch of Mink&lt;/em&gt;&lt;/strong&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Best Musical Picture&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;Girls! Girls! Girls!&lt;/em&gt;&lt;br /&gt;&lt;em&gt;Gypsy&lt;/em&gt;&lt;br /&gt;&lt;em&gt;Jumbo&lt;/em&gt;&lt;br /&gt;&lt;strong&gt;&lt;em&gt;The Music Man&lt;/em&gt;&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;The Wonderful World of the Brothers Grimm&lt;/em&gt;&lt;br /&gt;&lt;br /&gt;&lt;a href="http://1.bp.blogspot.com/_bzQchKv0KQA/SR7pzo1CseI/AAAAAAAAArA/5oIzeX7UIaI/s1600-h/To+Kill+a+Mockingbird.jpg"&gt;&lt;img id="BLOGGER_PHOTO_ID_5268905687412552162" style="DISPLAY: block; MARGIN: 0px auto 10px; WIDTH: 259px; CURSOR: hand; HEIGHT: 400px; TEXT-ALIGN: center" alt="" src="http://1.bp.blogspot.com/_bzQchKv0KQA/SR7pzo1CseI/AAAAAAAAArA/5oIzeX7UIaI/s400/To+Kill+a+Mockingbird.jpg" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;strong&gt;Best Motion Picture Promoting International Understanding&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;Best of Enemies&lt;/em&gt;&lt;br /&gt;&lt;em&gt;The Interns&lt;/em&gt;&lt;br /&gt;&lt;strong&gt;&lt;em&gt;To Kill a Mockingbird&lt;/em&gt;&lt;/strong&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Best Director&lt;/strong&gt;&lt;br /&gt;George Cukor for &lt;em&gt;The Chapman Report&lt;/em&gt;&lt;br /&gt;Morton DaCosta for &lt;em&gt;The Music Man&lt;/em&gt;&lt;br /&gt;Blake Edwards for &lt;em&gt;Days of Wine and Roses&lt;/em&gt;&lt;br /&gt;John Frankenheimer for &lt;em&gt;The Manchurian Candidate&lt;/em&gt;&lt;br /&gt;John Huston for &lt;em&gt;Freud&lt;/em&gt;&lt;br /&gt;Stanley Kubrick for &lt;em&gt;Lolita&lt;/em&gt;&lt;br /&gt;&lt;strong&gt;David Lean for &lt;em&gt;Lawrence of Arabia&lt;/em&gt;&lt;/strong&gt;&lt;br /&gt;Mervyn LeRoy in &lt;em&gt;Gypsy&lt;/em&gt;&lt;br /&gt;Robert Mulligan in &lt;em&gt;To Kill a Mockingbird&lt;/em&gt;&lt;br /&gt;Martin Ritt for &lt;em&gt;Hemingway’s Adventures of a Young Man&lt;/em&gt;&lt;br /&gt;Ismael Rodriguez for &lt;em&gt;Los Hermanos del Hierro&lt;/em&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Best Actor, Drama&lt;/strong&gt;&lt;br /&gt;Bobby Darin in &lt;em&gt;Pressure Point&lt;/em&gt;&lt;br /&gt;Jackie Gleason in &lt;em&gt;Gigot&lt;/em&gt;&lt;br /&gt;Laurence Harvey in &lt;em&gt;The Wonderful World of the Brothers Grimm&lt;/em&gt;&lt;br /&gt;Burt Lancaster in &lt;em&gt;Bird Man of Alcatraz&lt;/em&gt;&lt;br /&gt;Jack Lemmon in &lt;em&gt;Days of Wine and Roses&lt;/em&gt;&lt;br /&gt;James Mason in &lt;em&gt;Lolita&lt;/em&gt;&lt;br /&gt;Paul Newman in &lt;em&gt;Sweet Bird of Youth&lt;/em&gt;&lt;br /&gt;Peter O’Toole in &lt;em&gt;Lawrence of Arabia&lt;/em&gt;&lt;br /&gt;&lt;strong&gt;Gregory Peck in &lt;em&gt;To Kill a Mockingbird&lt;/em&gt;&lt;/strong&gt;&lt;br /&gt;Anthony Quinn in &lt;em&gt;Lawrence of Arabia&lt;/em&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Best Actress, Drama&lt;/strong&gt;&lt;br /&gt;Anne Bancroft in &lt;em&gt;The Miracle Worker&lt;/em&gt;&lt;br /&gt;Bette Davis in &lt;em&gt;Whatever Happened to Baby Jane?&lt;/em&gt;&lt;br /&gt;Katharine Hepburn in &lt;em&gt;Long Day’s Journey into Night&lt;/em&gt;&lt;br /&gt;Glynis Johns in &lt;em&gt;The Chapman Report&lt;/em&gt;&lt;br /&gt;Melina Mercouri in &lt;em&gt;Phaedra&lt;/em&gt;&lt;br /&gt;&lt;strong&gt;Geraldine Page in &lt;em&gt;Sweet Bird of Youth&lt;/em&gt;&lt;/strong&gt;&lt;br /&gt;Lee Remick in &lt;em&gt;Days of Wine and Roses&lt;/em&gt;&lt;br /&gt;Susan Strasberg in &lt;em&gt;Hemingway’s Adventures of a Young Man&lt;/em&gt;&lt;br /&gt;Shelley Winters in &lt;em&gt;Lolita&lt;/em&gt;&lt;br /&gt;Susannah York in &lt;em&gt;Freud&lt;/em&gt;&lt;br /&gt;&lt;br /&gt;&lt;a href="http://3.bp.blogspot.com/_bzQchKv0KQA/SR7m9N2WgNI/AAAAAAAAAqw/t6ISDbmY9jI/s1600-h/Divorce-+Italian+Style.jpg"&gt;&lt;img id="BLOGGER_PHOTO_ID_5268902553434095826" style="DISPLAY: block; MARGIN: 0px auto 10px; WIDTH: 275px; CURSOR: hand; HEIGHT: 381px; TEXT-ALIGN: center" alt="" src="http://3.bp.blogspot.com/_bzQchKv0KQA/SR7m9N2WgNI/AAAAAAAAAqw/t6ISDbmY9jI/s400/Divorce-+Italian+Style.jpg" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;strong&gt;Best Actor, Comedy or Musical&lt;/strong&gt;&lt;br /&gt;Stephen Boyd in &lt;em&gt;Jumbo&lt;/em&gt;&lt;br /&gt;Jimmy Durante in &lt;em&gt;Jumbo&lt;/em&gt;&lt;br /&gt;Cary Grant in &lt;em&gt;That Touch of Mink&lt;/em&gt;&lt;br /&gt;Charlton Heston in &lt;em&gt;The Pigeon That Took Rome&lt;/em&gt;&lt;br /&gt;Karl Malden in &lt;em&gt;Gypsy&lt;/em&gt;&lt;br /&gt;&lt;strong&gt;Marcello Mastroianni in &lt;em&gt;Divorce- Italian Style&lt;/em&gt;&lt;/strong&gt;&lt;br /&gt;Robert Preston in &lt;em&gt;The Music Man&lt;/em&gt;&lt;br /&gt;Alberto Sordi in &lt;em&gt;The Best of Enemies&lt;/em&gt;&lt;br /&gt;James Stewart in &lt;em&gt;Mr. Hobbs Takes a Vacation&lt;/em&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Best Actress, Comedy or Musical&lt;/strong&gt;&lt;br /&gt;Doris Day in &lt;em&gt;Jumbo&lt;/em&gt;&lt;br /&gt;Jane Fonda in &lt;em&gt;Period of Adjustment&lt;/em&gt;&lt;br /&gt;Shirley Jones in &lt;em&gt;The Music Man&lt;/em&gt;&lt;br /&gt;&lt;strong&gt;Rosalind Russell in &lt;em&gt;Gypsy&lt;/em&gt;&lt;/strong&gt;&lt;br /&gt;Natalie Wood in &lt;em&gt;Gypsy&lt;/em&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Best Supporting Actor&lt;/strong&gt;&lt;br /&gt;Ed Begley in &lt;em&gt;Sweet Bird of Youth&lt;/em&gt;&lt;br /&gt;Victor Buono in &lt;em&gt;Whatever Happened to Baby Jane?&lt;/em&gt;&lt;br /&gt;Harry Guardino in &lt;em&gt;The Pigeon That Took Rome&lt;/em&gt;&lt;br /&gt;Ross Martin in &lt;em&gt;Experiment in Terror&lt;/em&gt;&lt;br /&gt;Paul Newman in &lt;em&gt;Hemingway’s Adventures of a Young Man&lt;/em&gt;&lt;br /&gt;Cesar Romero in &lt;em&gt;If a Man Answers&lt;/em&gt;&lt;br /&gt;Telly Savalas in &lt;em&gt;Bird Man of Alcatraz&lt;/em&gt;&lt;br /&gt;Peter Sellers in &lt;em&gt;Lolita&lt;/em&gt;&lt;br /&gt;&lt;strong&gt;Omar Sharif in &lt;em&gt;Lawrence of Arabia&lt;/em&gt;&lt;/strong&gt;&lt;br /&gt;Harold J. Stone in &lt;em&gt;The Chapman Report&lt;/em&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Best Supporting Actress&lt;/strong&gt;&lt;br /&gt;Patty Duke in &lt;em&gt;The Miracle Worker&lt;/em&gt;&lt;br /&gt;Hermione Gingold in &lt;em&gt;The Music Man&lt;/em&gt;&lt;br /&gt;Shirley Knight in &lt;em&gt;Sweet Bird of Youth&lt;/em&gt;&lt;br /&gt;Susan Kohner in &lt;em&gt;Freud&lt;/em&gt;&lt;br /&gt;&lt;strong&gt;Angela Lansbury in &lt;em&gt;The Manchurian Candidate&lt;/em&gt;&lt;/strong&gt;&lt;br /&gt;Gabriella Pollotta in &lt;em&gt;The Pigeon That Took Rome&lt;/em&gt;&lt;br /&gt;Martha Raye in &lt;em&gt;Jumbo&lt;/em&gt;&lt;br /&gt;Kay Stevens in &lt;em&gt;The Interns&lt;/em&gt;&lt;br /&gt;Jessica Tandy in &lt;em&gt;Hemingway’s Adventures of a Young Man&lt;/em&gt;&lt;br /&gt;Tarita in &lt;em&gt;Mutiny on the Bounty&lt;/em&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Most Promising Newcomer- Male&lt;/strong&gt;&lt;br /&gt;&lt;strong&gt;Keir Dullea in &lt;em&gt;David and Lisa&lt;/em&gt;&lt;/strong&gt;&lt;br /&gt;&lt;strong&gt;Omar Sharif in &lt;em&gt;Lawrence of Arabia&lt;/em&gt;&lt;/strong&gt;&lt;br /&gt;&lt;strong&gt;Terence Stamp in &lt;em&gt;Billy Budd&lt;/em&gt;&lt;/strong&gt;&lt;br /&gt;Peter O’Toole in &lt;em&gt;Lawrence of Arabia&lt;/em&gt;&lt;br /&gt;Paul; Wallace in &lt;em&gt;Gypsy&lt;/em&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Most Promising Newcomer- Female&lt;/strong&gt;&lt;br /&gt;&lt;strong&gt;Patty Duke in &lt;em&gt;The Miracle Worker&lt;/em&gt;&lt;/strong&gt;&lt;br /&gt;&lt;strong&gt;Sue Lyon in &lt;em&gt;Lolita&lt;/em&gt;&lt;/strong&gt;&lt;br /&gt;&lt;strong&gt;Rita Tushingham in &lt;em&gt;A Taste of Honey&lt;/em&gt;&lt;/strong&gt;&lt;br /&gt;Dahlia Lavi in &lt;em&gt;Two Weeks in Another Town&lt;/em&gt;&lt;br /&gt;Janet Margolin in &lt;em&gt;David and Lisa&lt;/em&gt;&lt;br /&gt;Suzanne Pleshette in &lt;em&gt;Rome Adventure&lt;/em&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Best Foreign-Language Film&lt;/strong&gt;&lt;br /&gt;&lt;strong&gt;&lt;em&gt;Best of Enemies&lt;/em&gt; (Italy)&lt;/strong&gt; (tied with)&lt;br /&gt;&lt;strong&gt;&lt;em&gt;Divorce-Italian Style&lt;/em&gt; (Italy)&lt;/strong&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Best Cinematography (Black-and-White)&lt;/strong&gt;&lt;br /&gt;&lt;strong&gt;&lt;em&gt;The Longest Day&lt;/em&gt;&lt;/strong&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Best Cinematography (Color)&lt;/strong&gt;&lt;br /&gt;&lt;strong&gt;&lt;em&gt;Lawrence of Arabia&lt;/em&gt;&lt;/strong&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Best Original Score&lt;/strong&gt;&lt;br /&gt;&lt;strong&gt;Elmer Bernstein for &lt;em&gt;To Kill a Mockingbird&lt;/em&gt;&lt;/strong&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;World Film Favorites&lt;/strong&gt;&lt;br /&gt;&lt;strong&gt;Doris Day&lt;/strong&gt;&lt;br /&gt;&lt;strong&gt;Rock Hudson&lt;/strong&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Samuel Goldwyn International Award&lt;/strong&gt;&lt;br /&gt;&lt;strong&gt;&lt;em&gt;Sundays and Cybele&lt;/em&gt; (France)&lt;/strong&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Cecil B. DeMille Award&lt;/strong&gt;&lt;br /&gt;&lt;strong&gt;Bob Hope&lt;/strong&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;The Academy Awards&lt;/strong&gt; (nominations announced February 25, 1963. Awards presented April 8, 1963. Sources: Tom O’Neil’s &lt;em&gt;Movie Awards&lt;/em&gt; and Mason Wiley and Damien Bona’s &lt;em&gt;Inside Oscar&lt;/em&gt;).&lt;br /&gt;&lt;br /&gt;&lt;a href="http://2.bp.blogspot.com/_bzQchKv0KQA/SR7pNmR_OFI/AAAAAAAAAq4/gNVE6tjI80M/s1600-h/Lawrence+of+Arabia.bmp"&gt;&lt;img id="BLOGGER_PHOTO_ID_5268905033893623890" style="DISPLAY: block; MARGIN: 0px auto 10px; WIDTH: 400px; CURSOR: hand; HEIGHT: 307px; TEXT-ALIGN: center" alt="" src="http://2.bp.blogspot.com/_bzQchKv0KQA/SR7pNmR_OFI/AAAAAAAAAq4/gNVE6tjI80M/s400/Lawrence+of+Arabia.bmp" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;strong&gt;Best Picture&lt;/strong&gt;&lt;br /&gt;&lt;strong&gt;&lt;em&gt;Lawrence of Arabia&lt;/em&gt;&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;The Longest Day&lt;/em&gt;&lt;br /&gt;&lt;em&gt;The Music Man&lt;/em&gt;&lt;br /&gt;&lt;em&gt;Mutiny on the Bounty&lt;/em&gt;&lt;br /&gt;&lt;em&gt;To Kill a Mockingbird&lt;/em&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Best Director&lt;/strong&gt;&lt;br /&gt;Pietro Germi for &lt;em&gt;Divorce- Italian Style&lt;/em&gt;&lt;br /&gt;&lt;strong&gt;David Lean for &lt;em&gt;Lawrence of Arabia&lt;/em&gt;&lt;/strong&gt;&lt;br /&gt;Robert Mulligan for &lt;em&gt;To Kill a Mockingbird&lt;/em&gt;&lt;br /&gt;Arthur Penn for &lt;em&gt;The Miracle Worker&lt;/em&gt;&lt;br /&gt;Frank Perry for &lt;em&gt;David and Lisa&lt;/em&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Best Actor&lt;/strong&gt;&lt;br /&gt;Burt Lancaster in &lt;em&gt;Bird Man of Alcatraz&lt;/em&gt;&lt;br /&gt;Jack Lemmon in &lt;em&gt;Days of Wine and Roses&lt;/em&gt;&lt;br /&gt;Marcello Mastroianni in &lt;em&gt;Divorce- Italian Style&lt;/em&gt;&lt;br /&gt;Peter O’Toole in &lt;em&gt;Lawrence of Arabia&lt;/em&gt;&lt;br /&gt;&lt;strong&gt;Gregory Peck in &lt;em&gt;To Kill a Mockingbird&lt;/em&gt;&lt;/strong&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Best Actress&lt;/strong&gt;&lt;br /&gt;&lt;span style="font-weight:bold;"&gt;Anne Bancroft in &lt;em&gt;The Miracle Worker&lt;/em&gt;&lt;/span&gt;&lt;br /&gt;Bette Davis in &lt;em&gt;Whatever Happened to Baby Jane?&lt;/em&gt;&lt;br /&gt;Katharine Hepburn in &lt;em&gt;Long Day’s Journey into Night&lt;/em&gt;&lt;br /&gt;Geraldine Page in &lt;em&gt;Sweet Bird of Youth&lt;/em&gt;&lt;br /&gt;Lee Remick in &lt;em&gt;Days of Wine and Roses&lt;/em&gt;&lt;br /&gt;&lt;br /&gt;&lt;a href="http://4.bp.blogspot.com/_bzQchKv0KQA/SR7qVtu1uVI/AAAAAAAAArI/1dGGVczVsMM/s1600-h/Sweet+Bird+of+Youth.jpg"&gt;&lt;img id="BLOGGER_PHOTO_ID_5268906272844265810" style="DISPLAY: block; MARGIN: 0px auto 10px; WIDTH: 269px; CURSOR: hand; HEIGHT: 400px; TEXT-ALIGN: center" alt="" src="http://4.bp.blogspot.com/_bzQchKv0KQA/SR7qVtu1uVI/AAAAAAAAArI/1dGGVczVsMM/s400/Sweet+Bird+of+Youth.jpg" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;strong&gt;Best Supporting Actor&lt;/strong&gt;&lt;br /&gt;&lt;strong&gt;Ed Begley in &lt;em&gt;Sweet Bird of Youth&lt;/em&gt;&lt;/strong&gt;&lt;br /&gt;Victor Buono in &lt;em&gt;Whatever Happened to Baby Jane?&lt;/em&gt;&lt;br /&gt;Telly Savalas in &lt;em&gt;Bird Man of Alcatraz&lt;/em&gt;&lt;br /&gt;Omar Sharif in &lt;em&gt;Lawrence of Arabia&lt;/em&gt;&lt;br /&gt;Terence Stamp in &lt;em&gt;Billy Budd&lt;/em&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Best Supporting Actress&lt;/strong&gt;&lt;br /&gt;Mary Badham in &lt;em&gt;To Kill a Mockingbird&lt;/em&gt;&lt;br /&gt;&lt;strong&gt;Patty Duke in &lt;em&gt;The Miracle Worker&lt;/em&gt;&lt;/strong&gt;&lt;br /&gt;Shirley Knight in &lt;em&gt;Sweet Bird of Youth&lt;/em&gt;&lt;br /&gt;Angela Lansbury in &lt;em&gt;The Manchurian Candidate&lt;/em&gt;&lt;br /&gt;Thelma Ritter in &lt;em&gt;Bird Man of Alcatraz&lt;/em&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Best Screenplay Based on Material From Another Medium&lt;/strong&gt;&lt;br /&gt;Eleanor Perry for &lt;em&gt;David and Lisa&lt;/em&gt;&lt;br /&gt;Robert Bolt for &lt;em&gt;Lawrence of Arabia&lt;/em&gt;&lt;br /&gt;Vladimir Nabokov for &lt;em&gt;Lolita&lt;/em&gt;&lt;br /&gt;William Gibson for &lt;em&gt;The Miracle Worker&lt;/em&gt;&lt;br /&gt;&lt;strong&gt;Horton Foote for &lt;em&gt;To Kill a Mockingbird&lt;/em&gt;&lt;/strong&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Best Story and Screenplay Written Directly for the Screen&lt;/strong&gt;&lt;br /&gt;&lt;strong&gt;Ennio de Concini, Alfredo Giannetti and Pietro Germi for &lt;em&gt;Divorce- Italian Style&lt;/em&gt;&lt;/strong&gt;&lt;br /&gt;Charles Kaufman and Wolfgang Reinhardt for &lt;em&gt;Freud&lt;/em&gt;&lt;br /&gt;Alain Robbe-Grillet for &lt;em&gt;Last Year at Marienbad&lt;/em&gt;&lt;br /&gt;Stanley Shapiro and Nate Monaster for &lt;em&gt;That Touch of Mink&lt;/em&gt;&lt;br /&gt;Ingmar Bergman for &lt;em&gt;Through a Glass Darkly&lt;/em&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Best Cinematography (Black-and-White)&lt;/strong&gt;&lt;br /&gt;Burnett Guffey for &lt;em&gt;Bird Man of Alcatraz&lt;/em&gt;&lt;br /&gt;&lt;strong&gt;Jean Bourgoin and Walter Wottitz for &lt;em&gt;The Longest Day&lt;/em&gt;&lt;/strong&gt;&lt;br /&gt;Russell Harlan for &lt;em&gt;To Kill a Mockingbird&lt;/em&gt;&lt;br /&gt;Ted McCord for &lt;em&gt;Two for the Seesaw&lt;/em&gt;&lt;br /&gt;Ernest Haller for &lt;em&gt;Whatever Happened to Baby Jane?&lt;/em&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Best Cinematography (Color)&lt;/strong&gt;&lt;br /&gt;Harry Stradling, Sr. for &lt;em&gt;Gypsy&lt;/em&gt;&lt;br /&gt;Russell Harlan for &lt;em&gt;Hatari!&lt;/em&gt;&lt;br /&gt;&lt;strong&gt;Fred A. Young for &lt;em&gt;Lawrence of Arabia&lt;/em&gt;&lt;/strong&gt;&lt;br /&gt;Robert L. Surtees for &lt;em&gt;Mutiny on the Bounty&lt;/em&gt;&lt;br /&gt;Paul C. Vogel for &lt;em&gt;The Wonderful World of the Brothers Grimm&lt;/em&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Art Direction-Set Direction (Black-and-White)&lt;/strong&gt;&lt;br /&gt;Joseph Wright; George James Hopkins for &lt;em&gt;Days of Wine and Roses&lt;/em&gt;&lt;br /&gt;Ted Haworth, Leon Barasa and Vincent Korda; Gabriel Bechir for &lt;em&gt;The Longest Day&lt;/em&gt;&lt;br /&gt;George W. Davis and Edward Carfagno; Henry Grace and Dick Pefferle for &lt;em&gt;Period of Adjustment&lt;/em&gt;&lt;br /&gt;Hal Pereira and Roland Anderson; Sam Comer and Frank R. McKelvy for &lt;em&gt;The Pigeon That Took Rome&lt;/em&gt;&lt;br /&gt;&lt;strong&gt;Alexander Golitzen and Henry Bumstead; Oliver Emert for &lt;em&gt;To Kill a Mockingbird&lt;/em&gt;&lt;/strong&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Art Direction-Set Direction (Color)&lt;/strong&gt;&lt;br /&gt;&lt;strong&gt;John Box and John Stoll; Dario Simoni for &lt;em&gt;Lawrence of Arabia&lt;/em&gt;&lt;/strong&gt;&lt;br /&gt;Paul Groesse; George James Hopkins for &lt;em&gt;The Music Man&lt;/em&gt;&lt;br /&gt;George W. Davis and J. McMillan Johnson; Henry Grace and Hugh Hunt for &lt;em&gt;Mutiny on the Bounty&lt;/em&gt;&lt;br /&gt;Alexander Golitzen and Robert Clatworthy; George Milo for &lt;em&gt;That Touch of Mink&lt;/em&gt;&lt;br /&gt;George W. Davis and Edward Carfagno; Henry Grace and Dick Pefferle for &lt;em&gt;The Wonderful World of the Brothers Grimm&lt;/em&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Best Sound&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;Bon Voyage&lt;/em&gt; Walt Disney Studios Sound Department; Robert O. Cook, sound director&lt;br /&gt;&lt;strong&gt;&lt;em&gt;Lawrence of Arabia&lt;/em&gt; Shepperton Studio Sound Dept.; John Cox, sound director&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;The Music Man&lt;/em&gt; Warner Bros. Studio Sound Dept.; George R. Groves, sound director&lt;br /&gt;&lt;em&gt;That Touch of Mink&lt;/em&gt; Universal City Studio Sound Dept.; Waldon O. Watson, sound director&lt;br /&gt;&lt;em&gt;Whatever Happened to Baby Jane?&lt;/em&gt; Warner Bros. Glen Glenn Sound Dept.; Joseph Kelly, sound director&lt;br /&gt;&lt;br /&gt;&lt;a href="http://3.bp.blogspot.com/_bzQchKv0KQA/SR_IjPLtdxI/AAAAAAAAArY/d4hxI28J45A/s1600-h/Days+of+Wine+and+Roses.jpg"&gt;&lt;img id="BLOGGER_PHOTO_ID_5269150596743395090" style="DISPLAY: block; MARGIN: 0px auto 10px; WIDTH: 286px; CURSOR: hand; HEIGHT: 400px; TEXT-ALIGN: center" alt="" src="http://3.bp.blogspot.com/_bzQchKv0KQA/SR_IjPLtdxI/AAAAAAAAArY/d4hxI28J45A/s400/Days+of+Wine+and+Roses.jpg" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;strong&gt;Best Song&lt;/strong&gt;&lt;br /&gt;&lt;strong&gt;"Days of Wine and Roses" from &lt;em&gt;Days and Wine Roses&lt;/em&gt;. Music by Henry Mancini. Lyrics by Johnny Mercer&lt;/strong&gt;&lt;br /&gt;"Love Song from &lt;em&gt;Mutiny on the Bounty&lt;/em&gt; (Follow Me).” Music by Bronislau Kaper. Lyrics by Paul Francis Webster&lt;br /&gt;“Song from &lt;em&gt;Two for the Seesaw&lt;/em&gt; (Second Chance)." Music by Andre Previn. Lyrics by Dory Langdon.&lt;br /&gt;“Tender is the Night” from &lt;em&gt;Tender is the Night&lt;/em&gt;. Music by Sammy Fain. Lyrics by Paul Francis Webster.&lt;br /&gt;“Walk on the Wild Side” from &lt;em&gt;Walk on the Wild Side&lt;/em&gt;. Music by Elmer Bernstein. Lyrics by Mack David.&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Best Music Score- Substantially Original&lt;/strong&gt;&lt;br /&gt;Jerry Goldsmith for &lt;em&gt;Freud&lt;/em&gt;&lt;br /&gt;&lt;strong&gt;Maurice Jarre for &lt;em&gt;Lawrence of Arabia&lt;/em&gt;&lt;/strong&gt;&lt;br /&gt;Bronislau Kaper for &lt;em&gt;Mutiny on the Bounty&lt;/em&gt;&lt;br /&gt;Franz Waxman for &lt;em&gt;Taras Bulba&lt;/em&gt;&lt;br /&gt;Elmer Bernstein for &lt;em&gt;To Kill a Mockingbird&lt;/em&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Best Scoring of Music- Adaptation or Treatment&lt;/strong&gt;&lt;br /&gt;George Stoll for &lt;em&gt;Billy Rose’s Jumbo&lt;/em&gt;&lt;br /&gt;Michel Magne for &lt;em&gt;Gigot&lt;/em&gt;&lt;br /&gt;Frank Perkins for &lt;em&gt;Gypsy&lt;/em&gt;&lt;br /&gt;&lt;strong&gt;Ray Heindorf for &lt;em&gt;The Music Man&lt;/em&gt;&lt;/strong&gt;&lt;br /&gt;Leigh Harline for &lt;em&gt;The Wonderful World of the Brothers Grimm&lt;/em&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Best Film Editing&lt;/strong&gt;&lt;br /&gt;&lt;strong&gt;Anne Coates for &lt;em&gt;Lawrence of Arabia&lt;/em&gt;&lt;/strong&gt;&lt;br /&gt;Samuel E. Beetley for &lt;em&gt;The Longest Day&lt;/em&gt;&lt;br /&gt;Ferris Webster for &lt;em&gt;The Manchurian Candidate&lt;/em&gt;&lt;br /&gt;William Ziegler for &lt;em&gt;The Music Man&lt;/em&gt;&lt;br /&gt;John McSweeney, Jr. &lt;em&gt;Mutiny on the Bounty&lt;/em&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Best Costume Design (Black-and-White)&lt;/strong&gt;&lt;br /&gt;Don Feld for &lt;em&gt;Days of Wine and Roses&lt;/em&gt;&lt;br /&gt;Edith Head for &lt;em&gt;The Man Who Shot Liberty Valance&lt;/em&gt;&lt;br /&gt;Ruth Morley for &lt;em&gt;The Miracle Worker&lt;/em&gt;&lt;br /&gt;Denny Vachlioti for &lt;em&gt;Phaedra&lt;/em&gt;&lt;br /&gt;&lt;strong&gt;Norma Koch for &lt;em&gt;Whatever Happened to Baby Jane?&lt;/em&gt;&lt;/strong&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Best Costume Design (Color)&lt;/strong&gt;&lt;br /&gt;Bill Thomas for &lt;em&gt;Bon Voyage&lt;/em&gt;&lt;br /&gt;Orry-Kelly for &lt;em&gt;Gypsy&lt;/em&gt;&lt;br /&gt;Dorothy Jeakins for &lt;em&gt;The Music Man&lt;/em&gt;&lt;br /&gt;Edith Head for &lt;em&gt;My Geisha&lt;/em&gt;&lt;br /&gt;&lt;strong&gt;Mary Wills for &lt;em&gt;The Wonderful World of the Brothers Grimm&lt;/em&gt;&lt;/strong&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Best Special Effects&lt;/strong&gt;&lt;br /&gt;&lt;strong&gt;Robert MacDonald (Visual) and Jacques Maumont (Audible) for &lt;em&gt;The Longest Day&lt;/em&gt;&lt;/strong&gt;&lt;br /&gt;A.Arnold Gillespie (Visual) and Milo Lory (Audible) for &lt;em&gt;Mutiny on the Bounty&lt;/em&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Best Short Subject Cartoon&lt;/strong&gt;&lt;br /&gt;&lt;strong&gt;&lt;em&gt;The Hole&lt;/em&gt; John and Faith Hubley, producers&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;Icarus Montgolfier Wright&lt;/em&gt; Jules Engel, producer&lt;br /&gt;&lt;em&gt;Now Hear This&lt;/em&gt; Warner Brothers&lt;br /&gt;&lt;em&gt;Self-Defense-For Cowards&lt;/em&gt; William L. Snyder, producer&lt;br /&gt;&lt;em&gt;Symposium on Popular Songs&lt;/em&gt; Walt Disney, producer&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Best Live Action Short Subject&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;Big City Blues&lt;/em&gt; Martina and Charles Huguenot van der Linden, producers&lt;br /&gt;&lt;em&gt;The Cadillac&lt;/em&gt; Robert Clouse, producer&lt;br /&gt;&lt;em&gt;The Cliff Dwellers&lt;/em&gt; (a.k.a. One Plus One) Hayward Anderson, producer&lt;br /&gt;&lt;strong&gt;&lt;em&gt;Heureux Anniversaire&lt;/em&gt; (Happy Anniversary) Pierre Etaix and J.C. Carriere, producers&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;Pan&lt;/em&gt; Herman van der Horst, producer&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Best Documentary Short Subject&lt;/strong&gt;&lt;br /&gt;&lt;strong&gt;&lt;em&gt;Dylan Thomas&lt;/em&gt; Jack Howells, producer&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;The John Glenn Story&lt;/em&gt; William L. Hendricks, producer&lt;br /&gt;&lt;em&gt;The Road to the Wall&lt;/em&gt; Robert Saudek, producer&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Best Documentary Feature&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;Alvorada&lt;/em&gt; (&lt;em&gt;Brazil’s Changing Face&lt;/em&gt;) Hugo Niebeling, producer&lt;br /&gt;&lt;strong&gt;&lt;em&gt;Black Fox&lt;/em&gt; Louis Clyde Stoumen, producer&lt;/strong&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Best Foreign Language Film&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;Electra&lt;/em&gt; (Greece)&lt;br /&gt;&lt;em&gt;The Four Days of Naples &lt;/em&gt;(Italy)&lt;br /&gt;&lt;em&gt;The Keeper of Promises&lt;/em&gt; (&lt;em&gt;The Given Word&lt;/em&gt;) (Brazil)&lt;br /&gt;&lt;strong&gt;&lt;em&gt;Sundays and Cybele&lt;/em&gt;&lt;/strong&gt; (France)&lt;br /&gt;&lt;em&gt;Tlayucan&lt;/em&gt; (Mexico)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Jean Hersholt Humanitarian Award&lt;/strong&gt;&lt;br /&gt;&lt;strong&gt;Steve Broidy&lt;/strong&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;The 1962 British Academy Awards&lt;/strong&gt; (Source: Bo Smith- &lt;em&gt;The BAFTA Film Awards&lt;/em&gt;, 1989)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Best Film From Any Source and Best British Film&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;Billy Budd&lt;/em&gt; (G.B.)&lt;br /&gt;&lt;em&gt;The Island&lt;/em&gt; (Japan)&lt;br /&gt;&lt;em&gt;Jules et Jim&lt;/em&gt; (France)&lt;br /&gt;&lt;em&gt;A Kind of Loving&lt;/em&gt; (G.B.)&lt;br /&gt;&lt;em&gt;The Lady with the Little Dog&lt;/em&gt; (USSR)&lt;br /&gt;&lt;em&gt;Last Year at Marienbad&lt;/em&gt; (France/Italy)&lt;br /&gt;&lt;strong&gt;&lt;em&gt;Lawrence of Arabia&lt;/em&gt; (G.B.)- won both awards&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;Lola&lt;/em&gt; (France/Italy)&lt;br /&gt;&lt;em&gt;The Long Absence&lt;/em&gt; (France/Italy)&lt;br /&gt;&lt;em&gt;The L-Shaped Room&lt;/em&gt; (G.B.)&lt;br /&gt;&lt;em&gt;The Manchurian Candidate&lt;/em&gt; (U.S.)&lt;br /&gt;&lt;em&gt;The Miracle Worker&lt;/em&gt; (U.S.)&lt;br /&gt;&lt;em&gt;Only Two Can Play&lt;/em&gt; (G.B.)&lt;br /&gt;&lt;em&gt;Phaedra&lt;/em&gt; (Greece)&lt;br /&gt;&lt;em&gt;Thou Shalt Not Kill&lt;/em&gt; (Italy/Yugoslavia/Liechtenstein)&lt;br /&gt;&lt;em&gt;Through a Glass Darkly&lt;/em&gt; (Sweden)&lt;br /&gt;&lt;em&gt;The Vanishing Corporal&lt;/em&gt; (France)&lt;br /&gt;&lt;em&gt;West Side Story&lt;/em&gt; (U.S.- 1961)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Best British Actor&lt;/strong&gt;&lt;br /&gt;Richard Attenborough in &lt;em&gt;The Dock Brief&lt;/em&gt;&lt;br /&gt;Alan Bates in &lt;em&gt;A Kind of Loving&lt;/em&gt;&lt;br /&gt;James Mason in &lt;em&gt;Lolita&lt;/em&gt;&lt;br /&gt;Laurence Olivier in &lt;em&gt;Term of Trial&lt;/em&gt;&lt;br /&gt;&lt;strong&gt;Peter O’Toole in &lt;em&gt;Lawrence of Arabia&lt;/em&gt;&lt;/strong&gt;&lt;br /&gt;Peter Sellers in &lt;em&gt;Only Two Can Play&lt;/em&gt;&lt;br /&gt;&lt;br /&gt;&lt;a href="http://1.bp.blogspot.com/_bzQchKv0KQA/SR7ubMUUyLI/AAAAAAAAArQ/7r5Pb55vRIM/s1600-h/L-Shaped+Room.jpg"&gt;&lt;img id="BLOGGER_PHOTO_ID_5268910765000411314" style="DISPLAY: block; MARGIN: 0px auto 10px; WIDTH: 400px; CURSOR: hand; HEIGHT: 300px; TEXT-ALIGN: center" alt="" src="http://1.bp.blogspot.com/_bzQchKv0KQA/SR7ubMUUyLI/AAAAAAAAArQ/7r5Pb55vRIM/s400/L-Shaped+Room.jpg" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;strong&gt;Best British Actress&lt;/strong&gt;&lt;br /&gt;&lt;strong&gt;Leslie Caron in &lt;em&gt;The L-Shaped Room&lt;/em&gt;&lt;/strong&gt;&lt;br /&gt;Virginia Maskell in &lt;em&gt;The Wild and the Willing&lt;/em&gt;&lt;br /&gt;Janet Munro in Life for &lt;em&gt;Ruth&lt;/em&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Best Foreign Actor&lt;/strong&gt;&lt;br /&gt;Jean-Paul Belmondo in &lt;em&gt;Leon Marin, Priest&lt;/em&gt;&lt;br /&gt;Franco Citti in &lt;em&gt;Accatone!&lt;/em&gt;&lt;br /&gt;Kirk Douglas in &lt;em&gt;Lonely are the Brave&lt;/em&gt;&lt;br /&gt;George Hamilton in &lt;em&gt;A Light in the Piazza&lt;/em&gt;&lt;br /&gt;&lt;strong&gt;Burt Lancaster in &lt;em&gt;Bird Man of Alcatraz&lt;/em&gt;&lt;/strong&gt;&lt;br /&gt;Charles Laughton in &lt;em&gt;Advise and Consent&lt;/em&gt;&lt;br /&gt;Anthony Quinn in &lt;em&gt;Lawrence of Arabia&lt;/em&gt;&lt;br /&gt;Robert Ryan in &lt;em&gt;Billy Budd&lt;/em&gt;&lt;br /&gt;Georges Wilson in &lt;em&gt;The Long Absence&lt;/em&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Best Foreign Actress&lt;/strong&gt;&lt;br /&gt;Anouk Aimee in &lt;em&gt;Lola&lt;/em&gt;&lt;br /&gt;Harriet Andersson in &lt;em&gt;Through a Glass Darkly&lt;/em&gt;&lt;br /&gt;&lt;strong&gt;Anne Bancroft in &lt;em&gt;The Miracle Worker&lt;/em&gt;&lt;/strong&gt;&lt;br /&gt;Melina Mercouri in &lt;em&gt;Phaedra&lt;/em&gt;&lt;br /&gt;Jeanne Moreau in &lt;em&gt;Jules et Jim&lt;/em&gt;&lt;br /&gt;Geraldine Page in &lt;em&gt;Sweet Bird of Youth&lt;/em&gt;&lt;br /&gt;Natalie Wood in &lt;em&gt;Splendor in the Grass&lt;/em&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Most Promising Newcomer&lt;/strong&gt;&lt;br /&gt;&lt;strong&gt;Tom Courtenay in &lt;em&gt;The Loneliness of the Long Distance Runner&lt;/em&gt;&lt;/strong&gt;&lt;br /&gt;Mariette Hartley in&lt;em&gt; Guns in the Afternoon&lt;/em&gt; (&lt;em&gt;Ride the High Country&lt;/em&gt;)&lt;br /&gt;Ian Hendry in &lt;em&gt;Live Now, Pay Later&lt;/em&gt;&lt;br /&gt;Sarah Miles in &lt;em&gt;Term of Trial&lt;/em&gt;&lt;br /&gt;Terence Stamp in &lt;em&gt;Billy Budd&lt;/em&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Best British Screenplay&lt;/strong&gt;&lt;br /&gt;Peter Ustinov and DeWitt Bodeen for &lt;em&gt;Billy Budd&lt;/em&gt;&lt;br /&gt;Keith Waterhouse and Willis Hall for &lt;em&gt;A Kind of Loving&lt;/em&gt;&lt;br /&gt;&lt;strong&gt;Robert Bolt for &lt;em&gt;Lawrence of Arabia&lt;/em&gt;&lt;/strong&gt;&lt;br /&gt;Bryan Forbes for &lt;em&gt;Only Two Can Play&lt;/em&gt;&lt;br /&gt;Geoffrey Cotterell and Ivan Foxwell for &lt;em&gt;Tiara Tahiti&lt;/em&gt;&lt;br /&gt;Wolf Mankowitz for &lt;em&gt;The Waltz of the Toreadors&lt;/em&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Best Short Film&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;Lonely Boy&lt;/em&gt; (Canada)&lt;br /&gt;&lt;strong&gt;&lt;em&gt;An Occurrence at Owl Creek Bridge&lt;/em&gt; (France)&lt;/strong&gt;&lt;em&gt;Pan&lt;/em&gt; (Holland)&lt;br /&gt;Zoo (Holland)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Best Specialized Film&lt;/strong&gt;&lt;br /&gt;&lt;strong&gt;&lt;em&gt;Four Line Conics&lt;/em&gt; (Canada)&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;What’s the Time&lt;/em&gt; (G.B.)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Best Animated Film&lt;/strong&gt;&lt;br /&gt;&lt;strong&gt;&lt;em&gt;The Apple&lt;/em&gt; (G.B.)&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;Four Line Conics&lt;/em&gt; (canada)&lt;br /&gt;&lt;em&gt;The Traveling Rune&lt;/em&gt; (Holland)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;United Nations Award&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;Food or Famine&lt;/em&gt; (G.B.)&lt;br /&gt;&lt;strong&gt;&lt;em&gt;Reach for Glory&lt;/em&gt; (G.B.)&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;Thou Shalt Not Kill&lt;/em&gt; (Italy/Yugoslavia/Liechtenstein)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;The Top Ten Box-Office Stars of 1962 &lt;/strong&gt;(according to Quigley Publishing’s poll of film exhibitors)&lt;br /&gt;1) Doris Day&lt;br /&gt;2) Rock Hudson&lt;br /&gt;3) Cary Grant&lt;br /&gt;4) John Wayne&lt;br /&gt;5) Elvis Presley&lt;br /&gt;6) Elizabeth Taylor&lt;br /&gt;7) Jerry Lewis&lt;br /&gt;8) Frank Sinatra&lt;br /&gt;9) Sandra Dee&lt;br /&gt;10) Burt Lancaster&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;The Next Fifteen:&lt;/strong&gt;&lt;br /&gt;11) Paul Newman&lt;br /&gt;12) Charlton Heston&lt;br /&gt;13) James Stewart&lt;br /&gt;14) Jack Lemmon&lt;br /&gt;15) William Holden&lt;br /&gt;16) Debbie Reynolds&lt;br /&gt;17) Kirk Douglas&lt;br /&gt;18) Tony Curtis&lt;br /&gt;19) Natalie Wood&lt;br /&gt;20) Hayley Mills&lt;br /&gt;21) Glenn Ford&lt;br /&gt;22) Kin Novak&lt;br /&gt;23) Shirley MacLaine&lt;br /&gt;24) Audrey Hepburn&lt;br /&gt;25) Gregory Peck&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;1962's Top Ten "Stars of Tomorrow"&lt;/strong&gt; (according to Quigley Publishing's poll of film exhibitors)&lt;br /&gt;1) Bobby Darin&lt;br /&gt;2) Ann-Margret&lt;br /&gt;3) Richard Beymer&lt;br /&gt;4) Suzanne Pleshette&lt;br /&gt;5) Capucine&lt;br /&gt;6) George Peppard&lt;br /&gt;7) James MacArthur&lt;br /&gt;8) Peter Falk&lt;br /&gt;9) Michael Callan&lt;br /&gt;10) Yvette Mimieux&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;The Next Fifteen:&lt;/strong&gt;&lt;br /&gt;11) Patty Duke&lt;br /&gt;12) Pamela Tiffin&lt;br /&gt;13) Dean Stockwell&lt;br /&gt;14) Elsa Martinelli&lt;br /&gt;15) Barbara Eden&lt;br /&gt;16) Sue Lyon&lt;br /&gt;17) David Ladd&lt;br /&gt;18) Tommy Sands&lt;br /&gt;19) Brandon deWilde&lt;br /&gt;20) Joan Blackman&lt;br /&gt;21) Kevin Corcoran&lt;br /&gt;22) Harry Guardino&lt;br /&gt;23) Christine Kaufmann&lt;br /&gt;24) Stella Stevens&lt;br /&gt;25) Ty Hardin&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Great Britain’s Top Ten Box-Office Stars of 1962&lt;/strong&gt; (according to the Motion Picture Herald’s poll of British film exhibitors)&lt;br /&gt;&lt;br /&gt;1) Cliff Richard&lt;br /&gt;2) Elvis Presley&lt;br /&gt;3) Peter Sellers&lt;br /&gt;4) Kenneth More&lt;br /&gt;5) Hayley Mills&lt;br /&gt;6) Doris Day&lt;br /&gt;7) Sophia Loren&lt;br /&gt;8) John Wayne&lt;br /&gt;9) Frank Sinatra&lt;br /&gt;10) Sean Connery&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Great Britain’s Top Ten Box-Office hits of 1962&lt;/strong&gt; (according to the Motion Picture Herald)&lt;br /&gt;1) &lt;em&gt;The Guns of Navarone&lt;/em&gt;&lt;br /&gt;2) &lt;em&gt;The Young Ones&lt;/em&gt;&lt;br /&gt;3) &lt;em&gt;Only Two Can Play&lt;/em&gt;&lt;br /&gt;4) &lt;em&gt;The Comancheros&lt;/em&gt;&lt;br /&gt;5) &lt;em&gt;Dr. No&lt;/em&gt;&lt;br /&gt;6) &lt;em&gt;A Kind of Loving&lt;/em&gt;&lt;br /&gt;7) &lt;em&gt;Sergeants Three&lt;/em&gt;&lt;br /&gt;8) &lt;em&gt;Blue Hawaii&lt;/em&gt;&lt;br /&gt;9) &lt;em&gt;The Road to Hong Kong&lt;/em&gt;&lt;br /&gt;10) &lt;em&gt;That Touch of Mink&lt;/em&gt;&lt;br /&gt;11) &lt;em&gt;The Waltz of the Toreadors&lt;/em&gt;&lt;br /&gt;12) &lt;em&gt;Carry On Cruising&lt;/em&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;The Golden Laurel Awards for 1963&lt;/strong&gt; (1962 films, unless otherwise noted. Published in the Motion Picture Exhibitor Magazine on September 11th, 1963. Listed in order of preference)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Top Drama&lt;/strong&gt;&lt;br /&gt;1) &lt;em&gt;Days of Wine and Roses&lt;/em&gt;&lt;br /&gt;2) &lt;em&gt;The Miracle Worker&lt;/em&gt;&lt;br /&gt;3) &lt;em&gt;Bird Man of Alcatraz&lt;/em&gt;&lt;br /&gt;4) &lt;em&gt;Mutiny on the Bounty&lt;/em&gt;&lt;br /&gt;5) &lt;em&gt;The Interns&lt;/em&gt;&lt;br /&gt;&lt;br /&gt;&lt;a href="http://3.bp.blogspot.com/_bzQchKv0KQA/SR_Ls8wOg2I/AAAAAAAAArw/Lb2rQr6l8wY/s1600-h/That+Touch+of+Mink.jpg"&gt;&lt;img id="BLOGGER_PHOTO_ID_5269154062129857378" style="DISPLAY: block; MARGIN: 0px auto 10px; WIDTH: 257px; CURSOR: hand; HEIGHT: 400px; TEXT-ALIGN: center" alt="" src="http://3.bp.blogspot.com/_bzQchKv0KQA/SR_Ls8wOg2I/AAAAAAAAArw/Lb2rQr6l8wY/s400/That+Touch+of+Mink.jpg" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;strong&gt;Top Comedy&lt;/strong&gt;&lt;br /&gt;1) &lt;em&gt;That Touch of Mink&lt;/em&gt;&lt;br /&gt;2) &lt;em&gt;Son of Flubber&lt;/em&gt; (1963)&lt;br /&gt;3) &lt;em&gt;Mr. Hobbs Takes a Vacation&lt;/em&gt;&lt;br /&gt;4) &lt;em&gt;The Courtship of Eddie’s Father&lt;/em&gt; (1963)&lt;br /&gt;5) &lt;em&gt;40 Pounds of Trouble&lt;/em&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Top Action Drama&lt;/strong&gt;&lt;br /&gt;1) &lt;em&gt;The Longest Day&lt;/em&gt;&lt;br /&gt;2) &lt;em&gt;Hatari!&lt;/em&gt;&lt;br /&gt;3) &lt;em&gt;The Manchurian Candidate&lt;/em&gt;&lt;br /&gt;4) &lt;em&gt;In Search of the Castaways&lt;/em&gt;&lt;br /&gt;5) &lt;em&gt;The Man Who Shot Liberty Valance&lt;/em&gt;&lt;br /&gt;&lt;br /&gt;&lt;a href="http://4.bp.blogspot.com/_bzQchKv0KQA/SR_Kc68Lg3I/AAAAAAAAAro/joxT8PONlOk/s1600-h/Music+Man.jpg"&gt;&lt;img id="BLOGGER_PHOTO_ID_5269152687253586802" style="DISPLAY: block; MARGIN: 0px auto 10px; WIDTH: 206px; CURSOR: hand; HEIGHT: 400px; TEXT-ALIGN: center" alt="" src="http://4.bp.blogspot.com/_bzQchKv0KQA/SR_Kc68Lg3I/AAAAAAAAAro/joxT8PONlOk/s400/Music+Man.jpg" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;strong&gt;Top Musical&lt;/strong&gt;&lt;br /&gt;1) &lt;em&gt;The Music Man&lt;/em&gt;&lt;br /&gt;2) &lt;em&gt;Gypsy&lt;/em&gt;&lt;br /&gt;3) &lt;em&gt;Girls! Girls! Girls! &lt;/em&gt;&lt;br /&gt;4) &lt;em&gt;Billy Rose’s Jumbo&lt;/em&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Top General Entertainment&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;To Kill a Mockingbird&lt;/em&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Top Road Show&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;Lawrence of Arabia&lt;/em&gt;&lt;br /&gt;&lt;br /&gt;&lt;a href="http://2.bp.blogspot.com/_bzQchKv0KQA/SR_MCGFQSYI/AAAAAAAAAr4/cU7-KwZ1Wjg/s1600-h/David+and+Lisa.jpg"&gt;&lt;img id="BLOGGER_PHOTO_ID_5269154425411225986" style="DISPLAY: block; MARGIN: 0px auto 10px; WIDTH: 259px; CURSOR: hand; HEIGHT: 400px; TEXT-ALIGN: center" alt="" src="http://2.bp.blogspot.com/_bzQchKv0KQA/SR_MCGFQSYI/AAAAAAAAAr4/cU7-KwZ1Wjg/s400/David+and+Lisa.jpg" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;strong&gt;Sleeper of the Year&lt;/strong&gt; (two winners)&lt;br /&gt;&lt;em&gt;David and Lisa&lt;/em&gt;&lt;br /&gt;&lt;em&gt;Whatever Happened to Baby Jane?&lt;/em&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Top Male Dramatic Performance&lt;/strong&gt;&lt;br /&gt;1) Jack Lemmon in &lt;em&gt;Days of Wine and Roses&lt;/em&gt;&lt;br /&gt;2) Gregory Peck in &lt;em&gt;To Kill a Mockingbird&lt;/em&gt;&lt;br /&gt;3) Burt Lancaster in &lt;em&gt;Birdman of Alcatraz&lt;/em&gt;&lt;br /&gt;4) Peter O’Toole in &lt;em&gt;Lawrence of Arabia&lt;/em&gt;&lt;br /&gt;5) Henry Fonda in &lt;em&gt;Spencer’s Mountain&lt;/em&gt; (1963)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Top Female Dramatic Performance&lt;/strong&gt;&lt;br /&gt;1) Lee Remick in &lt;em&gt;Days of Wine and Roses&lt;/em&gt;&lt;br /&gt;2) Anne Bancroft in &lt;em&gt;The Miracle Worker&lt;/em&gt;&lt;br /&gt;3) Bette Davis in &lt;em&gt;Whatever Happened to Baby Jane?&lt;/em&gt;&lt;br /&gt;4) Shirley MacLaine in &lt;em&gt;Two for the Seesaw&lt;/em&gt;&lt;br /&gt;5) Katharine Hepburn in &lt;em&gt;Long Day’s Journey into Night&lt;/em&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Top Male Comedy Performance&lt;/strong&gt;&lt;br /&gt;1) Cary Grant in &lt;em&gt;That Touch of Mink&lt;/em&gt;&lt;br /&gt;2) Tony Curtis in &lt;em&gt;40 Pounds of Trouble&lt;/em&gt;&lt;br /&gt;3) James Stewart in &lt;em&gt;Mr. Hobbs Takes a Vacation&lt;/em&gt;&lt;br /&gt;4) Glenn Ford in &lt;em&gt;The Courtship of Eddie’s Father&lt;/em&gt; (1963)&lt;br /&gt;5) Fred MacMurray in &lt;em&gt;Son of Flubber&lt;/em&gt; (1963)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Top Female Comedy Performance&lt;/strong&gt;&lt;br /&gt;1) Doris Day in That Touch of Mink&lt;br /&gt;2) Jane Fonda in Period of Adjustment&lt;br /&gt;3) Debbie Reynolds in My Six Loves (1963)&lt;br /&gt;4) Sandra Dee in If a Man Answers&lt;br /&gt;5) Maureen O’Hara in Mr. Hobbs Takes a Vacation&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Top Male Musical Performance&lt;/strong&gt;&lt;br /&gt;1) Robert Preston in &lt;em&gt;The Music Man&lt;/em&gt;&lt;br /&gt;2) Elvis Presley in &lt;em&gt;Girls! Girls! Girls!&lt;/em&gt;&lt;br /&gt;3) Maurice Chevalier in &lt;em&gt;In Search of the Castaways&lt;/em&gt;&lt;br /&gt;4) Pat Boone in &lt;em&gt;State Fair&lt;/em&gt;&lt;br /&gt;5) Jimmy Durante in &lt;em&gt;Billy Rose’s Jumbo&lt;/em&gt;&lt;br /&gt;&lt;br /&gt;&lt;a href="http://4.bp.blogspot.com/_bzQchKv0KQA/SR_KQXXhTpI/AAAAAAAAArg/OqF6UX9v2A8/s1600-h/State+Fair.jpg"&gt;&lt;img id="BLOGGER_PHOTO_ID_5269152471546154642" style="DISPLAY: block; MARGIN: 0px auto 10px; WIDTH: 258px; CURSOR: hand; HEIGHT: 400px; TEXT-ALIGN: center" alt="" src="http://4.bp.blogspot.com/_bzQchKv0KQA/SR_KQXXhTpI/AAAAAAAAArg/OqF6UX9v2A8/s400/State+Fair.jpg" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;strong&gt;Top Female Comedy Performance&lt;/strong&gt;&lt;br /&gt;1) Ann-Margret in &lt;em&gt;State Fair&lt;/em&gt;&lt;br /&gt;2) Natalie Wood in &lt;em&gt;Gypsy&lt;/em&gt;&lt;br /&gt;3) Shirley Jones in &lt;em&gt;The Music Man&lt;/em&gt;&lt;br /&gt;4) Connie Francis in &lt;em&gt;Follow the Boys&lt;/em&gt; (1963)&lt;br /&gt;5) Rosalind Russell in &lt;em&gt;Gypsy&lt;/em&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Top Action Performance&lt;/strong&gt;&lt;br /&gt;1) John Wayne in &lt;em&gt;The Man Who Shot Liberty Valance&lt;/em&gt;&lt;br /&gt;2) Frank Sinatra in &lt;em&gt;The Manchurian Candidate&lt;/em&gt;&lt;br /&gt;3) Kirk Douglas in &lt;em&gt;Lonely are the Brave&lt;/em&gt;&lt;br /&gt;4) Lee Marvin in &lt;em&gt;The Man Who Shot Liberty Valance&lt;/em&gt;&lt;br /&gt;5) Robert Mitchum in &lt;em&gt;The Longest Day&lt;/em&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Top Male Supporting Performance&lt;/strong&gt;&lt;br /&gt;1) Gig Young in &lt;em&gt;That Touch of Mink&lt;/em&gt;&lt;br /&gt;2) Karl Malden in &lt;em&gt;Gypsy&lt;/em&gt;&lt;br /&gt;3) Charles Bickford in &lt;em&gt;Days of Wine and Roses&lt;/em&gt;&lt;br /&gt;4) Omar Sharif in &lt;em&gt;Lawrence of Arabia&lt;/em&gt;&lt;br /&gt;5) Mickey Rooney in &lt;em&gt;Requiem for a Heavyweight&lt;/em&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Top Female Supporting Performance&lt;/strong&gt;&lt;br /&gt;1) Patty Duke in &lt;em&gt;The Miracle Worker&lt;/em&gt;&lt;br /&gt;2) Mary Badham in &lt;em&gt;To Kill a Mockingbird&lt;/em&gt;&lt;br /&gt;3) Thelma Ritter in &lt;em&gt;Bird Man of Alcatraz&lt;/em&gt;&lt;br /&gt;4) Angela Lansbury in &lt;em&gt;The Manchurian Candidate&lt;/em&gt;&lt;br /&gt;5) Roberta Sherwood in &lt;em&gt;The Courtship of Eddie’s Father&lt;/em&gt; (1963)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Top Male Star&lt;/strong&gt;&lt;br /&gt;1) Rock Hudson&lt;br /&gt;2) Cary Grant&lt;br /&gt;3) Gregory Peck&lt;br /&gt;4) John Wayne&lt;br /&gt;5) Jack Lemmon&lt;br /&gt;6) Frank Sinatra&lt;br /&gt;7) Burt Lancaster&lt;br /&gt;8) Jerry Lewis&lt;br /&gt;9) Paul Newman&lt;br /&gt;10) Elvis Presley&lt;br /&gt;11) Henry Fonda&lt;br /&gt;12) James Stewart&lt;br /&gt;13) Tony Curtis&lt;br /&gt;14) William Holden&lt;br /&gt;15) Charlton Heston&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Top Female Star&lt;/strong&gt;&lt;br /&gt;1) Doris Day&lt;br /&gt;2) Elizabeth Taylor&lt;br /&gt;3) Natalie Wood&lt;br /&gt;4) Ann-Margret&lt;br /&gt;5) Debbie Reynolds&lt;br /&gt;6) Sandra Dee&lt;br /&gt;7) Lee Remick&lt;br /&gt;8) Hayley Mills&lt;br /&gt;9) Shirley MacLaine&lt;br /&gt;10) Audrey Hepburn&lt;br /&gt;11) Kim Novak&lt;br /&gt;12) Anne Bancroft&lt;br /&gt;13) Angie Dickinson&lt;br /&gt;14) Shirley Jones&lt;br /&gt;15) Jane Fonda&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Top New Male Personality&lt;/strong&gt;&lt;br /&gt;1) Peter O’Toole&lt;br /&gt;2) James MacArthur&lt;br /&gt;3) Terence Stamp&lt;br /&gt;4) Omar Sharif&lt;br /&gt;5) Robert Walker&lt;br /&gt;6) Ty Hardin&lt;br /&gt;7) Victor Buono&lt;br /&gt;8) Keir Dullea&lt;br /&gt;9) Ron Howard&lt;br /&gt;10) Telly Savalas&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Top New Female Personality&lt;/strong&gt;&lt;br /&gt;1) Suzanne Pleshette&lt;br /&gt;2) Elizabeth Allen&lt;br /&gt;3) Sue Lyon&lt;br /&gt;4) Stefanie Powers&lt;br /&gt;5) Janet Margolin&lt;br /&gt;6) Mimsy Farmer&lt;br /&gt;7) Rita Tushingham&lt;br /&gt;8) Anne Helm&lt;br /&gt;9) Lois Nettleton&lt;br /&gt;10) Pamela Franklin&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Top Director&lt;/strong&gt;&lt;br /&gt;1) Fred Zinnemann&lt;br /&gt;2) Joseph L. Mankiewicz&lt;br /&gt;3) David Lean&lt;br /&gt;4) Henry Koster&lt;br /&gt;5) George Seaton&lt;br /&gt;6) John Frankenheimer&lt;br /&gt;7) Stanley Kubrick&lt;br /&gt;8) Vincente Minnelli&lt;br /&gt;9) John Sturges&lt;br /&gt;10) Delbert Mann&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Top Producer/Director&lt;/strong&gt;&lt;br /&gt;1) Billy Wilder&lt;br /&gt;2) Alfred Hitchcock&lt;br /&gt;3) John Ford&lt;br /&gt;4) John Huston&lt;br /&gt;5) William Wyler&lt;br /&gt;6) Stanley Kramer&lt;br /&gt;7) Mervyn LeRoy&lt;br /&gt;8) Darryl F. Zanuck&lt;br /&gt;9) Otto Preminger&lt;br /&gt;10) Delmer Daves&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Top Producer&lt;/strong&gt;&lt;br /&gt;1) Walt Disney&lt;br /&gt;2) Ross Hunter&lt;br /&gt;3) Sam Spiegel&lt;br /&gt;4) Hal B. Wallis&lt;br /&gt;5) Carl Foreman&lt;br /&gt;6) Walter Mirisch&lt;br /&gt;7) Samuel Bronston&lt;br /&gt;8) Robert Arthur&lt;br /&gt;9) Joe Pasternak&lt;br /&gt;10) Jerry Bresler&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Top Song&lt;/strong&gt;&lt;br /&gt;1) “Love Song from &lt;em&gt;Mutiny on the Bouny&lt;/em&gt; (Follow Me).” Music by Bronislau Kaper. Lyrics by Paul Francis Webster&lt;br /&gt;2) “Song from Two &lt;em&gt;for the Seesaw&lt;/em&gt; (Second Chance).” Music by Andre Previn. Lyrics by Dory Langdon.&lt;br /&gt;3) “The Dancing Princess” from &lt;em&gt;The Wonderful World of the Brothers Grimm&lt;/em&gt;. Music and Lyrics by Bob Merrill&lt;br /&gt;4) "Days of Wine and Roses" from &lt;em&gt;Days of Wine and Roses&lt;/em&gt;. Music by Henry Mancini. Lyrics by Johnny Mercer&lt;br /&gt;5) Theme Song from &lt;em&gt;Lawrence of Arabia&lt;/em&gt;. Music by Maurice Jarre&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Top Music&lt;/strong&gt;&lt;br /&gt;1) Dimitri Tiomkin&lt;br /&gt;2) Johnny Green&lt;br /&gt;3) Max Steiner&lt;br /&gt;4) Andre Previn&lt;br /&gt;5) Meredith Wilson&lt;br /&gt;&lt;br /&gt;&lt;a href="http://4.bp.blogspot.com/_bzQchKv0KQA/SR_ORpH832I/AAAAAAAAAsI/YOoGcs8sFvI/s1600-h/How+the+West+Was+Won.jpg"&gt;&lt;img style="display:block; margin:0px auto 10px; text-align:center;cursor:pointer; cursor:hand;width: 270px; height: 400px;" src="http://4.bp.blogspot.com/_bzQchKv0KQA/SR_ORpH832I/AAAAAAAAAsI/YOoGcs8sFvI/s400/How+the+West+Was+Won.jpg" border="0" alt=""id="BLOGGER_PHOTO_ID_5269156891539070818" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;strong&gt;Special Award&lt;/strong&gt; (Three winners)&lt;br /&gt;&lt;strong&gt;Bob Hope&lt;/strong&gt;&lt;br /&gt;&lt;strong&gt;&lt;em&gt;How the West Was Won&lt;/em&gt;&lt;/strong&gt;&lt;br /&gt;&lt;strong&gt;&lt;em&gt;The Wonderful World of the Brothers Grimm&lt;/em&gt;&lt;/strong&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/22096293-2157908101523197755?l=heylookmeover.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://heylookmeover.blogspot.com/feeds/2157908101523197755/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=22096293&amp;postID=2157908101523197755' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/22096293/posts/default/2157908101523197755'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/22096293/posts/default/2157908101523197755'/><link rel='alternate' type='text/html' href='http://heylookmeover.blogspot.com/2008/11/film-data-for-1962_16.html' title='Film Data For 1962'/><author><name>Vertigo's Psycho</name><uri>http://www.blogger.com/profile/17701774152300870403</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://4.bp.blogspot.com/_bzQchKv0KQA/SR7cydcamAI/AAAAAAAAAqY/5f9xtD3LsgA/s72-c/Manchurian+Candidate.jpg' height='72' width='72'/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-22096293.post-4249064489966706108</id><published>2008-11-16T23:25:00.002-08:00</published><updated>2008-11-16T23:26:08.852-08:00</updated><title type='text'>Film Data For 1961</title><content type='html'>&lt;a href="http://3.bp.blogspot.com/_bzQchKv0KQA/SRcU9qqbTjI/AAAAAAAAAnc/CN5odBKnW2c/s1600-h/Guns+of+Navarone.jpg"&gt;&lt;img style="display:block; margin:0px auto 10px; text-align:center;cursor:pointer; cursor:hand;width: 254px; height: 400px;" src="http://3.bp.blogspot.com/_bzQchKv0KQA/SRcU9qqbTjI/AAAAAAAAAnc/CN5odBKnW2c/s400/Guns+of+Navarone.jpg" border="0" alt=""id="BLOGGER_PHOTO_ID_5266701338889899570" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;strong&gt;The Film Daily’s Ten Best Pictures of 1961&lt;/strong&gt;&lt;br /&gt;1) &lt;em&gt;The Guns of Navarone&lt;/em&gt;- 187&lt;br /&gt;2) &lt;em&gt;The Hustler&lt;/em&gt;- 167&lt;br /&gt;3) &lt;em&gt;Breakfast at Tiffany’s&lt;/em&gt;- 161&lt;br /&gt;4) &lt;em&gt;Fanny&lt;/em&gt;- 159&lt;br /&gt;5) &lt;em&gt;West Side Story&lt;/em&gt;- 155&lt;br /&gt;6) &lt;em&gt;Judgement of Nuremberg&lt;/em&gt;- 150&lt;br /&gt;7) &lt;em&gt;The Parent Trap&lt;/em&gt;- 128&lt;br /&gt;8) &lt;em&gt;Exodus&lt;/em&gt; (1960)- 126&lt;br /&gt;9) &lt;em&gt;Splendor in the Grass&lt;/em&gt;- 122&lt;br /&gt;10) &lt;em&gt;The Mark&lt;/em&gt;- 117&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;The Honor Roll:&lt;/strong&gt;&lt;br /&gt;11)  &lt;em&gt;The World of Suzie Wong&lt;/em&gt; (1960)- 77&lt;br /&gt;12)  &lt;em&gt;A Raisin in the Sun&lt;/em&gt;- 60&lt;br /&gt;13)  &lt;em&gt;The Alamo&lt;/em&gt; (1960)- 58&lt;br /&gt;14)  &lt;em&gt;King of Kings&lt;/em&gt;- 52&lt;br /&gt;15)  &lt;em&gt;Pocketful of Miracles&lt;/em&gt;- 48&lt;br /&gt;16)  &lt;em&gt;Saturday Night and Sunday Morning&lt;/em&gt; (1960)- 42&lt;br /&gt;17)  &lt;em&gt;The Absent-Minded Professor&lt;/em&gt;- 40&lt;br /&gt;18)  &lt;em&gt;One-Eyed Jacks&lt;/em&gt;- 35&lt;br /&gt;19)  &lt;em&gt;The Roman Spring of Mrs. Stone&lt;/em&gt;- 28&lt;br /&gt;20)  &lt;em&gt;Come September&lt;/em&gt;- 27&lt;br /&gt;21)  &lt;em&gt;Swiss Family Robinson&lt;/em&gt; (1960)- 25&lt;br /&gt;22)  &lt;em&gt;Bachelor in Paradise&lt;/em&gt;- 24&lt;br /&gt;23)  &lt;em&gt;101 Dalmatians&lt;/em&gt;- 23&lt;br /&gt;24)  &lt;em&gt;Devil at 4 O'Clock&lt;/em&gt;- 21&lt;br /&gt;     &lt;em&gt;Where the Boys Are&lt;/em&gt; (1960)- 21&lt;br /&gt;25) &lt;em&gt;Pepe&lt;/em&gt; (1960)- 20 &lt;br /&gt;    &lt;em&gt;Summer and Smoke&lt;/em&gt;- 20&lt;br /&gt;27) &lt;em&gt;The Pleasure of His Company&lt;/em&gt;- 19&lt;br /&gt;28) &lt;em&gt;Cimarron&lt;/em&gt;- 18&lt;br /&gt;29) &lt;em&gt;Francis of Assisi&lt;/em&gt;- 17&lt;br /&gt;30) &lt;em&gt;Romanoff and Juliet&lt;/em&gt;- 15&lt;br /&gt;31) &lt;em&gt;The Great Imposter&lt;/em&gt;- 14&lt;br /&gt;    &lt;em&gt;Parrish&lt;/em&gt;- 14&lt;br /&gt;33) &lt;em&gt;La Dolce Vita&lt;/em&gt; (1960)- 13&lt;br /&gt;    &lt;em&gt;The Grass is Greener&lt;/em&gt;- 13&lt;br /&gt;35) &lt;em&gt;The Village of the Damned&lt;/em&gt;- 12&lt;br /&gt;36) &lt;em&gt;Return to Peyton Place&lt;/em&gt;- 11&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;The Film Daily- Filmdom’s Famous Fives of 1961&lt;/strong&gt; (no vote counts given, but I believe they're listed in order of preference) &lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Best Performances by Male Stars&lt;/strong&gt;&lt;br /&gt;1) Paul Newman in &lt;em&gt;The Hustler&lt;/em&gt;&lt;br /&gt;2) Gregory Peck in &lt;em&gt;The Guns of Navarone&lt;/em&gt;&lt;br /&gt;3) Spencer Tracy in &lt;em&gt;Judgement at Nuremberg&lt;/em&gt;&lt;br /&gt;4) Albert Finney in &lt;em&gt;Saturday Night and Sunday Morning&lt;/em&gt;&lt;br /&gt;5) Sidney Poitier in &lt;em&gt;A Raisin in the Sun&lt;/em&gt;&lt;br /&gt;&lt;br /&gt;&lt;a href="http://2.bp.blogspot.com/_bzQchKv0KQA/SRcUu5uBOqI/AAAAAAAAAnU/KczMe6qSIZU/s1600-h/Breakfast+at+Tiffany%27s.jpg"&gt;&lt;img style="display:block; margin:0px auto 10px; text-align:center;cursor:pointer; cursor:hand;width: 267px; height: 400px;" src="http://2.bp.blogspot.com/_bzQchKv0KQA/SRcUu5uBOqI/AAAAAAAAAnU/KczMe6qSIZU/s400/Breakfast+at+Tiffany%27s.jpg" border="0" alt=""id="BLOGGER_PHOTO_ID_5266701085233461922" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;strong&gt;Best Performances by Female Stars&lt;/strong&gt;&lt;br /&gt;1) Audrey Hepburn in &lt;em&gt;Breakfast at Tiffany’s&lt;/em&gt;&lt;br /&gt;2) Natalie Wood in &lt;em&gt;Splendor in the Grass&lt;/em&gt;&lt;br /&gt;3) Natalie Wood in &lt;em&gt;West Side Story&lt;/em&gt;&lt;br /&gt;4) Leslie Caron in &lt;em&gt;Fanny&lt;/em&gt;&lt;br /&gt;5) Geraldine Page in &lt;em&gt;Summer and Smoke&lt;/em&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Best Performances by Supporting Actors&lt;/strong&gt;&lt;br /&gt;1) George C. Scott in &lt;em&gt;The Hustler&lt;/em&gt;&lt;br /&gt;2) Jackie Gleason in &lt;em&gt;The Hustler&lt;/em&gt;&lt;br /&gt;3) Anthony Quinn in &lt;em&gt;The Guns of Navarone&lt;/em&gt;&lt;br /&gt;4) Karl Malden in &lt;em&gt;One-Eyed Jacks&lt;/em&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Best Performances by Supporting Actresses&lt;/strong&gt;&lt;br /&gt;1) Rita Moreno in &lt;em&gt;West Side Story&lt;/em&gt;&lt;br /&gt;2) Piper Laurie in &lt;em&gt;The Hustler&lt;/em&gt;&lt;br /&gt;3) Mary Astor in &lt;em&gt;Return to Peyton Place&lt;/em&gt;&lt;br /&gt;4) Paula Prentiss in &lt;em&gt;Where the Boys Are&lt;/em&gt; (1960)&lt;br /&gt;5) Judy Garland in &lt;em&gt;Judgement at Nuremberg&lt;/em&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Best Performances by Juvenile Actors&lt;/strong&gt;&lt;br /&gt;1) David Ladd in &lt;em&gt;Misty&lt;/em&gt;&lt;br /&gt;2) Tommy Kirk in &lt;em&gt;The Absent-Minded Professor&lt;/em&gt;&lt;br /&gt;3) Kevin Corcoran in &lt;em&gt;Swiss Family Robinson&lt;/em&gt; (1960)&lt;br /&gt;4) David Kory in &lt;em&gt;Dondi&lt;/em&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Best Performances by Juvenile Actresses&lt;/strong&gt;&lt;br /&gt;1) Hayley Mills in &lt;em&gt;The Parent Trap&lt;/em&gt;&lt;br /&gt;2) Jill Haworth in &lt;em&gt;Exodus&lt;/em&gt; (1960)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;The Year’s Outstanding Directors&lt;/strong&gt;&lt;br /&gt;1) Robert Rossen for &lt;em&gt;The Hustler&lt;/em&gt;&lt;br /&gt;2) Joshua Logan for &lt;em&gt;Fanny&lt;/em&gt;&lt;br /&gt;3) Robert Wise and Jerome Robbins for &lt;em&gt;West Side Story&lt;/em&gt;&lt;br /&gt;4) Otto Preminger for &lt;em&gt;Exodus&lt;/em&gt; (1960)&lt;br /&gt;5) J. Lee Thompson for &lt;em&gt;The Guns of Navarone&lt;/em&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Best Photographed Pictures of the Year&lt;/strong&gt;&lt;br /&gt;1) Daniel Fapp for &lt;em&gt;West Side Story&lt;/em&gt;&lt;br /&gt;2) Oswald Morris and John Wilcox for &lt;em&gt;The Guns of Navarone&lt;/em&gt;&lt;br /&gt;3) Jack Cardiff for &lt;em&gt;Fanny&lt;/em&gt;&lt;br /&gt;4) Geoffrey Unsworth for &lt;em&gt;The World of Suzie Wong&lt;/em&gt; (1960)&lt;br /&gt;5) Franz F. Planer, Milton Kransner and Manuel Berenguer for &lt;em&gt;King of Kings&lt;/em&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Best Screenplays of the Year&lt;/strong&gt;&lt;br /&gt;1) Robert Rossen and Sidney Carroll for &lt;em&gt;The Hustler&lt;/em&gt;&lt;br /&gt;2) Carl Foreman for &lt;em&gt;The Guns of Navarone&lt;/em&gt;&lt;br /&gt;3) William Inge for &lt;em&gt;Splendor in the Grass&lt;/em&gt;&lt;br /&gt;4) Julius J. Epstein for &lt;em&gt;Fanny&lt;/em&gt;&lt;br /&gt;5) Ernest Lehman for &lt;em&gt;West Side Story&lt;/em&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;“Finds of the Year”&lt;/strong&gt;&lt;br /&gt;1) Warren Beatty in &lt;em&gt;Splendor in the Grass&lt;/em&gt;&lt;br /&gt;2) George Chakiris in &lt;em&gt;West Side Story&lt;/em&gt;&lt;br /&gt;3) Nancy Kwan in &lt;em&gt;The World of Suzie Wong&lt;/em&gt;&lt;br /&gt;4) Paula Prentiss in &lt;em&gt;Where the Boys Are&lt;/em&gt; (1960)&lt;br /&gt;5) Albert Finney in &lt;em&gt;Saturday Night and Sunday Morning&lt;/em&gt; (1960)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;The National Board of Review&lt;/strong&gt; (winners announced on December 19, 1961, Source: Tom O’Neil’s &lt;em&gt;Movie Awards&lt;/em&gt;)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;The Top Ten Pictures&lt;/strong&gt; (in order of preference)&lt;br /&gt;1) &lt;em&gt;Question 7&lt;/em&gt;&lt;br /&gt;2) &lt;em&gt;The Hustler&lt;/em&gt;&lt;br /&gt;3) &lt;em&gt;West Side Story&lt;/em&gt;&lt;br /&gt;4) &lt;em&gt;The Innocents&lt;/em&gt;&lt;br /&gt;5) &lt;em&gt;The Hoodlum Priest&lt;/em&gt;&lt;br /&gt;6) &lt;em&gt;Summer and Smoke&lt;/em&gt;&lt;br /&gt;7) &lt;em&gt;The Young Doctors&lt;/em&gt;&lt;br /&gt;8) &lt;em&gt;Judgement at Nuremberg&lt;/em&gt;&lt;br /&gt;9) &lt;em&gt;One, Two, Three&lt;/em&gt;&lt;br /&gt;10) &lt;em&gt;Fanny&lt;/em&gt;&lt;br /&gt;&lt;br /&gt;&lt;a href="http://2.bp.blogspot.com/_bzQchKv0KQA/SRcYK16ZQDI/AAAAAAAAAnk/a7QhlbK2VsU/s1600-h/Innocents.jpg"&gt;&lt;img style="display:block; margin:0px auto 10px; text-align:center;cursor:pointer; cursor:hand;width: 200px; height: 305px;" src="http://2.bp.blogspot.com/_bzQchKv0KQA/SRcYK16ZQDI/AAAAAAAAAnk/a7QhlbK2VsU/s400/Innocents.jpg" border="0" alt=""id="BLOGGER_PHOTO_ID_5266704863782846514" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;strong&gt;Best Director&lt;/strong&gt;&lt;br /&gt;Jack Clayton for &lt;em&gt;The Innocents&lt;/em&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Best Actor&lt;/strong&gt;&lt;br /&gt;Albert Finney in &lt;em&gt;Saturday Night and Sunday Morning&lt;/em&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Best Actress&lt;/strong&gt;&lt;br /&gt;Geraldine Page in &lt;em&gt;Summer and Smoke&lt;/em&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Best Supporting Actor&lt;/strong&gt;&lt;br /&gt;Jackie Gleason in &lt;em&gt;The Hustler&lt;/em&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Best Supporting Actress&lt;/strong&gt;&lt;br /&gt;Ruby Dee in &lt;em&gt;A Raisin in the Sun&lt;/em&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Best Foreign Films&lt;/strong&gt; (in order of preference)&lt;br /&gt;1) &lt;em&gt;The Bridge&lt;/em&gt; (Federal Republic of Germany)&lt;br /&gt;2) &lt;em&gt;La Dolce Vita&lt;/em&gt; (Italy/France)&lt;br /&gt;3) &lt;em&gt;Two Women&lt;/em&gt; (Italy/France)&lt;br /&gt;4) &lt;em&gt;Saturday Night and Sunday Morning&lt;/em&gt; (U.K.)&lt;br /&gt;5) &lt;em&gt;A Summer to Remember&lt;/em&gt; (U.S.S.R.)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;The Golden Globes&lt;/strong&gt; (Nominations announced on January 31, 1962. Awards presented on March 5, 1962. Source Tom O'Neil's Movie Awards)&lt;br /&gt;&lt;br /&gt;Winners listed in bold print&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Best Drama Picture&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;El Cid&lt;/em&gt;&lt;br /&gt;&lt;em&gt;Fanny&lt;/em&gt;&lt;br /&gt;&lt;strong&gt;&lt;em&gt;The Guns of Navarone&lt;/em&gt;&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;Judgement at Nuremberg&lt;/em&gt;&lt;br /&gt;&lt;em&gt;Splendor in the Grass&lt;/em&gt;&lt;br /&gt;&lt;br /&gt;&lt;a href="http://2.bp.blogspot.com/_bzQchKv0KQA/SRfdUnwK7fI/AAAAAAAAAoM/gB39MNa9NKQ/s1600-h/A+Majority+of+One.jpg"&gt;&lt;img style="display:block; margin:0px auto 10px; text-align:center;cursor:pointer; cursor:hand;width: 268px; height: 400px;" src="http://2.bp.blogspot.com/_bzQchKv0KQA/SRfdUnwK7fI/AAAAAAAAAoM/gB39MNa9NKQ/s400/A+Majority+of+One.jpg" border="0" alt=""id="BLOGGER_PHOTO_ID_5266921635571232242" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;strong&gt;Best Comedy Picture&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;Breakfast at Tiffany's&lt;/em&gt;&lt;br /&gt;&lt;strong&gt;&lt;em&gt;A Majority of One&lt;/em&gt;&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;One, Two, Three&lt;/em&gt;&lt;br /&gt;&lt;em&gt;The Parent Trap&lt;/em&gt;&lt;br /&gt;&lt;em&gt;Pocketful of Miracles&lt;/em&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Best Musical Picture&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;Babes in Toyland&lt;/em&gt;&lt;br /&gt;&lt;em&gt;Flower Drum Song&lt;/em&gt;&lt;br /&gt;&lt;strong&gt;&lt;em&gt;West Side Story&lt;/em&gt;&lt;/strong&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Best Motion Picture Promoting International Understanding&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;Bridge to the Sun&lt;/em&gt;&lt;br /&gt;&lt;em&gt;Judgement at Nuremberg&lt;/em&gt;&lt;br /&gt;&lt;strong&gt;&lt;em&gt;A Majority of One&lt;/em&gt;&lt;/strong&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Best Director&lt;/strong&gt;&lt;br /&gt;Stanley Kramer for &lt;em&gt;Judgement at Nuremberg&lt;/em&gt;&lt;br /&gt;Anthony Mann for &lt;em&gt;El Cid&lt;/em&gt;&lt;br /&gt;J. Lee Thompson for &lt;em&gt;The Guns of Navarone&lt;/em&gt;&lt;br /&gt;&lt;strong&gt;Robert Wise and Jerome Robbins for &lt;em&gt;West Side Story&lt;/em&gt;&lt;/strong&gt;&lt;br /&gt;William Wyler for &lt;em&gt;The Children's Hour&lt;/em&gt;&lt;br /&gt;&lt;br /&gt;&lt;a href="http://3.bp.blogspot.com/_bzQchKv0KQA/SRe7H_ROnsI/AAAAAAAAAn8/bPZg_P1V58s/s1600-h/Judgement+at+Nuremberg.jpg"&gt;&lt;img style="display:block; margin:0px auto 10px; text-align:center;cursor:pointer; cursor:hand;width: 267px; height: 400px;" src="http://3.bp.blogspot.com/_bzQchKv0KQA/SRe7H_ROnsI/AAAAAAAAAn8/bPZg_P1V58s/s400/Judgement+at+Nuremberg.jpg" border="0" alt=""id="BLOGGER_PHOTO_ID_5266884035150257858" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;strong&gt;Best Actor, Drama&lt;/strong&gt;&lt;br /&gt;Warren Beatty in &lt;em&gt;Splendor in the Grass&lt;/em&gt;&lt;br /&gt;Maurice Chevalier in &lt;em&gt;Fanny&lt;/em&gt;&lt;br /&gt;Paul Newman in &lt;em&gt;The Hustler&lt;/em&gt;&lt;br /&gt;Sidney Poitier in &lt;em&gt;A Raisin in the Sun&lt;/em&gt;&lt;br /&gt;&lt;strong&gt;Maximilian Schell in &lt;em&gt;Judgement at Nuremberg&lt;/em&gt;&lt;/strong&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Best Actress, Drama&lt;/strong&gt;&lt;br /&gt;Leslie Caron in &lt;em&gt;Fanny&lt;/em&gt;&lt;br /&gt;Shirley MacLaine in &lt;em&gt;The Children's Hour&lt;/em&gt;&lt;br /&gt;Claudia McNeil in &lt;em&gt;A Raisin in the Sun&lt;/em&gt;&lt;br /&gt;&lt;strong&gt;Geraldine Page in &lt;em&gt;Summer and Smoke&lt;/em&gt;&lt;/strong&gt;&lt;br /&gt;Natalie Wood in &lt;em&gt;Splendor in the Grass&lt;/em&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Best Actor, Comedy or Musical&lt;/strong&gt;&lt;br /&gt;Fred Astaire in The &lt;em&gt;Pleasure of His Company&lt;/em&gt;&lt;br /&gt;Richard Beymer in &lt;em&gt;West Side Story&lt;/em&gt;&lt;br /&gt;&lt;strong&gt;Glenn Ford in &lt;em&gt;Pocketful of Miracles&lt;/em&gt;&lt;/strong&gt;&lt;br /&gt;Bob Hope in &lt;em&gt;Bachelor in Paradise&lt;/em&gt;&lt;br /&gt;Fred MacMurray in &lt;em&gt;The Absent-Minded Porfessor&lt;/em&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Best Actress, Comedy or Musical&lt;/strong&gt;&lt;br /&gt;Bette Davis in &lt;em&gt;Pocketful of Miracles&lt;/em&gt;&lt;br /&gt;Audrey Hepburn in &lt;em&gt;Breakfast at Tiffany's&lt;/em&gt; &lt;br /&gt;Hayley Mills in &lt;em&gt;The Parent Trap&lt;/em&gt;&lt;br /&gt;&lt;strong&gt;Rosalind Russell in &lt;em&gt;A Majority of One&lt;/em&gt;&lt;/strong&gt;&lt;br /&gt;Miyoshi Umeki in &lt;em&gt;Flower Drum Song&lt;/em&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Best Supporting Actor&lt;/strong&gt;&lt;br /&gt;&lt;strong&gt;George Chakiris in &lt;em&gt;West Side Story&lt;/em&gt;&lt;/strong&gt;&lt;br /&gt;Montgomery Clift in &lt;em&gt;Judgement at Nuremberg&lt;/em&gt;&lt;br /&gt;Jackie Gleason in &lt;em&gt;The Hustler&lt;/em&gt;&lt;br /&gt;Tony Randall in &lt;em&gt;Lover Come Back&lt;/em&gt;&lt;br /&gt;George C. Scott in &lt;em&gt;The Hustler&lt;/em&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Best Supporting Actress&lt;/strong&gt;&lt;br /&gt;Fay Bainter in &lt;em&gt;The Children's Hour&lt;/em&gt;&lt;br /&gt;Judy Garland in &lt;em&gt;Judgement at Nuremberg&lt;/em&gt;&lt;br /&gt;Lotte Lenya in &lt;em&gt;The Roman Spring of Mrs. Stone&lt;/em&gt;&lt;br /&gt;&lt;strong&gt;Rita Moreno in &lt;em&gt;West Side Story&lt;/em&gt;&lt;/strong&gt;&lt;br /&gt;Pamela Tiffin in &lt;em&gt;One, Two, Three&lt;/em&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Most Promising Newcomer- Male&lt;/strong&gt;&lt;br /&gt;&lt;strong&gt;Warren Beatty&lt;/strong&gt;&lt;br /&gt;&lt;strong&gt;Richard Beymer&lt;/strong&gt;&lt;br /&gt;George Chakiris&lt;br /&gt;&lt;strong&gt;Bobby Darin&lt;/strong&gt;&lt;br /&gt;George C. Scott&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Most Promising Newcomer- Female&lt;/strong&gt;&lt;br /&gt;&lt;strong&gt;Ann-Margret&lt;/strong&gt;&lt;br /&gt;&lt;strong&gt;Jane Fonda&lt;/strong&gt;&lt;br /&gt;&lt;strong&gt;Christine Kaufmann&lt;/strong&gt;&lt;br /&gt;Pamela Tiffin&lt;br /&gt;Cordula Trantow&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Best Foreign-Language Film&lt;/strong&gt;&lt;br /&gt;&lt;strong&gt;&lt;em&gt;Two Women&lt;/em&gt;&lt;/strong&gt; (Italy)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Silver Globes&lt;/strong&gt;&lt;br /&gt;&lt;strong&gt;&lt;em&gt;Animas Tru Jano&lt;/em&gt;&lt;/strong&gt; (Mexico)&lt;br /&gt;&lt;strong&gt;&lt;em&gt;The Good Soldier Schweik&lt;/em&gt;&lt;/strong&gt; (Germany)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Best Original Score&lt;/strong&gt;&lt;br /&gt;&lt;strong&gt;Dimitri Tiomkin for &lt;em&gt;The Guns of Navarone&lt;/em&gt;&lt;/strong&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Best Song&lt;/strong&gt;&lt;br /&gt;&lt;strong&gt;"Town Without Pity" from &lt;em&gt;Town Without Pity&lt;/em&gt;. Music by Dimitri Tiomkin. Lyrics by Ned Washington&lt;/strong&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;World Film Favorites&lt;/strong&gt;&lt;br /&gt;&lt;strong&gt;Charlton Heston&lt;/strong&gt;&lt;br /&gt;&lt;strong&gt;Marlyn Monroe&lt;/strong&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Samuel Goldwyn International Award&lt;/strong&gt;&lt;br /&gt;&lt;strong&gt;&lt;em&gt;The Mark&lt;/em&gt;&lt;/strong&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Cecil B. DeMille Award&lt;/strong&gt;&lt;br /&gt;&lt;strong&gt;Judy Garland&lt;/strong&gt;&lt;br /&gt;&lt;br /&gt;&lt;a href="http://1.bp.blogspot.com/_bzQchKv0KQA/SRfGL8hcxhI/AAAAAAAAAoE/lmMbn5DhSAc/s1600-h/El+Cid.jpg"&gt;&lt;img style="display:block; margin:0px auto 10px; text-align:center;cursor:pointer; cursor:hand;width: 276px; height: 400px;" src="http://1.bp.blogspot.com/_bzQchKv0KQA/SRfGL8hcxhI/AAAAAAAAAoE/lmMbn5DhSAc/s400/El+Cid.jpg" border="0" alt=""id="BLOGGER_PHOTO_ID_5266896197760370194" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;strong&gt;Special Merit Award&lt;/strong&gt;&lt;br /&gt;&lt;strong&gt;Samuel Bronston for &lt;em&gt;El Cid&lt;/em&gt;&lt;/strong&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Special Journalistic Merit Award&lt;/strong&gt;&lt;br /&gt;&lt;strong&gt;Army Archerd, Daily Variety&lt;/strong&gt;&lt;br /&gt;&lt;strong&gt;Mike Connolly, Hollywood Reporter&lt;/strong&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;The Academy Awards&lt;/strong&gt; (Nominations announced on February 26, 1962. Awards presented on April 9, 1962. Sources Tom O'Neil's &lt;em&gt;Movie Awards&lt;/em&gt; and Mason Wiley and Damien Bona's &lt;em&gt;Inside Oscar&lt;/em&gt;)&lt;br /&gt;&lt;br /&gt;&lt;a href="http://4.bp.blogspot.com/_bzQchKv0KQA/SRcZ3KUeatI/AAAAAAAAAns/A_g1k4c_zb0/s1600-h/West+Side+Story.jpg"&gt;&lt;img style="display:block; margin:0px auto 10px; text-align:center;cursor:pointer; cursor:hand;width: 260px; height: 400px;" src="http://4.bp.blogspot.com/_bzQchKv0KQA/SRcZ3KUeatI/AAAAAAAAAns/A_g1k4c_zb0/s400/West+Side+Story.jpg" border="0" alt=""id="BLOGGER_PHOTO_ID_5266706724686818002" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;strong&gt;Best Picture&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;Fanny&lt;/em&gt;&lt;br /&gt;&lt;em&gt;The Guns of Navarone&lt;/em&gt;&lt;br /&gt;&lt;em&gt;The Hustler&lt;/em&gt;&lt;br /&gt;&lt;em&gt;Judgement at Nuremberg&lt;/em&gt;&lt;br /&gt;&lt;strong&gt;&lt;em&gt;West Side Story&lt;/em&gt;&lt;/strong&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Best Actor&lt;/strong&gt;&lt;br /&gt;Charles Boyer in &lt;em&gt;Fanny&lt;/em&gt;&lt;br /&gt;Paul Newman in &lt;em&gt;The Hustler&lt;/em&gt;&lt;br /&gt;Stuart Whitman in &lt;em&gt;The Mark&lt;/em&gt;&lt;br /&gt;&lt;strong&gt;Maximilian Schell in &lt;em&gt;Judgement at Nuremberg&lt;/em&gt;&lt;/strong&gt;&lt;br /&gt;Spencer Tracy in &lt;em&gt;Judgement at Nuremberg&lt;/em&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Best Actress&lt;/strong&gt;&lt;br /&gt;Audrey Hepburn in &lt;em&gt;Breakfast at Tiffany’s&lt;/em&gt;&lt;br /&gt;Piper Laurie in &lt;em&gt;The Hustler&lt;/em&gt;&lt;br /&gt;&lt;strong&gt;Sophia Loren in &lt;em&gt;Two Women&lt;/em&gt;&lt;/strong&gt;&lt;br /&gt;Geraldine Page in &lt;em&gt;Summer and Smoke&lt;/em&gt;&lt;br /&gt;Natalie Wood in &lt;em&gt;Splendor in the Grass&lt;/em&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Best Supporting Actor&lt;/strong&gt;&lt;br /&gt;&lt;strong&gt;George Chakiris in &lt;em&gt;West Side Story&lt;/em&gt;&lt;/strong&gt;&lt;br /&gt;Montgomery Clift in &lt;em&gt;Judgement at Nuremberg&lt;/em&gt;&lt;br /&gt;Peter Falk in &lt;em&gt;Pocketful of Miracles&lt;/em&gt;&lt;br /&gt;Jackie Gleason in &lt;em&gt;The Hustler&lt;/em&gt;&lt;br /&gt;George C. Scott in &lt;em&gt;The Hustler&lt;/em&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Best Supporting Actress&lt;/strong&gt;&lt;br /&gt;Fay Bainter in &lt;em&gt;The Children’s Hour&lt;/em&gt;&lt;br /&gt;Judy Garland in &lt;em&gt;Judgement at Nuremberg&lt;/em&gt;&lt;br /&gt;Lotte Lenya in &lt;em&gt;The Roman of Mrs. Stone&lt;/em&gt;&lt;br /&gt;Una Merkel in &lt;em&gt;Summer and Smoke&lt;/em&gt;&lt;br /&gt;&lt;strong&gt;Rita Moreno in &lt;em&gt;West Side Story&lt;/em&gt;&lt;/strong&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Best Director&lt;/strong&gt;&lt;br /&gt;Federico Fellini for &lt;em&gt;La Dolce Vita&lt;/em&gt;&lt;br /&gt;Stanley Kramer for &lt;em&gt;Judgement at Nuremberg&lt;/em&gt;&lt;br /&gt;Robert Rossen for &lt;em&gt;The Hustler&lt;/em&gt;&lt;br /&gt;J. Lee Thompson for &lt;em&gt;The Guns of Navarone&lt;/em&gt;&lt;br /&gt;&lt;strong&gt;Robert Wise and Jerome Robbins for &lt;em&gt;West Side Story&lt;/em&gt;&lt;/strong&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Best Screenplay Based on Material from Another Medium&lt;/strong&gt;&lt;br /&gt;George Axelrod for &lt;em&gt;Breakfast at Tiffany’s&lt;/em&gt;&lt;br /&gt;Carl Foreman for &lt;em&gt;The Guns of Navarone&lt;/em&gt;&lt;br /&gt;Sidney Carroll and Robert Rossen for &lt;em&gt;The Hustler&lt;/em&gt;&lt;br /&gt;&lt;strong&gt;Abby Mann for &lt;em&gt;Judgement at Nuremberg&lt;/em&gt;&lt;/strong&gt;&lt;br /&gt;Ernest Lehman for &lt;em&gt;West Side Story&lt;/em&gt;&lt;br /&gt;&lt;br /&gt;&lt;a href="http://2.bp.blogspot.com/_bzQchKv0KQA/SRcdxvWe4wI/AAAAAAAAAn0/yN8LnmA7mVs/s1600-h/Splendor+in+the+Grass.jpg"&gt;&lt;img style="display:block; margin:0px auto 10px; text-align:center;cursor:pointer; cursor:hand;width: 259px; height: 400px;" src="http://2.bp.blogspot.com/_bzQchKv0KQA/SRcdxvWe4wI/AAAAAAAAAn0/yN8LnmA7mVs/s400/Splendor+in+the+Grass.jpg" border="0" alt=""id="BLOGGER_PHOTO_ID_5266711029594645250" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;strong&gt;Best Story and Screenplay Written Directly for the Screen&lt;/strong&gt;&lt;br /&gt;Valentin Yoshov and Grigori Chukhrai for &lt;em&gt;Ballad of a Soldier&lt;/em&gt;&lt;br /&gt;Sergio Amidei, Deigo Fabbri and Indro Montanelli for &lt;em&gt;General Della Rovere&lt;/em&gt;&lt;br /&gt;Federico Fellini, Tullio Pinelli, Ennio Flaiano and Brunello Rondi for &lt;em&gt;La Dolce Vita&lt;/em&gt;&lt;br /&gt;Stanley Shapiro and Paul Henning for &lt;em&gt;Lover Come Back&lt;/em&gt;&lt;br /&gt;&lt;strong&gt;William Inge for &lt;em&gt;Splendor in the Grass&lt;/em&gt;&lt;/strong&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Best Cinematography (Black-and-White)&lt;/strong&gt;&lt;br /&gt;Edward Colman for &lt;em&gt;The Absent-Minded Professor&lt;/em&gt;&lt;br /&gt;Franz F. Planner for &lt;em&gt;The Children's Hour&lt;/em&gt;&lt;br /&gt;&lt;strong&gt;Eugen Shuftan for &lt;em&gt;The Hustler&lt;/em&gt;&lt;/strong&gt;&lt;br /&gt;Ernest Laszlo for &lt;em&gt;Judgement at Nuremberg&lt;/em&gt;&lt;br /&gt;Daniel L. Fapp for &lt;em&gt;One, Two, Three&lt;/em&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Best Cinematography (Color)&lt;/strong&gt;&lt;br /&gt;Jack Cardiff for &lt;em&gt;Fanny&lt;/em&gt;&lt;br /&gt;Russell Metty for &lt;em&gt;Flower Drum Song&lt;/em&gt;&lt;br /&gt;Harry Stradling, Sr. for &lt;em&gt;A Majority of One&lt;/em&gt;&lt;br /&gt;Charles Lang, Jr. for &lt;em&gt;One-Eyed Jacks&lt;/em&gt;&lt;br /&gt;&lt;strong&gt;Daniel L. Fapp for &lt;em&gt;West Side Story&lt;/em&gt;&lt;/strong&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Best Art Direction-Set Direction (Black-and-White)&lt;/strong&gt;&lt;br /&gt;Carroll Clark; Emile Kuri and Hal Gausman for &lt;em&gt;The Absent-Minded Professor&lt;/em&gt;&lt;br /&gt;Fernando Carrere; Edward G. Boyle for &lt;em&gt;The Children's Hour&lt;/em&gt;&lt;br /&gt;&lt;strong&gt;Harry Horner; Gene Callahan for &lt;em&gt;The Hustler&lt;/em&gt;&lt;/strong&gt;&lt;br /&gt;Rudolph Sternad; George Milo for &lt;em&gt;Judgement at Nuremberg&lt;/em&gt;&lt;br /&gt;Piero Gherardi for &lt;em&gt;La Dolce Vita&lt;/em&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Best Art Direction-Set Direction (Color)&lt;/strong&gt;&lt;br /&gt;Hal Pereira and Roland Anderson; Sam Comer and Ray Moyer for &lt;em&gt;Breakfast at Tiffany's&lt;/em&gt;&lt;br /&gt;Veniero Colasanti and John Moore for &lt;em&gt;El Cid&lt;/em&gt;&lt;br /&gt;Alexander Golitzen and Joseph Wright; Howard Bristol for &lt;em&gt;Flower Drum Song&lt;/em&gt;&lt;br /&gt;Hal Pereira and Walter Tyler; Sam Comer and Arthur Krams for &lt;em&gt;Summer and Smoke&lt;/em&gt;&lt;br /&gt;&lt;strong&gt;Boris Leven; Victor A. Gangelin for &lt;em&gt;West Side Story&lt;/em&gt;&lt;/strong&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Best Sound&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;The Children's Hour&lt;/em&gt; Gordon E. Sawyer, sound director&lt;br /&gt;&lt;em&gt;Flower Drum Song&lt;/em&gt; Waldon O. Watson, sound director&lt;br /&gt;&lt;em&gt;The Guns of Navarone&lt;/em&gt; John Cox, sound director&lt;br /&gt;&lt;em&gt;The Parent Trap&lt;/em&gt; Robert O. Cook, sound director&lt;br /&gt;&lt;strong&gt;&lt;em&gt;West Side Story&lt;/em&gt; Fred Hynes, sound director and Gordon E. Sawyer, sound director&lt;/strong&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Best Song&lt;/strong&gt;&lt;br /&gt;"Bachelor in Paradise" from &lt;em&gt;Bachelor in Paradise&lt;/em&gt;. Music by Henry Mancini. Lyrics by Mack David.&lt;br /&gt;"Love Theme from &lt;em&gt;El Cid&lt;/em&gt; (The Falcon and the Dove)" from &lt;em&gt;El Cid&lt;/em&gt;. Music by Miklos Rozsa. Lyrics by Paul Francis Webster.&lt;br /&gt;&lt;strong&gt;"Moon River" from &lt;em&gt;Breakfast at Tiffany's&lt;/em&gt;. Music by Henry Mancini. Lyrics by Johnny Mercer. &lt;/strong&gt;&lt;br /&gt;"Pocketful of Miracles" from &lt;em&gt;Pocketful of Miracles&lt;/em&gt;. Music by James Van Heusen. Lyrics by Sammy Cahn.&lt;br /&gt;"Town Without Pity" from &lt;em&gt;Town Without Pity&lt;/em&gt;. Music by Dimitri Tiomkin. Lyrics by Ned Washington. &lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Best Scoring of a Dramatic or Comedy Picture&lt;/strong&gt;&lt;br /&gt;&lt;strong&gt;Henry Mancini for &lt;em&gt;Breakfast at Tiffany's&lt;/em&gt;&lt;/strong&gt;&lt;br /&gt;Miklos Rozsa for &lt;em&gt;El Cid&lt;/em&gt;&lt;br /&gt;Morris Stoloff and Harry Sukman for &lt;em&gt;Fanny&lt;/em&gt;&lt;br /&gt;Dimitri Tiomkin for &lt;em&gt;The Guns of Navarone&lt;/em&gt;&lt;br /&gt;Elmer Bernstein for &lt;em&gt;Summer and Smoke&lt;/em&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Best Scoring of a Musical Picture&lt;/strong&gt;&lt;br /&gt;George Bruns for &lt;em&gt;Babes in Toyland&lt;/em&gt;&lt;br /&gt;Alfred Newman and Ken Darby for &lt;em&gt;Flower Drum Song&lt;/em&gt;&lt;br /&gt;Dimitri Shostakovich for &lt;em&gt;Khovanshchina&lt;/em&gt;&lt;br /&gt;Duke Ellington for &lt;em&gt;Paris Blues&lt;/em&gt;&lt;br /&gt;&lt;strong&gt;Saul Chaplin, Johnny Green, Sid Ramin and Irwin Kostal for &lt;em&gt;West Side Story&lt;/em&gt;&lt;/strong&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Best Film Editing&lt;/strong&gt;&lt;br /&gt;William H. Reynolds for &lt;em&gt;Fanny&lt;/em&gt;&lt;br /&gt;Alan Osbiston for &lt;em&gt;The Guns of Navarone&lt;/em&gt;&lt;br /&gt;Frederic Knudtson for &lt;em&gt;Judgement at Nuremberg&lt;/em&gt;&lt;br /&gt;Philip W. Anderson for &lt;em&gt;The Parent Trap&lt;/em&gt;&lt;br /&gt;&lt;strong&gt;Thomas Stanford for &lt;em&gt;West Side Story&lt;/em&gt;&lt;/strong&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Best Costume Design (Black-and-White)&lt;/strong&gt;&lt;br /&gt;Dorothy Jeakins for &lt;em&gt;The Chidren's Hour&lt;/em&gt;&lt;br /&gt;Howard Shoup for &lt;em&gt;Claudelle Inglish&lt;/em&gt;&lt;br /&gt;Jean Louis for &lt;em&gt;Judgement at Nuremberg&lt;/em&gt;&lt;br /&gt;&lt;strong&gt;Piero Gherardi for &lt;em&gt;La Dolce Vita&lt;/em&gt;&lt;/strong&gt;&lt;br /&gt;Yoshiro Muraki for &lt;em&gt;Yojimbo&lt;/em&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Best Costume Design (Color)&lt;/strong&gt;&lt;br /&gt;Bill Thomas for &lt;em&gt;Babes in Toyland&lt;/em&gt;&lt;br /&gt;Jean Louis for &lt;em&gt;Back Street&lt;/em&gt;&lt;br /&gt;Irene Shariff for &lt;em&gt;Flower Drum Song&lt;/em&gt;&lt;br /&gt;Edith Head and Walter Plunkett for &lt;em&gt;Pocketful of Miracles&lt;/em&gt;&lt;br /&gt;&lt;strong&gt;Irene Shariff for &lt;em&gt;West Side Story&lt;/em&gt;&lt;/strong&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Best Special Effects&lt;/strong&gt;&lt;br /&gt;Robert A. Mattey and Eustace Lycett for &lt;em&gt;The Absent-Minded Professor&lt;/em&gt;&lt;br /&gt;&lt;strong&gt;Bill Warrington (Visual) and Vivian C. Greenham (Audible) for &lt;em&gt;The Guns of Navarone&lt;/em&gt;&lt;/strong&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Best Short Subject Cartoon&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;Aquamania&lt;/em&gt; Walt Disney, producer&lt;br /&gt;&lt;em&gt;Beep Prepared&lt;/em&gt; Chuch Jones, producer&lt;br /&gt;&lt;strong&gt;&lt;em&gt;Ersatz (The Substitute)&lt;/em&gt; Zagred Film, Herts-Lion International&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;Nelly's Folly&lt;/em&gt; Chuck Jones, producer&lt;br /&gt;&lt;em&gt;Pied Piper of Guadalupe&lt;/em&gt; Friz Freleng, producer&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Best Live Action Short Subject&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;Ballon Vole (Play Ball!)&lt;/em&gt; Cine-Documents, Kingley International&lt;br /&gt;&lt;em&gt;The Face of Jesus&lt;/em&gt; Dr. John D. Jennings, producer&lt;br /&gt;&lt;em&gt;Rooftops of New York&lt;/em&gt; McCarty-Rush-Gaffney, Columbia&lt;br /&gt;&lt;strong&gt;&lt;em&gt;Seawards the Great Ships&lt;/em&gt; Templar Film Studios, Schoenfeld Films&lt;/strong&gt;&lt;br /&gt;&lt;strong&gt;&lt;em&gt;Very Nice, Very Nice&lt;/em&gt; National Film Board of Canada, Kingley International&lt;/strong&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Best Documentary Short Subject&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;Breaking the Language Barrier&lt;/em&gt; U.S. Air Force&lt;br /&gt;&lt;em&gt;Cradle of Genius&lt;/em&gt; (Irish) Jim O'Connor and Tom Hayes, producers&lt;br /&gt;&lt;em&gt;Kahl&lt;/em&gt; (German) Dido-Film-GmbH., AEG-Filmdienst&lt;br /&gt;&lt;em&gt;L'Uomo in Grigio (The Man in Gray)&lt;/em&gt; (Italian) Benedetto Benedetti, producer&lt;br /&gt;&lt;strong&gt;&lt;em&gt;Project Hope&lt;/em&gt; Frank P. Bibas, producer&lt;/strong&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Best Documentary Feature&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;La Grande Olimipade (Olympic Games 1960)&lt;/em&gt; Cineriz (Italian)&lt;br /&gt;&lt;strong&gt;&lt;em&gt;Le Ciel et la Boue (Sky Above and Mud Beneath)&lt;/em&gt; Arthur Cohn and Rene Lafuite, producers&lt;/strong&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Best Foreign Film&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;Harry and the Butler&lt;/em&gt; (Denmark)&lt;br /&gt;&lt;em&gt;Immortal Love&lt;/em&gt; (Japan)&lt;br /&gt;&lt;em&gt;The Important Man&lt;/em&gt; (Mexico)&lt;br /&gt;&lt;em&gt;Placido&lt;/em&gt; (Spain)&lt;br /&gt;&lt;strong&gt;&lt;em&gt;Through a Glass Darkly&lt;/em&gt; (Sweden)&lt;/strong&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Irving G. Thalberg Memorial Award&lt;/strong&gt;&lt;br /&gt;&lt;strong&gt;Stanley Kramer&lt;/strong&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Jean Hersholt Humanitarian Award&lt;/strong&gt;&lt;br /&gt;&lt;strong&gt;George Seaton&lt;/strong&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Honorary Awards&lt;/strong&gt;&lt;br /&gt;&lt;strong&gt;William Hendricks&lt;/strong&gt; for his outstanding patriotic service in the conception, writing and production of the Marine Corps film, A Force in Readiness, which has brought honor to the Academy and the motion picture industry (statuette)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Fred L. Metzler&lt;/strong&gt; for his dedication and outstanding service to the Academy of Motion Picture Arts and Sciences (statuette)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Jerome Robbins&lt;/strong&gt; for his brilliant achievements in the art of choreography (statuette)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;The 1961 British Academy Awards&lt;/strong&gt; (Source: Bo Smith- &lt;em&gt;The BAFTA Film Awards&lt;/em&gt;, 1989)&lt;br /&gt;&lt;br /&gt;&lt;a href="http://1.bp.blogspot.com/_bzQchKv0KQA/SRqwaX4XLvI/AAAAAAAAAps/WzW-M9x2PDQ/s1600-h/A+Taste+of+Honey.jpg"&gt;&lt;img style="display:block; margin:0px auto 10px; text-align:center;cursor:pointer; cursor:hand;width: 400px; height: 323px;" src="http://1.bp.blogspot.com/_bzQchKv0KQA/SRqwaX4XLvI/AAAAAAAAAps/WzW-M9x2PDQ/s400/A+Taste+of+Honey.jpg" border="0" alt=""id="BLOGGER_PHOTO_ID_5267716681296719602" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;strong&gt;Best Film From Any Source and Best British Film&lt;/strong&gt;&lt;br /&gt;&lt;strong&gt;&lt;em&gt;Ballad of a Soldier&lt;/em&gt; (USSR)- won for Best Film From Any Source (tie)&lt;/strong&gt;&lt;br /&gt;&lt;strong&gt;&lt;em&gt;The Hustler&lt;/em&gt; (U.S.)- won for Best Film from Any Source (tie)&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;The Innocents&lt;/em&gt; (Great Britain)&lt;br /&gt;&lt;em&gt;Judgement at Nuremberg&lt;/em&gt; (U.S.)&lt;br /&gt;&lt;em&gt;Le Trou&lt;/em&gt; (France)&lt;br /&gt;&lt;em&gt;The Long and the Short and the Tall&lt;/em&gt;&lt;br /&gt;&lt;em&gt;Rocco and His Brothers&lt;/em&gt; (Italy)&lt;br /&gt;&lt;em&gt;The Sundowners&lt;/em&gt; (G.B.)&lt;br /&gt;&lt;strong&gt;&lt;em&gt;A Taste of Honey&lt;/em&gt; (G.B.)- won for Best British Film&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;Whistle Down the Wind&lt;/em&gt; (G.B.)&lt;br /&gt;&lt;em&gt;The World of Apu&lt;/em&gt; (India)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Best British Actor&lt;/strong&gt;&lt;br /&gt;Dirk Bogarde in &lt;em&gt;Victim&lt;/em&gt;&lt;br /&gt;&lt;strong&gt;Peter Finch in &lt;em&gt;No Love for Johnnie&lt;/em&gt;&lt;/strong&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Best British Actress&lt;/strong&gt;&lt;br /&gt;&lt;strong&gt;Dora Bryan in &lt;em&gt;A Taste of Honey&lt;/em&gt;&lt;/strong&gt;&lt;br /&gt;Deborah Kerr in &lt;em&gt;The Sundowners&lt;/em&gt;&lt;br /&gt;Hayley Mills in &lt;em&gt;Whistle Down the Wind&lt;/em&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Best Foreign Actor&lt;/strong&gt;&lt;br /&gt;Montgomery Clift in &lt;em&gt;Judgement at Nuremberg&lt;/em&gt;&lt;br /&gt;Vladimir Ivashov in &lt;em&gt;Ballad of a Soldier&lt;/em&gt;&lt;br /&gt;Philippe Leroy in &lt;em&gt;Le Trou&lt;/em&gt;&lt;br /&gt;&lt;strong&gt;Paul Newman in &lt;em&gt;The Hustler&lt;/em&gt;&lt;/strong&gt;&lt;br /&gt;Sidney Poitier in &lt;em&gt;A Raisin in the Sun&lt;/em&gt;&lt;br /&gt;Maximilian Schell in &lt;em&gt;Judgement at Nuremberg&lt;/em&gt;&lt;br /&gt;Alberto Sordi in &lt;em&gt;The Best of Enemies&lt;/em&gt;&lt;br /&gt;&lt;br /&gt;&lt;a href="http://2.bp.blogspot.com/_bzQchKv0KQA/SRv9RlFCReI/AAAAAAAAAp8/V6qhCL3UvE4/s1600-h/Two+Women.jpg"&gt;&lt;img style="display:block; margin:0px auto 10px; text-align:center;cursor:pointer; cursor:hand;width: 251px; height: 400px;" src="http://2.bp.blogspot.com/_bzQchKv0KQA/SRv9RlFCReI/AAAAAAAAAp8/V6qhCL3UvE4/s400/Two+Women.jpg" border="0" alt=""id="BLOGGER_PHOTO_ID_5268082667592762850" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;strong&gt;Best Foreign Actress&lt;/strong&gt;&lt;br /&gt;Annie Girardot in &lt;em&gt;Rocco and His Brothers&lt;/em&gt;&lt;br /&gt;Piper Laurie in &lt;em&gt;The Hustler&lt;/em&gt;&lt;br /&gt;&lt;strong&gt;Sophia Loren in &lt;em&gt;Two Women&lt;/em&gt;&lt;/strong&gt;&lt;br /&gt;Claudia McNeil in &lt;em&gt;A Raisin in the Sun&lt;/em&gt;&lt;br /&gt;Jean Seberg in &lt;em&gt;Breathless&lt;/em&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Most Promising Newcomer&lt;/strong&gt;&lt;br /&gt;Anthony Hancock in &lt;em&gt;The Rebel&lt;/em&gt;&lt;br /&gt;Murray Melvin in &lt;em&gt;A Taste of Honey&lt;/em&gt;&lt;br /&gt;&lt;strong&gt;Rita Tushingham in &lt;em&gt;A Taste of Honey&lt;/em&gt;&lt;/strong&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Best British Screenplay&lt;/strong&gt;&lt;br /&gt;&lt;strong&gt;Wolf Mankowitz and Val Guest for &lt;em&gt;The Day the Earth Caught Fire&lt;/em&gt; (tie)&lt;/strong&gt;&lt;br /&gt;Ted Willis for &lt;em&gt;Flame in the Streets&lt;/em&gt;&lt;br /&gt;Carl Foreman for &lt;em&gt;The Guns of Navarone&lt;/em&gt;&lt;br /&gt;&lt;strong&gt;Shelagh Delaney and Tony Richardson for &lt;em&gt;A Taste of Honey&lt;/em&gt; (tie)&lt;/strong&gt;&lt;br /&gt;Janet Green and John McCormick for &lt;em&gt;Victim&lt;/em&gt;&lt;br /&gt;Keith Waterhouse and Willis Hall for &lt;em&gt;Whistle Down the Wind&lt;/em&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;The Robert Flaherty Award for Best Feature-Length Documentary&lt;/strong&gt;&lt;br /&gt;&lt;strong&gt;&lt;em&gt;Volcano&lt;/em&gt; (&lt;em&gt;Le Rendez-Vous du Diable&lt;/em&gt;) (France)&lt;/strong&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Best Short Film&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;Eyes of a Child&lt;/em&gt;(G.B.)&lt;br /&gt;&lt;em&gt;Let My People Go&lt;/em&gt; (G.B.)&lt;br /&gt;&lt;strong&gt;&lt;em&gt;Terminus&lt;/em&gt; (G.B.)&lt;/strong&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Best Specialized Film&lt;/strong&gt; (no winner chosen)&lt;br /&gt;&lt;em&gt;Electron Microscopy&lt;/em&gt;&lt;br /&gt;&lt;em&gt;Mr. Marsh Comes to School&lt;/em&gt; (G.B.)&lt;br /&gt;&lt;em&gt;"O" for Oxygen&lt;/em&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Best Animated Film&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;Do it Yourself Cartoon Kit&lt;/em&gt; (G.B.)&lt;br /&gt;&lt;em&gt;For Better . . . For Worse&lt;/em&gt; (G.B.)&lt;br /&gt;&lt;strong&gt;&lt;em&gt;101 Dalmatians&lt;/em&gt; (U.S.)&lt;/strong&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;United Nations Award&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;The Best of Enemies&lt;/em&gt; (Italy)&lt;br /&gt;&lt;strong&gt;&lt;em&gt;Let My People Go&lt;/em&gt; (G.B.)&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;Take a Giant Step&lt;/em&gt; (U.S.)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;The Top Ten Box-Office Stars of 1961&lt;/strong&gt; (according to Quigley Publishing’s poll of film exhibitors)&lt;br /&gt;&lt;br /&gt;1) Elizabeth Taylor&lt;br /&gt;2) Rock Hudson&lt;br /&gt;3) Doris Day&lt;br /&gt;4) John Wayne&lt;br /&gt;5) Cary Grant&lt;br /&gt;6) Sandra Dee&lt;br /&gt;7) Jerry Lewis&lt;br /&gt;8) William Holden&lt;br /&gt;9) Tony Curtis&lt;br /&gt;10)  Elvis Presley&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;The Next Fifteen:&lt;/strong&gt;&lt;br /&gt;&lt;br /&gt;11)  Burt Lancaster&lt;br /&gt;12)  Frank Sinatra&lt;br /&gt;13)  Debbie Reynolds&lt;br /&gt;14)  Jack Lemmon&lt;br /&gt;15)  Glenn Ford&lt;br /&gt;16)  Kirk Douglas&lt;br /&gt;17)  Paul Newman&lt;br /&gt;18)  Charlton Heston&lt;br /&gt;19)  Susan Hayward&lt;br /&gt;20)  Gregory Peck&lt;br /&gt;21)  Marlon Brando&lt;br /&gt;22)  James Stewart&lt;br /&gt;23)  Shirley MacLaine&lt;br /&gt;24) Troy Donahue&lt;br /&gt;25) Natalie Wood&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Great Britain's Top Ten Box-Office Stars of 1961&lt;/strong&gt; (according to the Motion Picture Herald's poll of British film exhibitors)&lt;br /&gt;1) Hayley Mills&lt;br /&gt;2) Sophia Loren&lt;br /&gt;3) Kenneth More&lt;br /&gt;4) Elizabeth Taylor&lt;br /&gt;5) John Mills&lt;br /&gt;6) Peter Sellers&lt;br /&gt;7) Audrey Hepburn&lt;br /&gt;8) Dirk Bogarde&lt;br /&gt;9) Jack Lemmon&lt;br /&gt;10) John Wayne&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Great Britain's top Box-Office films&lt;/strong&gt; (according to the Motion Picture Herald- listed in order of precedence)&lt;br /&gt;&lt;br /&gt;&lt;a href="http://1.bp.blogspot.com/_bzQchKv0KQA/SRqoxzGR93I/AAAAAAAAApk/OOCevqrK8to/s1600-h/Swiss+Family+Robinson.jpg"&gt;&lt;img style="display:block; margin:0px auto 10px; text-align:center;cursor:pointer; cursor:hand;width: 262px; height: 400px;" src="http://1.bp.blogspot.com/_bzQchKv0KQA/SRqoxzGR93I/AAAAAAAAApk/OOCevqrK8to/s400/Swiss+Family+Robinson.jpg" border="0" alt=""id="BLOGGER_PHOTO_ID_5267708287646824306" /&gt;&lt;/a&gt;&lt;br /&gt;1) &lt;em&gt;Swiss Family Robinson&lt;/em&gt;&lt;br /&gt;2) &lt;em&gt;The Magnificent Seven&lt;/em&gt;&lt;br /&gt;3) &lt;em&gt;Saturday Night and Sunday Morning&lt;/em&gt;&lt;br /&gt;4) &lt;em&gt;101 Dalmatians&lt;/em&gt;&lt;br /&gt;5) &lt;em&gt;Pollyanna&lt;/em&gt;&lt;br /&gt;6) &lt;em&gt;The Rebel&lt;/em&gt;&lt;br /&gt;7) &lt;em&gt;The Sundowners&lt;/em&gt;&lt;br /&gt;8) &lt;em&gt;Whistle Down the Wind&lt;/em&gt;&lt;br /&gt;9) &lt;em&gt;Butterfield 8&lt;/em&gt;&lt;br /&gt;10) &lt;em&gt;Carry On Regardless&lt;/em&gt;&lt;br /&gt;11) &lt;em&gt;The Parent Trap&lt;/em&gt;&lt;br /&gt;12) &lt;em&gt;The Long and the Short and the Tall&lt;/em&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;The Golden Laurel Awards for 1962&lt;/strong&gt; (Covers 1961 films, unless otherwise noted. Published in the Motion Picture Exhibitor Magazine on September 26th, 1962. Winners listed in order of preference. Source: IMDB)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Top Drama&lt;/strong&gt;&lt;br /&gt;1) &lt;em&gt;The Guns of Navarone&lt;/em&gt;&lt;br /&gt;2) &lt;em&gt;The Hustler&lt;/em&gt; &lt;br /&gt;3) &lt;em&gt;Judgement at Nuremberg&lt;/em&gt; &lt;br /&gt;4) &lt;em&gt;Fanny&lt;/em&gt; &lt;br /&gt;5) &lt;em&gt;La Ciociara&lt;/em&gt; (1960)&lt;br /&gt;&lt;br /&gt;&lt;a href="http://3.bp.blogspot.com/_bzQchKv0KQA/SR1HUek-25I/AAAAAAAAAqI/GrG4c_pG4Gs/s1600-h/Lover+Come+Back.jpg"&gt;&lt;img style="display:block; margin:0px auto 10px; text-align:center;cursor:pointer; cursor:hand;width: 307px; height: 400px;" src="http://3.bp.blogspot.com/_bzQchKv0KQA/SR1HUek-25I/AAAAAAAAAqI/GrG4c_pG4Gs/s400/Lover+Come+Back.jpg" border="0" alt=""id="BLOGGER_PHOTO_ID_5268445556224482194" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;strong&gt;Top Comedy&lt;/strong&gt;&lt;br /&gt;1) &lt;em&gt;Lover Come Back&lt;/em&gt; &lt;br /&gt;2) &lt;em&gt;Bachelor in Paradise&lt;/em&gt; &lt;br /&gt;3) &lt;em&gt;Breakfast at Tiffany's&lt;/em&gt; &lt;br /&gt;4) &lt;em&gt;One, Two, Three&lt;/em&gt; &lt;br /&gt;5) &lt;em&gt;A Majority of One&lt;/em&gt; &lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Top Musical&lt;/strong&gt;&lt;br /&gt;1) &lt;em&gt;West Side Story&lt;/em&gt; &lt;br /&gt;2) &lt;em&gt;Flower Drum Song&lt;/em&gt; &lt;br /&gt;3) &lt;em&gt;Babes in Toyland&lt;/em&gt; &lt;br /&gt;4) &lt;em&gt;Blue Hawaii&lt;/em&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Top Action Drama&lt;/strong&gt;&lt;br /&gt;1) &lt;em&gt;El Cid&lt;/em&gt; &lt;br /&gt;2) &lt;em&gt;Sergeants Three&lt;/em&gt; (1962)&lt;br /&gt;3) &lt;em&gt;The Comancheros&lt;/em&gt; &lt;br /&gt;4) &lt;em&gt;One-Eyed Jacks&lt;/em&gt; &lt;br /&gt;5) &lt;em&gt;A Thunder of Drums&lt;/em&gt; &lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Top General Entertainment&lt;/strong&gt;&lt;br /&gt;1) &lt;em&gt;The Parent Trap&lt;/em&gt; &lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Top Male Dramatic Performance&lt;/strong&gt;&lt;br /&gt;1) Paul Newman in &lt;em&gt;The Hustler&lt;/em&gt; &lt;br /&gt;2) Maximilian Schell in &lt;em&gt;Judgement at Nuremberg&lt;/em&gt;&lt;br /&gt;3) Gregory Peck in &lt;em&gt;The Guns of Navarone&lt;/em&gt;&lt;br /&gt;4) Tony Curtis in &lt;em&gt;The Outsider&lt;/em&gt;&lt;br /&gt;5) Charles Boyer in &lt;em&gt;Fanny&lt;/em&gt;&lt;br /&gt;&lt;br /&gt;&lt;a href="http://4.bp.blogspot.com/_bzQchKv0KQA/SR1T3IKoslI/AAAAAAAAAqQ/UowE-1Ks3Hc/s1600-h/The+Children%27s+Hour.jpg"&gt;&lt;img style="display:block; margin:0px auto 10px; text-align:center;cursor:pointer; cursor:hand;width: 263px; height: 400px;" src="http://4.bp.blogspot.com/_bzQchKv0KQA/SR1T3IKoslI/AAAAAAAAAqQ/UowE-1Ks3Hc/s400/The+Children%27s+Hour.jpg" border="0" alt=""id="BLOGGER_PHOTO_ID_5268459345643352658" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;strong&gt;Top Female Dramatic Performance&lt;/strong&gt;&lt;br /&gt;1) Shirley MacLaine in &lt;em&gt;The Children's Hour&lt;/em&gt;&lt;br /&gt;2) Piper Laurie in &lt;em&gt;The Hustler&lt;/em&gt;&lt;br /&gt;3) Natalie Wood in &lt;em&gt;Splendor in the Grass&lt;/em&gt;&lt;br /&gt;4) Audrey Hepburn in &lt;em&gt;The Children's Hour&lt;/em&gt;&lt;br /&gt;5) Leslie Caron in &lt;em&gt;Fanny&lt;/em&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Top Male Comedy Performance&lt;/strong&gt;&lt;br /&gt;1) Bob Hope in &lt;em&gt;Bachelor in Paradise&lt;/em&gt;&lt;br /&gt;2) Rock Hudson in &lt;em&gt;Lover Come Back&lt;/em&gt;&lt;br /&gt;3) Tony Randall in &lt;em&gt;Lover Come Back&lt;/em&gt;&lt;br /&gt;4) James Cagney in &lt;em&gt;One, Two, Three&lt;/em&gt;&lt;br /&gt;5) Brian Keith in &lt;em&gt;The Parent Trap&lt;/em&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Top Female Comedy Performance&lt;/strong&gt;&lt;br /&gt;1) Doris Day in &lt;em&gt;Lover Come Back&lt;/em&gt;&lt;br /&gt;2) Hayley Mills in &lt;em&gt;The Parent Trap&lt;/em&gt;&lt;br /&gt;3) Audrey Hepburn in &lt;em&gt;Breakfast at Tiffany's&lt;/em&gt;&lt;br /&gt;4) Debbie Reynolds in &lt;em&gt;The Second Time Around&lt;/em&gt;&lt;br /&gt;5) Edie Adams in &lt;em&gt;Lover Come Back&lt;/em&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Top Action Performance&lt;/strong&gt;&lt;br /&gt;1) John Wayne in &lt;em&gt;The Comancheros&lt;/em&gt;&lt;br /&gt;2) Frank Sinatra in &lt;em&gt;The Devil at 4 O'Clock&lt;/em&gt;&lt;br /&gt;3) James Stewart in &lt;em&gt;Two Rode Together&lt;/em&gt;&lt;br /&gt;4) Kirk Douglas in &lt;em&gt;The Last Sunset&lt;/em&gt;&lt;br /&gt;5) Stuart Whitman in &lt;em&gt;The Comancheros&lt;/em&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Top Male Supporting Performance&lt;/strong&gt;&lt;br /&gt;1) Jackie Gleason in &lt;em&gt;The Hustler&lt;/em&gt;&lt;br /&gt;2) George Chakiris in &lt;em&gt;West Side Story&lt;/em&gt;&lt;br /&gt;3) Ed Begley in &lt;em&gt;Sweet Bird of Youth&lt;/em&gt; (1962)&lt;br /&gt;4) Montgomery Clift in &lt;em&gt;Judgement at Nuremberg&lt;/em&gt;&lt;br /&gt;5) Lee Marvin in &lt;em&gt;The Comancheros&lt;/em&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Top Female Supporting Performance&lt;/strong&gt;&lt;br /&gt;1) Rita Moreno in &lt;em&gt;West Side Story&lt;/em&gt;&lt;br /&gt;2) Fay Bainter in &lt;em&gt;The Children's Hour&lt;/em&gt;&lt;br /&gt;3) Thelma Ritter in &lt;em&gt;The Second Time Around&lt;/em&gt;&lt;br /&gt;4) Juanita Hall in &lt;em&gt;Flower Drum Song&lt;/em&gt;&lt;br /&gt;5) Judy Garland in &lt;em&gt;Judgement at Nuremberg&lt;/em&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Top Male Star&lt;/strong&gt;&lt;br /&gt;1) Rock Hudson&lt;br /&gt;2) Cary Grant&lt;br /&gt;3) Paul Newman&lt;br /&gt;4) Tony Curtis&lt;br /&gt;5) Kirk Douglas&lt;br /&gt;6) Robert Mitchum&lt;br /&gt;7) Burt Lancaster&lt;br /&gt;8) John Wayne&lt;br /&gt;9) Jerry Lewis&lt;br /&gt;10) Jack Lemmon&lt;br /&gt;11) Bob Hope&lt;br /&gt;12) William Holden&lt;br /&gt;13) Frank Sinatra&lt;br /&gt;14) James Stewart&lt;br /&gt;15) Charlton Heston&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Top Female Star&lt;/strong&gt;&lt;br /&gt;1) Doris Day&lt;br /&gt;2) Shirley MacLaine&lt;br /&gt;3) Audrey Hepburn&lt;br /&gt;4) Hayley Mills&lt;br /&gt;5) Natalie Wood&lt;br /&gt;6) Elizabeth Taylor&lt;br /&gt;7) Debbie Reynolds&lt;br /&gt;8) Angie Dickinson&lt;br /&gt;9) Shirley Jones&lt;br /&gt;10) Marilyn Monroe&lt;br /&gt;11) Sandra Dee&lt;br /&gt;12) Sophia Loren&lt;br /&gt;13) Kim Novak&lt;br /&gt;14) Paula Prentiss&lt;br /&gt;15) Joanne Woodward&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/22096293-4249064489966706108?l=heylookmeover.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://heylookmeover.blogspot.com/feeds/4249064489966706108/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=22096293&amp;postID=4249064489966706108' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/22096293/posts/default/4249064489966706108'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/22096293/posts/default/4249064489966706108'/><link rel='alternate' type='text/html' href='http://heylookmeover.blogspot.com/2008/11/film-data-for-1961_16.html' title='Film Data For 1961'/><author><name>Vertigo's Psycho</name><uri>http://www.blogger.com/profile/17701774152300870403</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://3.bp.blogspot.com/_bzQchKv0KQA/SRcU9qqbTjI/AAAAAAAAAnc/CN5odBKnW2c/s72-c/Guns+of+Navarone.jpg' height='72' width='72'/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-22096293.post-7757223747771878791</id><published>2008-11-16T23:25:00.001-08:00</published><updated>2008-11-17T23:55:08.674-08:00</updated><title type='text'>Film Data For 1960</title><content type='html'>&lt;a href="http://1.bp.blogspot.com/_bzQchKv0KQA/SRFiG8ySa_I/AAAAAAAAAl8/S7k2gSm62Ok/s1600-h/Apartment.jpg"&gt;&lt;img style="margin: 0px auto 10px; display: block; text-align: center; cursor: pointer; width: 256px; height: 400px;" src="http://1.bp.blogspot.com/_bzQchKv0KQA/SRFiG8ySa_I/AAAAAAAAAl8/S7k2gSm62Ok/s400/Apartment.jpg" alt="" id="BLOGGER_PHOTO_ID_5265097310908607474" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;strong&gt;The Film Daily’s Ten Best Pictures of 1960&lt;/strong&gt;&lt;br /&gt;&lt;br /&gt;1) &lt;em&gt;The Apartment&lt;/em&gt;- 208 votes&lt;br /&gt;2) &lt;em&gt;Elmer Gantry&lt;/em&gt;- 196&lt;br /&gt;3) &lt;em&gt;Ben-Hur&lt;/em&gt;(1959)- 194&lt;br /&gt;4) &lt;em&gt;Inherit the Wind&lt;/em&gt;- 160&lt;br /&gt;5) &lt;em&gt;Sunrise at Campobello&lt;/em&gt;- 144&lt;br /&gt;6) &lt;em&gt;The Dark at the Top of the Stairs&lt;/em&gt;- 104&lt;br /&gt;7) &lt;em&gt;Suddenly, Last Summer&lt;/em&gt; (1959)- 101&lt;br /&gt;8) &lt;em&gt;Spartacus&lt;/em&gt;- 98&lt;br /&gt;9) &lt;em&gt;Sons and Lovers&lt;/em&gt;- 96&lt;br /&gt;10) &lt;em&gt;Midnight Lace&lt;/em&gt;- 85&lt;br /&gt;&lt;br /&gt;The Honor Roll:&lt;br /&gt;11) &lt;em&gt;Psycho&lt;/em&gt;- 84 votes (I have always wished I was around in 1960 to see &lt;em&gt;Psycho&lt;/em&gt; upon its release, but I really wouldn’t want to live in a world where &lt;em&gt;Midnight Lace&lt;/em&gt; is deemed a superior film and knocks &lt;em&gt;Psycho&lt;/em&gt; out of the top ten by one vote)&lt;br /&gt;12) &lt;em&gt;Operation Petticoat&lt;/em&gt; (1959)- 83&lt;br /&gt;13)  &lt;em&gt;Butterfield 8&lt;/em&gt;- 82&lt;br /&gt;14)  &lt;em&gt;From the Terrace&lt;/em&gt;- 80&lt;br /&gt;15)  &lt;em&gt;Can-Can&lt;/em&gt;- 70&lt;br /&gt;16)  &lt;em&gt;The Mouse That Roared&lt;/em&gt; (1959)- 69&lt;br /&gt;17)  &lt;em&gt;I’m All Right, Jack&lt;/em&gt; (1959)- 66&lt;br /&gt;18)  &lt;em&gt;Pollyanna&lt;/em&gt;- 59&lt;br /&gt;19)  &lt;em&gt;Home From the Hill&lt;/em&gt;- 57&lt;br /&gt;20)  &lt;em&gt;Conspiracy of Hearts&lt;/em&gt;- 56&lt;br /&gt;21)  &lt;em&gt;Please Don’t eat the Daisies&lt;/em&gt;- 52&lt;br /&gt;22)  &lt;em&gt;A Summer Place&lt;/em&gt; (1959)- 51&lt;br /&gt;23)  &lt;em&gt;Our Man in Havana&lt;/em&gt; (1959)- 50&lt;br /&gt;24)  &lt;em&gt;Bells Are Ringing&lt;/em&gt;- 49&lt;br /&gt;25)  &lt;em&gt;Ocean’s Eleven&lt;/em&gt;- 47&lt;br /&gt;26)  &lt;em&gt;The Entertainer&lt;/em&gt;- 45&lt;br /&gt;27)  &lt;em&gt;The Fugitive Kind&lt;/em&gt;- 32&lt;br /&gt;28)  &lt;em&gt;The Sundowners&lt;/em&gt;- 26&lt;br /&gt;29)  &lt;em&gt;Let’s Make Love&lt;/em&gt;- 25&lt;br /&gt;30)  Son&lt;em&gt;g Without End&lt;/em&gt;- 24&lt;br /&gt;31)  &lt;em&gt;The Bramble Bush&lt;/em&gt;- 23&lt;br /&gt;    &lt;em&gt;It Started in Naples&lt;/em&gt;- 23&lt;br /&gt;32)  &lt;em&gt;Hell to Eternity&lt;/em&gt;- 22&lt;br /&gt;33)  &lt;em&gt;Crack in the Mirror&lt;/em&gt;- 21&lt;br /&gt;34)  &lt;em&gt;Portrait in Black&lt;/em&gt;- 20&lt;br /&gt;35)  &lt;em&gt;Toby Tyler&lt;/em&gt;- 19&lt;br /&gt;36)  &lt;em&gt;The Rat Race&lt;/em&gt;- 14&lt;br /&gt;37)  &lt;em&gt;Expresso Bongo&lt;/em&gt; (1959)- 13&lt;br /&gt;   &lt;em&gt;The Savage Eye&lt;/em&gt;- 13&lt;br /&gt;38) &lt;em&gt;The House of Usher&lt;/em&gt;- 12&lt;br /&gt;   &lt;em&gt;Jungle Cat&lt;/em&gt; (1959)- 12&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;The Film Daily- Filmdom’s Famous Fives of 1960&lt;/strong&gt;&lt;br /&gt;&lt;br /&gt;&lt;a href="http://2.bp.blogspot.com/_bzQchKv0KQA/SRFimoIMZXI/AAAAAAAAAmE/IclSah7YKjw/s1600-h/Elmer+Gantry.jpg"&gt;&lt;img style="margin: 0px auto 10px; display: block; text-align: center; cursor: pointer; width: 259px; height: 400px;" src="http://2.bp.blogspot.com/_bzQchKv0KQA/SRFimoIMZXI/AAAAAAAAAmE/IclSah7YKjw/s400/Elmer+Gantry.jpg" alt="" id="BLOGGER_PHOTO_ID_5265097855119156594" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;strong&gt;Best Performances by Male Stars&lt;/strong&gt;&lt;br /&gt;1) Burt Lancaster in &lt;em&gt;Elmer Gantry&lt;/em&gt;&lt;br /&gt;2) Charlton Heston in &lt;em&gt;Ben-Hur&lt;/em&gt; (1959)&lt;br /&gt;3) Jack Lemmon in &lt;em&gt;The Apartment&lt;/em&gt;&lt;br /&gt;4) Spencer Tracy in &lt;em&gt;Inherit the Wind&lt;/em&gt;&lt;br /&gt;5) Ralph Bellamy in &lt;em&gt;Sunrise at Campobello&lt;/em&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Best Performances by Female Stars&lt;/strong&gt;&lt;br /&gt;1) Elizabeth Taylor in &lt;em&gt;Butterfield 8&lt;/em&gt;&lt;br /&gt;2) Greer Garson in &lt;em&gt;Sunrise at Campobello&lt;/em&gt;&lt;br /&gt;3) Shirley MacLaine in &lt;em&gt;The Apartment&lt;/em&gt;&lt;br /&gt;4) Doris Day in &lt;em&gt;Midnight Lace&lt;/em&gt;&lt;br /&gt;5) Jean Simmons in &lt;em&gt;Elmer Gantry&lt;/em&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Best Performances by Supporting Actors&lt;/strong&gt;&lt;br /&gt;1) Arthur Kennedy in &lt;em&gt;Elmer Gantry&lt;/em&gt;&lt;br /&gt;2) Stephen Boyd in &lt;em&gt;Ben-Hur&lt;/em&gt; (1959)&lt;br /&gt;3) Hugh Griffith in &lt;em&gt;Ben-Hur&lt;/em&gt; (1959)&lt;br /&gt;4) George Peppard in &lt;em&gt;Home From the Hill&lt;/em&gt;&lt;br /&gt;5) Hume Cronyn in &lt;em&gt;Sunrise at Campobello&lt;/em&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Best Performances by Supporting Actresses&lt;/strong&gt;&lt;br /&gt;1) Shirley Jones in &lt;em&gt;Elmer Gantry&lt;/em&gt;&lt;br /&gt;2) Angela Lansbury in &lt;em&gt;The Dark at the Top of the Stairs&lt;/em&gt;&lt;br /&gt;3) Eve Arden in &lt;em&gt;The Dark at the Top of the Stairs&lt;/em&gt;&lt;br /&gt;4) Ina Balin in &lt;em&gt;From the Terrace&lt;/em&gt;&lt;br /&gt;5) Myrna Loy in &lt;em&gt;Midnight Lace&lt;/em&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Best Performances by Juvenile Actors&lt;/strong&gt;&lt;br /&gt;1) Kevin Corcoran in &lt;em&gt;Toby Tyler&lt;/em&gt;&lt;br /&gt;2) Troy Donahue in &lt;em&gt;A Summer Place&lt;/em&gt; (1959)&lt;br /&gt;3) Lee Kinsolving in &lt;em&gt;The Dark at the Top of the Stairs&lt;/em&gt;&lt;br /&gt;4) James MacArthur in &lt;em&gt;Kidnapped&lt;/em&gt;&lt;br /&gt;5) Robert Eyer in &lt;em&gt;The Dark at the Top of the Stairs&lt;/em&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Best Performances by Juvenile Actresses&lt;/strong&gt;&lt;br /&gt;1) Hayley Mills in &lt;em&gt;Pollyanna&lt;/em&gt;&lt;br /&gt;2) Sandra Dee in &lt;em&gt;Portrait in Black&lt;/em&gt;&lt;br /&gt;3) Shirley Knight in &lt;em&gt;The Dark at the Top of the Stairs&lt;/em&gt;&lt;br /&gt;4) Penny Parker in &lt;em&gt;The Dark at the Top of the Stairs&lt;/em&gt;&lt;br /&gt;5) Luana Patten in &lt;em&gt;Home From the Hill&lt;/em&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;The Year’s Outstanding Directors&lt;/strong&gt;&lt;br /&gt;1) William Wyler for &lt;em&gt;Ben-Hur&lt;/em&gt; (1959)&lt;br /&gt;2) Billy Wilder for &lt;em&gt;The Apartment&lt;/em&gt;&lt;br /&gt;3) Richard Brooks for &lt;em&gt;Elmer Gantry&lt;/em&gt;&lt;br /&gt;4) Stanley Kramer for &lt;em&gt;Inherit the Wind&lt;/em&gt;&lt;br /&gt;5) Vincent Donahue for &lt;em&gt;Sunrise at Campobello&lt;/em&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;The Best Photographed Pictures of the Year&lt;/strong&gt;&lt;br /&gt;1) Robert L. Surtees for &lt;em&gt;Ben-Hur&lt;/em&gt; (1959)&lt;br /&gt;2) James R. Simon, Hugh A. Wilmar and Lloyd Beebe for &lt;em&gt;Jungle Cat&lt;/em&gt; (1959)&lt;br /&gt;3) Freddie Francis for &lt;em&gt;Sons &amp;amp; Lovers&lt;/em&gt;&lt;br /&gt;4) John Alton for &lt;em&gt;Elmer Gantry&lt;/em&gt;&lt;br /&gt;5) Jack Hildyard for &lt;em&gt;Suddenly, Last Summer&lt;/em&gt; (1959)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;The Best Screenplays of the Year&lt;/strong&gt;&lt;br /&gt;1) Billy Wilder and I.A.L. Diamond for &lt;em&gt;The Apartment&lt;/em&gt;&lt;br /&gt;2) Richard Brooks for &lt;em&gt;Elmer Gantry&lt;/em&gt;&lt;br /&gt;3) Karl Tunberg for &lt;em&gt;Ben-Hur&lt;/em&gt; (1959)&lt;br /&gt;4) Dore Schary for &lt;em&gt;Sunrise at Campobello&lt;/em&gt;&lt;br /&gt;5) Nathan E. Douglas and Harold Jacob Smith for &lt;em&gt;Inherit the Wind&lt;/em&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;“Finds of the Year”&lt;/strong&gt;&lt;br /&gt;1) Hayley Mills in &lt;em&gt;Pollyanna&lt;/em&gt;&lt;br /&gt;2) George Peppard in &lt;em&gt;Home From the Hill&lt;/em&gt;&lt;br /&gt;3) Peter Sellers in &lt;em&gt;I’m All Right, Jack&lt;/em&gt;&lt;br /&gt;4) Ina Balin in &lt;em&gt;From the Terrace&lt;/em&gt;&lt;br /&gt;5) Troy Donahue in &lt;em&gt;A Summer Place&lt;/em&gt; (1959)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;The National Board of Review&lt;/strong&gt; (Results announced on December 22, 1960. Source: Tom O’Neil’s &lt;em&gt;Movie Awards&lt;/em&gt;)&lt;br /&gt;&lt;br /&gt;&lt;a href="http://1.bp.blogspot.com/_bzQchKv0KQA/SRFjoMpxBfI/AAAAAAAAAmM/BgOQf9neo1s/s1600-h/Sons+and+Lovers.jpg"&gt;&lt;img style="margin: 0px auto 10px; display: block; text-align: center; cursor: pointer; width: 337px; height: 400px;" src="http://1.bp.blogspot.com/_bzQchKv0KQA/SRFjoMpxBfI/AAAAAAAAAmM/BgOQf9neo1s/s400/Sons+and+Lovers.jpg" alt="" id="BLOGGER_PHOTO_ID_5265098981615142386" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;strong&gt;The Ten Best Pictures&lt;/strong&gt; (in order of preference)&lt;br /&gt;1) &lt;em&gt;Sons and Lovers&lt;/em&gt;&lt;br /&gt;2) &lt;em&gt;The Alamo&lt;/em&gt;&lt;br /&gt;3) &lt;em&gt;The Sundowners&lt;/em&gt;&lt;br /&gt;4) &lt;em&gt;Inherit the Wind&lt;/em&gt;&lt;br /&gt;5) &lt;em&gt;Sunrise at Campobello&lt;/em&gt;&lt;br /&gt;6) &lt;em&gt;Elmer Gantry&lt;/em&gt;&lt;br /&gt;7) &lt;em&gt;Home From the Hill&lt;/em&gt;&lt;br /&gt;8) &lt;em&gt;The Apartment&lt;/em&gt;&lt;br /&gt;9) &lt;em&gt;Wild River&lt;/em&gt;&lt;br /&gt;10) &lt;em&gt;The Dark at the Top of the Stairs&lt;/em&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Best Director&lt;/strong&gt;&lt;br /&gt;Jack Cardiff for &lt;em&gt;Sons and Lovers&lt;/em&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Best Actor&lt;/strong&gt;&lt;br /&gt;Robert Mitchum for &lt;em&gt;The Sundowners&lt;/em&gt; and &lt;em&gt;Home From the Hill&lt;/em&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Best Actress&lt;/strong&gt;&lt;br /&gt;Greer Garson in &lt;em&gt;Sunrise at Campobello&lt;/em&gt;&lt;br /&gt;&lt;br /&gt;&lt;a href="http://3.bp.blogspot.com/_bzQchKv0KQA/SRFj9F2baOI/AAAAAAAAAmU/j-5CVrSzOQs/s1600-h/Home+From+the+Hill.jpg"&gt;&lt;img style="margin: 0px auto 10px; display: block; text-align: center; cursor: pointer; width: 258px; height: 400px;" src="http://3.bp.blogspot.com/_bzQchKv0KQA/SRFj9F2baOI/AAAAAAAAAmU/j-5CVrSzOQs/s400/Home+From+the+Hill.jpg" alt="" id="BLOGGER_PHOTO_ID_5265099340566456546" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;strong&gt;Best Supporting Actor&lt;/strong&gt;&lt;br /&gt;George Peppard in &lt;em&gt;Home from the Hill&lt;/em&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Best Supporting Actress&lt;/strong&gt;&lt;br /&gt;Shirley Jones in &lt;em&gt;Elmer Gantry&lt;/em&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Best Foreign Films&lt;/strong&gt; (in order of preference)&lt;br /&gt;1) &lt;em&gt;The World of Apu&lt;/em&gt; (India)&lt;br /&gt;2) &lt;em&gt;General Della Rovere&lt;/em&gt; (Italy/France)&lt;br /&gt;3) &lt;em&gt;The Angry Silence&lt;/em&gt; (U.K.)&lt;br /&gt;4) &lt;em&gt;I’m All Right, Jack&lt;/em&gt; (U.K.)&lt;br /&gt;5) &lt;em&gt;Hiroshima, Mon Amour&lt;/em&gt; (France/Japan)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;The New York Film Critics Awards&lt;/strong&gt; (Winners announced on December 29, 1960. Awards presented on January 23, 1961)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Best Picture&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;The Apartment&lt;/em&gt; tied &lt;em&gt;Sons and Lovers&lt;/em&gt; on the sixth and final ballot (8 votes each)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Best Director&lt;/strong&gt;&lt;br /&gt;Jack Cardiff for &lt;em&gt;Sons and Lovers&lt;/em&gt; tied Billy Wilder for &lt;em&gt;The Apartment&lt;/em&gt; on the sixth ballot (8 votes each)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Best Actor&lt;/strong&gt;&lt;br /&gt;Burt Lancaster in &lt;em&gt;Elmer Gantry&lt;/em&gt; (8 votes on the sixth ballot)&lt;br /&gt;Runners up:&lt;br /&gt;Trevor Howard in &lt;em&gt;Sons and Lovers&lt;/em&gt; (5 votes)&lt;br /&gt;Laurence Olivier in &lt;em&gt;The Entertainer&lt;/em&gt; (3 votes)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Best Actress&lt;/strong&gt;&lt;br /&gt;Deborah Kerr in &lt;em&gt;The Sundowners&lt;/em&gt; (9 votes on the sixth and final ballot)&lt;br /&gt;Runner up:&lt;br /&gt;Melina Mercouri in &lt;em&gt;Never on Sunday&lt;/em&gt; (7 votes)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Best Screenplay&lt;/strong&gt;&lt;br /&gt;Billy Wilder and I.A.L. Diamond for &lt;em&gt;The Apartment&lt;/em&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Best Foreign Film&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;Hiroshima, Mon Amour&lt;/em&gt; (France/Japan)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;The Golden Globes&lt;/strong&gt; (Nominations announced on February 8, 1961. Awards presented on March 16, 1961)&lt;br /&gt;&lt;br /&gt;Winners in bold print&lt;br /&gt;&lt;br /&gt;&lt;a href="http://1.bp.blogspot.com/_bzQchKv0KQA/SRFkigv7oeI/AAAAAAAAAmc/BeKhi3DSjqo/s1600-h/Spartacus.jpg"&gt;&lt;img style="margin: 0px auto 10px; display: block; text-align: center; cursor: pointer; width: 261px; height: 400px;" src="http://1.bp.blogspot.com/_bzQchKv0KQA/SRFkigv7oeI/AAAAAAAAAmc/BeKhi3DSjqo/s400/Spartacus.jpg" alt="" id="BLOGGER_PHOTO_ID_5265099983442125282" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;strong&gt;Best Drama Picture&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;Elmer Gantry&lt;/em&gt;&lt;br /&gt;&lt;em&gt;Inherit the Wind&lt;/em&gt;&lt;br /&gt;&lt;em&gt;Sons and Lovers&lt;/em&gt;&lt;br /&gt;&lt;strong&gt;&lt;em&gt;Spartacus&lt;/em&gt;&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;Sunrise at Campobello&lt;/em&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Best Comedy Picture&lt;/strong&gt;&lt;br /&gt;&lt;strong&gt;&lt;em&gt;The Apartment&lt;/em&gt;&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;The Facts of Life&lt;/em&gt;&lt;br /&gt;&lt;em&gt;The Grass is Greener&lt;/em&gt;&lt;br /&gt;&lt;em&gt;It Started in Naples&lt;/em&gt;&lt;br /&gt;&lt;em&gt;Our Man in Havana&lt;/em&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Best Musical Picture&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;Bells Are Ringing&lt;/em&gt;&lt;br /&gt;&lt;em&gt;Can-Can&lt;/em&gt;&lt;br /&gt;&lt;em&gt;Let’s Make Love&lt;/em&gt;&lt;br /&gt;&lt;em&gt;Pepe&lt;/em&gt;&lt;br /&gt;&lt;strong&gt;&lt;em&gt;Song Without End&lt;/em&gt;&lt;/strong&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Best Motion Picture Promoting International Understanding&lt;/strong&gt;&lt;br /&gt;&lt;strong&gt;&lt;em&gt;Hand in Hand&lt;/em&gt;&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;Conspiracy of Hearts&lt;/em&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Best Director&lt;/strong&gt;&lt;br /&gt;Richard Brooks for &lt;em&gt;Elmer Gantry&lt;/em&gt;&lt;br /&gt;&lt;strong&gt;Jack Cardiff for &lt;em&gt;Sons and Lovers&lt;/em&gt;&lt;/strong&gt;&lt;br /&gt;Stanley Kubrick for &lt;em&gt;Spartacus&lt;/em&gt;&lt;br /&gt;Billy Wilder for &lt;em&gt;The Apartment&lt;/em&gt;&lt;br /&gt;Fred Zinnemann for &lt;em&gt;The Sundowners&lt;/em&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Best Actor, Drama&lt;/strong&gt;&lt;br /&gt;Trevor Howard in &lt;em&gt;Sons and Lovers&lt;/em&gt;&lt;br /&gt;&lt;strong&gt;Burt Lancaster in &lt;em&gt;Elmer Gantry&lt;/em&gt;&lt;/strong&gt;&lt;br /&gt;Laurence Olivier in &lt;em&gt;The Entertainer&lt;/em&gt;&lt;br /&gt;Dean Stockwell in &lt;em&gt;Sons and Lovers&lt;/em&gt;&lt;br /&gt;Spencer Tracy in &lt;em&gt;Inherit the Wind&lt;/em&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Best Actress, Drama&lt;/strong&gt;&lt;br /&gt;Doris Day in &lt;em&gt;Midnight Lace&lt;/em&gt;&lt;br /&gt;&lt;strong&gt;Greer Garson in &lt;em&gt;Sunrise at Campobello&lt;/em&gt;&lt;/strong&gt;&lt;br /&gt;Nancy Kwan in &lt;em&gt;The World of Suzie Wong&lt;/em&gt;&lt;br /&gt;Jean Simmons in &lt;em&gt;Elmer Gantry&lt;/em&gt;&lt;br /&gt;Elizabeth Taylor in &lt;em&gt;Butterfield 8&lt;/em&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Best Actor, Comedy or Musical&lt;/strong&gt;&lt;br /&gt;Dirk Bogarde in &lt;em&gt;Song Without End&lt;/em&gt;&lt;br /&gt;Cantinflas in &lt;em&gt;Pepe&lt;/em&gt;&lt;br /&gt;Cary Grant in &lt;em&gt;The Grass is Greener&lt;/em&gt;&lt;br /&gt;Bob Hope in &lt;em&gt;The Facts of Life&lt;/em&gt;&lt;br /&gt;&lt;strong&gt;Jack Lemmon in &lt;em&gt;The Apartment&lt;/em&gt;&lt;/strong&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Best Actress, Musical or Comedy&lt;/strong&gt;&lt;br /&gt;Lucille Ball in &lt;em&gt;The Facts of Life&lt;/em&gt;&lt;br /&gt;Capucine in &lt;em&gt;Song Without End&lt;/em&gt;&lt;br /&gt;Judy Holliday in &lt;em&gt;Bells Are Ringing&lt;/em&gt;&lt;br /&gt;Sophia Loren in &lt;em&gt;It Started in Naples&lt;/em&gt;&lt;br /&gt;&lt;strong&gt;Shirley MacLaine in &lt;em&gt;The Apartment&lt;/em&gt;&lt;/strong&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Best Supporting Actor&lt;/strong&gt;&lt;br /&gt;Lee Kinsolving in &lt;em&gt;The Dark at the Top of the Stairs&lt;/em&gt;&lt;br /&gt;&lt;strong&gt;Sal Mineo in &lt;em&gt;Exodus&lt;/em&gt;&lt;/strong&gt;&lt;br /&gt;Ray Stricklyn in &lt;em&gt;The Plunderers&lt;/em&gt;&lt;br /&gt;Woody Strode in &lt;em&gt;Spartacus&lt;/em&gt;&lt;br /&gt;Peter Ustinov in &lt;em&gt;Spartacus&lt;/em&gt;&lt;br /&gt;&lt;br /&gt;&lt;a href="http://1.bp.blogspot.com/_bzQchKv0KQA/SRFrIkvvUiI/AAAAAAAAAms/dEm2AixhEtU/s1600-h/Psycho.jpg"&gt;&lt;img style="margin: 0px auto 10px; display: block; text-align: center; cursor: pointer; width: 267px; height: 400px;" src="http://1.bp.blogspot.com/_bzQchKv0KQA/SRFrIkvvUiI/AAAAAAAAAms/dEm2AixhEtU/s400/Psycho.jpg" alt="" id="BLOGGER_PHOTO_ID_5265107234419855906" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;strong&gt;Best Supporting Actress&lt;/strong&gt;&lt;br /&gt;Ina Balin in &lt;em&gt;From the Terrace&lt;/em&gt;&lt;br /&gt;Shirley Jones in &lt;em&gt;Elmer Gantry&lt;/em&gt;&lt;br /&gt;Shirely Knight in &lt;em&gt;The Dark at the Top of the Stairs&lt;/em&gt;&lt;br /&gt;&lt;strong&gt;Janet Leigh in &lt;em&gt;Psycho&lt;/em&gt;&lt;/strong&gt;&lt;br /&gt;Mary Ure in &lt;em&gt;Sons and Lovers&lt;/em&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Most Promising Newcomer- Male&lt;/strong&gt;&lt;br /&gt;&lt;strong&gt;Michael Callan&lt;/strong&gt;&lt;br /&gt;&lt;strong&gt;Mark Damon&lt;/strong&gt;&lt;br /&gt;&lt;strong&gt;Brett Halsey&lt;/strong&gt;&lt;br /&gt;Peter Falk&lt;br /&gt;David Janssen&lt;br /&gt;Robert Vaughn&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Most Promising Newcomer- Female&lt;/strong&gt;&lt;br /&gt;&lt;strong&gt;Ina Balin&lt;/strong&gt;&lt;br /&gt;&lt;strong&gt;Nancy Kwan&lt;/strong&gt;&lt;br /&gt;&lt;strong&gt;Hayley Mills&lt;/strong&gt;&lt;br /&gt;Jill Haworth&lt;br /&gt;Shirley Knight&lt;br /&gt;Julie Newmar&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Best Foreign-Language Films&lt;/strong&gt;&lt;br /&gt;&lt;strong&gt;&lt;em&gt;The Man With the Green Carnation&lt;/em&gt;&lt;/strong&gt; (English language)&lt;br /&gt;&lt;strong&gt;&lt;em&gt;La Verite&lt;/em&gt;&lt;/strong&gt; (France)&lt;br /&gt;&lt;strong&gt;&lt;em&gt;The Virgin Spring&lt;/em&gt;&lt;/strong&gt; (Sweden)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Best Original Score&lt;/strong&gt;&lt;br /&gt;Dimitri Tiomkin for &lt;em&gt;The Alamo&lt;/em&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;World Film Favorites&lt;/strong&gt;&lt;br /&gt;&lt;strong&gt;Tony Curtis&lt;/strong&gt;&lt;br /&gt;&lt;strong&gt;Rock Hudson&lt;/strong&gt;&lt;br /&gt;&lt;strong&gt;Gina Lollobrigida&lt;/strong&gt;&lt;br /&gt;&lt;br /&gt;&lt;a href="http://2.bp.blogspot.com/_bzQchKv0KQA/SRFq7eit93I/AAAAAAAAAmk/YFljObOHWxs/s1600-h/Never+on+Sunday.jpg"&gt;&lt;img style="margin: 0px auto 10px; display: block; text-align: center; cursor: pointer; width: 266px; height: 400px;" src="http://2.bp.blogspot.com/_bzQchKv0KQA/SRFq7eit93I/AAAAAAAAAmk/YFljObOHWxs/s400/Never+on+Sunday.jpg" alt="" id="BLOGGER_PHOTO_ID_5265107009416329074" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;strong&gt;Samuel Goldwyn International Award&lt;/strong&gt;&lt;br /&gt;&lt;strong&gt;&lt;em&gt;Never on Sunday&lt;/em&gt;&lt;/strong&gt; (Greece)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Cecil B. DeMille Award&lt;/strong&gt;&lt;br /&gt;&lt;strong&gt;Fred Astaire&lt;/strong&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Special Merit Award&lt;/strong&gt;&lt;br /&gt;&lt;strong&gt;&lt;em&gt;The Sundowners&lt;/em&gt;&lt;/strong&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Special Achievement Awards&lt;/strong&gt;&lt;br /&gt;&lt;strong&gt;Cantinflas&lt;/strong&gt;&lt;br /&gt;&lt;strong&gt;Stanley Kramer&lt;/strong&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;The Academy Awards&lt;/strong&gt; (Nominations announced on February 27, 1961. Awards presented on April 17, 1961. Sources: Tom O'Neil's &lt;em&gt;Movie Awards&lt;/em&gt; and Mason Wiley and Damien Bona's &lt;em&gt;Inside Oscar&lt;/em&gt;)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Best Picture&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;The Alamo&lt;/em&gt;&lt;br /&gt;&lt;strong&gt;&lt;em&gt;The Apartment&lt;/em&gt;&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;Elmer Gantry&lt;/em&gt;&lt;br /&gt;&lt;em&gt;Sons and Lovers&lt;/em&gt;&lt;br /&gt;&lt;em&gt;The Sundowners&lt;/em&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Best Director&lt;/strong&gt;&lt;br /&gt;Jack Cardiff for &lt;em&gt;Sons and Lovers&lt;/em&gt;&lt;br /&gt;Jules Dassin for &lt;em&gt;Never on Sunday&lt;/em&gt;&lt;br /&gt;Alfred Hitchcock for &lt;em&gt;Psycho&lt;/em&gt;&lt;br /&gt;&lt;strong&gt;Billy Wilder for &lt;em&gt;The Apartment&lt;/em&gt;&lt;/strong&gt;&lt;br /&gt;Fred Zinnemann for &lt;em&gt;The Sundowners&lt;/em&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Best Actor&lt;/strong&gt;&lt;br /&gt;Trevor Howard in &lt;em&gt;Sons and Lovers&lt;/em&gt;&lt;br /&gt;&lt;strong&gt;Burt Lancaster in &lt;em&gt;Elmer Gantry&lt;/em&gt;&lt;/strong&gt;&lt;br /&gt;Jack Lemmon in &lt;em&gt;The Apartment&lt;/em&gt;&lt;br /&gt;Laurence Olivier in &lt;em&gt;The Entertainer&lt;/em&gt;&lt;br /&gt;Spencer Tracy in &lt;em&gt;Inherit the Wind&lt;/em&gt;&lt;br /&gt;&lt;br /&gt;&lt;a href="http://2.bp.blogspot.com/_bzQchKv0KQA/SRFuebp5c7I/AAAAAAAAAm0/Be7vgppPyiI/s1600-h/Butterfield+8.jpg"&gt;&lt;img style="margin: 0px auto 10px; display: block; text-align: center; cursor: pointer; width: 259px; height: 400px;" src="http://2.bp.blogspot.com/_bzQchKv0KQA/SRFuebp5c7I/AAAAAAAAAm0/Be7vgppPyiI/s400/Butterfield+8.jpg" alt="" id="BLOGGER_PHOTO_ID_5265110908471440306" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;strong&gt;Best Actress&lt;/strong&gt;&lt;br /&gt;Greer Garson in &lt;em&gt;Sunrise at Campobello&lt;/em&gt;&lt;br /&gt;Deborah Kerr in &lt;em&gt;The Sundowners&lt;/em&gt;&lt;br /&gt;Melinda Mercouri in &lt;em&gt;Never on Sunday&lt;/em&gt;&lt;br /&gt;Shirley MacLaine in &lt;em&gt;The Apartment&lt;/em&gt;&lt;br /&gt;&lt;strong&gt;Elizabeth Taylor in &lt;em&gt;Butterfield 8&lt;/em&gt;&lt;/strong&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Best Supporting Actor&lt;/strong&gt;&lt;br /&gt;Peter Falk in &lt;em&gt;Murder, Inc.&lt;/em&gt;&lt;br /&gt;Jack Kruschen in &lt;em&gt;The Apartment&lt;/em&gt;&lt;br /&gt;Sal Mineo in &lt;em&gt;Exodus&lt;/em&gt;&lt;br /&gt;&lt;strong&gt;Peter Ustinov in &lt;em&gt;Spartacus&lt;/em&gt;&lt;/strong&gt;&lt;br /&gt;Chill Willis in &lt;em&gt;The Alamo&lt;/em&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Best Supporting Actress&lt;/strong&gt;&lt;br /&gt;Glynis Johns in &lt;em&gt;The Sundowners&lt;/em&gt;&lt;br /&gt;&lt;strong&gt;Shirley Jones in &lt;em&gt;Elmer Gantry&lt;/em&gt;&lt;/strong&gt;&lt;br /&gt;Shirley Knight in &lt;em&gt;The Dark at the Top of the Stairs&lt;/em&gt;&lt;br /&gt;Janet Leigh in &lt;em&gt;Psycho&lt;/em&gt;&lt;br /&gt;Mary Ure in &lt;em&gt;Sons and Lovers&lt;/em&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Best Screenplay Based on Material From Another Medium&lt;/strong&gt;&lt;br /&gt;&lt;strong&gt;Richard Brooks for &lt;em&gt;Elmer Gantry&lt;/em&gt;&lt;/strong&gt;&lt;br /&gt;Nathan E. Douglas and Harold Jacob Smith for &lt;em&gt;Inherit the Wind&lt;/em&gt;&lt;br /&gt;Gavin Lambert and T.E&lt;em&gt;.B. Clarke for &lt;em&gt;Sons and Lovers&lt;/em&gt;&lt;br /&gt;Isobel Lannart for The Sundowners&lt;/em&gt;&lt;br /&gt;James Kennaway for &lt;em&gt;Tunes of Glory&lt;/em&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Best Story and Screenplay Written Directly for the Screen&lt;/strong&gt;&lt;br /&gt;Richard Gregson and Michael Craig; Bryan Forbes for &lt;em&gt;The Angry Silence&lt;/em&gt;&lt;br /&gt;&lt;strong&gt;Billy Wilder and I.A.L. Diamond for &lt;em&gt;The Apartment&lt;/em&gt;&lt;/strong&gt;&lt;br /&gt;Norman Panama and Melvin Frank for &lt;em&gt;The Facts of Life&lt;/em&gt;&lt;br /&gt;Marguerite Duras for &lt;em&gt;Hiroshima, Mon Amour&lt;/em&gt;&lt;br /&gt;Jules Dassin for &lt;em&gt;Never on Sunday&lt;/em&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Best Cinematography (Black-and-White)&lt;/strong&gt;&lt;br /&gt;Joseph LaShelle for &lt;em&gt;The Apartment&lt;/em&gt;&lt;br /&gt;Charles B. Lang, Jr. for &lt;em&gt;The Facts of Life&lt;/em&gt;&lt;br /&gt;Ernest Laszlo for &lt;em&gt;Inherit the Wind&lt;/em&gt;&lt;br /&gt;John L. Russell for &lt;em&gt;Psycho&lt;/em&gt;&lt;br /&gt;&lt;strong&gt;Freddie Francis for &lt;em&gt;Sons and Lovers&lt;/em&gt;&lt;/strong&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Best Cinematography (Color)&lt;/strong&gt;&lt;br /&gt;William H. Clothier for &lt;em&gt;The Alamo&lt;/em&gt;&lt;br /&gt;Joseph Ruttenberg and Charles Harten for &lt;em&gt;Butterfield 8&lt;/em&gt;&lt;br /&gt;Sam Leavitt for &lt;em&gt;Exodus&lt;/em&gt;&lt;br /&gt;Joe MacDonald for &lt;em&gt;Pepe&lt;/em&gt;&lt;br /&gt;&lt;strong&gt;Russell Metty for &lt;em&gt;Spartacus&lt;/em&gt;&lt;/strong&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Best Art Direction-Set Direction (Black-and-White)&lt;/strong&gt;&lt;br /&gt;&lt;strong&gt;Alexander Trauner; Edward G. Boyle for &lt;em&gt;The Apartment&lt;/em&gt;&lt;/strong&gt;&lt;br /&gt;Joseph McMillan Johnson and Kenneth A. Reid; Ross Dowd for &lt;em&gt;The Facts of Life&lt;/em&gt;&lt;br /&gt;Joseph Hurley and Robert Clatworthy; George Milo for &lt;em&gt;Psycho&lt;/em&gt;&lt;br /&gt;Tom Morahan; Lionel Couch for &lt;em&gt;Sons and Lovers&lt;/em&gt;&lt;br /&gt;Hal Pereira and Walter Tyler; Sam Comer and Arthur Krams for &lt;em&gt;Visit to a Small Planet&lt;/em&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Best Art Direction-Set Direction (Color)&lt;/strong&gt;&lt;br /&gt;George W. Davis and Addison Hehr; Henry Grace, Hugh Hunt and Otto Siegel for &lt;em&gt;Cimarron&lt;/em&gt;&lt;br /&gt;Hal Pereira and Roland Anderson; Sam Comer and Arrigo Breschi for &lt;em&gt;It Started in Naples&lt;/em&gt;&lt;br /&gt;Ted Haworth; William Kiernan for &lt;em&gt;Pepe&lt;/em&gt;&lt;br /&gt;&lt;strong&gt;Alexander Golitzen and Eric Orbom; Russell A. Gausman and Julia Heron for &lt;em&gt;Spartacus&lt;/em&gt;&lt;/strong&gt;&lt;br /&gt;Edward Carrere; George James Hopkins for Sunrise at &lt;em&gt;Campobello&lt;/em&gt;&lt;br /&gt;&lt;br /&gt;&lt;a href="http://3.bp.blogspot.com/_bzQchKv0KQA/SRF1C8aMXGI/AAAAAAAAAm8/YhI-uU5pNFo/s1600-h/Alamo.jpg"&gt;&lt;img style="margin: 0px auto 10px; display: block; text-align: center; cursor: pointer; width: 243px; height: 400px;" src="http://3.bp.blogspot.com/_bzQchKv0KQA/SRF1C8aMXGI/AAAAAAAAAm8/YhI-uU5pNFo/s400/Alamo.jpg" alt="" id="BLOGGER_PHOTO_ID_5265118132808997986" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;strong&gt;Best Sound&lt;/strong&gt;&lt;br /&gt;&lt;strong&gt;&lt;em&gt;The Alamo&lt;/em&gt; Samuel Goldwyn Studio Sound Dept.; Gordon E. Sawyer, sound director; and Todd-AO Sound Dept.; Fred Hynes, sound director&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;The Apartment&lt;/em&gt; Samuel Goldwyn Studio Sound Dept.; Gordon E. Sawyer, sound director&lt;br /&gt;&lt;em&gt;Cimarron&lt;/em&gt; MGM Studio Sound Dept.; Franklin E. Milton, sound director&lt;br /&gt;&lt;em&gt;Pepe&lt;/em&gt; Columbia Studio Sound Dept.; Charles Rice, sound director&lt;br /&gt;&lt;em&gt;Sunrise at Campobello&lt;/em&gt; Warner Bros. Studio Sound Dept.; George R. Groves, sound director&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Best Song&lt;/strong&gt;&lt;br /&gt;"The Facts of Life" from &lt;em&gt;The Facts of Life&lt;/em&gt;. Music and Lyrics by Johnny Mercer&lt;br /&gt;"Faraway Part of Town" from &lt;em&gt;Pepe&lt;/em&gt;. Music by Andre Previn. Lyrics by Dory Langdon&lt;br /&gt;"The Green Leaves of Summer" from &lt;em&gt;The Alamo&lt;/em&gt;. Music by Dimitri Tiomkin. Lyrics by Paul Francis Webster&lt;br /&gt;"Never on Sunday" from &lt;em&gt;Never on Sunday&lt;/em&gt;. Music and lyrics by Manos Hadjidakis&lt;br /&gt;"The Second Time Around" from &lt;em&gt;The Second Time Around&lt;/em&gt;. Music by James Van Heusen. Lyrics by Sammy Cahn&lt;br /&gt;&lt;br /&gt;&lt;a href="http://2.bp.blogspot.com/_bzQchKv0KQA/SRF3_oQw09I/AAAAAAAAAnE/HMoiFAJr2Rc/s1600-h/Exodus.jpg"&gt;&lt;img style="margin: 0px auto 10px; display: block; text-align: center; cursor: pointer; width: 261px; height: 400px;" src="http://2.bp.blogspot.com/_bzQchKv0KQA/SRF3_oQw09I/AAAAAAAAAnE/HMoiFAJr2Rc/s400/Exodus.jpg" alt="" id="BLOGGER_PHOTO_ID_5265121374396011474" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;strong&gt;Best Scoring of a Dramatic or Comedy Picture&lt;/strong&gt;&lt;br /&gt;Dimitri Tiomkin for &lt;em&gt;The Alamo&lt;/em&gt;&lt;br /&gt;Andre Previn for &lt;em&gt;Elmer Gantry&lt;/em&gt;&lt;br /&gt;&lt;strong&gt;Ernest Gold for &lt;em&gt;Exodus&lt;/em&gt;&lt;/strong&gt;&lt;br /&gt;Elmer Bernstein for &lt;em&gt;The Magnificent Seven&lt;/em&gt;&lt;br /&gt;Alex North for &lt;em&gt;Spartacus&lt;/em&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Best Scoring of a Musical Picture&lt;/strong&gt;&lt;br /&gt;Andre Previn for &lt;em&gt;Bells Are Ringing&lt;/em&gt;&lt;br /&gt;Nelson Riddle for &lt;em&gt;Can-Can&lt;/em&gt;&lt;br /&gt;Lionel Newman and Earle H. Hagen for &lt;em&gt;Let's Make Love&lt;/em&gt;&lt;br /&gt;Johnny Green for &lt;em&gt;Pepe&lt;/em&gt;&lt;br /&gt;&lt;strong&gt;Morris Stoloff and Harry Sukman for &lt;em&gt;Song Without End&lt;/em&gt;&lt;/strong&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Best Film Editing&lt;/strong&gt;&lt;br /&gt;Stuart Gilmore for &lt;em&gt;The Alamo&lt;/em&gt;&lt;br /&gt;&lt;strong&gt;Daniel Mandell for &lt;em&gt;The Apartment&lt;/em&gt;&lt;/strong&gt;&lt;br /&gt;Frederic Knudtson for &lt;em&gt;Inherit the Wind&lt;/em&gt;&lt;br /&gt;Viola Lawrence and Al Clark for &lt;em&gt;Pepe&lt;/em&gt;&lt;br /&gt;Robert Lawrence for &lt;em&gt;Spartacus&lt;/em&gt;&lt;br /&gt;&lt;br /&gt;&lt;a href="http://2.bp.blogspot.com/_bzQchKv0KQA/SRM0XKfIHJI/AAAAAAAAAnM/mEr3H6oHUec/s1600-h/Facts+of+Life.jpg"&gt;&lt;img style="margin: 0px auto 10px; display: block; text-align: center; cursor: pointer; width: 262px; height: 400px;" src="http://2.bp.blogspot.com/_bzQchKv0KQA/SRM0XKfIHJI/AAAAAAAAAnM/mEr3H6oHUec/s400/Facts+of+Life.jpg" alt="" id="BLOGGER_PHOTO_ID_5265609961882786962" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;strong&gt;Best Costume Design (Black-and-White)&lt;/strong&gt;&lt;br /&gt;&lt;strong&gt;Edith Head and Edward Stevenson for &lt;em&gt;The Facts of Life&lt;/em&gt;&lt;/strong&gt;&lt;br /&gt;Denny Vachlioto for &lt;em&gt;Never on Sunday&lt;/em&gt;&lt;br /&gt;Howard Shoup for &lt;em&gt;The Rise and Fall of Legs Diamond&lt;/em&gt;&lt;br /&gt;Bill Thomas for&lt;em&gt; Seven Thieves&lt;/em&gt;&lt;br /&gt;Marik Vos for &lt;em&gt;The Virgin Spring&lt;/em&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Best Costume Design (Color)&lt;/strong&gt;&lt;br /&gt;Irene Shariff for &lt;em&gt;Can-Can&lt;/em&gt;&lt;br /&gt;Irene for &lt;em&gt;Midnight Lace&lt;/em&gt;&lt;br /&gt;Edith Head for &lt;em&gt;Pepe&lt;/em&gt;&lt;br /&gt;&lt;strong&gt;Valles and Bill Thomas for &lt;em&gt;Spartacus&lt;/em&gt;&lt;/strong&gt;&lt;br /&gt;Marjorie Best for &lt;em&gt;Sunrise at Campobello&lt;/em&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Best Special Effects&lt;/strong&gt;&lt;br /&gt;A.J. Lohman for &lt;em&gt;The Last Voyage&lt;/em&gt;&lt;br /&gt;&lt;strong&gt;Gene Warren and Tim Baar for &lt;em&gt;The Time Machine&lt;/em&gt;&lt;/strong&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Best Short Subject Cartoon&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;Goliath II&lt;/em&gt; Walt Disney, producer&lt;br /&gt;&lt;em&gt;High Note&lt;/em&gt; Warner Bros.&lt;br /&gt;&lt;em&gt;Mouse and Garden&lt;/em&gt; Warner Bros.&lt;br /&gt;&lt;strong&gt;&lt;em&gt;Munro&lt;/em&gt; William L. Snyder, producer&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;A Place in the Sun&lt;/em&gt; Frantisek Vystrecil, producer&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Best Live Action Short Subject&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;The Creation of Woman&lt;/em&gt; Charles F. Schwep and Ismail Merchant, producers&lt;br /&gt;&lt;strong&gt;&lt;em&gt;Day of the Painter&lt;/em&gt; Ezra R. Baker, producer&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;Islands of the Sea&lt;/em&gt; Walt Disney, producer&lt;br /&gt;&lt;em&gt;A Sport is Born&lt;/em&gt; Leslie Winik, producer&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Best Documentary Short Subject&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;Beyond Silence&lt;/em&gt; U.S. Information Agency&lt;br /&gt;&lt;em&gt;A City Called Copenhagen&lt;/em&gt; Statens Filmcentral, Danish Film Office&lt;br /&gt;&lt;em&gt;George Grosz' Interregnum&lt;/em&gt; Charles and Altina Carey, producers&lt;br /&gt;&lt;strong&gt;&lt;em&gt;Giuseppina&lt;/em&gt; James Hill, producer&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;Universe&lt;/em&gt; Colin Low, producer&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Best Documentary Feature&lt;/strong&gt;&lt;br /&gt;&lt;strong&gt;&lt;em&gt;The Horse With the Flying Tail&lt;/em&gt; Larry Lansburgh, producer&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;Rebel in Paradise&lt;/em&gt; Robert D. Fraser, producer&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Best Foreign Language Film&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;Kapo&lt;/em&gt; (Italy)&lt;br /&gt;&lt;em&gt;La Verite&lt;/em&gt; (France)&lt;br /&gt;&lt;em&gt;Macario&lt;/em&gt; (Mexico)&lt;br /&gt;&lt;em&gt;The Ninth Circle&lt;/em&gt; (Yugoslavia)&lt;br /&gt;&lt;strong&gt;&lt;em&gt;The Virgin Spring&lt;/em&gt; (Sweden)&lt;/strong&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Jean Hersholt Humanitarian Award&lt;/strong&gt;&lt;br /&gt;&lt;strong&gt;Sol Lesser&lt;/strong&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Honorary Awards&lt;/strong&gt;&lt;br /&gt;&lt;strong&gt;Gary Cooper&lt;/strong&gt; for his many memorable screen performances and the international recognition he, as an individual, has gained for the motion picture industry (statuette)&lt;br /&gt;&lt;strong&gt;Stan Laurel&lt;/strong&gt; for his creative pioneering in the field of cinema comedy (statuette)&lt;br /&gt;&lt;strong&gt;Hayley Mills&lt;/strong&gt; for &lt;em&gt;Pollyanna&lt;/em&gt;, the most outstanding juvenile performance during 1960 (miniature statuette)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Time Magazine’s Best Films of 1960&lt;/strong&gt; (in chronological order)&lt;br /&gt;&lt;em&gt;The Apartment&lt;/em&gt;&lt;br /&gt;&lt;em&gt;Come Back, Africa&lt;/em&gt;&lt;br /&gt;&lt;em&gt;Elmer Gantry&lt;/em&gt;&lt;br /&gt;&lt;em&gt;Sons and Lovers&lt;/em&gt;&lt;br /&gt;&lt;em&gt;Sunrise at Campobello&lt;/em&gt;&lt;br /&gt;&lt;em&gt;Spartacus&lt;/em&gt;&lt;br /&gt;&lt;em&gt;Weddings and Babies&lt;/em&gt;&lt;br /&gt;&lt;em&gt;Exodus&lt;/em&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Best Foreign Films&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;Ikiru&lt;/em&gt;&lt;br /&gt;&lt;em&gt;A Lesson in Love&lt;/em&gt;&lt;br /&gt;&lt;em&gt;Dreams&lt;/em&gt;&lt;br /&gt;&lt;em&gt;The Virgin Spring&lt;/em&gt;&lt;br /&gt;&lt;em&gt;I’m All Right, Jack&lt;/em&gt;&lt;br /&gt;&lt;em&gt;Hiroshima, Mon Amour&lt;/em&gt;&lt;br /&gt;&lt;em&gt;The World of Apu&lt;/em&gt;&lt;br /&gt;&lt;em&gt;General Della Rovers&lt;/em&gt;&lt;br /&gt;&lt;em&gt;The Loving Game&lt;/em&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;The Top Ten Box-Office Stars of 1960&lt;/strong&gt; (according to Quigley Publishing’s poll of film exhibitors)&lt;br /&gt;&lt;br /&gt;1) Doris Day&lt;br /&gt;2) Rock Hudson&lt;br /&gt;3) Cary Grant&lt;br /&gt;4) Elizabeth Taylor&lt;br /&gt;5) Debbie Reynolds&lt;br /&gt;6) Tony Curtis&lt;br /&gt;7) Sandra Dee&lt;br /&gt;8) Frank Sinatra&lt;br /&gt;9) Jack Lemmon&lt;br /&gt;10) John Wayne&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;The Next Fifteen:&lt;/strong&gt;&lt;br /&gt;11)  Jerry Lewis&lt;br /&gt;12)  Glenn Ford&lt;br /&gt;13)  Paul Newman&lt;br /&gt;14)  William Holden&lt;br /&gt;15)  Kirk Douglas&lt;br /&gt;16)  Charlton Heston&lt;br /&gt;17)  Shirley MacLaine&lt;br /&gt;18)  James Stewart&lt;br /&gt;19)  Burt Lancaster&lt;br /&gt;20)  Joanne Woodward&lt;br /&gt;21)  Elvis Presley&lt;br /&gt;22)  Pat Boone&lt;br /&gt;23)  Yul Brynner&lt;br /&gt;24)  Robert Mitchum&lt;br /&gt;25)  Gary Cooper&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;1960's Top Ten "Stars of Tomorrow"&lt;/strong&gt; (according to Quigley Publishing's poll of film exhibitors)&lt;br /&gt;1) Jane Fonda&lt;br /&gt;2) Stephen Boyd&lt;br /&gt;3) John Gavin&lt;br /&gt;4) Susan Kohner&lt;br /&gt;5) Troy Donahue&lt;br /&gt;6) Angie Dickinson&lt;br /&gt;7) Tuesday Weld&lt;br /&gt;8) Fabian&lt;br /&gt;9) James Darren&lt;br /&gt;10) George Hamilton&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;The Next Fifteen:&lt;/strong&gt;&lt;br /&gt;11) Barbara Rush&lt;br /&gt;12) Efrem Zimbalist, Jr.&lt;br /&gt;13) George Peppard&lt;br /&gt;14) Eddie Hodges&lt;br /&gt;15) Steve McQueen&lt;br /&gt;16) David Ladd&lt;br /&gt;17) Capucine&lt;br /&gt;18) Gary Crosby&lt;br /&gt;19) Dean Stockwell&lt;br /&gt;20) Vera Miles&lt;br /&gt;21) Suzy Parker&lt;br /&gt;22) Ina Balin&lt;br /&gt;23) Ben Gazarra&lt;br /&gt;24) Peggy Cass&lt;br /&gt;25) Linda Cristal&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Great Britain's Top Ten Box-Office Stars of 1960&lt;/strong&gt; (according to the Motion Picture Herald's poll of British film exhibitors)&lt;br /&gt;1) Kenneth More&lt;br /&gt;2) Peter Sellers&lt;br /&gt;3) Sophia Loren&lt;br /&gt;4) Sir Alec Guinness&lt;br /&gt;5) Elizabeth Taylor&lt;br /&gt;6) Audrey Hepburn&lt;br /&gt;7) Jack Lemmon&lt;br /&gt;8) Stanley Baker&lt;br /&gt;9) Dirk Bogarde&lt;br /&gt;10) Norman Wisdom&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Great Britain's top Box-Office films of 1960&lt;/strong&gt; (according to the Motion Picture Herald- listed in order of precedence)&lt;br /&gt;&lt;br /&gt;&lt;a href="http://1.bp.blogspot.com/_bzQchKv0KQA/SRqnDiaSw2I/AAAAAAAAApc/rkvIFShmWZY/s1600-h/Hercules+Unchained.jpg"&gt;&lt;img style="margin: 0px auto 10px; display: block; text-align: center; cursor: pointer; width: 263px; height: 400px;" src="http://1.bp.blogspot.com/_bzQchKv0KQA/SRqnDiaSw2I/AAAAAAAAApc/rkvIFShmWZY/s400/Hercules+Unchained.jpg" alt="" id="BLOGGER_PHOTO_ID_5267706393381749602" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;1) &lt;em&gt;Doctor in Love&lt;/em&gt;&lt;br /&gt;2) &lt;em&gt;Carry On, Constable&lt;/em&gt;&lt;br /&gt;3) &lt;em&gt;Hercules Unchained&lt;/em&gt;&lt;br /&gt;4) &lt;em&gt;Two-Way Stretch&lt;/em&gt;&lt;br /&gt;5) &lt;em&gt;Conspiracy of Hearts&lt;/em&gt;&lt;br /&gt;6) &lt;em&gt;The League of Gentlemen&lt;/em&gt;&lt;br /&gt;7) &lt;em&gt;Sink the Bismark!&lt;/em&gt;&lt;br /&gt;8) &lt;em&gt;Psycho&lt;/em&gt;&lt;br /&gt;9) &lt;em&gt;Ocean's 11&lt;/em&gt;&lt;br /&gt;10) &lt;em&gt;Suddenly, Last Summer&lt;/em&gt;&lt;br /&gt;11) &lt;em&gt;Dentist in the Chair&lt;/em&gt;&lt;br /&gt;12) &lt;em&gt;School for Scoundrels&lt;/em&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/22096293-7757223747771878791?l=heylookmeover.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://heylookmeover.blogspot.com/feeds/7757223747771878791/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=22096293&amp;postID=7757223747771878791' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/22096293/posts/default/7757223747771878791'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/22096293/posts/default/7757223747771878791'/><link rel='alternate' type='text/html' href='http://heylookmeover.blogspot.com/2008/11/film-data-for-1960_16.html' title='Film Data For 1960'/><author><name>Vertigo's Psycho</name><uri>http://www.blogger.com/profile/17701774152300870403</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://1.bp.blogspot.com/_bzQchKv0KQA/SRFiG8ySa_I/AAAAAAAAAl8/S7k2gSm62Ok/s72-c/Apartment.jpg' height='72' width='72'/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-22096293.post-2898744319657904859</id><published>2008-11-16T23:24:00.001-08:00</published><updated>2009-08-29T23:37:21.632-07:00</updated><title type='text'>Film Data For 1959</title><content type='html'>&lt;a href="http://3.bp.blogspot.com/_bzQchKv0KQA/SOl39_J81qI/AAAAAAAAAcQ/cyToHiQ63Zo/s1600-h/Anatomy+of+a+Murder.jpg"&gt;&lt;img style="display:block; margin:0px auto 10px; text-align:center;cursor:pointer; cursor:hand;" src="http://3.bp.blogspot.com/_bzQchKv0KQA/SOl39_J81qI/AAAAAAAAAcQ/cyToHiQ63Zo/s400/Anatomy+of+a+Murder.jpg" border="0" alt=""id="BLOGGER_PHOTO_ID_5253862347113289378" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;strong&gt;The Film Daily's Top Ten Pictures&lt;/strong&gt;&lt;br /&gt;1) &lt;em&gt;Anatomy of a Murder&lt;/em&gt;- 230 votes&lt;br /&gt;2) &lt;em&gt;The Diary of Anne Frank&lt;/em&gt;- 180&lt;br /&gt;3) &lt;em&gt;The Nun's Story&lt;/em&gt;- 167&lt;br /&gt;4) &lt;em&gt;Pillow Talk&lt;/em&gt;- 151&lt;br /&gt;5) &lt;em&gt;North by Northwest&lt;/em&gt;- 150&lt;br /&gt;6) &lt;em&gt;Room at the Top&lt;/em&gt;- 145&lt;br /&gt;7) &lt;em&gt;Some Like it Hot&lt;/em&gt;- 129&lt;br /&gt;8) &lt;em&gt;Compulsion&lt;/em&gt;- 121&lt;br /&gt;9) &lt;em&gt;I Want to Live!&lt;/em&gt; (1958)- 106&lt;br /&gt;10) &lt;em&gt;Some Came Running&lt;/em&gt; (1958)- 93&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;The Honor Roll&lt;/strong&gt;&lt;br /&gt;11) &lt;em&gt;The Inn of the Sixth Happiness&lt;/em&gt;- 90&lt;br /&gt;12) &lt;em&gt;A Hole in the Head&lt;/em&gt;- 71&lt;br /&gt;13) &lt;em&gt;The FBI Story&lt;/em&gt;- 63&lt;br /&gt;14) &lt;em&gt;Bell, Book, and Candle&lt;/em&gt;- 57&lt;br /&gt;    &lt;em&gt;The Big Fisherman&lt;/em&gt;- 57&lt;br /&gt;16) &lt;em&gt;Middle of the Night&lt;/em&gt;- 53&lt;br /&gt;17) &lt;em&gt;Imitation of Life&lt;/em&gt;- 39&lt;br /&gt;18) &lt;em&gt;The Shaggy Dog&lt;/em&gt;- 36&lt;br /&gt;19) &lt;em&gt;Ben-Hur&lt;/em&gt;- 32&lt;br /&gt;20) &lt;em&gt;But Not For Me&lt;/em&gt;- 31&lt;br /&gt;    &lt;em&gt;The Sound and the Fury&lt;/em&gt;- 31&lt;br /&gt;22) &lt;em&gt;Career&lt;/em&gt;- 30&lt;br /&gt;    &lt;em&gt;The Hanging Tree&lt;/em&gt;- 30&lt;br /&gt;    &lt;em&gt;Rio Bravo&lt;/em&gt;- 30&lt;br /&gt;25) &lt;em&gt;This Earth is Mine&lt;/em&gt;- 28&lt;br /&gt;26) &lt;em&gt;Darby O'Gill and the Little People&lt;/em&gt;- 27&lt;br /&gt;27) &lt;em&gt;The Devil's Disciple&lt;/em&gt;- 26&lt;br /&gt;28) &lt;em&gt;Sapphire&lt;/em&gt;- 25&lt;br /&gt;29) &lt;em&gt;It Started With a Kiss&lt;/em&gt;- 24&lt;br /&gt;30) &lt;em&gt;Third Man on the Mountain&lt;/em&gt;- 23&lt;br /&gt;31) &lt;em&gt;The Horse Soldiers&lt;/em&gt;- 21&lt;br /&gt;32) &lt;em&gt;Sleeping Beauty&lt;/em&gt;- 20&lt;br /&gt;33) &lt;em&gt;Ask Any Girl&lt;/em&gt;- 19&lt;br /&gt;34) &lt;em&gt;The Big Circus&lt;/em&gt;- 17&lt;br /&gt;35) &lt;em&gt;Al Capone&lt;/em&gt;- 16&lt;br /&gt;36) &lt;em&gt;Gidget&lt;/em&gt;- 14&lt;br /&gt;    &lt;em&gt;The Roof&lt;/em&gt;- 14&lt;br /&gt;38) &lt;em&gt;The Perfect Furlough&lt;/em&gt;- 13&lt;br /&gt;39) &lt;em&gt;The Last Angry Man&lt;/em&gt;- 11&lt;br /&gt;40) &lt;em&gt;On the Beach&lt;/em&gt;- 10&lt;br /&gt;&lt;br /&gt;No vote counts given for the following categories, but I believe The Film Daily lists them in order of preference:&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Best Performances By Male Stars&lt;/strong&gt;&lt;br /&gt;1) James Stewart in &lt;em&gt;Anatomy of a Murder&lt;/em&gt;&lt;br /&gt;2) Fredric March in &lt;em&gt;Middle of the Night&lt;/em&gt;&lt;br /&gt;3) Frank Sinatra in &lt;em&gt;Some Came Running&lt;/em&gt; (1958)&lt;br /&gt;4) Laurence Harvey in &lt;em&gt;Room at the Top&lt;/em&gt;&lt;br /&gt;5) Rock Hudson in &lt;em&gt;Pillow Talk&lt;/em&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Best Performances By Female Stars&lt;/strong&gt;&lt;br /&gt;1) Audrey Hepburn in &lt;em&gt;The Nun's Story&lt;/em&gt;&lt;br /&gt;2) Rosalind Russell in &lt;em&gt;Auntie Mame&lt;/em&gt; (1958)&lt;br /&gt;3) Shirley MacLaine in &lt;em&gt;Some Came Running&lt;/em&gt; (1958)&lt;br /&gt;4) Susan Hayward in &lt;em&gt;I Want to Live!&lt;/em&gt; (1958)&lt;br /&gt;5) Ingrid Bergman in &lt;em&gt;The Inn of the Sixth Happiness&lt;/em&gt; (1958)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Best Male Supporting Performances&lt;/strong&gt;&lt;br /&gt;1) Joseph N. Welch in &lt;em&gt;Anatomy of a Murder&lt;/em&gt;&lt;br /&gt;2) Tony Randall in &lt;em&gt;Pillow Talk&lt;/em&gt;&lt;br /&gt;3) George C. Scott in &lt;em&gt;Anatomy of a Murder&lt;/em&gt;&lt;br /&gt;4) Joseph Schildkraut in &lt;em&gt;The Diary of Anne Frank&lt;/em&gt;&lt;br /&gt;5) Arthur O'Connell in &lt;em&gt;Anatomy of a Murder&lt;/em&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Best Female Supporting Performances&lt;/strong&gt; (only four ladies were mentioned)&lt;br /&gt;1) Peggy Cass in &lt;em&gt;Auntie Mame&lt;/em&gt; (1958)&lt;br /&gt;2) Thelma Ritter in &lt;em&gt;Pillow Talk&lt;/em&gt;&lt;br /&gt;3) Susan Kohner in &lt;em&gt;Imitation of Life&lt;/em&gt;&lt;br /&gt;4) Shelley Winters in &lt;em&gt;The Diary of Anne Frank&lt;/em&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;The Best Performances By Male Juveniles&lt;/strong&gt;&lt;br /&gt;1) Eddie Hodges in &lt;em&gt;A Hole in the Head&lt;/em&gt;&lt;br /&gt;2) Tommy Kirk in &lt;em&gt;The Shaggy Dog&lt;/em&gt;&lt;br /&gt;3) James MacArthur in &lt;em&gt;Third Man on the Mountain&lt;/em&gt;&lt;br /&gt;4) Ricky Nelson in &lt;em&gt;Rio Bravo&lt;/em&gt;&lt;br /&gt;5) Tim Considine in &lt;em&gt;The Shaggy Dog&lt;/em&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;The Best Performances By Female Juveniles&lt;/strong&gt;&lt;br /&gt;1) Sandra Dee in &lt;em&gt;Imitation of Life&lt;/em&gt;&lt;br /&gt;2) Millie Perkins in &lt;em&gt;The Diary of Anne Frank&lt;/em&gt;&lt;br /&gt;3) Janet Munro in &lt;em&gt;Darby O'Gill and the Little People&lt;/em&gt;&lt;br /&gt;4) Carol Lynley in &lt;em&gt;Blue Demin&lt;/em&gt;&lt;br /&gt;5) Susan Kohner in &lt;em&gt;Imitation of Life&lt;/em&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;"Finds of the Year"&lt;/strong&gt;&lt;br /&gt;1) Millie Perkins in &lt;em&gt;The Diary of Anne Frank&lt;/em&gt;&lt;br /&gt;2) Joseph N. Welch in &lt;em&gt;Anatomy of a Murder&lt;/em&gt;&lt;br /&gt;3) Bradford Dillman in &lt;em&gt;Compulsion&lt;/em&gt;&lt;br /&gt;4) Susan Kohner in &lt;em&gt;Imitation of Life&lt;/em&gt;&lt;br /&gt;5) Diane Baker in &lt;em&gt;The Best of Everything&lt;/em&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;The Year's Outstanding Directors&lt;/strong&gt;&lt;br /&gt;1) Otto Preminger for &lt;em&gt;Anatomy of a Murder&lt;/em&gt;&lt;br /&gt;2) George Stevens for &lt;em&gt;The Diary of Anne Frank&lt;/em&gt;&lt;br /&gt;3) Fred Zinnemann for &lt;em&gt;The Nun's Story&lt;/em&gt;&lt;br /&gt;4) Alfred Hitchcock for &lt;em&gt;North by Northwest&lt;/em&gt;&lt;br /&gt;5) Billy Wilder for &lt;em&gt;Some Like it Hot&lt;/em&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;The Best Screenplays of the Year&lt;/strong&gt;&lt;br /&gt;1) Wendell Mayes for &lt;em&gt;Anatomy of a Murder&lt;/em&gt;&lt;br /&gt;2) Frances Goodrich and Albert Hackett for &lt;em&gt;The Diary of Anne Frank&lt;/em&gt;&lt;br /&gt;3) Neil Paterson for &lt;em&gt;Room at the Top&lt;/em&gt;&lt;br /&gt;4) Richard Murphy for &lt;em&gt;Compulsion&lt;/em&gt;&lt;br /&gt;5) Stanley Shapiro and Maurice Richlin for &lt;em&gt;Pillow Talk&lt;/em&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;The Year's Best Photographed Pictures&lt;/strong&gt;&lt;br /&gt;1) Franz Planer for &lt;em&gt;The Nun's Story&lt;/em&gt;&lt;br /&gt;2) Harry Stradling for &lt;em&gt;Auntie Mame&lt;/em&gt;&lt;br /&gt;3) Robert Burks for &lt;em&gt;North By Northwest&lt;/em&gt;&lt;br /&gt;4) William Meller for &lt;em&gt;The Diary of Anne Frank&lt;/em&gt;&lt;br /&gt;5) Harry Waxman for &lt;em&gt;Third Man on the Mountain&lt;/em&gt;&lt;br /&gt;&lt;br /&gt;&lt;a href="http://2.bp.blogspot.com/_bzQchKv0KQA/SQq6pGFxwaI/AAAAAAAAAk0/lltnKX69-y4/s1600-h/The+Nun%27s+Story.jpg"&gt;&lt;img style="display:block; margin:0px auto 10px; text-align:center;cursor:pointer; cursor:hand;width: 238px; height: 351px;" src="http://2.bp.blogspot.com/_bzQchKv0KQA/SQq6pGFxwaI/AAAAAAAAAk0/lltnKX69-y4/s400/The+Nun%27s+Story.jpg" border="0" alt=""id="BLOGGER_PHOTO_ID_5263224329708093858" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;strong&gt;The National Board of Review&lt;/strong&gt; (Voting results announced in December, 1959)&lt;br /&gt;&lt;strong&gt;The Top Ten Pictures&lt;/strong&gt; (in order of preference)&lt;br /&gt;1) &lt;em&gt;The Nun's Story&lt;/em&gt;&lt;br /&gt;2) &lt;em&gt;Ben-Hur&lt;/em&gt;&lt;br /&gt;3) &lt;em&gt;Anatomy of a Murder&lt;/em&gt;&lt;br /&gt;4) &lt;em&gt;The Diary of Anne Frank&lt;/em&gt;&lt;br /&gt;5) &lt;em&gt;Middle of the Night&lt;/em&gt;&lt;br /&gt;6) &lt;em&gt;The Man Who Understood Women&lt;/em&gt;&lt;br /&gt;7) &lt;em&gt;Some Like it Hot&lt;/em&gt;&lt;br /&gt;8) &lt;em&gt;Suddenly, Last Summer&lt;/em&gt;&lt;br /&gt;9) &lt;em&gt;On the Beach&lt;/em&gt;&lt;br /&gt;10) &lt;em&gt;North by Northwest&lt;/em&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Best Director&lt;/strong&gt;&lt;br /&gt;Fred Zinnemann for &lt;em&gt;The Nun's Story&lt;/em&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Best Actor&lt;/strong&gt;&lt;br /&gt;Victor Seastrom in &lt;em&gt;Wild Strawberries&lt;/em&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Best Actress&lt;/strong&gt;&lt;br /&gt;Simone Signoret in &lt;em&gt;Room at the Top&lt;/em&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Best Supporting Actor&lt;/strong&gt;&lt;br /&gt;Hugh Griffith in &lt;em&gt;Ben-Hur&lt;/em&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Best Supporting Actress&lt;/strong&gt;&lt;br /&gt;Dame Edith Evans in &lt;em&gt;The Nun's Story&lt;/em&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Best Foreign Film&lt;/strong&gt; (in order of preference)&lt;br /&gt;1) &lt;em&gt;Wild Strawberries&lt;/em&gt; (Sweden)&lt;br /&gt;2) &lt;em&gt;Room at the Top&lt;/em&gt; (U.K.)&lt;br /&gt;3) &lt;em&gt;Aparajito&lt;/em&gt; (India)&lt;br /&gt;4) &lt;em&gt;The Roof&lt;/em&gt; (Italy)&lt;br /&gt;5) &lt;em&gt;Look Back in Anger&lt;/em&gt; (U.K.)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Special Citations&lt;/strong&gt;&lt;br /&gt;Ingmar Bergman&lt;br /&gt;Andrew Marton and Yakima Canut for their direction of the chariot race in &lt;em&gt;Ben-Hur&lt;/em&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;The New York Film Critics&lt;/strong&gt; (Winners announced on December 28, 1959. Awards presented on January 23, 1960)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Best Picture&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;Ben-Hur&lt;/em&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Best Actor&lt;/strong&gt;&lt;br /&gt;James Stewart in &lt;em&gt;Anatomy of a Murder&lt;/em&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Best Actress&lt;/strong&gt;&lt;br /&gt;Audrey Hepburn in &lt;em&gt;The Nun's Story&lt;/em&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Best Screenplay&lt;/strong&gt;&lt;br /&gt;Wendell Mayes for &lt;em&gt;Anatomy of a Murder&lt;/em&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Best Foreign Film&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;The 400 Blows&lt;/em&gt; (France)&lt;br /&gt;&lt;br /&gt;&lt;a href="http://4.bp.blogspot.com/_bzQchKv0KQA/SOmCMnauTGI/AAAAAAAAAcw/VX8jqYZDIfI/s1600-h/Some+Like+it+Hot.jpg"&gt;&lt;img style="display:block; margin:0px auto 10px; text-align:center;cursor:pointer; cursor:hand;" src="http://4.bp.blogspot.com/_bzQchKv0KQA/SOmCMnauTGI/AAAAAAAAAcw/VX8jqYZDIfI/s400/Some+Like+it+Hot.jpg" border="0" alt=""id="BLOGGER_PHOTO_ID_5253873593555504226" /&gt;&lt;/a&gt;&lt;br /&gt;The Golden Globes (Nominations were announced on February 2, 1960. Awards were presented on March 10, 1960)&lt;br /&gt;&lt;br /&gt;Winners listed in bold print&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Best Drama&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;Anatomy of a Murder&lt;/em&gt;&lt;br /&gt;&lt;strong&gt;&lt;em&gt;Ben-Hur&lt;/em&gt;&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;The Diary of Anne Frank&lt;/em&gt;&lt;br /&gt;&lt;em&gt;The Nun's Story&lt;/em&gt;&lt;br /&gt;&lt;em&gt;On the Beach&lt;/em&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Best Comedy&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;But Not for Me&lt;/em&gt;&lt;br /&gt;&lt;em&gt;Operation Petticoat&lt;/em&gt;&lt;br /&gt;&lt;em&gt;Pillow Talk&lt;/em&gt;&lt;br /&gt;&lt;strong&gt;&lt;em&gt;Some Like it Hot&lt;/em&gt;&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;Who Was That Lady?&lt;/em&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Best Musical&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;The Five Pennies&lt;/em&gt;&lt;br /&gt;&lt;em&gt;Li'l Abner&lt;/em&gt;&lt;br /&gt;&lt;strong&gt;&lt;em&gt;Porgy and Bess&lt;/em&gt;&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;A Private Affair&lt;/em&gt;&lt;br /&gt;&lt;em&gt;Say One for Me&lt;/em&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Best Motion Picture Promoting International Understanding&lt;/strong&gt;&lt;br /&gt;&lt;strong&gt;&lt;em&gt;The Diary of Anne Frank&lt;/em&gt;&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;The Nun's Story&lt;/em&gt;&lt;br /&gt;&lt;em&gt;Odds Against Tomorrow&lt;/em&gt;&lt;br /&gt;&lt;em&gt;On the Beach&lt;/em&gt;&lt;br /&gt;&lt;em&gt;Take a Giant Step&lt;/em&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Best Director&lt;/strong&gt;&lt;br /&gt;Stanley Kramer for &lt;em&gt;On the Beach&lt;/em&gt;&lt;br /&gt;Otto Preminger for &lt;em&gt;Anatomy of a Murder&lt;/em&gt;&lt;br /&gt;George Stevens for &lt;em&gt;The Diary of Anne Frank&lt;/em&gt;&lt;br /&gt;&lt;strong&gt;William Wyler for &lt;em&gt;Ben-Hur&lt;/em&gt;&lt;/strong&gt;&lt;br /&gt;Fred Zinnemann for &lt;em&gt;The Nun's Story&lt;/em&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Best Actor, Drama&lt;/strong&gt;&lt;br /&gt;Richard Burton in &lt;em&gt;Look Back in Anger&lt;/em&gt;&lt;br /&gt;&lt;strong&gt;Anthony Franciosa in &lt;em&gt;Career&lt;/em&gt;&lt;/strong&gt;&lt;br /&gt;Charlton heston in &lt;em&gt;Ben-Hur&lt;/em&gt;&lt;br /&gt;Fredric March in &lt;em&gt;Middle of the Night&lt;/em&gt;&lt;br /&gt;Joseph Schildkraut in &lt;em&gt;The Diary of Anne Frank&lt;/em&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Best Actress, Drama&lt;/strong&gt;&lt;br /&gt;Audrey Hepburn in &lt;em&gt;The Nun's Story&lt;/em&gt;&lt;br /&gt;Katharine Hepburn in &lt;em&gt;Suddenly, Last Summer&lt;/em&gt;&lt;br /&gt;Lee Remick in &lt;em&gt;Anatomy of a Murder&lt;/em&gt;&lt;br /&gt;Simone Sigmoret in &lt;em&gt;Room at the Top&lt;/em&gt;&lt;br /&gt;&lt;strong&gt;Elizabeth Taylor in &lt;em&gt;Suddenly, Last Summer&lt;/em&gt;&lt;/strong&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Best Actor, Comedy or Musical&lt;/strong&gt;&lt;br /&gt;Clark Gable in &lt;em&gt;But Not for Me&lt;/em&gt;&lt;br /&gt;Cary Grant in &lt;em&gt;Operation Petticoat&lt;/em&gt;&lt;br /&gt;&lt;strong&gt;Jack Lemmon in &lt;em&gt;Some Like it Hot&lt;/em&gt;&lt;/strong&gt;&lt;br /&gt;Dean Martin in &lt;em&gt;Who Was That Lady?&lt;/em&gt;&lt;br /&gt;Sidney Poitier in &lt;em&gt;Porgy and Bess&lt;/em&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Best Actress, Comedy or Musical&lt;/strong&gt;&lt;br /&gt;Dorothy Dandridge in &lt;em&gt;Porgy and Bess&lt;/em&gt;&lt;br /&gt;Doris Day in &lt;em&gt;Pillow Talk&lt;/em&gt;&lt;br /&gt;Shirley MacLaine in &lt;em&gt;Ask Any Girl&lt;/em&gt;&lt;br /&gt;&lt;strong&gt;Marilyn Monroe in &lt;em&gt;Some Like it Hot&lt;/em&gt;&lt;/strong&gt;&lt;br /&gt;Lilli Palmer in &lt;em&gt;But Not for Me&lt;/em&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Best Supporting Actor&lt;/strong&gt;&lt;br /&gt;Fred Astaire in &lt;em&gt;On the Beach&lt;/em&gt;&lt;br /&gt;&lt;strong&gt;Stephen Boyd in &lt;em&gt;Ben-Hur&lt;/em&gt;&lt;/strong&gt;&lt;br /&gt;Tony Randall in &lt;em&gt;Pillow Talk&lt;/em&gt;&lt;br /&gt;Robert Vaughn in &lt;em&gt;The Young Philadelphians&lt;/em&gt;&lt;br /&gt;Joseph N. Welch in &lt;em&gt;Anatomy of a Murder&lt;/em&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Best Supporting Actress&lt;/strong&gt;&lt;br /&gt;Dame Edith Evans in &lt;em&gt;The Nun's Story&lt;/em&gt;&lt;br /&gt;Estelle Hamsley in &lt;em&gt;Take a Giant Step&lt;/em&gt;&lt;br /&gt;&lt;strong&gt;Susan Kohner in &lt;em&gt;Imitation of Life&lt;/em&gt;&lt;/strong&gt;&lt;br /&gt;Juanita Moore in &lt;em&gt;Imitation of Life&lt;/em&gt;&lt;br /&gt;Shelley Winters in &lt;em&gt;The Diary of Anne Frank&lt;/em&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Best Foreign-Language Films&lt;/strong&gt;&lt;br /&gt;&lt;strong&gt;&lt;em&gt;Aren't We Wonderful&lt;/em&gt; (Germany)&lt;/strong&gt;&lt;br /&gt;&lt;strong&gt;&lt;em&gt;Black Orpheus&lt;/em&gt; (France)&lt;/strong&gt;&lt;br /&gt;&lt;strong&gt;&lt;em&gt;The Bridge&lt;/em&gt; (Germany)&lt;/strong&gt;&lt;br /&gt;&lt;strong&gt;&lt;em&gt;Odd Obsession&lt;/em&gt; (Japan)&lt;/strong&gt;&lt;br /&gt;&lt;strong&gt;&lt;em&gt;Wild Strawberries&lt;/em&gt; (Sweden)&lt;/strong&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Best Original Score&lt;/strong&gt;&lt;br /&gt;Ernest Gold for &lt;em&gt;On the Beach&lt;/em&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;World Film Favorites&lt;/strong&gt;&lt;br /&gt;Doris Day&lt;br /&gt;Rock Hudson&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Most Promising Newcomer- Male&lt;/strong&gt;&lt;br /&gt;&lt;strong&gt;Barry Coe&lt;/strong&gt;&lt;br /&gt;&lt;strong&gt;Troy Donahue&lt;/strong&gt;&lt;br /&gt;&lt;strong&gt;George Hamilton&lt;/strong&gt;&lt;br /&gt;&lt;strong&gt;James Shigeta&lt;/strong&gt;&lt;br /&gt;Michael Callan&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Most Promising Newcomer- Female&lt;/strong&gt;&lt;br /&gt;&lt;strong&gt;Angie Dickinson&lt;/strong&gt;&lt;br /&gt;&lt;strong&gt;Janet Munro&lt;/strong&gt;&lt;br /&gt;&lt;strong&gt;Stella Stevens&lt;/strong&gt;&lt;br /&gt;&lt;strong&gt;Tuesday Weld&lt;/strong&gt;&lt;br /&gt;Diane Baker&lt;br /&gt;Yvette Mimieux&lt;br /&gt;Cindy Robbins&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Samuel Goldwyn International Award&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;Room at the Top&lt;/em&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Special Merit Award&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;The Nun's Story&lt;/em&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Special Journalistic Merit Award&lt;/strong&gt;&lt;br /&gt;&lt;strong&gt;Hedda Hopper&lt;/strong&gt;&lt;br /&gt;&lt;strong&gt;Louella H. Parsons&lt;/strong&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Cecil B. DeMille Award&lt;/strong&gt;&lt;br /&gt;Bing Crosby&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Special Achievement Award&lt;/strong&gt;&lt;br /&gt;&lt;strong&gt;Ramon Novarro&lt;/strong&gt;&lt;br /&gt;&lt;strong&gt;Francis X. Bushman&lt;/strong&gt;&lt;br /&gt;&lt;strong&gt;Andrew Marton for directing the chariot race in &lt;em&gt;Ben-Hur&lt;/em&gt;&lt;/strong&gt;&lt;br /&gt;&lt;br /&gt;&lt;a href="http://4.bp.blogspot.com/_bzQchKv0KQA/SOmKVwINAGI/AAAAAAAAAc4/7M8kQZoGAxE/s1600-h/Ben+Hur.jpg"&gt;&lt;img style="display:block; margin:0px auto 10px; text-align:center;cursor:pointer; cursor:hand;" src="http://4.bp.blogspot.com/_bzQchKv0KQA/SOmKVwINAGI/AAAAAAAAAc4/7M8kQZoGAxE/s400/Ben+Hur.jpg" border="0" alt=""id="BLOGGER_PHOTO_ID_5253882546605588578" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;strong&gt;The Academy Awards&lt;/strong&gt; (Nominations were announced on February 22, 1960. Awards were presented April 4, 1960)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Best Picture&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;Anatomy of a Murder&lt;/em&gt;&lt;br /&gt;&lt;strong&gt;&lt;em&gt;Ben-Hur&lt;/em&gt;&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;The Diary of Anne Frank&lt;/em&gt;&lt;br /&gt;&lt;em&gt;The Nun's Story&lt;/em&gt;&lt;br /&gt;&lt;em&gt;Room at the Top&lt;/em&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Best Director&lt;/strong&gt;&lt;br /&gt;Jack Clayton for &lt;em&gt;Room at the Top&lt;/em&gt;&lt;br /&gt;George Stevens for &lt;em&gt;The Diary of Anne Frank&lt;/em&gt;&lt;br /&gt;Billy Wilder for &lt;em&gt;Some Like it Hot&lt;/em&gt;&lt;br /&gt;&lt;strong&gt;William Wyler for &lt;em&gt;Ben-Hur&lt;/em&gt;&lt;/strong&gt;&lt;br /&gt;Fred Zinnemann for &lt;em&gt;The Nun's Story&lt;/em&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Best Actor&lt;/strong&gt;&lt;br /&gt;Laurence Harvey in &lt;em&gt;Room at the Top&lt;/em&gt;&lt;br /&gt;&lt;strong&gt;Charlton Heston in &lt;em&gt;Ben-Hur&lt;/em&gt;&lt;/strong&gt;&lt;br /&gt;Jack Lemmon in &lt;em&gt;Some Like it Hot&lt;/em&gt;&lt;br /&gt;Paul Muni in &lt;em&gt;The Last Angry Man&lt;/em&gt;&lt;br /&gt;James Stewart in &lt;em&gt;Anatomy of a Murder&lt;/em&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Best Actress&lt;/strong&gt;&lt;br /&gt;Doris Day in &lt;em&gt;Pillow Talk&lt;/em&gt;&lt;br /&gt;Audrey Hepburn in &lt;em&gt;The Nun's Story&lt;/em&gt;&lt;br /&gt;Katharine Hepburn in &lt;em&gt;Suddenly, Last Summer&lt;/em&gt;&lt;br /&gt;&lt;strong&gt;Simone Signoret in &lt;em&gt;Room at the Top&lt;/em&gt;&lt;/strong&gt;&lt;br /&gt;Elizabeth Taylor in &lt;em&gt;Suddenly, Last Summer&lt;/em&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Best Supporting Actor&lt;/strong&gt;&lt;br /&gt;&lt;strong&gt;Hugh Griffith in &lt;em&gt;Ben-Hur&lt;/em&gt;&lt;/strong&gt;&lt;br /&gt;Arthur O'Connell in &lt;em&gt;Anatomy of a Murder&lt;/em&gt;&lt;br /&gt;George C. Scott in &lt;em&gt;Anatomy of a Murder&lt;/em&gt;&lt;br /&gt;Robert Vaughn in &lt;em&gt;The Young Philadelphians&lt;/em&gt;&lt;br /&gt;Ed Wynn in &lt;em&gt;The Diary of Anne Frank&lt;/em&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Best Supporting Actress&lt;/strong&gt;&lt;br /&gt;Hermione Baddeley in &lt;em&gt;Room at the Top&lt;/em&gt;&lt;br /&gt;Susan Kohner in &lt;em&gt;Imitation of Life&lt;/em&gt;&lt;br /&gt;Juanita Moore in &lt;em&gt;Imitation of Life&lt;/em&gt;&lt;br /&gt;Thelma Ritter in &lt;em&gt;Pillow Talk&lt;/em&gt;&lt;br /&gt;&lt;strong&gt;Shelley Winters in &lt;em&gt;The Diary of Anne Frank&lt;/em&gt;&lt;/strong&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Best Adapted Screenplay&lt;/strong&gt;&lt;br /&gt;Wendell Mayes for &lt;em&gt;Anatomy of a Murder&lt;/em&gt;&lt;br /&gt;Karl Tunberg for &lt;em&gt;Ben-Hur&lt;/em&gt;&lt;br /&gt;Robert Anderson for &lt;em&gt;The Nun's Story&lt;/em&gt;&lt;br /&gt;&lt;strong&gt;Neil Paterson for &lt;em&gt;Room at the Top&lt;/em&gt;&lt;/strong&gt;&lt;br /&gt;Billy Wilder and I.A.L. Diamond for &lt;em&gt;Some Like it Hot&lt;/em&gt;&lt;br /&gt;&lt;br /&gt;&lt;a href="http://4.bp.blogspot.com/_bzQchKv0KQA/SPL7muxZV5I/AAAAAAAAAfQ/9m_c0GEni3M/s1600-h/Pillow+Talk.jpg"&gt;&lt;img style="display:block; margin:0px auto 10px; text-align:center;cursor:pointer; cursor:hand;" src="http://4.bp.blogspot.com/_bzQchKv0KQA/SPL7muxZV5I/AAAAAAAAAfQ/9m_c0GEni3M/s400/Pillow+Talk.jpg" border="0" alt=""id="BLOGGER_PHOTO_ID_5256540357903603602" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;strong&gt;Best Original Story and Screenplay&lt;/strong&gt;&lt;br /&gt;Francois Truffaut and Marcel Moussy for &lt;em&gt;The 400 Blows&lt;/em&gt;&lt;br /&gt;Ernest Lehman for &lt;em&gt;North by Northwest&lt;/em&gt;&lt;br /&gt;Paul King and Joseph Stone; Stanley Shapiro and Maurice Richlin for &lt;em&gt;Operation Petticoat&lt;/em&gt;&lt;br /&gt;&lt;strong&gt;Russell Rouse and Clarence Greene; Stanley Shapiro and Maurice Richlin for &lt;em&gt;Pillow Talk&lt;/em&gt;&lt;/strong&gt; &lt;br /&gt;Ingmar Bergman for &lt;em&gt;Wild Strawberries&lt;/em&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Best Cinematography- Black-and-White&lt;/strong&gt;&lt;br /&gt;Sam Leavitt for &lt;em&gt;Anatomy of a Murder&lt;/em&gt;&lt;br /&gt;Joseph LaShelle for &lt;em&gt;Career&lt;/em&gt;&lt;br /&gt;&lt;strong&gt;William C. Mellor for &lt;em&gt;The Diary of Anne Frank&lt;/em&gt;&lt;/strong&gt;&lt;br /&gt;Charles Lang. Jr. for &lt;em&gt;Some Like it Hot&lt;/em&gt;&lt;br /&gt;Harry Stradling, Sr. for &lt;em&gt;The Young Philadelphians&lt;/em&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Best Cinematography- Color&lt;/strong&gt;&lt;br /&gt;&lt;strong&gt;Robert L. Surtees for &lt;em&gt;Ben-Hur&lt;/em&gt;&lt;/strong&gt;&lt;br /&gt;Lee Garmes for &lt;em&gt;The Big Fisherman&lt;/em&gt;&lt;br /&gt;Daniel L. Fapp for &lt;em&gt;The Five Pennies&lt;/em&gt;&lt;br /&gt;Franz Planer for &lt;em&gt;The Nun's Story&lt;/em&gt;&lt;br /&gt;Leon Shamroy for &lt;em&gt;Porgy and Bess&lt;/em&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Art Direction-Set Direction (Black-and-White)&lt;/strong&gt;&lt;br /&gt;Hal Pereira and Walter Tyler; Sam Comer and Arthur Krams for &lt;em&gt;Career&lt;/em&gt;&lt;br /&gt;&lt;strong&gt;Lyle R. Wheeler and George W. Davis; Walter M. Scott and Stuart A. Reiss for &lt;em&gt;The Diary of Anne Frank&lt;/em&gt;&lt;/strong&gt;&lt;br /&gt;Carl Anderson; William Kiernan for &lt;em&gt;The Last Angry Man&lt;/em&gt;&lt;br /&gt;Ted Haworth; Edward G. Boyle for &lt;em&gt;Some Like it Hot&lt;/em&gt;&lt;br /&gt;Oliver Messel and William Kellner; Scot Slimon for &lt;em&gt;Suddenly, Last Summer&lt;/em&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Art Direction-Set Driection (Color)&lt;/strong&gt;&lt;br /&gt;&lt;strong&gt;William A. Horning and Edward Carfagno; Hugh Hunt for &lt;em&gt;Ben-Hur&lt;/em&gt;&lt;/strong&gt;&lt;br /&gt;John DeCuir; Julia Heron for The Big Fisherman&lt;br /&gt;Lyle R. Wheeler, Franz Bachelin and Herman A. Blumenthal; Walter M. Scott and Joseph Kish for &lt;em&gt;Journey to the Center of the Earth&lt;/em&gt;&lt;br /&gt;William A. Horning, Robert Boyle and Merrill Pye; Henry Grace and Frank McKelvy for &lt;em&gt;North by Northwest&lt;/em&gt;&lt;br /&gt;Richard H. Riedel; russell A. Gausman and Ruby R. Levitt for &lt;em&gt;Pillow Talk&lt;/em&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Sound&lt;/strong&gt;&lt;br /&gt;&lt;strong&gt;&lt;em&gt;Ben-Hur&lt;/em&gt; MGM Studio Sound Department; Franklin E. Milton, sound director&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;Journey to the Center of the Earth&lt;/em&gt; 20th Century-Fox Sound Department; Carl Faulkner, sound director&lt;br /&gt;&lt;em&gt;Libel!&lt;/em&gt; MGM London Sound Department; A.W. Watkins, sound director&lt;br /&gt;&lt;em&gt;The Nun's Story&lt;/em&gt; Warner Brothers Studio Sound Departemtn; George R. Groves, sound director&lt;br /&gt;&lt;em&gt;Porgy and Bess&lt;/em&gt; Samuel Goldwyn Studio Sound Department; Gordon E. Sawyer, sound director; and Todd-AO Sound Department; Fred Hynes, sound director&lt;br /&gt;&lt;br /&gt;&lt;a href="http://3.bp.blogspot.com/_bzQchKv0KQA/SOmoSy5IX8I/AAAAAAAAAdA/9JQSqnLjoBI/s1600-h/A+Hole+in+the+Head.jpg"&gt;&lt;img style="display:block; margin:0px auto 10px; text-align:center;cursor:pointer; cursor:hand;" src="http://3.bp.blogspot.com/_bzQchKv0KQA/SOmoSy5IX8I/AAAAAAAAAdA/9JQSqnLjoBI/s400/A+Hole+in+the+Head.jpg" border="0" alt=""id="BLOGGER_PHOTO_ID_5253915481156902850" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;strong&gt;Best Song&lt;/strong&gt;&lt;br /&gt;"The Best of Everything" from &lt;em&gt;The Best of Everything&lt;/em&gt;. Music by Alfred Newman. Lyrics by Sammy Cahn&lt;br /&gt;"The Five Pennies" from &lt;em&gt;The Five Pennies&lt;/em&gt;. Music and Lyrics by Sylvia Fine&lt;br /&gt;"The Hanging Tree" from &lt;em&gt;The Hanging Tree&lt;/em&gt;. Music by Jerry Livingston. Lyrics by Mack David&lt;br /&gt;&lt;strong&gt;"High Hopes" from &lt;em&gt;A Hole in the Head&lt;/em&gt;. Music by James Van Heusen. Lyrics by Sammy Cain&lt;/strong&gt;&lt;br /&gt;"Strange are the Ways of Love" from &lt;em&gt;The Young Land&lt;/em&gt;. Music by Dimitri Tiomkin. Lyrics by Ned Washington&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Best Scoring of a Dramatic or Comedy Picture&lt;/strong&gt;&lt;br /&gt;&lt;strong&gt;&lt;em&gt;Ben-Hur&lt;/em&gt; Miklos Rozsa&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;The Diary of Anne Frank&lt;/em&gt; Alfred Newman&lt;br /&gt;&lt;em&gt;The Nun's Story&lt;/em&gt; Franz Waxman&lt;br /&gt;&lt;em&gt;On the Beach&lt;/em&gt; Ernest Gold&lt;br /&gt;&lt;em&gt;Pillow Talk&lt;/em&gt; Frank DeVol&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Best Scoring of a Musical Picture&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;The Five Pennies&lt;/em&gt; Leith Stevens&lt;br /&gt;&lt;em&gt;Li'l Abner&lt;/em&gt; Nelson Riddle and Joseph J. Lilley&lt;br /&gt;&lt;strong&gt;&lt;em&gt;Porgy and Bess&lt;/em&gt; Andre Previn and Ken Darby&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;Say One For Me&lt;/em&gt; Lionel Newman&lt;br /&gt;&lt;em&gt;Sleeping Beauty&lt;/em&gt; George Burns&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Best Film Editing&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;Anatomy of a Murder&lt;/em&gt; Louis R. Loeffler&lt;br /&gt;&lt;strong&gt;&lt;em&gt;Ben-Hur&lt;/em&gt; Ralph E. Winters and John D. Dunning&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;North by Northwest&lt;/em&gt; George Tomasini&lt;br /&gt;&lt;em&gt;The Nun's Story&lt;/em&gt; Walter Thompson&lt;br /&gt;&lt;em&gt;On the Beach&lt;/em&gt; Fredric Knudtson &lt;br /&gt;&lt;br /&gt;&lt;a href="http://4.bp.blogspot.com/_bzQchKv0KQA/SOmo1Ef069I/AAAAAAAAAdI/_oBrQh2yHLI/s1600-h/The+Diary+of+Anne+Frank.jpg"&gt;&lt;img style="display:block; margin:0px auto 10px; text-align:center;cursor:pointer; cursor:hand;" src="http://4.bp.blogspot.com/_bzQchKv0KQA/SOmo1Ef069I/AAAAAAAAAdI/_oBrQh2yHLI/s400/The+Diary+of+Anne+Frank.jpg" border="0" alt=""id="BLOGGER_PHOTO_ID_5253916069998160850" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;strong&gt;Costume Design (Black-and-White)&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;Career&lt;/em&gt; Edith Head&lt;br /&gt;&lt;em&gt;The Diary of Anne Frank&lt;/em&gt; Charles LeMaire and Mary Wills&lt;br /&gt;&lt;em&gt;The Gazebo&lt;/em&gt; Helen Rose&lt;br /&gt;&lt;strong&gt;&lt;em&gt;Some Like it Hot&lt;/em&gt; Orry-Kelly&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;The Young Philadelphians&lt;/em&gt; Howard Shoup&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Costume Design (Color)&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;Ben-Hur&lt;/em&gt; Elizabeth Haffenden&lt;br /&gt;&lt;em&gt;The Best of Everything&lt;/em&gt; Adele Palmer&lt;br /&gt;&lt;em&gt;The Big Fisherman&lt;/em&gt; Renie&lt;br /&gt;&lt;em&gt;The Five Pennies&lt;/em&gt; Edith Head&lt;br /&gt;&lt;em&gt;Porgy and Bess&lt;/em&gt; Irene Sharaff&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Special Effects&lt;/strong&gt;&lt;br /&gt;&lt;strong&gt;&lt;em&gt;Ben-Hur&lt;/em&gt; Visual: A. Arnold Gillespie and Robert MacDonald. Audible: Milo Lory&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;Journey to the Center of the Earth&lt;/em&gt; Visual: L.B. Abbott and James B. Gordon. Audible: Carl Faulkner&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Best Short Subject Cartoon&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;Mexicali Shmoes&lt;/em&gt; John W. Burton, producer&lt;br /&gt;&lt;strong&gt;&lt;em&gt;Moonbird&lt;/em&gt; John Hubley, producer&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;Noah's Ark&lt;/em&gt; Walt Disney, producer&lt;br /&gt;&lt;em&gt;The Violinist&lt;/em&gt; Ernest Pintoff, producer&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Best Live Action Short Subject&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;Between the Tides&lt;/em&gt; Ian Ferguson, producer&lt;br /&gt;&lt;strong&gt;&lt;em&gt;The Golden Fish&lt;/em&gt; Jacques-Yves Cousteau, producer&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;Mysteries of the Deep&lt;/em&gt; Walt Disney, producer&lt;br /&gt;&lt;em&gt;The Running, Jumping and Standing-Still Film&lt;/em&gt; Peter Sellers, producer&lt;br /&gt;&lt;em&gt;Skyscraper&lt;/em&gt; Shirley Clarke, Willard Van Dyke and Irving Jacoby, producers&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Documentary Short Subject&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;Donald in Mathmagic Land&lt;/em&gt; Walt Disney, producer&lt;br /&gt;&lt;em&gt;From Generation to Generation&lt;/em&gt; Edward F. Cullen, producer&lt;br /&gt;&lt;strong&gt;&lt;em&gt;Glass&lt;/em&gt; Bert Haanstra, producer&lt;/strong&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Best Documentary Feature&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;The Race for Space&lt;/em&gt; David L. Wolper, producer&lt;br /&gt;&lt;em&gt;Serengeti Shall Not Die&lt;/em&gt; Bernhard Grzimek, producer&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Foreign Language Film&lt;/strong&gt;&lt;br /&gt;&lt;strong&gt;&lt;em&gt;Black Orpheus&lt;/em&gt; (France)&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;The Bridge&lt;/em&gt; (German)&lt;br /&gt;&lt;em&gt;The Great War&lt;/em&gt; (Italy)&lt;br /&gt;&lt;em&gt;Paw&lt;/em&gt; (Denmark)&lt;br /&gt;&lt;em&gt;The Village on the River&lt;/em&gt; (The Netherlands)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Jean Hersholt Humanitarian Award&lt;/strong&gt;&lt;br /&gt;Bob Hope&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Honorary Awards&lt;/strong&gt;&lt;br /&gt;Lee de Forest for his pioneering inventions which brought sound to the motion picture (stauette)&lt;br /&gt;Buster Keaton for his unique talents which brought immortal comedies to the screen (stauette)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;The 1959 British Academy Awards&lt;/strong&gt; (Sources: The BAFTA online site and Cobbett Steinberg's &lt;em&gt;Film Facts&lt;/em&gt;)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Best Film From Any Source and Best British Film&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;Anatomy of a Murder&lt;/em&gt; (U.S.)&lt;br /&gt;&lt;em&gt;Ashes and Diamonds (Popiól i Diament)&lt;/em&gt; (Poland)&lt;br /&gt;&lt;strong&gt;&lt;em&gt;Ben Hur&lt;/em&gt; (U.S.- won for Best Film)&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;The Big Country&lt;/em&gt; (U.S.- 1958)&lt;br /&gt;&lt;em&gt;Compulsion&lt;/em&gt; (U.S.)&lt;br /&gt;&lt;em&gt;The Face&lt;/em&gt; (Ansiktet) (Sweden)&lt;br /&gt;&lt;em&gt;Gigi&lt;/em&gt; (U.S.- 1958)&lt;br /&gt;&lt;em&gt;Look Back in Anger&lt;/em&gt; (Great Britain)&lt;br /&gt;&lt;em&gt;Maigret Sets a Trap&lt;/em&gt; (&lt;em&gt;Maigret tend un piège&lt;/em&gt;) (France)&lt;br /&gt;&lt;em&gt;North West Frontier&lt;/em&gt; (G.B.)&lt;br /&gt;&lt;em&gt;The Nun's Story&lt;/em&gt; (U.S.)&lt;br /&gt;&lt;strong&gt;&lt;em&gt;Sapphire&lt;/em&gt; (G.B.- won for Best British Film)&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;Some Like it Hot&lt;/em&gt; (U.S.)&lt;br /&gt;&lt;em&gt;Tiger Bay&lt;/em&gt; (G.B.)&lt;br /&gt;&lt;em&gt;Yesterday's Enemy&lt;/em&gt; (G.B.)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Best British Actor&lt;/strong&gt;&lt;br /&gt;Stanley Baker in &lt;em&gt;Yesterday's Enemy&lt;/em&gt;&lt;br /&gt;Richard Burton in &lt;em&gt;Look Back in Anger&lt;/em&gt;&lt;br /&gt;Peter Finch in &lt;em&gt;The Nun's Story&lt;/em&gt;&lt;br /&gt;Laurence Harvey in &lt;em&gt;Expresso Bongo&lt;/em&gt;&lt;br /&gt;Gordon Jackson in &lt;em&gt;Yesterday's Enemy&lt;/em&gt;&lt;br /&gt;Laurence Olivier in &lt;em&gt;The Devil's Disciple&lt;/em&gt;&lt;br /&gt;&lt;strong&gt;Peter Sellers in &lt;em&gt;I'm All Right, Jack&lt;/em&gt;&lt;/strong&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Best British Actress&lt;/strong&gt;&lt;br /&gt;Peggy Ashcroft in &lt;em&gt;The Nun's Story&lt;/em&gt;&lt;br /&gt;&lt;strong&gt;Audrey Hepburn in &lt;em&gt;The Nun's Story&lt;/em&gt;&lt;/strong&gt;&lt;br /&gt;Wendy Hiller in &lt;em&gt;Separate Tables&lt;/em&gt;&lt;br /&gt;Yvonne Mitchell in &lt;em&gt;Sapphire&lt;/em&gt;&lt;br /&gt;Sylvia Sims in &lt;em&gt;No Trees in the Street&lt;/em&gt;&lt;br /&gt;Kay Walsh in &lt;em&gt;The Horse's Mouth&lt;/em&gt; (1958)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Best Foreign Actor&lt;/strong&gt;&lt;br /&gt;Zbigniew Cybulski in &lt;em&gt;Ashes and Diamonds (Popiól i Diament)&lt;/em&gt;&lt;br /&gt;Jean Desailly in &lt;em&gt;Maigret Sets a Trap&lt;/em&gt; (&lt;em&gt;Maigret tend un piège&lt;/em&gt;)&lt;br /&gt;Jean Gabin in &lt;em&gt;Maigret Sets a Trap&lt;/em&gt; (&lt;em&gt;Maigret tend un piège&lt;/em&gt;)&lt;br /&gt;&lt;strong&gt;Jack Lemmon in &lt;em&gt;Some Like it Hot&lt;/em&gt;&lt;/strong&gt;&lt;br /&gt;Takashi Shimura in &lt;em&gt;Living&lt;/em&gt; (&lt;em&gt;Ikiru&lt;/em&gt;)&lt;br /&gt;James Stewart in &lt;em&gt;Anatomy of a Murder&lt;/em&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Best Foreign Actress&lt;/strong&gt;&lt;br /&gt;Ava Gardner in &lt;em&gt;On the Beach&lt;/em&gt;&lt;br /&gt;Susan Hayward in &lt;em&gt;I Want to Live!&lt;/em&gt; (1958)&lt;br /&gt;Ella Lambetti in &lt;em&gt;Matter of Dignity&lt;/em&gt;&lt;br /&gt;&lt;strong&gt;Shirley MacLaine in &lt;em&gt;Ask Any Girl&lt;/em&gt;&lt;/strong&gt;&lt;br /&gt;Rosalind Russell in &lt;em&gt;Auntie Mame&lt;/em&gt; (1958)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Most Promising Newcomer to Film&lt;/strong&gt;&lt;br /&gt;Gerry Dugan in &lt;em&gt;The Siege of Pinchgut&lt;/em&gt;&lt;br /&gt;Liz Fraser in &lt;em&gt;I'm All Right, Jack&lt;/em&gt;&lt;br /&gt;&lt;strong&gt;Hayley Mills in &lt;em&gt;Tiger Bay&lt;/em&gt;&lt;/strong&gt;&lt;br /&gt;Joseph N. Welch in &lt;em&gt;Anatomy of a Murder&lt;/em&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Best British Screenplay&lt;/strong&gt;&lt;br /&gt;Ben Barzman and Millard Lampbell for &lt;em&gt;Blind Date&lt;/em&gt;&lt;br /&gt;Wolf Mankowitz for &lt;em&gt;Expresso Bongo&lt;/em&gt;&lt;br /&gt;Alec Guinness for &lt;em&gt;The Horse's Mouth&lt;/em&gt;&lt;br /&gt;&lt;strong&gt;Frank Harvey, John Boulting and Alan Hackney for &lt;em&gt;I'm All Right, Jack&lt;/em&gt;&lt;/strong&gt;&lt;br /&gt;Nigel Kneale for &lt;em&gt;Look Back in Anger&lt;/em&gt;&lt;br /&gt;Robin Estridge for &lt;em&gt;North West Frontier&lt;/em&gt;&lt;br /&gt;Ted Willis for &lt;em&gt;No Trees in the Street&lt;/em&gt;&lt;br /&gt;Janet Green for &lt;em&gt;Sapphire&lt;/em&gt;&lt;br /&gt;John Hawksworth and Shelley Smith for &lt;em&gt;Tiger Bay&lt;/em&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Best Animated Film&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;Beep Peep&lt;/em&gt;&lt;br /&gt;&lt;em&gt;Dom&lt;/em&gt;&lt;br /&gt;&lt;em&gt;Short and Suite&lt;/em&gt;&lt;br /&gt;&lt;strong&gt;&lt;em&gt;The Violinist&lt;/em&gt;&lt;/strong&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Best Specialised Film&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;Coupe des alpes: The Story of the 1958 Alpine Rally&lt;/em&gt;&lt;em&gt;Hazard&lt;/em&gt;&lt;br /&gt;&lt;em&gt;High Speed Flight Pts. I/II &amp; III&lt;/em&gt;&lt;br /&gt;&lt;strong&gt;&lt;em&gt;This is the BBC&lt;/em&gt;&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;Tribute to Fangio&lt;/em&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;United Nations Award&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;The Nun's Story&lt;/em&gt;&lt;br /&gt;&lt;strong&gt;&lt;em&gt;On the Beach&lt;/em&gt;&lt;/strong&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Directors Guild of America&lt;/strong&gt; (Presented on February 6, 1960)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Best Director&lt;/strong&gt;&lt;br /&gt;William Wyler for &lt;em&gt;Ben-Hur&lt;/em&gt;&lt;br /&gt;&lt;br /&gt;Other finalists:&lt;br /&gt;Otto Preminger for &lt;em&gt;Anatomy of a Murder&lt;/em&gt;&lt;br /&gt;George Stevens for &lt;em&gt;The Diary of Anne Frank&lt;/em&gt;&lt;br /&gt;Biily Wilder for &lt;em&gt;Some Like it Hot&lt;/em&gt;&lt;br /&gt;Fred Zinnemann for &lt;em&gt;The Nun's Story&lt;/em&gt;&lt;br /&gt;&lt;br /&gt;Other directors mentioned:&lt;br /&gt;Charles Barton for &lt;em&gt;The Shaggy Dog&lt;/em&gt;&lt;br /&gt;Frank Capra for &lt;em&gt;A Hole in the Head&lt;/em&gt;&lt;br /&gt;Richard Fleischer for &lt;em&gt;Compulsion&lt;/em&gt;&lt;br /&gt;Howard Hawks for &lt;em&gt;Rio Bravo&lt;/em&gt;&lt;br /&gt;Alfred Hitchcock for &lt;em&gt;North by Northwest&lt;/em&gt;&lt;br /&gt;Leo McCarey for &lt;em&gt;Rally 'Round the Flag, Boys!&lt;/em&gt;&lt;br /&gt;Douglas Sirk for &lt;em&gt;Imitation of Life&lt;/em&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;The Golden Laurel Awards- 1960&lt;/strong&gt; (Mainly covers 1959 films. Published in Motion Picture Exhibitor magazine on September 28th, 1960. Source- IMDB)&lt;br /&gt;&lt;br /&gt;In order of preference: &lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Top Drama&lt;/strong&gt;&lt;br /&gt;1) &lt;em&gt;Anatomy of a Murder&lt;/em&gt; (1959)&lt;br /&gt;2) &lt;em&gt;A Summer Place&lt;/em&gt; (1959)&lt;br /&gt;3) &lt;em&gt;The Nun's Story&lt;/em&gt; (1959)&lt;br /&gt;4) &lt;em&gt;On the Beach&lt;/em&gt; (1959)&lt;br /&gt;5) &lt;em&gt;Compulsion&lt;/em&gt; (1959)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Top Comedy&lt;/strong&gt;&lt;br /&gt;1) &lt;em&gt;Pillow Talk&lt;/em&gt; (1959)&lt;br /&gt;2) &lt;em&gt;Operation Petticoat&lt;/em&gt; (1959)&lt;br /&gt;3) &lt;em&gt;Some Like it Hot&lt;/em&gt; (1959)&lt;br /&gt;4) &lt;em&gt;Please Don't Eat the Daisies&lt;/em&gt; (1960)&lt;br /&gt;5) &lt;em&gt;A Hole in the Head&lt;/em&gt; (1959)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Top Musical&lt;/strong&gt;&lt;br /&gt;1) &lt;em&gt;Can-Can&lt;/em&gt; (1960)&lt;br /&gt;2) &lt;em&gt;The Five Pennies&lt;/em&gt; (1959)&lt;br /&gt;3) &lt;em&gt;Porgy and Bess&lt;/em&gt; (1959)&lt;br /&gt;4) &lt;em&gt;Li'l Abner&lt;/em&gt; (1959)&lt;br /&gt;5) &lt;em&gt;The Gene Krupa Story&lt;/em&gt; (1959)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Top Action Drama&lt;/strong&gt;&lt;br /&gt;1) &lt;em&gt;North by Northwest&lt;/em&gt; (1959)&lt;br /&gt;2) &lt;em&gt;Journey to the Center of the Earth&lt;/em&gt; (1959)&lt;br /&gt;3) &lt;em&gt;The FBI Story&lt;/em&gt; (1959)&lt;br /&gt;4) &lt;em&gt;Sink the Bismark!&lt;/em&gt; (1960)&lt;br /&gt;5) &lt;em&gt;The Big Circus&lt;/em&gt; (1959)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Top General Entertainment&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;The Shaggy Dog&lt;/em&gt; (1959)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Special Award&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;Ben Hur&lt;/em&gt; (1959)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Top Director&lt;/strong&gt; (no films listed)&lt;br /&gt;1) Vincente Minnelii&lt;br /&gt;2) Fred Zinnemann&lt;br /&gt;3) Delmer Daves&lt;br /&gt;4) Richard Brooks&lt;br /&gt;5) Michael Gordon&lt;br /&gt;6) Edward Dmytryk&lt;br /&gt;7) George Sidney&lt;br /&gt;8) John Sturges&lt;br /&gt;9) Mark Robson&lt;br /&gt;10) Michael Curtiz&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Top Producer/Director&lt;/strong&gt; (no films listed)&lt;br /&gt;1) Alfred Hitchcock&lt;br /&gt;2) William Wyler&lt;br /&gt;3) Billy Wilder&lt;br /&gt;4) Mervyn LeRoy&lt;br /&gt;5) Stanley Kramer&lt;br /&gt;6) Otto Preminger&lt;br /&gt;7) George Stevens&lt;br /&gt;8) John Huston&lt;br /&gt;9) Leo McCarey&lt;br /&gt;10) Dick Powell&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Top Producer&lt;/strong&gt;&lt;br /&gt;1) Buddy Alder&lt;br /&gt;2) Walt Disney&lt;br /&gt;3) Jerry Wald&lt;br /&gt;4) Hal B. Wallis&lt;br /&gt;5) Arthur Freed&lt;br /&gt;6) Sam Spiegel&lt;br /&gt;7) Joe Pasternak&lt;br /&gt;8) Ross Hunter&lt;br /&gt;9) Charles Brackett&lt;br /&gt;10) William Perlberg&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Top Male Dramatic Performance&lt;/strong&gt;&lt;br /&gt;1) James Stewart in &lt;em&gt;Anatomy of a Murder&lt;/em&gt; (1959)&lt;br /&gt;2) Charlton Heston in &lt;em&gt;Ben-Hur&lt;/em&gt; (1959)&lt;br /&gt;3) Stephen Boyd in &lt;em&gt;Ben-Hur&lt;/em&gt; (1959)&lt;br /&gt;4) Robert Mitchum in &lt;em&gt;Home From the Hill&lt;/em&gt; (1960)&lt;br /&gt;50 Dean Martin in &lt;em&gt;Career&lt;/em&gt; (1959)&lt;br /&gt;&lt;br /&gt;&lt;a href="http://1.bp.blogspot.com/_bzQchKv0KQA/SPL7M5FdO9I/AAAAAAAAAfI/CObKuupn-VU/s1600-h/Suddenly,+Last+Summer.jpg"&gt;&lt;img style="display:block; margin:0px auto 10px; text-align:center;cursor:pointer; cursor:hand;" src="http://1.bp.blogspot.com/_bzQchKv0KQA/SPL7M5FdO9I/AAAAAAAAAfI/CObKuupn-VU/s400/Suddenly,+Last+Summer.jpg" border="0" alt=""id="BLOGGER_PHOTO_ID_5256539913995500498" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;strong&gt;Top Female Dramatic Performance&lt;/strong&gt;&lt;br /&gt;1) Elizabeth Taylor in &lt;em&gt;Suddenly, Last Summer&lt;/em&gt; (1959)&lt;br /&gt;2) Audrey Hepburn in &lt;em&gt;The Nun's Story&lt;/em&gt; (1959)&lt;br /&gt;3) Simone Signoret in &lt;em&gt;Room at the Top&lt;/em&gt; (1959)&lt;br /&gt;4) Dorothy McGuire in &lt;em&gt;A Summer Place&lt;/em&gt; (1959)&lt;br /&gt;5) Katharine Hepburn in &lt;em&gt;Suddenly, Last Summer&lt;/em&gt; (1959) &lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Top Male Comedy Performance&lt;/strong&gt;&lt;br /&gt;1) Cary Grant in &lt;em&gt;Operation Petticoat&lt;/em&gt; (1959)&lt;br /&gt;2) Jack Lemmon in &lt;em&gt;Some Like it Hot&lt;/em&gt; (1959)&lt;br /&gt;3) Rock Hudson in &lt;em&gt;Pillow Talk&lt;/em&gt; (1959)&lt;br /&gt;4) Tony Curtis in Who Was That Lady? (1960)&lt;br /&gt;5) Glenn Ford in It Started With a Kiss (1959)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Top Female Comedy Performance&lt;/strong&gt;&lt;br /&gt;1) Doris Day in &lt;em&gt;Pillow Talk&lt;/em&gt; (1959)&lt;br /&gt;2) Marilyn Monroe in &lt;em&gt;Some Like it Hot&lt;/em&gt; (1959)&lt;br /&gt;3) Debbie Reynolds in &lt;em&gt;It Started With a Kiss&lt;/em&gt; (1959)&lt;br /&gt;4) Janet Leigh in &lt;em&gt;Who Was That Lady?&lt;/em&gt; (1960)&lt;br /&gt;5) Sandra Dee in &lt;em&gt;Gidget&lt;/em&gt; (1959)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Top Male Musical Performance&lt;/strong&gt;&lt;br /&gt;1) Frank Sinatra in &lt;em&gt;Can-Can&lt;/em&gt; (1960)&lt;br /&gt;2) Danny Kaye in &lt;em&gt;The Five Pennies&lt;/em&gt; (1959)&lt;br /&gt;3) Bing Crosby in &lt;em&gt;Say One for Me&lt;/em&gt; (1959)&lt;br /&gt;4) Sammy Davis, Jr. in &lt;em&gt;Porgy and Bess&lt;/em&gt; (1959)&lt;br /&gt;5) Maurice Chevalier in &lt;em&gt;Can-Can&lt;/em&gt; (1960)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Top Female Musical Performance&lt;/strong&gt;&lt;br /&gt;1) Shirley MacLaine in &lt;em&gt;Can-Can&lt;/em&gt; (1960)&lt;br /&gt;2) Pearl Bailey in &lt;em&gt;Porgy and Bess&lt;/em&gt; (1959)&lt;br /&gt;3) Debbie Reynolds in &lt;em&gt;Say One for Me&lt;/em&gt; (1959)&lt;br /&gt;4) Dorothy Dandridge in &lt;em&gt;Porgy and Bess&lt;/em&gt; (1959)&lt;br /&gt;5) Juliet Prowse in &lt;em&gt;Can-Can&lt;/em&gt; (1960)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Top Action Performance&lt;/strong&gt;&lt;br /&gt;1) Gary Cooper in &lt;em&gt;They Came to Cordura&lt;/em&gt; (1959)&lt;br /&gt;2) Robert Stack in &lt;em&gt;The Last Voyage&lt;/em&gt; (1960)&lt;br /&gt;3) Richard Widmark in &lt;em&gt;Warlock&lt;/em&gt; (1959)&lt;br /&gt;4) Anthony Quinn in &lt;em&gt;The Last Train From Gun Hill&lt;/em&gt; (1959)&lt;br /&gt;5) Richard Conte in &lt;em&gt;They Came to Cordura&lt;/em&gt; (1959)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Top Male Supporting Performances&lt;/strong&gt;&lt;br /&gt;1) Arthur O'Connell in &lt;em&gt;Anatomy of a Murder&lt;/em&gt; (1959)&lt;br /&gt;2) Arthur Kennedy in &lt;em&gt;A Summer Place&lt;/em&gt; (1959)&lt;br /&gt;3) Hugh Griffith in &lt;em&gt;Ben-Hur&lt;/em&gt; (1959)&lt;br /&gt;4) Robert Vaughn in &lt;em&gt;The Young Philadelphians&lt;/em&gt; (1959)&lt;br /&gt;5) Luther Alder in &lt;em&gt;The Last Angry Man&lt;/em&gt; (1959)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Top Female Supporting Performance&lt;/strong&gt;&lt;br /&gt;1) Shelley Winters in &lt;em&gt;The Diary of Anne Frank&lt;/em&gt; (1959)&lt;br /&gt;2) Thelma Ritter in &lt;em&gt;Pillow Talk&lt;/em&gt; (1959)&lt;br /&gt;3) Janis Paige in &lt;em&gt;Please Don't Eat the Daisies&lt;/em&gt; (1960)&lt;br /&gt;4) Spring Byington in &lt;em&gt;Please Don't Eat the Daisies&lt;/em&gt; (1960)&lt;br /&gt;5) Eve Arden in &lt;em&gt;Anatomy of a Murder&lt;/em&gt; (1959)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Top Score&lt;/strong&gt;&lt;br /&gt;1) Max Steiner for &lt;em&gt;A Summer Place&lt;/em&gt; (1959)&lt;br /&gt;2) Alfred Newman for &lt;em&gt;The Diary of Anne Frank&lt;/em&gt; (1959)&lt;br /&gt;3) Franz Waxman for &lt;em&gt;The Nun's Story&lt;/em&gt; (1959)&lt;br /&gt;4) Buxton Orr and Malcom Arnold for &lt;em&gt;Suddenly, Last Summer&lt;/em&gt; (1959)&lt;br /&gt;5) Bronislau Kaper for &lt;em&gt;Home From the Hill&lt;/em&gt; (1960)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Top Male Star&lt;/strong&gt;&lt;br /&gt;1) Rock Hudson&lt;br /&gt;2) Cary Grant&lt;br /&gt;3) Frank Sinatra&lt;br /&gt;4) James Stewart&lt;br /&gt;5) John Wayne&lt;br /&gt;6) Tony Curtis&lt;br /&gt;7) William Holden&lt;br /&gt;8) Jerry Lewis&lt;br /&gt;9) Dean Martin&lt;br /&gt;10) Jack Lemmon&lt;br /&gt;11) Kirk Douglas&lt;br /&gt;12) Bing Crosby&lt;br /&gt;13) Gregory Peck&lt;br /&gt;14) Richard Widmark&lt;br /&gt;15) Robert Mitchum&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Top Female Star&lt;/strong&gt;&lt;br /&gt;1) Doris Day&lt;br /&gt;2) Elizabeth Taylor&lt;br /&gt;3) Debbie Reynolds&lt;br /&gt;4) Shirley MacLaine&lt;br /&gt;5) Audrey Hepburn&lt;br /&gt;6) Marilyn Monroe&lt;br /&gt;7) Susan Hayward&lt;br /&gt;8) Kim Novak&lt;br /&gt;9) Natalie Wood&lt;br /&gt;10) Ingrid Bergman&lt;br /&gt;11) Deborah Kerr&lt;br /&gt;12) Dorothy McGuire&lt;br /&gt;13) Lana Turner&lt;br /&gt;14) Sandra Dee&lt;br /&gt;15) Eleanor Parker&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Top New Male Personality&lt;/strong&gt;&lt;br /&gt;1) George Peppard&lt;br /&gt;2) George Hamilton&lt;br /&gt;3) Troy Donahue&lt;br /&gt;4) Laurence Harvey&lt;br /&gt;5) Robert Vaughn&lt;br /&gt;6) Steve McQueen&lt;br /&gt;7) Ray Danton&lt;br /&gt;8) Steve Reeves&lt;br /&gt;9) David Ladd&lt;br /&gt;10) Warren Berlinger&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Top New Female Personality&lt;/strong&gt;&lt;br /&gt;1) Jane Fonda&lt;br /&gt;2) Luana Patten&lt;br /&gt;3) Joan O'Brien&lt;br /&gt;4) Tuesday Weld&lt;br /&gt;5) Carol Lynley&lt;br /&gt;6) Haya Harareet&lt;br /&gt;7) Cynthia Chenault&lt;br /&gt;8) Joan Blackman&lt;br /&gt;9) Leslie Parrish&lt;br /&gt;10) Donna Anderson&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;The Top Ten Box-Office Stars of 1959&lt;/strong&gt; (according to Quigley Publishing's poll of film exhibitors. Source- The Motion Picture Herald)&lt;br /&gt;1) Rock Hudson&lt;br /&gt;2) Cary Grant&lt;br /&gt;3) James Stewart&lt;br /&gt;4) Doris Day&lt;br /&gt;5) Debbie Reynolds&lt;br /&gt;6) Glenn Ford&lt;br /&gt;7) Frank Sinatra&lt;br /&gt;8) John Wayne&lt;br /&gt;9) Jerry Lewis&lt;br /&gt;10) Susan Hayward&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;The Next Fifteen:&lt;/strong&gt;&lt;br /&gt;11) Elizabeth Taylor&lt;br /&gt;12) William Holden&lt;br /&gt;13) Gary Cooper&lt;br /&gt;14) Paul Newman&lt;br /&gt;15) Dean Martin&lt;br /&gt;16) Sandra Dee&lt;br /&gt;17) Brigitte Bardot&lt;br /&gt;18) Tony Curtis&lt;br /&gt;19) Shirley MacLaine&lt;br /&gt;20) Marilyn Monroe&lt;br /&gt;21) Marlon Brando&lt;br /&gt;22) Pat Boone&lt;br /&gt;23) Ingrid Bergman&lt;br /&gt;24) Yul Brynner&lt;br /&gt;25) Kirk Douglas&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Britain's Top British Box-Office Stars of 1959&lt;/strong&gt; (according to the Motion Picture Herald's poll of Britain's film exhibitors- only six stars listed)&lt;br /&gt;1) Kenneth More&lt;br /&gt;2) Sir Alec Guinness&lt;br /&gt;3) Norman Wisdom&lt;br /&gt;4) Stanley Baker&lt;br /&gt;5) Dirk Bogarde&lt;br /&gt;6) Peter Sellers&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Great Britain's Top Box-Office Films of 1959&lt;/strong&gt; (according to the Motion Picture Herald- listed in order of precedence)&lt;br /&gt;1) &lt;em&gt;Carry On, Nurse&lt;/em&gt;&lt;br /&gt;2) &lt;em&gt;The Inn of the Sixth Happiness&lt;/em&gt;&lt;br /&gt;3) &lt;em&gt;Room at the Top&lt;/em&gt;&lt;br /&gt;4) &lt;em&gt;I'm All Right, Jack&lt;/em&gt;&lt;br /&gt;5) &lt;em&gt;Rio Bravo&lt;/em&gt;&lt;br /&gt;6) &lt;em&gt;The 39 Steps&lt;/em&gt;&lt;br /&gt;7) &lt;em&gt;The Square Peg&lt;/em&gt;&lt;br /&gt;8) &lt;em&gt;tom thumb&lt;/em&gt;&lt;br /&gt;9) &lt;em&gt;The Big Country&lt;/em&gt;&lt;br /&gt;10) &lt;em&gt;Operation Bullshire&lt;/em&gt;&lt;br /&gt;11) &lt;em&gt;The Sheriff of Fractured Jaw&lt;/em&gt;&lt;br /&gt;12) &lt;em&gt;The Reluctant Debutante&lt;/em&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/22096293-2898744319657904859?l=heylookmeover.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://heylookmeover.blogspot.com/feeds/2898744319657904859/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=22096293&amp;postID=2898744319657904859' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/22096293/posts/default/2898744319657904859'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/22096293/posts/default/2898744319657904859'/><link rel='alternate' type='text/html' href='http://heylookmeover.blogspot.com/2008/11/film-data-for-1959.html' title='Film Data For 1959'/><author><name>Vertigo's Psycho</name><uri>http://www.blogger.com/profile/17701774152300870403</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://3.bp.blogspot.com/_bzQchKv0KQA/SOl39_J81qI/AAAAAAAAAcQ/cyToHiQ63Zo/s72-c/Anatomy+of+a+Murder.jpg' height='72' width='72'/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-22096293.post-3901289453799127179</id><published>2008-11-16T23:23:00.001-08:00</published><updated>2009-08-09T13:37:22.505-07:00</updated><title type='text'>Film Data For 1958</title><content type='html'>&lt;a href="http://1.bp.blogspot.com/_bzQchKv0KQA/SOld0GwhR-I/AAAAAAAAAb4/Vlirh89187M/s1600-h/Cat+on+a+Hot+Tin+Roof.jpg"&gt;&lt;img id="BLOGGER_PHOTO_ID_5253833590053095394" style="DISPLAY: block; MARGIN: 0px auto 10px; CURSOR: hand; TEXT-ALIGN: center" alt="" src="http://1.bp.blogspot.com/_bzQchKv0KQA/SOld0GwhR-I/AAAAAAAAAb4/Vlirh89187M/s400/Cat+on+a+Hot+Tin+Roof.jpg" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;strong&gt;The Film Daily's Top Ten Pictures&lt;/strong&gt;&lt;br /&gt;1) &lt;em&gt;The Bridge on the River Kwai&lt;/em&gt; (1957)- 240 votes&lt;br /&gt;2) &lt;em&gt;Cat on a Hot Tin Roof&lt;/em&gt;- 221&lt;br /&gt;3) &lt;em&gt;Gigi&lt;/em&gt;- 210&lt;br /&gt;4) &lt;em&gt;Auntie Mame&lt;/em&gt;- 200&lt;br /&gt;5) &lt;em&gt;The Defiant Ones&lt;/em&gt;- 169&lt;br /&gt;6) &lt;em&gt;Witness for the Prosecution&lt;/em&gt; (1957)- 158&lt;br /&gt;7) &lt;em&gt;Separate Tables&lt;/em&gt;- 150&lt;br /&gt;8) &lt;em&gt;The Long Hot Summer&lt;/em&gt;- 93&lt;br /&gt;9) &lt;em&gt;The Young Lions&lt;/em&gt;- 89&lt;br /&gt;10) &lt;em&gt;the Big Country&lt;/em&gt;- 84&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;The Honor Roll:&lt;/strong&gt;&lt;br /&gt;11) &lt;em&gt;The Last Hurrah&lt;/em&gt;- 80 votes&lt;br /&gt;12) &lt;em&gt;The Brothers Karamazov&lt;/em&gt;- 76&lt;br /&gt;13) &lt;em&gt;Indiscreet&lt;/em&gt;- 73&lt;br /&gt;14) &lt;em&gt;Damn Yankees&lt;/em&gt;- 61&lt;br /&gt;15) &lt;em&gt;No Time For Sergeants&lt;/em&gt;- 60 &lt;br /&gt;16) &lt;em&gt;Me and the Colonel&lt;/em&gt;- 58&lt;br /&gt;17) &lt;em&gt;Teacher's Pet&lt;/em&gt;- 57 &lt;br /&gt;18) &lt;em&gt;A Farewell To Arms&lt;/em&gt;- 54&lt;br /&gt;19) &lt;em&gt;The Vikings&lt;/em&gt;- 50&lt;br /&gt;20) &lt;em&gt;Houseboat&lt;/em&gt;- 40&lt;br /&gt;21) &lt;em&gt;The Enemy Below&lt;/em&gt;- 38&lt;br /&gt;    &lt;em&gt;Vertigo&lt;/em&gt;- 38&lt;br /&gt;23) &lt;em&gt;The Key&lt;/em&gt;- 37&lt;br /&gt;24) &lt;em&gt;The Goddess&lt;/em&gt;- 36&lt;br /&gt;25) &lt;em&gt;The Matchmaker&lt;/em&gt;- 32&lt;br /&gt;26) &lt;em&gt;The Reluctant Debutante&lt;/em&gt;- 29&lt;br /&gt;27) &lt;em&gt;Gervaise&lt;/em&gt;- 26&lt;br /&gt;28) &lt;em&gt;The Bolshoi Ballet&lt;/em&gt;- 24&lt;br /&gt;29) &lt;em&gt;White Wilderness&lt;/em&gt;- 22&lt;br /&gt;30) &lt;em&gt;Wild is the Wind&lt;/em&gt;- 18&lt;br /&gt;31) &lt;em&gt;The Old Man and the Sea&lt;/em&gt;- 16&lt;br /&gt;32) &lt;em&gt;I Want to Live!&lt;/em&gt;- 15&lt;br /&gt;    &lt;em&gt;The Proud Rebel&lt;/em&gt;- 15&lt;br /&gt;34)&lt;em&gt; A Time to Love and a Time to Die&lt;/em&gt;- 12&lt;br /&gt;    &lt;em&gt;The Golden Age of Comedy&lt;/em&gt;- 12&lt;br /&gt;36) &lt;em&gt;Some Came Running&lt;/em&gt;- 11&lt;br /&gt;37) &lt;em&gt;The Inn of the Sixth Happiness&lt;/em&gt;- 10&lt;br /&gt;&lt;br /&gt;No vote counts given for the following, but I believe The Film Daily lists them in the order of preference:&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Best Performances By Male Stars&lt;/strong&gt;&lt;br /&gt;1) Alec Guinness in &lt;em&gt;The Bridge on the River Kwai&lt;/em&gt; (1957)&lt;br /&gt;2) Spencer Tracy in &lt;em&gt;The Last Hurrah&lt;/em&gt;&lt;br /&gt;3) Burl Ives in &lt;em&gt;Cat on a Hot Tin Roof&lt;/em&gt;&lt;br /&gt;4) Marlon Brando in &lt;em&gt;Sayonara&lt;/em&gt; (1957)&lt;br /&gt;5) Charles Laughton in &lt;em&gt;Witness for the Prosecution&lt;/em&gt; (1957)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Best Performances By Female Stars&lt;/strong&gt;&lt;br /&gt;1)Elizabeth Taylor in &lt;em&gt;Cat on a Hot Tin Roof&lt;/em&gt;&lt;br /&gt;2) Maria Schell in &lt;em&gt;Gervaise&lt;/em&gt; (1956)&lt;br /&gt;3) Kim Stanley in &lt;em&gt;The Goddess&lt;/em&gt;&lt;br /&gt;4) Leslie Caron in &lt;em&gt;Gigi&lt;/em&gt;&lt;br /&gt;5) Ingrid Bergman in &lt;em&gt;Indiscreet&lt;/em&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Best Male Supporting Performances&lt;/strong&gt;&lt;br /&gt;1) Red Buttons in &lt;em&gt;Sayonara&lt;/em&gt; (1957)&lt;br /&gt;2) Lee J. Cobb in &lt;em&gt;The Brothers Karamazov&lt;/em&gt;&lt;br /&gt;3) Sessue Hayakawa in &lt;em&gt;The Bridge on the River Kwai&lt;/em&gt; (1957)&lt;br /&gt;4) Vittorio de Sica in &lt;em&gt;A Farewell to Arms&lt;/em&gt; (1957)&lt;br /&gt;5) Ed Wynn in &lt;em&gt;Marjorie Morningstar&lt;/em&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Best Female Supporting Performances&lt;/strong&gt;&lt;br /&gt;1) Hope Lange in &lt;em&gt;Peyton Place&lt;/em&gt; (1957)&lt;br /&gt;2) Miyoshi Umeki in &lt;em&gt;Sayonara&lt;/em&gt; (1957)&lt;br /&gt;3) Elsa Lanchester in &lt;em&gt;Witness for the Prosecution&lt;/em&gt; (1957)&lt;br /&gt;4) Claire Trevor in &lt;em&gt;Marjorie Morningstar&lt;/em&gt;&lt;br /&gt;5) Carolyn Jones in &lt;em&gt;Marjorie Morningstar&lt;/em&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;The Year's Outstanding Directors&lt;/strong&gt;&lt;br /&gt;1) David Lean for &lt;em&gt;The Bridge on the River Kwai&lt;/em&gt;&lt;br /&gt;2) Stanley Kramer for &lt;em&gt;The Defiant Ones&lt;/em&gt;&lt;br /&gt;3) William Wyler for &lt;em&gt;The Big Country&lt;/em&gt;&lt;br /&gt;4) John Ford for &lt;em&gt;The Last Hurrah&lt;/em&gt;&lt;br /&gt;5) Richard Brooks for &lt;em&gt;Cat On a Hot Tin Roof&lt;/em&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;The Year's Best Photographed Pictures&lt;/strong&gt;&lt;br /&gt;1) Jack Hildyard for &lt;em&gt;The Bridge on the River Kwai&lt;/em&gt;&lt;br /&gt;2) Ellsworth Fredricks for &lt;em&gt;Sayonara&lt;/em&gt;&lt;br /&gt;3) Franz Planer for &lt;em&gt;The Big Country&lt;/em&gt;&lt;br /&gt;4) Joseph Ruttenberg for &lt;em&gt;Gigi&lt;/em&gt;&lt;br /&gt;5) Jack Cardiff for &lt;em&gt;The Vikings&lt;/em&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;The Year's Best Screenplays&lt;/strong&gt;&lt;br /&gt;1) Pierre Boulle (really Michael Wilson and Carl Foreman) for &lt;em&gt;The Bridge on the River Kwai&lt;/em&gt;&lt;br /&gt;2) Nathan E. Douglas and Harold Jacob Smith for &lt;em&gt;The Defiant Ones&lt;/em&gt;&lt;br /&gt;3) John Michael Hayes for &lt;em&gt;Peyton Place&lt;/em&gt;&lt;br /&gt;4) Richard Brooks and James Poe for &lt;em&gt;Cat On a Hot Tin Roof&lt;/em&gt;&lt;br /&gt;5) Paul Osborn for &lt;em&gt;Sayonara&lt;/em&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Best Performances By Male Juveniles&lt;/strong&gt;&lt;br /&gt;1) David Ladd in &lt;em&gt;The Proud Rebel&lt;/em&gt;&lt;br /&gt;2) Jon Provost in &lt;em&gt;Escapade in Japan&lt;/em&gt;&lt;br /&gt;3) Brandon de Wilde in &lt;em&gt;The Missouri Traveler&lt;/em&gt;&lt;br /&gt;4) James MacArthur in &lt;em&gt;The Light in the Forest&lt;/em&gt;&lt;br /&gt;5) Russ Tamblym in &lt;em&gt;Peyton Place&lt;/em&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Best Performances By Female Juveniles&lt;/strong&gt;&lt;br /&gt;1) Patty McCormack in &lt;em&gt;Kathy O'&lt;/em&gt;&lt;br /&gt;2) Carol Lynley in &lt;em&gt;The Light in the Forest&lt;/em&gt;&lt;br /&gt;3) Sandra Dee in &lt;em&gt;The Reluctant Debutante&lt;/em&gt;&lt;br /&gt;4) Mimi Gibson in &lt;em&gt;Houseboat&lt;/em&gt;&lt;br /&gt;5) Evelyn Rudie in &lt;em&gt;The Gift of Love&lt;/em&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;"Finds of the Year"&lt;/strong&gt;&lt;br /&gt;1) Maria Schell for &lt;em&gt;Gervaise&lt;/em&gt;&lt;br /&gt;2) Diane Varsi for &lt;em&gt;Peyton Place&lt;/em&gt;&lt;br /&gt;3) John Gavin for &lt;em&gt;A Time to Love and a Time to Die&lt;/em&gt;&lt;br /&gt;4) Gwen Verdon for &lt;em&gt;Damn Yankees&lt;/em&gt;&lt;br /&gt;5) Hope Lange for &lt;em&gt;Peyton Place&lt;/em&gt;&lt;br /&gt;&lt;br /&gt;The National Board of Review (Voting results announced in December, 1958)&lt;br /&gt;&lt;br /&gt;&lt;a href="http://4.bp.blogspot.com/_bzQchKv0KQA/SOld8FMcMqI/AAAAAAAAAcA/L4pVVX5spP0/s1600-h/The+Long+Hot+Summer.jpg"&gt;&lt;img id="BLOGGER_PHOTO_ID_5253833727072285346" style="DISPLAY: block; MARGIN: 0px auto 10px; CURSOR: hand; TEXT-ALIGN: center" alt="" src="http://4.bp.blogspot.com/_bzQchKv0KQA/SOld8FMcMqI/AAAAAAAAAcA/L4pVVX5spP0/s400/The+Long+Hot+Summer.jpg" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;strong&gt;The Top Ten Pictures&lt;/strong&gt; (in order of preference)&lt;br /&gt;1) &lt;em&gt;The Old Man and the Sea&lt;/em&gt;&lt;br /&gt;2) &lt;em&gt;Separate Tables&lt;/em&gt;&lt;br /&gt;3) &lt;em&gt;The Last Hurrah&lt;/em&gt;&lt;br /&gt;4) &lt;em&gt;The Long Hot Summer&lt;/em&gt;&lt;br /&gt;5) &lt;em&gt;Windjammer&lt;/em&gt;&lt;br /&gt;6) &lt;em&gt;Cat on a Hot Tin Roof&lt;/em&gt;&lt;br /&gt;7) &lt;em&gt;The Goddess&lt;/em&gt;&lt;br /&gt;8) &lt;em&gt;The Brothers Karamazov&lt;/em&gt;&lt;br /&gt;9) &lt;em&gt;Me and the Colonel&lt;/em&gt;&lt;br /&gt;10) &lt;em&gt;Gigi&lt;/em&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Best Director&lt;/strong&gt;&lt;br /&gt;John Ford for &lt;em&gt;The Last Hurrah&lt;/em&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Best Actor&lt;/strong&gt;&lt;br /&gt;Spencer Tracy in &lt;em&gt;The Old Man and the Sea&lt;/em&gt; and &lt;em&gt;The Last Hurrah&lt;/em&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Best Actress&lt;/strong&gt;&lt;br /&gt;Ingrid Bergman in &lt;em&gt;The Inn of the Sixth Happiness&lt;/em&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Best Supporting Actor&lt;/strong&gt;&lt;br /&gt;Albert Salmi in &lt;em&gt;The Brothers Karamazov&lt;/em&gt; and &lt;em&gt;The Bravados&lt;/em&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Best Supporting Actress&lt;/strong&gt;&lt;br /&gt;Kay Walsh in &lt;em&gt;The Horse's Mouth&lt;/em&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Best Foreign Film&lt;/strong&gt; (in order of preference)&lt;br /&gt;1) &lt;em&gt;Pather Panchali&lt;/em&gt; (India)&lt;br /&gt;2) &lt;em&gt;The Red and the Black&lt;/em&gt; (France)&lt;br /&gt;3) &lt;em&gt;The Horse's Mouth&lt;/em&gt; (U.K.)&lt;br /&gt;4) &lt;em&gt;Mon Uncle&lt;/em&gt; (France)&lt;br /&gt;5) &lt;em&gt;A Night to Remember&lt;/em&gt; (U.K.)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Special Citation&lt;/strong&gt;&lt;br /&gt;Robert Donat in &lt;em&gt;The Inn of the Sixth Happiness&lt;/em&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;The New York Film Critics&lt;/strong&gt; (Winners were announced on December 30, 1958. Awards were presented on January 24, 1959)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Best Picture&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;The Defiant Ones&lt;/em&gt;- 10 votes on the third ballot&lt;br /&gt;Runner up: &lt;em&gt;Separate Tables&lt;/em&gt;- 5 votes&lt;br /&gt;&lt;br /&gt;On the first ballot, &lt;em&gt;The Defiant Ones&lt;/em&gt; had 5 votes, and &lt;em&gt;Tables&lt;/em&gt;, &lt;em&gt;The Horse's Mouth&lt;/em&gt;, &lt;em&gt;The Last Hurrah&lt;/em&gt;, and &lt;em&gt;Gigi&lt;/em&gt; had 2 votes. &lt;em&gt;Hot Spell&lt;/em&gt; was also mentioned, so I'm assuming it may have gathered the remaining 2 votes on the first ballot.  &lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Best Director&lt;/strong&gt;&lt;br /&gt;Stanley Kramer for &lt;em&gt;The Defiant Ones&lt;/em&gt;- 10 votes on the fourth ballot&lt;br /&gt;Runners up:&lt;br /&gt;Delbert Mann for &lt;em&gt;Separate Tables&lt;/em&gt;- 4 votes&lt;br /&gt;Richard Brooks for &lt;em&gt;Cat On a Hot Tin Roof&lt;/em&gt;- 1 vote&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Best Actor&lt;/strong&gt;&lt;br /&gt;David Niven in &lt;em&gt;Separate Tables&lt;/em&gt;- 8 votes on the sixth and final ballot&lt;br /&gt;Runner Up: Alec Guinnes in &lt;em&gt;The Horse's Mouth&lt;/em&gt;- 7 votes&lt;br /&gt;&lt;br /&gt;Others receiving votes on earlier ballots: Spencer Tracy in &lt;em&gt;The Old Man and the Sea&lt;/em&gt; and &lt;em&gt;The Last Hurrah&lt;/em&gt;, Anthony Quinn in &lt;em&gt;Hot Spell&lt;/em&gt; and Sidney Poitier in &lt;em&gt;The Defiant Ones&lt;/em&gt;.&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Best Actress&lt;/strong&gt;&lt;br /&gt;Susan Hayward in &lt;em&gt;I Want to Live!&lt;/em&gt;- 10 votes on the fourth ballot&lt;br /&gt;Runner up: Shirley Booth in &lt;em&gt;Hot Spell&lt;/em&gt; and &lt;em&gt;The Matchmaker&lt;/em&gt;- 5 votes &lt;br /&gt;&lt;br /&gt;Others receiving votes on earlier ballots: Kim Stanley in &lt;em&gt;The Goddess&lt;/em&gt;, Rosalind Russell in &lt;em&gt;Auntie Mame&lt;/em&gt;, Jean Simmons in &lt;em&gt;The Big Country&lt;/em&gt;, Elizabeth Taylor in &lt;em&gt;Cat On a Hot Tin Roof&lt;/em&gt; and Joanne Woodward in &lt;em&gt;The Long, Hot Summer&lt;/em&gt;.&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Best Screenplay&lt;/strong&gt;&lt;br /&gt;Nathan E. Douglas and Harold Jacob Smith for &lt;em&gt;The Defiant Ones&lt;/em&gt;- sixth ballot (no vote tally)&lt;br /&gt;Runner up:&lt;br /&gt;Terence Rattigan and John Gay for &lt;em&gt;Separate Tables&lt;/em&gt;&lt;br /&gt;&lt;br /&gt;Paddy Chayefsky for &lt;em&gt;The Goddess&lt;/em&gt; also was mentioned on earlier ballots.&lt;br /&gt; &lt;br /&gt;&lt;strong&gt;Best Foreign Film&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;Mon Uncle&lt;/em&gt; (France)- sixth ballot (no vote tally)&lt;br /&gt;Runners up: &lt;em&gt;He Who Must Die&lt;/em&gt; and &lt;em&gt;Panther Panchali&lt;/em&gt;&lt;br /&gt;&lt;br /&gt;&lt;a href="http://3.bp.blogspot.com/_bzQchKv0KQA/SOl8jCr3v9I/AAAAAAAAAcY/mss_hpMaBn4/s1600-h/I+Want+to+Live!.jpg"&gt;&lt;img style="display:block; margin:0px auto 10px; text-align:center;cursor:pointer; cursor:hand;" src="http://3.bp.blogspot.com/_bzQchKv0KQA/SOl8jCr3v9I/AAAAAAAAAcY/mss_hpMaBn4/s400/I+Want+to+Live!.jpg" border="0" alt=""id="BLOGGER_PHOTO_ID_5253867381762539474" /&gt;&lt;/a&gt;&lt;br /&gt;The Golden Globes (Nominations were announced on January 25, 1959. Awards were presented on March 5, 1959).&lt;br /&gt;&lt;br /&gt;Winners are listed in bold print&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Best Drama&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;Cat on a Hot Tin Roof&lt;/em&gt;&lt;br /&gt;&lt;strong&gt;&lt;em&gt;The Defiant Ones&lt;/em&gt;&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;Home Before Dark&lt;/em&gt;&lt;br /&gt;&lt;em&gt;I Want to Live!&lt;/em&gt;&lt;br /&gt;&lt;em&gt;Separate Tables&lt;/em&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Best Comedy&lt;/strong&gt;&lt;br /&gt;&lt;strong&gt;&lt;em&gt;Auntie Mame&lt;/em&gt;&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;Bell, Book, and Candle&lt;/em&gt;&lt;br /&gt;&lt;em&gt;Indiscreet&lt;/em&gt;&lt;br /&gt;&lt;em&gt;Me and the Colonel&lt;/em&gt;&lt;br /&gt;&lt;em&gt;The Perfect Furlough&lt;/em&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Best Musical&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;Damn Yankees&lt;/em&gt;&lt;br /&gt;&lt;strong&gt;&lt;em&gt;Gigi&lt;/em&gt;&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;South Pacific&lt;/em&gt;&lt;br /&gt;&lt;em&gt;Tom Thumb&lt;/em&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Best Motion Picture Promoting International Understanding&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;The Defiant Ones&lt;/em&gt;&lt;br /&gt;&lt;strong&gt;&lt;em&gt;The Inn of the Sixth Happiness&lt;/em&gt;&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;Me and the Colonel&lt;/em&gt;&lt;br /&gt;&lt;em&gt;A Time to Live and a Time to Die&lt;/em&gt;&lt;br /&gt;&lt;em&gt;The Young Lions&lt;/em&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Best Director&lt;/strong&gt;&lt;br /&gt;Richard Brooks for &lt;em&gt;Cat on a Hot Tin Roof&lt;/em&gt;&lt;br /&gt;Stanley Kramer for &lt;em&gt;The Defiant Ones&lt;/em&gt;&lt;br /&gt;Delbert Mann for &lt;em&gt;Separate Tables&lt;/em&gt;&lt;br /&gt;&lt;strong&gt;Vincente Minnelli for &lt;em&gt;Gigi&lt;/em&gt;&lt;/strong&gt;&lt;br /&gt;Robert Wise for &lt;em&gt;I Want to Live!&lt;/em&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Best Actor, Drama&lt;/strong&gt;&lt;br /&gt;Tony Curtis in &lt;em&gt;The Defiant Ones&lt;/em&gt;&lt;br /&gt;Robert Donat in &lt;em&gt;The Inn of the Sixth Happiness&lt;/em&gt;&lt;br /&gt;&lt;strong&gt;David Niven in &lt;em&gt;Separate Tables&lt;/em&gt;&lt;/strong&gt;&lt;br /&gt;Sidney Poitier in &lt;em&gt;The Defiant Ones&lt;/em&gt;&lt;br /&gt;Spenmcer Tracy in &lt;em&gt;The Old Man and the Sea&lt;/em&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Best Actress, Drama&lt;/strong&gt;&lt;br /&gt;Ingrid Bergman in &lt;em&gt;The Inn of the Sixth Happiness&lt;/em&gt;&lt;br /&gt;&lt;strong&gt;Susan Hayward in &lt;em&gt;I Want to Live!&lt;/em&gt;&lt;/strong&gt;&lt;br /&gt;Deborah Kerr in &lt;em&gt;Separate Tables&lt;/em&gt;&lt;br /&gt;Shirley MacLaine in &lt;em&gt;Some Came Running&lt;/em&gt;&lt;br /&gt;Jean Simmons in &lt;em&gt;Home Before Dark&lt;/em&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Best Actor, Comedy or Musical&lt;/strong&gt;&lt;br /&gt;Maurice Chevalier in &lt;em&gt;Gigi&lt;/em&gt;&lt;br /&gt;Clark Gable in &lt;em&gt;Teacher's Pet&lt;/em&gt;&lt;br /&gt;Cary Grant in &lt;em&gt;Indiscreet&lt;/em&gt;&lt;br /&gt;Louis Jourdan in &lt;em&gt;Gigi&lt;/em&gt;&lt;br /&gt;&lt;strong&gt;Danny Kaye in &lt;em&gt;Me and the Colonel&lt;/em&gt;&lt;/strong&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Best Actress, Comedy or Musical&lt;/strong&gt;&lt;br /&gt;Ingrid Bergman in &lt;em&gt;Indiscreet&lt;/em&gt;&lt;br /&gt;Leslie Caron in &lt;em&gt;Gigi&lt;/em&gt;&lt;br /&gt;Doris Day in &lt;em&gt;The Tunnel of Love&lt;/em&gt;&lt;br /&gt;Mitzi Gaynor in &lt;em&gt;South Pacific&lt;/em&gt;&lt;br /&gt;&lt;strong&gt;Rosalind Russell in &lt;em&gt;Auntie Mame&lt;/em&gt;&lt;/strong&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Best Supporting Actor&lt;/strong&gt;&lt;br /&gt;Harry Guardino in &lt;em&gt;Houseboat&lt;/em&gt;&lt;br /&gt;&lt;strong&gt;Burl Ives in &lt;em&gt;The Big Country&lt;/em&gt;&lt;/strong&gt;&lt;br /&gt;David Ladd in &lt;em&gt;The Proud Rebel&lt;/em&gt;&lt;br /&gt;Gig Young in &lt;em&gt;Teacher's Pet&lt;/em&gt;&lt;br /&gt;Efrem Zimbalist, Jr. in &lt;em&gt;Home Before Dark&lt;/em&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Best Supporting Actress&lt;/strong&gt;&lt;br /&gt;Peggy Cass in &lt;em&gt;Auntie Mame&lt;/em&gt;&lt;br /&gt;&lt;strong&gt;Hermione Gingold in &lt;em&gt;Gigi&lt;/em&gt;&lt;/strong&gt;&lt;br /&gt;Wendy Hiller in &lt;em&gt;Separate Tables&lt;/em&gt;&lt;br /&gt;Maureen Stapleton in &lt;em&gt;Lonelyhearts&lt;/em&gt;&lt;br /&gt;Cara Williams in &lt;em&gt;The Defiant Ones&lt;/em&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Best Foreign Films&lt;/strong&gt;&lt;br /&gt;&lt;strong&gt;&lt;em&gt;The Girl and the River&lt;/em&gt;&lt;/strong&gt; (France)&lt;br /&gt;&lt;strong&gt;&lt;em&gt;The Girl Rosemarie&lt;/em&gt;&lt;/strong&gt; (Germany)&lt;br /&gt;&lt;em&gt;A Night to Remember&lt;/em&gt; (U.K.)&lt;br /&gt;&lt;strong&gt;&lt;em&gt;The Road a Year Long&lt;/em&gt;&lt;/strong&gt; (Yugoslavia)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Samuel Goldwyn International Award&lt;/strong&gt;&lt;br /&gt;Two Eyes, Twelve Hands (India)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;World Film Favorites&lt;/strong&gt;&lt;br /&gt;Rock Hudson&lt;br /&gt;Deborah Kerr&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Most Promising Newcomer- Male&lt;/strong&gt; &lt;br /&gt;&lt;strong&gt;Bradford Dillmann&lt;/strong&gt;&lt;br /&gt;&lt;strong&gt;John Gavin&lt;/strong&gt;&lt;br /&gt;&lt;strong&gt;Efrem Zimbalist, Jr.&lt;/strong&gt;&lt;br /&gt;Daivid Ladd&lt;br /&gt;Ricky Nelson&lt;br /&gt;Ray Stricklyn&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Most Promising Newcomer- Female&lt;/strong&gt;&lt;br /&gt;&lt;strong&gt;Linda Cristal&lt;/strong&gt;&lt;br /&gt;&lt;strong&gt;Susan Kohner&lt;/strong&gt;&lt;br /&gt;&lt;strong&gt;Tina Louise&lt;/strong&gt;&lt;br /&gt;Joanna Barnes&lt;br /&gt;Carol Lynley&lt;br /&gt;France Nuyen&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Cecil B. DeMille Award&lt;/strong&gt;&lt;br /&gt;Maurice Chevalier&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Special Achievement Award&lt;/strong&gt;&lt;br /&gt;David Ladd (Best Juvenile)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;The Academy Awards&lt;/strong&gt; (Nominations announced February 23, 1959. Awards presented on April 6, 1959)&lt;br /&gt;&lt;br /&gt;&lt;a href="http://2.bp.blogspot.com/_bzQchKv0KQA/SOleEsLgUeI/AAAAAAAAAcI/akAEwxsk1F8/s1600-h/Gigi.jpg"&gt;&lt;img id="BLOGGER_PHOTO_ID_5253833874976297442" style="DISPLAY: block; MARGIN: 0px auto 10px; CURSOR: hand; TEXT-ALIGN: center" alt="" src="http://2.bp.blogspot.com/_bzQchKv0KQA/SOleEsLgUeI/AAAAAAAAAcI/akAEwxsk1F8/s400/Gigi.jpg" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;strong&gt;Best Picture&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;Auntie Mame&lt;/em&gt;&lt;br /&gt;&lt;em&gt;Cat on a Hot Tin Roof&lt;/em&gt;&lt;br /&gt;&lt;em&gt;The Defiant Ones&lt;/em&gt;&lt;br /&gt;&lt;strong&gt;&lt;em&gt;Gigi&lt;/em&gt;&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;Separate Tables&lt;/em&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Best Director&lt;/strong&gt;&lt;br /&gt;Richard Brooks for &lt;em&gt;Cat on a Hot Tin Roof&lt;/em&gt;&lt;br /&gt;Stanley Kramer for &lt;em&gt;The Defiant Ones&lt;/em&gt;&lt;br /&gt;&lt;strong&gt;Vincente Minnelli for &lt;em&gt;Gigi&lt;/em&gt;&lt;/strong&gt;&lt;br /&gt;Mark Robson for &lt;em&gt;The Inn of the Sixth Happiness&lt;/em&gt;&lt;br /&gt;Robert Wise for &lt;em&gt;I Want to Live!&lt;/em&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Best Actor&lt;/strong&gt;&lt;br /&gt;Tony Curtis in &lt;em&gt;The Defiant Ones&lt;/em&gt;&lt;br /&gt;Paul Newman in &lt;em&gt;Cat on a Hot Tin Roof&lt;/em&gt;&lt;br /&gt;&lt;strong&gt;David Niven in &lt;em&gt;Separate Tables&lt;/em&gt;&lt;/strong&gt;&lt;br /&gt;Sidney Poitier in &lt;em&gt;The Defiant Ones&lt;/em&gt;&lt;br /&gt;Spencer Tracy in &lt;em&gt;The Old Man and the Sea&lt;/em&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Best Actress&lt;/strong&gt;&lt;br /&gt;&lt;strong&gt;Susan Hayward in &lt;em&gt;I Want to Live!&lt;/em&gt;&lt;/strong&gt;&lt;br /&gt;Deborah Kerr in &lt;em&gt;Separate Tables&lt;/em&gt;&lt;br /&gt;Shirley MacLaine in &lt;em&gt;Some Came Running&lt;/em&gt;&lt;br /&gt;Rosalind Russell in &lt;em&gt;Auntie Mame&lt;/em&gt;&lt;br /&gt;Elizabeth Taylor in &lt;em&gt;Cat on a Hot Tin Roof&lt;/em&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Best Supporting Actor&lt;/strong&gt;&lt;br /&gt;Theodore Bikel in &lt;em&gt;The Defiant Ones&lt;/em&gt;&lt;br /&gt;Lee J. Cobb in &lt;em&gt;The Brothers Karamazov&lt;/em&gt;&lt;br /&gt;&lt;strong&gt;Burl Ives in &lt;em&gt;The Big Country&lt;/em&gt;&lt;/strong&gt;&lt;br /&gt;Arthur Kennedy in &lt;em&gt;Some Came Running&lt;/em&gt;&lt;br /&gt;Gig Young in &lt;em&gt;Teacher's Pet&lt;/em&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Best Supporting Actress&lt;/strong&gt;&lt;br /&gt;Peggy Cass in &lt;em&gt;Auntie Mame&lt;/em&gt;&lt;br /&gt;&lt;strong&gt;Wendy Hiller in &lt;em&gt;Separate Tables&lt;/em&gt;&lt;/strong&gt;&lt;br /&gt;Martha Hyer in &lt;em&gt;Some Came Running&lt;/em&gt;&lt;br /&gt;Maureen Stapleton in &lt;em&gt;Lonelyhearts&lt;/em&gt;&lt;br /&gt;Cara Williams in &lt;em&gt;The Defiant Ones&lt;/em&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Best Adapted Screenplay&lt;/strong&gt;&lt;br /&gt;Richard Brooks and James Poe for &lt;em&gt;Cat on a Hot Tin Roof&lt;/em&gt;&lt;br /&gt;&lt;strong&gt;Alan Jay Lerner for &lt;em&gt;Gigi&lt;/em&gt;&lt;/strong&gt;&lt;br /&gt;Alec Guinness for &lt;em&gt;The Horse's Mouth&lt;/em&gt;&lt;br /&gt;Nelson Gidding and Don Mankiewicz for &lt;em&gt;I Want to Live!&lt;/em&gt;&lt;br /&gt;Terence Rattigan and john Gay for &lt;em&gt;Separate Tables&lt;/em&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Best Original Screenplay&lt;/strong&gt;&lt;br /&gt;&lt;strong&gt;Nathan E. Douglas and Harold Jacob Smith for &lt;em&gt;The Defiant Ones&lt;/em&gt;&lt;/strong&gt;&lt;br /&gt;Paddy Chayefsky for &lt;em&gt;The Goddess&lt;/em&gt;&lt;br /&gt;Melville Shavelson and Jack Rose for &lt;em&gt;Houseboat&lt;/em&gt;&lt;br /&gt;James Edward Grant and William Bowers for &lt;em&gt;The Sheepman&lt;/em&gt;&lt;br /&gt;Fay and Michael Kanin for &lt;em&gt;Teacher's Pet&lt;/em&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Best Cinematography- Black-and-White&lt;/strong&gt;&lt;br /&gt;&lt;strong&gt;Sam Leavitt for &lt;em&gt;The Defiant Ones&lt;/em&gt;&lt;/strong&gt;&lt;br /&gt;Daniel L. Fapp for &lt;em&gt;Desire Under the Elms&lt;/em&gt;&lt;br /&gt;Lionel Lindon for &lt;em&gt;I Want to Live!&lt;/em&gt;&lt;br /&gt;Charles Lang, Jr. for &lt;em&gt;Separate Tables&lt;/em&gt;&lt;br /&gt;Joe MacDonald for &lt;em&gt;The Young Lions&lt;/em&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Best Cinematography- Color&lt;/strong&gt;&lt;br /&gt;Harry Stradling, Jr. for &lt;em&gt;Auntie Mame&lt;/em&gt;&lt;br /&gt;William Daniels for &lt;em&gt;Cat on a Hot Tin Roof&lt;/em&gt;&lt;br /&gt;&lt;strong&gt;Joseph Ruttenberg for &lt;em&gt;Gigi&lt;/em&gt;&lt;/strong&gt;&lt;br /&gt;James Wong Howe for &lt;em&gt;The Old Man and the Sea&lt;/em&gt;&lt;br /&gt;Leon Shamroy for &lt;em&gt;South Pacific&lt;/em&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Art Direction-Set Direction&lt;/strong&gt;&lt;br /&gt;Malcolm Bert; James Hopkins for &lt;em&gt;Auntie Mame&lt;/em&gt;&lt;br /&gt;Cary Odell; Louis Diage for &lt;em&gt;Bell, Book, and Candle&lt;/em&gt;&lt;br /&gt;Lyle R. Wheeler and John DeCuir; Walter M. Scott and Paul S. Fox for &lt;em&gt;A Certain Smile&lt;/em&gt;&lt;br /&gt;&lt;strong&gt;William A. Horning and Preston Ames; Henry Grace and Keogh Gleason for &lt;em&gt;Gigi&lt;/em&gt;&lt;/strong&gt;&lt;br /&gt;Hal Pereira and Henry Bumstead; Sam Comer and Frank McKelvy for &lt;em&gt;Vertigo&lt;/em&gt;..&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Sound&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;I Want to Live!&lt;/em&gt; Samuel Goldwyn Studios Sound Department; Gordon E. Sawyer, sound director&lt;br /&gt;&lt;strong&gt;&lt;em&gt;South Pacific&lt;/em&gt; Todd-AO Sound Department; Fred Hynes, sound director&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;A Time to Love and a Time to Die&lt;/em&gt; Universal-International Studio Sound Department; Leslie I. Carey, sound director&lt;br /&gt;&lt;em&gt;Vertigo&lt;/em&gt; Paramount Studio Sound Department; George Dutton, sound director.&lt;br /&gt;&lt;em&gt;The Young Lions&lt;/em&gt; 20th Century-Fox Studio Sound Department; Carl Faulkner, sound director&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Best Song&lt;/strong&gt;&lt;br /&gt;"Almost in Your Arms" from &lt;em&gt;Houseboat&lt;/em&gt;. Music and Lyrics by Jay Livingston and Ray Evans&lt;br /&gt;"A Certain Smile" from &lt;em&gt;A Certain Smile&lt;/em&gt;. Music by Sammy Fain. Lyrics by Paul Francis Webster&lt;br /&gt;&lt;strong&gt;"Gigi" from &lt;em&gt;Gigi&lt;/em&gt;. Music by Frederick Loewe. Lyrics by Alan Jay Lerner&lt;/strong&gt;&lt;br /&gt;"To Love and Be Loved" from &lt;em&gt;Some Came Running&lt;/em&gt;. Music by James Van Heusen. Lyrics by Sammy Cahn&lt;br /&gt;"A Very Precious Love" from &lt;em&gt;Marjorie Morningstar&lt;/em&gt;. Music by Sammy Fain. Lyrics by Paul Francis Webster&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Best Scoring of a Dramatic or Comedy Picture&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;The Big Country&lt;/em&gt; Jerome Moross&lt;br /&gt;&lt;strong&gt;&lt;em&gt;The Old Man and the Sea&lt;/em&gt; Dimitri Tiomkin&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;Separate Tables&lt;/em&gt; David Raksin&lt;br /&gt;&lt;em&gt;White Wilderness&lt;/em&gt; Oliver Wallace&lt;br /&gt;&lt;em&gt;The Young Lions&lt;/em&gt; Hugo Friedhofer&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Best Scoring of a Musical Picture&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;The Bolshoi Ballet&lt;/em&gt; Yuri Faier and G. Rozhdestvensky&lt;br /&gt;&lt;em&gt;Damn Yankees&lt;/em&gt; Ray Heindorf&lt;br /&gt;&lt;strong&gt;&lt;em&gt;Gigi&lt;/em&gt; Andre Previn&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;Mardi Gras&lt;/em&gt; Lionel Newman&lt;br /&gt;&lt;em&gt;South Pacific&lt;/em&gt; Alfred Newman and Ken Darby&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Best Film Editing&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;Auntie Mame&lt;/em&gt; William Ziegler&lt;br /&gt;&lt;em&gt;Cowboy&lt;/em&gt; William A. Lyon and Al Clark&lt;br /&gt;&lt;em&gt;The Defiant Ones&lt;/em&gt; Frederick Knudtson&lt;br /&gt;&lt;strong&gt;&lt;em&gt;Gigi&lt;/em&gt; Adrienne Fazan&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;I Want to Live!&lt;/em&gt; William Hornbeck&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Best Costume Design&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;Bell, Book and Candle&lt;/em&gt; Jean Louis&lt;br /&gt;&lt;em&gt;The Buccaneer&lt;/em&gt; Ralph Jester, Edith Head and John Jensen&lt;br /&gt;&lt;em&gt;A Certain Smile&lt;/em&gt; Charles LeMaire and Mary Wills&lt;br /&gt;&lt;strong&gt;&lt;em&gt;Gigi&lt;/em&gt; Cecil Beaton&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;Some Came Running&lt;/em&gt; Walter Plunkett&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Best Special Effects&lt;/strong&gt;&lt;br /&gt;&lt;strong&gt;&lt;em&gt;tom thumb&lt;/em&gt; Tom Howard&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;Torpedo Run&lt;/em&gt; Arnold Gillespie; Harold Humbrock&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Best Short Subject Cartoon&lt;/strong&gt;&lt;br /&gt;&lt;strong&gt;&lt;em&gt;Knighty Knight Bugs&lt;/em&gt; John W. Burton, producer&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;Paul Bunyan&lt;/em&gt; Walt Disney, producer&lt;br /&gt;&lt;em&gt;Sidney's Family Tree&lt;/em&gt; William M. Weiss, producer&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Best Live Action Short Subject&lt;/strong&gt;&lt;br /&gt;&lt;strong&gt;&lt;em&gt;Grand Canyon&lt;/em&gt; Walt Disney, producer&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;Journey into Spring&lt;/em&gt; Ian Ferguson, producer&lt;br /&gt;&lt;em&gt;The Kiss&lt;/em&gt; John Patrick Hayes, producer&lt;br /&gt;&lt;em&gt;Snows of Aorangi&lt;/em&gt; George Brest, producer&lt;br /&gt;&lt;em&gt;T is for Tumbleweed&lt;/em&gt; James A. Lebenthal, producer&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Best Documentary Short Subject&lt;/strong&gt;&lt;br /&gt;&lt;strong&gt;&lt;em&gt;AMA Girls&lt;/em&gt; Ben Sharpsteen, producer&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;Employees Only&lt;/em&gt; Kenneth G. Brown, producer&lt;br /&gt;&lt;em&gt;Journey into Spring&lt;/em&gt; Ian Ferguson, producer&lt;br /&gt;&lt;em&gt;The Living Stone&lt;/em&gt; Tom Daly, producer&lt;br /&gt;&lt;em&gt;Overture&lt;/em&gt; Thorold Dickinson, producer&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Best Documentary Feature&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;Antarctic Crossing&lt;/em&gt; James Carr, producer&lt;br /&gt;&lt;em&gt;The Hidden World&lt;/em&gt; Robert Snyder, producer&lt;br /&gt;&lt;em&gt;Psychiatric Nursing&lt;/em&gt; Nathan Zucker, producer&lt;br /&gt;&lt;strong&gt;&lt;em&gt;White Wilderness&lt;/em&gt; Ben Sharpsteen, producer&lt;/strong&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Best Foreign Language Film&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;Arms and the Man&lt;/em&gt; (Germany)&lt;br /&gt;&lt;em&gt;La Venganza&lt;/em&gt; (Spain)&lt;br /&gt;&lt;strong&gt;&lt;em&gt;Mon Uncle&lt;/em&gt; (France)&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;The Road a Year Long&lt;/em&gt; (Yugoslavia)&lt;br /&gt;&lt;em&gt;Big Deal on Madonna Street&lt;/em&gt; (a.k.a. &lt;em&gt;The Usual Unidentified Thieves&lt;/em&gt;)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Irving G. Thalberg Memorial Award&lt;/strong&gt;&lt;br /&gt;Jack L. Warner&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Honorary Award&lt;/strong&gt;&lt;br /&gt;Maurice Chevalier for his contributions to the world of entertainment for more than half a century (stauette)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;The 1958 British Academy Awards&lt;/strong&gt; (Source: Bo Smith- &lt;em&gt;The BAFTA Film Awards&lt;/em&gt;, 1989)&lt;br /&gt;&lt;br /&gt;&lt;a href="http://1.bp.blogspot.com/_bzQchKv0KQA/SRvl4VI6VZI/AAAAAAAAAp0/pSyvOpzE4gQ/s1600-h/Room+at+the+Top.jpg"&gt;&lt;img style="display:block; margin:0px auto 10px; text-align:center;cursor:pointer; cursor:hand;width: 400px; height: 323px;" src="http://1.bp.blogspot.com/_bzQchKv0KQA/SRvl4VI6VZI/AAAAAAAAAp0/pSyvOpzE4gQ/s400/Room+at+the+Top.jpg" border="0" alt=""id="BLOGGER_PHOTO_ID_5268056945049884050" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;strong&gt;Best Film From Any Source and Best British Film&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;Cat on a Hot Tin Roof&lt;/em&gt; (U.S.)&lt;br /&gt;&lt;em&gt;The Cranes are Flying&lt;/em&gt; (USSR)&lt;br /&gt;&lt;em&gt;The Defiant Ones&lt;/em&gt; (U.S.)&lt;br /&gt;&lt;em&gt;Ice Cold in Alex&lt;/em&gt; (Great Britain)&lt;br /&gt;&lt;em&gt;Indiscreet&lt;/em&gt; (G.B.)&lt;br /&gt;&lt;em&gt;Nights of Cabiria&lt;/em&gt; (&lt;em&gt;Notti di Cabiria&lt;/em&gt;) (Italy)&lt;br /&gt;&lt;em&gt;No Down Payment&lt;/em&gt; (U.S.)&lt;br /&gt;&lt;em&gt;Orders to Kill&lt;/em&gt; (G.B.)&lt;br /&gt;&lt;strong&gt;&lt;em&gt;Room at the Top&lt;/em&gt; (G.B.)- won both awards&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;Sea of Sand&lt;/em&gt; (G.B.)&lt;br /&gt;&lt;em&gt;The Sheepman&lt;/em&gt; (U.S.)&lt;br /&gt;&lt;em&gt;The Unvanquished&lt;/em&gt; (&lt;em&gt;Aparajito&lt;/em&gt;) (India)&lt;br /&gt;&lt;em&gt;Wild Strawberries&lt;/em&gt; (Sweden)&lt;br /&gt;&lt;em&gt;The Young Lions&lt;/em&gt; (U.S.)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Best British Actor&lt;/strong&gt;&lt;br /&gt;Michael Craig in &lt;em&gt;Sea of Sand&lt;/em&gt;&lt;br /&gt;Laurence Harvey in &lt;em&gt;Room at the Top&lt;/em&gt;&lt;br /&gt;&lt;strong&gt;Trevor Howard in &lt;em&gt;The Key&lt;/em&gt;&lt;/strong&gt;&lt;br /&gt;I.S. Johar in &lt;em&gt;Harry Black&lt;/em&gt;&lt;br /&gt;Anthony Quayle in &lt;em&gt;Ice Cold in Alex&lt;/em&gt;&lt;br /&gt;Terry-Thomas in &lt;em&gt;tom thumb&lt;/em&gt;&lt;br /&gt;Donald Wolfit in &lt;em&gt;Room at the Top&lt;/em&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Best British Actress&lt;/strong&gt;&lt;br /&gt;Hermione Baddeley in &lt;em&gt;Room at the Top&lt;/em&gt;&lt;br /&gt;Karuna Banerji in &lt;em&gt;The Unvanquished&lt;/em&gt; (&lt;em&gt;Aparajito&lt;/em&gt;)&lt;br /&gt;Virginia McKenna in &lt;em&gt;Carve Her Name With Pride&lt;/em&gt;&lt;br /&gt;&lt;strong&gt;Irene Worth in &lt;em&gt;Orders to Kill&lt;/em&gt;&lt;/strong&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Best Foreign Actor&lt;/strong&gt;&lt;br /&gt;Marlon Brando in &lt;em&gt;The Young Lions&lt;/em&gt;&lt;br /&gt;Tony Curtis in &lt;em&gt;The Defiant Ones&lt;/em&gt;&lt;br /&gt;Glenn Ford in &lt;em&gt;The Sheepman&lt;/em&gt;&lt;br /&gt;Curt Jurgens in &lt;em&gt;The Enemy Below&lt;/em&gt; or &lt;em&gt;The Inn of the Sixth Happiness&lt;/em&gt;&lt;br /&gt;Charles Laughton in &lt;em&gt;Witness for the Prosecution&lt;/em&gt;&lt;br /&gt;Paul Newman in &lt;em&gt;Cat on a Hot Tin Roof&lt;/em&gt;&lt;br /&gt;&lt;strong&gt;Sidney Poitier in &lt;em&gt;The Defiant Ones&lt;/em&gt;&lt;/strong&gt;&lt;br /&gt;Victor Sjostrom in &lt;em&gt;Wild Strawberries&lt;/em&gt;&lt;br /&gt;Spencer Tracy in &lt;em&gt;The Last Hurrah&lt;/em&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Best Foreign Actress&lt;/strong&gt;&lt;br /&gt;Ingrid Bergman in &lt;em&gt;The Inn of the Sixth Happiness&lt;/em&gt;&lt;br /&gt;Anna Magnani in &lt;em&gt;Wild is the Wind&lt;/em&gt;&lt;br /&gt;Giulietta Masina in &lt;em&gt;Nights of Cabiria&lt;/em&gt; (&lt;em&gt;Notti di Cabiria&lt;/em&gt;)&lt;br /&gt;Tatyana Samoilova in &lt;em&gt;The Cranes are Flying&lt;/em&gt;&lt;br /&gt;&lt;strong&gt;Simone Signoret in &lt;em&gt;Room at the Top&lt;/em&gt;&lt;/strong&gt;&lt;br /&gt;Elizabeth Taylor in &lt;em&gt;Cat on a Hot Tin Roof&lt;/em&gt;&lt;br /&gt;Joanne Woodward in &lt;em&gt;No Down Payment&lt;/em&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Most Promising Newcomer&lt;/strong&gt;&lt;br /&gt;Red Buttons in &lt;em&gt;Sayonara&lt;/em&gt;&lt;br /&gt;Teresa Izewska in &lt;em&gt;Kanal&lt;/em&gt;&lt;br /&gt;&lt;strong&gt;Paul Massie in &lt;em&gt;Orders to Kill&lt;/em&gt;&lt;/strong&gt;&lt;br /&gt;Mary Peach in &lt;em&gt;Room at the Top&lt;/em&gt;&lt;br /&gt;Maggie Smith in &lt;em&gt;Nowhere to Go&lt;/em&gt; &lt;br /&gt;Gwen Verdon in &lt;em&gt;What Lola Wants&lt;/em&gt; (&lt;em&gt;Damn Yankees&lt;/em&gt;)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Best British Screenplay&lt;/strong&gt;&lt;br /&gt;&lt;strong&gt;Paul Dehn for &lt;em&gt;Orders to Kill&lt;/em&gt;&lt;/strong&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Best Documentary&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;The Forerunner&lt;/em&gt; (Australia)&lt;br /&gt;&lt;strong&gt;&lt;em&gt;Glass&lt;/em&gt; (Holland)&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;Jabulani Afrika&lt;/em&gt; (South Africa)&lt;br /&gt;&lt;em&gt;L.S. Lowry&lt;/em&gt; (G.B.)&lt;br /&gt;&lt;em&gt;Secrets of the Reef&lt;/em&gt; (U.S.)&lt;br /&gt;&lt;em&gt;Wonders of Chicago&lt;/em&gt; (U.S.)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Special Award&lt;/strong&gt;&lt;br /&gt;&lt;strong&gt;The Children's Film Foundation&lt;/strong&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Best Animated Film&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;The Juggler of Our Lady&lt;/em&gt; (U.S.)&lt;br /&gt;&lt;em&gt;Le Merle&lt;/em&gt; (Canada)&lt;br /&gt;&lt;strong&gt;&lt;em&gt;The Little Island&lt;/em&gt; (G.B.)&lt;/strong&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;United Nations Award&lt;/strong&gt;&lt;br /&gt;&lt;strong&gt;&lt;em&gt;The Defiants Ones&lt;/em&gt; (U.S.)&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;People Like Maria&lt;/em&gt; (G.B.)&lt;br /&gt;&lt;em&gt;The Unknown Soldier&lt;/em&gt; (Finland)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;The Golden Laurel Awards- 1959&lt;/strong&gt; (Results printed in the Motion Picture Exhibitor magazine on September 23, 1959. Mainly covers 1958 films. Source: IMDB)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Top Drama&lt;/strong&gt;&lt;br /&gt;1) &lt;em&gt;Imitation of Life&lt;/em&gt; (1959)&lt;br /&gt;2) &lt;em&gt;Some Came Running&lt;/em&gt; (1958)&lt;br /&gt;3) &lt;em&gt;Cat on a Hot Tin Roof&lt;/em&gt; (1958)&lt;br /&gt;4) &lt;em&gt;The Defiant Ones&lt;/em&gt; (1958)&lt;br /&gt;5) &lt;em&gt;I Want to Live!&lt;/em&gt; (1958)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Top Comedy&lt;/strong&gt;&lt;br /&gt;1) &lt;em&gt;Houseboat&lt;/em&gt; (1958)&lt;br /&gt;2) &lt;em&gt;The Mating Game&lt;/em&gt; (1959)&lt;br /&gt;3) &lt;em&gt;The Perfect Furlough&lt;/em&gt; (1958)&lt;br /&gt;4) &lt;em&gt;Rally 'Round the Flag, Boys!&lt;/em&gt; (1958) &lt;br /&gt;5) &lt;em&gt;The Geisha Boy&lt;/em&gt; (1958)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Top Musical&lt;/strong&gt;&lt;br /&gt;1) &lt;em&gt;Gigi&lt;/em&gt; (1958) &lt;br /&gt;2) &lt;em&gt;Damn Yankees!&lt;/em&gt; (1958)&lt;br /&gt;3) &lt;em&gt;Mardi Gras&lt;/em&gt; (1958)&lt;br /&gt;4) &lt;em&gt;tom thumb&lt;/em&gt; (1958)&lt;br /&gt;5) &lt;em&gt;Arrivederci Roma&lt;/em&gt; (1958)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Top Action Drama&lt;/strong&gt;&lt;br /&gt;1) &lt;em&gt;The Vikings&lt;/em&gt; (1958)&lt;br /&gt;2) &lt;em&gt;Rio Bravo&lt;/em&gt; (1959)&lt;br /&gt;3) &lt;em&gt;The Big Country&lt;/em&gt; (1958)&lt;br /&gt;4) &lt;em&gt;The Hanging Tree&lt;/em&gt; (1959)&lt;br /&gt;5) &lt;em&gt;The Trap&lt;/em&gt; (1959)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Top General Entertainment&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;Auntie Mame&lt;/em&gt; (1958)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Sleeper of the Year&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;Al Capone&lt;/em&gt; (1959)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Top Director&lt;/strong&gt;&lt;br /&gt;1) Fred Zinnemann&lt;br /&gt;2) George Sidney&lt;br /&gt;3) Richard Brooks&lt;br /&gt;4) Edward Dmytryk&lt;br /&gt;5) Mark Robson&lt;br /&gt;6) Delmer Daves&lt;br /&gt;7) Michael Curtiz&lt;br /&gt;8) Douglas Sirk&lt;br /&gt;9) John Sturges&lt;br /&gt;10) Hnery Koster&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Top Producer/Director&lt;/strong&gt;&lt;br /&gt;1) Alfred Hitchcock&lt;br /&gt;2) Billy Wilder&lt;br /&gt;3) William Wyler&lt;br /&gt;4) George Stevens&lt;br /&gt;5) Stanley Kramer&lt;br /&gt;6) Mervyn LeRoy&lt;br /&gt;7) John Huston&lt;br /&gt;8) Anatole Litvak&lt;br /&gt;9) Otto Preminger&lt;br /&gt;10) Leo McCarey&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Top Producer&lt;/strong&gt;&lt;br /&gt;1) Buddy Adler&lt;br /&gt;2) Sol C. Siegel&lt;br /&gt;3) Walt Disney&lt;br /&gt;4) Samuel Goldwyn&lt;br /&gt;5) Arthur Freed&lt;br /&gt;6) Jerry Wald&lt;br /&gt;7) Sam Spiegel&lt;br /&gt;8) Joe Pasternak&lt;br /&gt;9) Ross Hunter&lt;br /&gt;10) Henry Blanke&lt;br /&gt;&lt;br /&gt;&lt;a href="http://1.bp.blogspot.com/_bzQchKv0KQA/SPVkFG6pYZI/AAAAAAAAAgk/O3xeZCpqlSg/s1600-h/Some+Came+Running.jpg"&gt;&lt;img style="display:block; margin:0px auto 10px; text-align:center;cursor:pointer; cursor:hand;" src="http://1.bp.blogspot.com/_bzQchKv0KQA/SPVkFG6pYZI/AAAAAAAAAgk/O3xeZCpqlSg/s400/Some+Came+Running.jpg" border="0" alt=""id="BLOGGER_PHOTO_ID_5257218178943639954" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;strong&gt;Top Male Dramatic Performance&lt;/strong&gt;&lt;br /&gt;1) Frank Sinatra in &lt;em&gt;Some Came Running&lt;/em&gt; (1958)&lt;br /&gt;2) David Niven in &lt;em&gt;Separate Tables&lt;/em&gt; (1958)&lt;br /&gt;3) Sidney Poitier in &lt;em&gt;The Defiant Ones&lt;/em&gt; (1958)&lt;br /&gt;4) Paul Newman in &lt;em&gt;Cat on a Hot Tin Roof&lt;/em&gt; (1958)&lt;br /&gt;5) Rod Steiger in &lt;em&gt;Al Capone&lt;/em&gt; (1959)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Top Female Dramatic Performance&lt;/strong&gt;&lt;br /&gt;1) Elizabeth Taylor in &lt;em&gt;Cat on a Hot Tin Roof&lt;/em&gt; (1958)&lt;br /&gt;2) Susan Hayward in &lt;em&gt;I Want to Live!&lt;/em&gt; (1958)&lt;br /&gt;3) Shirley MacLaine in &lt;em&gt;Some Came Running&lt;/em&gt; (1958)&lt;br /&gt;4) Jean Simmons in &lt;em&gt;Home Before Dark&lt;/em&gt; (1958)&lt;br /&gt;5) Deborah Kerr in &lt;em&gt;Separate Tables&lt;/em&gt; (1958)&lt;br /&gt;&lt;br /&gt;&lt;a href="http://4.bp.blogspot.com/_bzQchKv0KQA/SPVlDh4CEoI/AAAAAAAAAgs/H9_ukF94UmI/s1600-h/Houseboat.jpg"&gt;&lt;img style="display:block; margin:0px auto 10px; text-align:center;cursor:pointer; cursor:hand;" src="http://4.bp.blogspot.com/_bzQchKv0KQA/SPVlDh4CEoI/AAAAAAAAAgs/H9_ukF94UmI/s400/Houseboat.jpg" border="0" alt=""id="BLOGGER_PHOTO_ID_5257219251332321922" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;strong&gt;Top Male Comedy Performance&lt;/strong&gt;&lt;br /&gt;1) Cary Grant in &lt;em&gt;Houseboat&lt;/em&gt; (1958)&lt;br /&gt;2) Tony Randall in &lt;em&gt;The Mating Game&lt;/em&gt; (1958) &lt;br /&gt;3) Alec Guinness in &lt;em&gt;The Horse's Mouth&lt;/em&gt; (1958) &lt;br /&gt;4) Ernie Kovacs in &lt;em&gt;Bell, Book and Candle&lt;/em&gt; (1958)&lt;br /&gt;5) Jacques Tati in &lt;em&gt;Mon oncle&lt;/em&gt; (1958)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Top Female Comedy Performance&lt;/strong&gt;&lt;br /&gt;1) Rosalind Russell in &lt;em&gt;Auntie Mame&lt;/em&gt; (1958)&lt;br /&gt;2) Debbie Reynolds in &lt;em&gt;The Mating Game&lt;/em&gt; (1958)&lt;br /&gt;3) Doris Day in &lt;em&gt;The Tunnel of Love&lt;/em&gt; (1958) &lt;br /&gt;4) Joanne Woodward in &lt;em&gt;Rally 'Round the Flag, Boys!&lt;/em&gt; (1958)&lt;br /&gt;5) Kay Kendall in &lt;em&gt;The Reluctant Debutante&lt;/em&gt; (1958)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Top Male Musical Performance&lt;/strong&gt;&lt;br /&gt;1) Pat Boone in &lt;em&gt;Mardi Gras&lt;/em&gt; (19158)&lt;br /&gt;2) Louis Jourdan in &lt;em&gt;Gigi&lt;/em&gt; (1958)&lt;br /&gt;3) Maurice Chevalier in &lt;em&gt;Gigi&lt;/em&gt; (1958)&lt;br /&gt;4) Tab Hunter in &lt;em&gt;Damn Yankees!&lt;/em&gt; (1958)&lt;br /&gt;5) Russ Tamblyn in &lt;em&gt;tom thumb&lt;/em&gt; (1958)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Top Female Musical Performance&lt;/strong&gt;&lt;br /&gt;1) Leslie Caron in &lt;em&gt;Gigi&lt;/em&gt; (1958)&lt;br /&gt;2) Gwen Verdon in &lt;em&gt;Damn Yankees!&lt;/em&gt; (1958)&lt;br /&gt;3) Shirley Jones in &lt;em&gt;Never Steal Anything Small&lt;/em&gt; (1959)&lt;br /&gt;4) Hermione Gingold in &lt;em&gt;Gigi&lt;/em&gt; (1958)&lt;br /&gt;5) Jayne Mansfield in &lt;em&gt;The Sheriff of Fractured Jaw&lt;/em&gt; (1958)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Top Action Performance&lt;/strong&gt;&lt;br /&gt;1) Gary Cooper in &lt;em&gt;The Hanging Tree&lt;/em&gt; (1959) &lt;br /&gt;2) Dean Martin in &lt;em&gt;Rio Bravo&lt;/em&gt; (1959)&lt;br /&gt;3) Gregory Peck in &lt;em&gt;The Bravados&lt;/em&gt; (1958)&lt;br /&gt;4) Richard Widmark in &lt;em&gt;The Trap&lt;/em&gt; (1959)&lt;br /&gt;5) Audie Murphy in &lt;em&gt;Ride a Crooked Trail&lt;/em&gt; (1958)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Top Male Supporting Performance&lt;/strong&gt;&lt;br /&gt;1) Gig Young in &lt;em&gt;The Tunnel of Love&lt;/em&gt; (1958)&lt;br /&gt;2) Arthur Kennedy in &lt;em&gt;Some Came Running&lt;/em&gt; (1958)&lt;br /&gt;3) Karl Malden in &lt;em&gt;The Hanging Tree&lt;/em&gt; (1959)&lt;br /&gt;4) Red Buttons in &lt;em&gt;The Imitation General&lt;/em&gt; (1958)&lt;br /&gt;5) Theodore Bikel in &lt;em&gt;The Defiant Ones&lt;/em&gt; (1958)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Top Female Supporting Performances&lt;/strong&gt;&lt;br /&gt;1) Martha Hyer in &lt;em&gt;Some Came Running &lt;/em&gt;(1958)&lt;br /&gt;2) Juanita Moore in &lt;em&gt;Imitation of Life&lt;/em&gt; (1959)&lt;br /&gt;3) Peggy Cass in &lt;em&gt;Auntie Mame&lt;/em&gt; (1958)&lt;br /&gt;4) Wendy Hiller in &lt;em&gt;Separate Tables&lt;/em&gt; (1958)&lt;br /&gt;5) Tina Louise in &lt;em&gt;God's Little Acre&lt;/em&gt; (1958)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Top Male Star&lt;/strong&gt;&lt;br /&gt;1) Rock Hudson&lt;br /&gt;2) Frank Sinatra&lt;br /&gt;3) Marlon Brando&lt;br /&gt;4) Cary Grant&lt;br /&gt;5) William Holden&lt;br /&gt;6) James Stewart&lt;br /&gt;7) Gary Cooper&lt;br /&gt;8) John Wayne&lt;br /&gt;9) Glenn Ford&lt;br /&gt;10) Jerry Lewis&lt;br /&gt;11) Pat Boone&lt;br /&gt;12) Bing Crosby&lt;br /&gt;13) Bob Hope&lt;br /&gt;14) Dean Martin&lt;br /&gt;15) Jeff Chandler&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Top Female Star&lt;/strong&gt;&lt;br /&gt;1) Doris Day&lt;br /&gt;2) Elizabeth Taylor&lt;br /&gt;3) Susan Hayward&lt;br /&gt;4) Debbie Reynolds&lt;br /&gt;5) Ingrid Bergman&lt;br /&gt;6) Marilyn Monroe&lt;br /&gt;7) Natalie Wood&lt;br /&gt;8) Shirley MacLaine&lt;br /&gt;9) Lana Turner&lt;br /&gt;10) Jean Simmons&lt;br /&gt;11) Deborah Kerr&lt;br /&gt;12) Kin Novak&lt;br /&gt;13) Dorothy McGuire&lt;br /&gt;14) Dorothy Malone&lt;br /&gt;15) Eleanor Parker&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Top New Male Personality&lt;/strong&gt;&lt;br /&gt;1) John Gavin &lt;br /&gt;2) Bradford Dillman&lt;br /&gt;3) Sidney Poitier&lt;br /&gt;4) Rickey Nelson&lt;br /&gt;5) Stuart Whitman&lt;br /&gt;6) Kerwin Matthews&lt;br /&gt;7) Gary Crosby&lt;br /&gt;8) Ray Walston&lt;br /&gt;9) James Darren&lt;br /&gt;10) Dean Jones&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Top New Female Personality&lt;/strong&gt;&lt;br /&gt;1) Sandra Dee&lt;br /&gt;2) Susan Kohner&lt;br /&gt;3) Cara Williams&lt;br /&gt;4) Gwen Verdon&lt;br /&gt;5) Angie Dickinson&lt;br /&gt;6) Peggy Cass&lt;br /&gt;7) Fay Spain&lt;br /&gt;8) Linda Cristal&lt;br /&gt;9) Frances Nuyen&lt;br /&gt;10) Jill Corey &lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Top Score&lt;/strong&gt;&lt;br /&gt;1) Elmer Bernstein for &lt;em&gt;Some Came Running&lt;/em&gt; (1958)&lt;br /&gt;2) Dimitri Tiomkin for &lt;em&gt;The Old Man and the Sea&lt;/em&gt; (1958)&lt;br /&gt;3) Johnny Mandel for &lt;em&gt;I Want to Live!&lt;/em&gt; (1958)&lt;br /&gt;4) Jerome Moross for &lt;em&gt;The Big Country&lt;/em&gt; (1958)&lt;br /&gt;5) Ernest Gold for &lt;em&gt;The Defiant Ones&lt;/em&gt; (1958)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Top Song&lt;/strong&gt;&lt;br /&gt;1) Sammy Fain and Paul Franics Webster for "A Very Special Love" from &lt;em&gt;Majorie Morningstar&lt;/em&gt; (1958)&lt;br /&gt;2) Alan Jay Lerner and Frederick Loewe for "Gigi" from &lt;em&gt;Gigi&lt;/em&gt; (1958)&lt;br /&gt;3) Sammy Cain and Jimmy Van Heusen for "To Love and Be Loved" from &lt;em&gt;Some Came Running&lt;/em&gt; (1958) &lt;br /&gt;4) Mack David and Jerry Livingston for "The Hanging Tree" from &lt;em&gt;The Hanging Tree&lt;/em&gt; (1959)&lt;br /&gt;5) Sammy Fain and Paul Francis Webster for "A Certain Smile" from &lt;em&gt;A Certain Smile&lt;/em&gt; (1958)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Top Cinematography- Black and White&lt;/strong&gt;&lt;br /&gt;1) Sam Leavitt for &lt;em&gt;The Defiant Ones&lt;/em&gt; (1958)&lt;br /&gt;2) Lionel Linden for &lt;em&gt;I Want to Live!&lt;/em&gt; (1958)&lt;br /&gt;3) Russell Harlan for &lt;em&gt;Run Silent, Run Deep&lt;/em&gt; (1958)&lt;br /&gt;4) Geoffrey Unsworth for &lt;em&gt;A Night to Remember&lt;/em&gt; (1958)&lt;br /&gt;5) Daniel L. Fapp for &lt;em&gt;Desire Under the Elms&lt;/em&gt; (1958)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Top Cinematography- Color&lt;/strong&gt;&lt;br /&gt;1) James Wong Howe for &lt;em&gt;The Old Man and the Sea&lt;/em&gt; (1958)&lt;br /&gt;2) Joseph Ruttenberg for &lt;em&gt;Gigi&lt;/em&gt; (1958)&lt;br /&gt;3) Harry Stradling Sr. for &lt;em&gt;Auntie Mame&lt;/em&gt; (1958)&lt;br /&gt;4) John Alton for &lt;em&gt;The Brothers Karamazov&lt;/em&gt; (1958)&lt;br /&gt;5) Russell Metty for &lt;em&gt;Imitation of Life&lt;/em&gt; (1959)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;The Top Ten Box-Office Stars of 1958&lt;/strong&gt; (According to Quigley Publishing's poll of film exhibitors)&lt;br /&gt;1) Glenn Ford&lt;br /&gt;2) Elizabeth Taylor&lt;br /&gt;3) Jerry Lewis&lt;br /&gt;4) Marlon Brando&lt;br /&gt;5) Rock Hudson&lt;br /&gt;6) William Holden&lt;br /&gt;7) Brigitte Bardot&lt;br /&gt;8) Yul Brynner&lt;br /&gt;9) James Stewart&lt;br /&gt;10) Frank Sinatra&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;The Next Fifteen:&lt;/strong&gt;&lt;br /&gt;11) Pat Boone&lt;br /&gt;12) Cary Grant&lt;br /&gt;13) Elvis Presley&lt;br /&gt;14) John Wayne&lt;br /&gt;15) Doris Day&lt;br /&gt;16) Kim Novak&lt;br /&gt;17) Ingrid Bergman&lt;br /&gt;18) Gary Cooper&lt;br /&gt;19) Kirk Douglas&lt;br /&gt;20) Burt Lancaster&lt;br /&gt;21) Joanne Woodward&lt;br /&gt;22) Gregory Peck&lt;br /&gt;23) Paul Newman&lt;br /&gt;24) Debbie Reynolds&lt;br /&gt;25) Deborah Kerr&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Britain's Top Ten British Box-Office Stars of 1958&lt;/strong&gt; (according to the Motion Picture Herald's poll of Britain's film exhibitors)&lt;br /&gt;1) Alec Guinness&lt;br /&gt;2) Dirk Bogarde&lt;br /&gt;3) Kenneth More&lt;br /&gt;4) Ian Carmichael&lt;br /&gt;5) Virginia McKenna&lt;br /&gt;6) John Mills&lt;br /&gt;7) Norman Wisdom&lt;br /&gt;8) John Gregson&lt;br /&gt;9) Jack Hawkins&lt;br /&gt;10) Stanley Baker&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Britain's Top Ten International Box-Office Stars of 1958&lt;/strong&gt; (according to the Motion Picture Herald's poll of Britain's film exhibitors)&lt;br /&gt;1) Alec Guinness&lt;br /&gt;2) Dirk Bogarde&lt;br /&gt;3) Kenneth More&lt;br /&gt;4) Kirk Douglas&lt;br /&gt;5) Frank Sinatra&lt;br /&gt;6) William Holden&lt;br /&gt;7) Glenn Ford&lt;br /&gt;8) Ian Carmichael&lt;br /&gt;9) Virginia McKenna&lt;br /&gt;10) Elvis Presley&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/22096293-3901289453799127179?l=heylookmeover.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://heylookmeover.blogspot.com/feeds/3901289453799127179/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=22096293&amp;postID=3901289453799127179' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/22096293/posts/default/3901289453799127179'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/22096293/posts/default/3901289453799127179'/><link rel='alternate' type='text/html' href='http://heylookmeover.blogspot.com/2008/11/film-data-for-1958.html' title='Film Data For 1958'/><author><name>Vertigo's Psycho</name><uri>http://www.blogger.com/profile/17701774152300870403</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://1.bp.blogspot.com/_bzQchKv0KQA/SOld0GwhR-I/AAAAAAAAAb4/Vlirh89187M/s72-c/Cat+on+a+Hot+Tin+Roof.jpg' height='72' width='72'/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-22096293.post-2677978635651789584</id><published>2008-11-16T23:22:00.001-08:00</published><updated>2008-11-17T01:24:24.519-08:00</updated><title type='text'>Film Data For 1957</title><content type='html'>&lt;a href="http://4.bp.blogspot.com/_bzQchKv0KQA/SOiCpVhkEHI/AAAAAAAAAbY/Py4X9Jjc6mI/s1600-h/12+Angry+Men.jpg"&gt;&lt;img style="display:block; margin:0px auto 10px; text-align:center;cursor:pointer; cursor:hand;" src="http://4.bp.blogspot.com/_bzQchKv0KQA/SOiCpVhkEHI/AAAAAAAAAbY/Py4X9Jjc6mI/s400/12+Angry+Men.jpg" border="0" alt=""id="BLOGGER_PHOTO_ID_5253592611991851122" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;strong&gt;The Film Daily's Top Ten Pictures&lt;/strong&gt;&lt;br /&gt;&lt;br /&gt;1) &lt;em&gt;Around the World in 80 Days&lt;/em&gt; (1956)- 179 votes&lt;br /&gt;2) &lt;em&gt;Sayonara&lt;/em&gt;- 162 &lt;br /&gt;3) &lt;em&gt;12 Angry Men&lt;/em&gt;- 137&lt;br /&gt;4) &lt;em&gt;Peyton Place&lt;/em&gt;- 129&lt;br /&gt;5) &lt;em&gt;A Hatful of Rain&lt;/em&gt;- 119&lt;br /&gt;6) &lt;em&gt;Les Girls&lt;/em&gt;- 105&lt;br /&gt;7) &lt;em&gt;A Face in the Crowd&lt;/em&gt;- 95&lt;br /&gt;8) &lt;em&gt;Heaven Knows, Mr. Allison&lt;/em&gt;- 94&lt;br /&gt;9) &lt;em&gt;Don't Go Near the Water&lt;/em&gt;- 84&lt;br /&gt;10) &lt;em&gt;The Pajama Game&lt;/em&gt;- 78&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;The Honor Roll&lt;/strong&gt;&lt;br /&gt;11) &lt;em&gt;Love in the Afternoon&lt;/em&gt;- 77&lt;br /&gt;12) &lt;em&gt;Raintree County&lt;/em&gt;- 73&lt;br /&gt;13) &lt;em&gt;Pal Joey&lt;/em&gt;- 69&lt;br /&gt;14) &lt;em&gt;Written on the Wind&lt;/em&gt; (1956)- 68&lt;br /&gt;15) &lt;em&gt;A Farewell to Arms&lt;/em&gt;- 65&lt;br /&gt;16) &lt;em&gt;The Spirit of St. Louis&lt;/em&gt;- 61&lt;br /&gt;17) &lt;em&gt;La Strada&lt;/em&gt;- 59&lt;br /&gt;18) &lt;em&gt;The Great Man&lt;/em&gt;- 58&lt;br /&gt;19) &lt;em&gt;Funny Face&lt;/em&gt;- 57&lt;br /&gt;    &lt;em&gt;Man of a Thousand Faces&lt;/em&gt;- 57&lt;br /&gt;21) &lt;em&gt;Witness for the Prosecution&lt;/em&gt;- 52&lt;br /&gt;22) &lt;em&gt;Gunfight at the O.K. Corral&lt;/em&gt;- 50&lt;br /&gt;    &lt;em&gt;The Sun Also Rises&lt;/em&gt;- 50&lt;br /&gt;24) &lt;em&gt;Operation Mad Ball&lt;/em&gt;- 48&lt;br /&gt;25) &lt;em&gt;Old Yeller&lt;/em&gt;- 47&lt;br /&gt;26) &lt;em&gt;Time Limit&lt;/em&gt;- 43&lt;br /&gt;27) &lt;em&gt;The Joker is Wild&lt;/em&gt;- 37&lt;br /&gt;28) &lt;em&gt;Tammy and the Bachelor&lt;/em&gt;- 35&lt;br /&gt;29) &lt;em&gt;Designing Woman&lt;/em&gt;- 33&lt;br /&gt;30) &lt;em&gt;Silk Stockings&lt;/em&gt;- 27&lt;br /&gt;31) &lt;em&gt;Full of Life&lt;/em&gt;- 25&lt;br /&gt;32) &lt;em&gt;The Silent World&lt;/em&gt;- 24&lt;br /&gt;33) &lt;em&gt;Battle Hymn&lt;/em&gt;- 23&lt;br /&gt;    &lt;em&gt;Fear Strikes Out&lt;/em&gt;- 23&lt;br /&gt;    &lt;em&gt;The Prince and the Showgirl&lt;/em&gt;- 23&lt;br /&gt;36) &lt;em&gt;Perri&lt;/em&gt;- 22&lt;br /&gt;    &lt;em&gt;The Hunchback of Notre Dame&lt;/em&gt;- 22&lt;br /&gt;38) &lt;em&gt;The Tin Star&lt;/em&gt;- 20&lt;br /&gt;    &lt;em&gt;3:10 to Yuma&lt;/em&gt;- 20&lt;br /&gt;    &lt;em&gt;The Bridge on the River Kwai&lt;/em&gt;- 20 (ranked #1 in 1958)&lt;br /&gt;41) &lt;em&gt;Paths of Glory&lt;/em&gt;- 17&lt;br /&gt;    &lt;em&gt;The Green Man&lt;/em&gt;- 17&lt;br /&gt;43) &lt;em&gt;Pursuit of the Graf Spee&lt;/em&gt;- 15&lt;br /&gt;44) &lt;em&gt;Westward Ho the Wagons!&lt;/em&gt;- 12&lt;br /&gt;45) &lt;em&gt;The Gold of Naples&lt;/em&gt;- 11&lt;br /&gt;46) &lt;em&gt;An Affair to Remember&lt;/em&gt;- 10 &lt;br /&gt;&lt;br /&gt;No vote counts were given for the following categories, but I believe they're listed in the order of preference&lt;br /&gt;&lt;br /&gt;&lt;a href="http://1.bp.blogspot.com/_bzQchKv0KQA/SOiEeZMZMDI/AAAAAAAAAbg/6qX0miY-H58/s1600-h/A+Face+in+the+Crowd.jpg"&gt;&lt;img style="display:block; margin:0px auto 10px; text-align:center;cursor:pointer; cursor:hand;" src="http://1.bp.blogspot.com/_bzQchKv0KQA/SOiEeZMZMDI/AAAAAAAAAbg/6qX0miY-H58/s400/A+Face+in+the+Crowd.jpg" border="0" alt=""id="BLOGGER_PHOTO_ID_5253594623021494322" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;strong&gt;The Best Performances by Male Stars&lt;/strong&gt;&lt;br /&gt;1) Andy Griffith in &lt;em&gt;A Face in the Crowd&lt;/em&gt;&lt;br /&gt;2) James Cagney in &lt;em&gt;Man of a Thousand Faces&lt;/em&gt;&lt;br /&gt;3) James Stewart in &lt;em&gt;The Spirit of St. Louis&lt;/em&gt;&lt;br /&gt;4) Henry Fonda in &lt;em&gt;12 Angry Men&lt;/em&gt;&lt;br /&gt;5) Montgomery Clift in &lt;em&gt;Raintree County&lt;/em&gt; (tied with)&lt;br /&gt;   Rock Hudson in &lt;em&gt;Written on the Wind&lt;/em&gt;&lt;br /&gt;   David Niven in &lt;em&gt;Around the World in 80 Days&lt;/em&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;The Best Performances by Female Stars&lt;/strong&gt;&lt;br /&gt;1) Joanne Woodward in &lt;em&gt;The Three Faces of Eve&lt;/em&gt;&lt;br /&gt;2) Eva Marie Saint in &lt;em&gt;A Hatful of Rain&lt;/em&gt;&lt;br /&gt;3) Carroll Baker in &lt;em&gt;Baby Doll&lt;/em&gt; (1956)&lt;br /&gt;4) Elizabeth Taylor in &lt;em&gt;Raintree County&lt;/em&gt;&lt;br /&gt;5) Deborah Kerr in &lt;em&gt;An Affair to Remember&lt;/em&gt; (tied with)&lt;br /&gt;   Deborah Kerr in &lt;em&gt;Heaven Knows, Mr. Allison&lt;/em&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Best Performances by Supporting Actors&lt;/strong&gt;&lt;br /&gt;1) Ed Wynn in &lt;em&gt;The Great Man&lt;/em&gt;&lt;br /&gt;2) Robert Stack in &lt;em&gt;Written on the Wind&lt;/em&gt; (1956)&lt;br /&gt;3) Anthony Franciosa in &lt;em&gt;A Hatful of Rain&lt;/em&gt;&lt;br /&gt;4) Errol Flynn in &lt;em&gt;The Sun Also Rises&lt;/em&gt;&lt;br /&gt;5) Cantinflas in &lt;em&gt;Around the World in 80 Days&lt;/em&gt; (1956)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Best Performances by Supporting Actresses&lt;/strong&gt;&lt;br /&gt;1) Dorothy Malone in &lt;em&gt;Written on the Wind&lt;/em&gt; (1956)&lt;br /&gt;2) Mildred Dunnock in &lt;em&gt;Baby Doll&lt;/em&gt; (1956)&lt;br /&gt;3) Carolyn Jones in &lt;em&gt;The Bachelor Party&lt;/em&gt;&lt;br /&gt;4) Carol Haney in &lt;em&gt;The Pajama Game&lt;/em&gt;&lt;br /&gt;5) Eva Marie Saint for &lt;em&gt;Raintree County&lt;/em&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Best Performances By Juvenile Actors&lt;/strong&gt; &lt;br /&gt;1) Sal Mineo in &lt;em&gt;Dino&lt;/em&gt;&lt;br /&gt;2) Michael Ray in &lt;em&gt;The Tin Star&lt;/em&gt;&lt;br /&gt;3) Tommy Kirk in &lt;em&gt;Old Yeller&lt;/em&gt;&lt;br /&gt;4) Hal Stalmaster in &lt;em&gt;Johnny Tremain&lt;/em&gt; (tied with)&lt;br /&gt;   James MacArthur in &lt;em&gt;The Young Stranger&lt;/em&gt;&lt;br /&gt;5) Malcom Broderick in &lt;em&gt;Man on Fire&lt;/em&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Best Performances By Juvenile Actresses&lt;/strong&gt;&lt;br /&gt;1) Luana Patten in &lt;em&gt;Johnny Tremain&lt;/em&gt;&lt;br /&gt;2) Sandra Dee in &lt;em&gt;Until They Sail&lt;/em&gt;&lt;br /&gt;3) Susan Kohner in &lt;em&gt;Dino&lt;/em&gt;&lt;br /&gt;4) Reiko Oyama in &lt;em&gt;Stopover Tokyo&lt;/em&gt;&lt;br /&gt;5) Patty McCormack in &lt;em&gt;All Mine to Give&lt;/em&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;The Year's Outstanding Directors&lt;/strong&gt;&lt;br /&gt;1) Michael Anderson for &lt;em&gt;Around the World in 80 Days&lt;/em&gt;&lt;br /&gt;2) Elia Kazan for &lt;em&gt;A Face in the Crowd&lt;/em&gt; (tied with)&lt;br /&gt;   Elia Kazxan for &lt;em&gt;Baby Doll&lt;/em&gt;&lt;br /&gt;4) Fred Zinnemann for &lt;em&gt;A Hatful of Rain&lt;/em&gt; (tied with) &lt;br /&gt;   Sidney Lumet for &lt;em&gt;12 Angry Men&lt;/em&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;The Year's Best Photographed Pictures&lt;/strong&gt;&lt;br /&gt;1) Lionel Lindon for &lt;em&gt;Around the World in 80 Days&lt;/em&gt;&lt;br /&gt;2) Ray June for &lt;em&gt;Funny Face&lt;/em&gt;&lt;br /&gt;3) Franz Planer for &lt;em&gt;The Pride and the Passion&lt;/em&gt;&lt;br /&gt;4) Edmond Sechan for &lt;em&gt;The Silent World&lt;/em&gt;&lt;br /&gt;5) Robert Surtees for &lt;em&gt;Raintree Country&lt;/em&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;The Best Screenplays of the Year&lt;/strong&gt;&lt;br /&gt;1) Reginald Rose for &lt;em&gt;12 Angry Men&lt;/em&gt;&lt;br /&gt;2) James Poe, John Farrow and S.J. Perelman for &lt;em&gt;Around the World in 80 Days&lt;/em&gt;&lt;br /&gt;3) Michael V. Gazzo and Alfred Hayes for &lt;em&gt;A Hatful of Rain&lt;/em&gt;&lt;br /&gt;4) Delmer Daves and Leo McCarey for &lt;em&gt;An Affair to Remember&lt;/em&gt;&lt;br /&gt;5) Paddy Chayefsky for &lt;em&gt;The Bachelor Party&lt;/em&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;"Finds of the Year"&lt;/strong&gt;&lt;br /&gt;1) Joanne Woodward in &lt;em&gt;The Three Faces of Eve&lt;/em&gt;&lt;br /&gt;2) Andy Griffith in &lt;em&gt;A Face in the Crowd&lt;/em&gt;&lt;br /&gt;3) Anthony Franciosa in &lt;em&gt;A Hatful of Rain&lt;/em&gt;&lt;br /&gt;4) Kay Kendall in &lt;em&gt;Les Girls&lt;/em&gt;&lt;br /&gt;5) Ernie Kovacs in &lt;em&gt;Operation Mad Ball&lt;/em&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;The National Board of Review&lt;/strong&gt; (Voting results announced in December, 1957)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;The Top Ten Pictures&lt;/strong&gt; (in order of preference)&lt;br /&gt;1) &lt;em&gt;The Bridge on the River Kwai&lt;/em&gt;&lt;br /&gt;2) &lt;em&gt;Twelve Angry Men&lt;/em&gt;&lt;br /&gt;3) &lt;em&gt;The Spirit of St. Louis&lt;/em&gt;&lt;br /&gt;4) &lt;em&gt;The Rising of the Moon&lt;/em&gt;&lt;br /&gt;5) &lt;em&gt;Albert Schweitzer&lt;/em&gt;&lt;br /&gt;6) &lt;em&gt;Funny Face&lt;/em&gt;&lt;br /&gt;7) &lt;em&gt;The Bachelor Party&lt;/em&gt;&lt;br /&gt;8) &lt;em&gt;The Enemy Below&lt;/em&gt;&lt;br /&gt;9) &lt;em&gt;A Hatful of Rain&lt;/em&gt;&lt;br /&gt;10) &lt;em&gt;A Farewell to Arms&lt;/em&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Best Director&lt;/strong&gt;&lt;br /&gt;David Lean for &lt;em&gt;The Bridge on the River Kwai&lt;/em&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Best Actor&lt;/strong&gt;&lt;br /&gt;Alec Guinness in &lt;em&gt;The Bridge on the River Kwai&lt;/em&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Best Actress&lt;/strong&gt;&lt;br /&gt;Joanne Woodward in &lt;em&gt;The Three Faces of Eve&lt;/em&gt; and &lt;em&gt;No Down Payment&lt;/em&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Best Supporting Actor&lt;/strong&gt;&lt;br /&gt;Sessue Hayakawa in &lt;em&gt;The Bridge on the River Kwai&lt;/em&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Best Supporting Actress&lt;/strong&gt;&lt;br /&gt;Dame Sybil Thorndike for &lt;em&gt;The Prince and the Showgirl&lt;/em&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Best Foreign Film&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;Ordet&lt;/em&gt; (Denmark)&lt;br /&gt;&lt;em&gt;Gervaise&lt;/em&gt; (France)&lt;br /&gt;&lt;em&gt;Torero!&lt;/em&gt; (Mexico)&lt;br /&gt;&lt;em&gt;The Red Ballon&lt;/em&gt; (France)&lt;br /&gt;&lt;em&gt;A Man Escaped&lt;/em&gt; (France)&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;The New York Film Critics&lt;/strong&gt; (Winners announced on December 30, 1957)&lt;br /&gt;&lt;br /&gt;&lt;a href="http://3.bp.blogspot.com/_bzQchKv0KQA/SOiG8RJ_ATI/AAAAAAAAAbo/UubgVUfpWOA/s1600-h/Bridge+on+the+River+Kwai.jpg"&gt;&lt;img style="display:block; margin:0px auto 10px; text-align:center;cursor:pointer; cursor:hand;" src="http://3.bp.blogspot.com/_bzQchKv0KQA/SOiG8RJ_ATI/AAAAAAAAAbo/UubgVUfpWOA/s400/Bridge+on+the+River+Kwai.jpg" border="0" alt=""id="BLOGGER_PHOTO_ID_5253597335283237170" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;strong&gt;Best Picture&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;The Bridge on the River Kwai&lt;/em&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Best Director&lt;/strong&gt;&lt;br /&gt;David Lean in &lt;em&gt;The Bridge on the River Kwai&lt;/em&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Best Actor&lt;/strong&gt;&lt;br /&gt;Alec Guinness in &lt;em&gt;The Bridge on the River Kwai&lt;/em&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Best Actress&lt;/strong&gt;&lt;br /&gt;Deborah Kerr in &lt;em&gt;Heaven Knows, Mr. Allison&lt;/em&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Best Foreign Film&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;Gervaise&lt;/em&gt; (France)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;The Golden Globes&lt;/strong&gt; (Nominations announced on January 20, 1958. Awards presented on February 22, 1958)&lt;br /&gt;&lt;br /&gt;Winners in bold print&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Best Drama&lt;/strong&gt;&lt;br /&gt;&lt;strong&gt;&lt;em&gt;The Bridge on the River Kwai&lt;/em&gt;&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;Sayonara&lt;/em&gt;&lt;br /&gt;&lt;em&gt;Twelve Angry Men&lt;/em&gt;&lt;br /&gt;&lt;em&gt;Wild is the Wind&lt;/em&gt;&lt;br /&gt;&lt;em&gt;Witness for the Prosecution&lt;/em&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Best Comedy or Musical&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;Don't Go Near the Water&lt;/em&gt;&lt;br /&gt;&lt;strong&gt;&lt;em&gt;Les Girls&lt;/em&gt;&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;Love in the Afternoon&lt;/em&gt;&lt;br /&gt;&lt;em&gt;Pal Joey&lt;/em&gt;&lt;br /&gt;&lt;em&gt;Silk Stockings&lt;/em&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Best Motion Picture Promoting International Understanding&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;The Happy Road&lt;/em&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Best Director&lt;/strong&gt;&lt;br /&gt;&lt;strong&gt;David Lean for &lt;em&gt;The Bridge on the River Kwai&lt;/em&gt;&lt;/strong&gt;&lt;br /&gt;Joshua Logan for &lt;em&gt;Sayonara&lt;/em&gt;&lt;br /&gt;Sidney Lumet for &lt;em&gt;Twelve Angry Men&lt;/em&gt;&lt;br /&gt;Billy Wilder for &lt;em&gt;Witness for the Prosecution&lt;/em&gt;&lt;br /&gt;Fred Zinnemann for &lt;em&gt;A Hatful of Rain&lt;/em&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Best Actor, Drama&lt;/strong&gt;&lt;br /&gt;Marlon Brando in &lt;em&gt;Sayonara&lt;/em&gt;&lt;br /&gt;Henry Fonda in &lt;em&gt;Twelve Angry Men&lt;/em&gt;&lt;br /&gt;Anthony Franciosa in &lt;em&gt;A Hatful of Rain&lt;/em&gt;&lt;br /&gt;&lt;strong&gt;Alec Guinness in &lt;em&gt;The Bridge on the River Kwai&lt;/em&gt;&lt;/strong&gt;&lt;br /&gt;Charles Laughton in &lt;em&gt;Witness for the Prosecution&lt;/em&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Best Actress, Drama&lt;/strong&gt;&lt;br /&gt;Marlene Dietrich in &lt;em&gt;Witness for the Prosecution&lt;/em&gt;&lt;br /&gt;Deborah Kerr in &lt;em&gt;Heaven Knows, Mr. Allison&lt;/em&gt;&lt;br /&gt;Anna Magnani in &lt;em&gt;Wild is the Wind&lt;/em&gt;&lt;br /&gt;Eva Marie Saint in &lt;em&gt;A Hatful of Rain&lt;/em&gt;&lt;br /&gt;&lt;strong&gt;Joanne Woodward in &lt;em&gt;The Three Faces of Eve&lt;/em&gt;&lt;/strong&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Best Actor, Comedy or Musical&lt;/strong&gt;&lt;br /&gt;Maurice Chevalier in &lt;em&gt;Love in the Afternoon&lt;/em&gt;&lt;br /&gt;Glenn Ford in &lt;em&gt;Don't Go Near the Water&lt;/em&gt;&lt;br /&gt;David Niven in &lt;em&gt;My Man Godfrey&lt;/em&gt;&lt;br /&gt;Tony Randall in &lt;em&gt;Will Success Spoil Rock Hunter?&lt;/em&gt;&lt;br /&gt;&lt;strong&gt;Frank Sinatra in &lt;em&gt;Pal Joey&lt;/em&gt;&lt;/strong&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Best Actress, Comedy or Muscial&lt;/strong&gt;&lt;br /&gt;Cyd Charisse in &lt;em&gt;Silk Stockings&lt;/em&gt;&lt;br /&gt;Taina Elg in &lt;em&gt;Les Girls&lt;/em&gt;&lt;br /&gt;Audrey Hepburn in &lt;em&gt;Love in the Afternoon&lt;/em&gt;&lt;br /&gt;&lt;strong&gt;Kay Kendall in &lt;em&gt;Les Girls&lt;/em&gt;&lt;/strong&gt;&lt;br /&gt;Jean Simmons in &lt;em&gt;This Could Be the Night&lt;/em&gt;   &lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Best Supporting Actor&lt;/strong&gt;&lt;br /&gt;&lt;strong&gt;Red Buttons in &lt;em&gt;Sayonara&lt;/em&gt;&lt;/strong&gt;&lt;br /&gt;Lee J. Cobb in &lt;em&gt;Twelve Angry Men&lt;/em&gt;&lt;br /&gt;Sessue Hayakawa in &lt;em&gt;The Bridge on the River Kwai&lt;/em&gt;&lt;br /&gt;Nigel Patrick in &lt;em&gt;Raintree County&lt;/em&gt;&lt;br /&gt;Ed Wynn in &lt;em&gt;The Great Man&lt;/em&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Best Supporting Actress&lt;/strong&gt;&lt;br /&gt;Mildred Dunnock in &lt;em&gt;Peyton Place&lt;/em&gt;&lt;br /&gt;&lt;strong&gt;Elsa Lanchester in &lt;em&gt;Witness for the Prosecution&lt;/em&gt;&lt;/strong&gt;&lt;br /&gt;Hope Lange in &lt;em&gt;Peyton Place&lt;/em&gt;&lt;br /&gt;Heather Sears in &lt;em&gt;The Story of Esther Costello&lt;/em&gt;&lt;br /&gt;Miyoshi Umeki in &lt;em&gt;Sayonara&lt;/em&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Best Foreign Films&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;The Confessions of Felix Krull&lt;/em&gt; (Germany)&lt;br /&gt;&lt;em&gt;Tizoc&lt;/em&gt; (Mexico)&lt;br /&gt;&lt;em&gt;Woman in a Dressing Gown&lt;/em&gt; (England)&lt;br /&gt;&lt;em&gt;Yellow Crow&lt;/em&gt; (Japan)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;World Film Favorites&lt;/strong&gt;&lt;br /&gt;Tony Curtis&lt;br /&gt;Doris Day&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Most Promising Newcomers- Male&lt;/strong&gt;&lt;br /&gt;James Garner&lt;br /&gt;John Saxon&lt;br /&gt;Patrick Wayne&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Most Promising Newcomers- Female&lt;/strong&gt;&lt;br /&gt;Sandra Dee&lt;br /&gt;Carolyn Jones&lt;br /&gt;Diane Varsi&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Best Film Choreography&lt;/strong&gt;&lt;br /&gt;Le Roy Prinz&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Cecil B. DeMille Award&lt;/strong&gt;&lt;br /&gt;Buddy Adler&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Special Achievement Awards&lt;/strong&gt;&lt;br /&gt;Zsa Zsa Gabor (Most Glamorous Actress)&lt;br /&gt;Hugo Friedhofer (For Bettering the Standard of Motion Picture Music)&lt;br /&gt;Bob Hope (Ambassador of Good Will)&lt;br /&gt;Jean Simmons (Most Versatile Actress)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;The Academy Awards&lt;/strong&gt; (Nominations were announced on February 18, 1958. Awards were presented on March 26, 1958)&lt;br /&gt;&lt;br /&gt;&lt;a href="http://1.bp.blogspot.com/_bzQchKv0KQA/SOiTT1oni0I/AAAAAAAAAbw/LC5pSRHeo4A/s1600-h/Peyton+Place.jpg"&gt;&lt;img style="display:block; margin:0px auto 10px; text-align:center;cursor:pointer; cursor:hand;" src="http://1.bp.blogspot.com/_bzQchKv0KQA/SOiTT1oni0I/AAAAAAAAAbw/LC5pSRHeo4A/s400/Peyton+Place.jpg" border="0" alt=""id="BLOGGER_PHOTO_ID_5253610934351924034" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;strong&gt;Best Picture&lt;/strong&gt;&lt;br /&gt;&lt;strong&gt;&lt;em&gt;The Bridge on the River Kwai&lt;/em&gt;&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;Peyton Place&lt;/em&gt;&lt;br /&gt;&lt;em&gt;Sayonara&lt;/em&gt;&lt;br /&gt;&lt;em&gt;Twelve Angry Men&lt;/em&gt;&lt;br /&gt;&lt;em&gt;Witness for the Prosecution&lt;/em&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Best Director&lt;/strong&gt;&lt;br /&gt;&lt;strong&gt;David Lean for &lt;em&gt;The Bridge on the River Kwai&lt;/em&gt;&lt;/strong&gt;&lt;br /&gt;Joshua Logan for &lt;em&gt;Sayonara&lt;/em&gt;&lt;br /&gt;Sidney Lumet for &lt;em&gt;Twelve Angry Men&lt;/em&gt;&lt;br /&gt;Mark Robson for &lt;em&gt;Peyton Place&lt;/em&gt;&lt;br /&gt;Billy Wilder for &lt;em&gt;Witness for the Prosecuti&lt;/em&gt;on&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Best Actor&lt;/strong&gt;&lt;br /&gt;Marlon Brando in &lt;em&gt;Sayonara&lt;/em&gt;&lt;br /&gt;Anthony Franciosa in &lt;em&gt;A Hatful of Rain&lt;/em&gt;&lt;br /&gt;&lt;strong&gt;Alec Guinness in &lt;em&gt;The Bridge on the River Kwai&lt;/em&gt;&lt;/strong&gt;&lt;br /&gt;Charles Laughton in &lt;em&gt;Witness for the Prosecution&lt;/em&gt;&lt;br /&gt;Anthony Quinn in &lt;em&gt;Wild is the Wind&lt;/em&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Best Actress&lt;/strong&gt;&lt;br /&gt;Deborah Kerr in &lt;em&gt;Heaven Knows, Mr. Allison&lt;/em&gt;&lt;br /&gt;Anna Magnani in &lt;em&gt;Wild is the Wind&lt;/em&gt;&lt;br /&gt;Elizabeth Taylor in &lt;em&gt;Raintree County&lt;/em&gt;&lt;br /&gt;Lana Turner in &lt;em&gt;Peyton Place&lt;/em&gt;&lt;br /&gt;&lt;strong&gt;Joanne Woodward in &lt;em&gt;The Three Faces of Eve&lt;/em&gt;&lt;/strong&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Best Supporting Actor&lt;/strong&gt;&lt;br /&gt;&lt;strong&gt;Red Buttons in &lt;em&gt;Sayonara&lt;/em&gt;&lt;/strong&gt;&lt;br /&gt;Vittorio De Sica in A&lt;em&gt; Farewell to Arms&lt;/em&gt;&lt;br /&gt;Sessue Hayakawa in &lt;em&gt;The Bridge on the River Kwai&lt;/em&gt;&lt;br /&gt;Arthur Kennedy in &lt;em&gt;Peyton Place&lt;/em&gt;&lt;br /&gt;Russ Tamblyn in &lt;em&gt;Peyton Place&lt;/em&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Best Supporting Actress&lt;/strong&gt;&lt;br /&gt;Carolyn Jones in &lt;em&gt;The Bachelor Party&lt;/em&gt;&lt;br /&gt;Elsa Lanchester in &lt;em&gt;Witness for the Prosecution&lt;/em&gt;&lt;br /&gt;Hope Lange in &lt;em&gt;Peyton Place&lt;/em&gt;&lt;br /&gt;&lt;strong&gt;Miyoshi Umeki in &lt;em&gt;Sayonara&lt;/em&gt;&lt;/strong&gt;&lt;br /&gt;Diane Varsi in &lt;em&gt;Peyton Place&lt;/em&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Best Screenplay Based on Material From Another Medium&lt;/strong&gt;&lt;br /&gt;&lt;strong&gt;Pierre Boulle (blacklisted writers Michael Wilson and Carl Foreman actually adapted Boulle's novel for the screen) for &lt;em&gt;The Bridge on the River Kwai&lt;/em&gt;&lt;/strong&gt;&lt;br /&gt;John Lee Mahin and John Huston for &lt;em&gt;Heaven Knows, Mr. Allison&lt;/em&gt;&lt;br /&gt;John Michael Hayes for &lt;em&gt;Peyton Place&lt;/em&gt;&lt;br /&gt;Paul Osborn for &lt;em&gt;Sayonara&lt;/em&gt;&lt;br /&gt;Reginald Rose for &lt;em&gt;12 Angry Men&lt;/em&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Best Story and Screenplay Written Directly for the Screen&lt;/strong&gt;&lt;br /&gt;&lt;strong&gt;George Wells for &lt;em&gt;Designing Woman&lt;/em&gt;&lt;/strong&gt;&lt;br /&gt;Leonard Gershe for &lt;em&gt;Funny Face&lt;/em&gt;&lt;br /&gt;Ralph Wheelwright; R. Wright Campbell, Ivan Goff and Ben Roberts for &lt;em&gt;Man of a Thousand Faces&lt;/em&gt;&lt;br /&gt;Barney Slater and Joel Kane; Dudley Nichols for &lt;em&gt;The Tin Star&lt;/em&gt;&lt;br /&gt;Federico Fellini, Ennio Flaiano and Tullio Pinelli for &lt;em&gt;Vitelloni&lt;/em&gt;&lt;br /&gt;&lt;br /&gt;&lt;em&gt;Best Cinematography&lt;/em&gt;&lt;br /&gt;Milton Krasner for &lt;em&gt;An Affair to Remember&lt;/em&gt;&lt;br /&gt;&lt;strong&gt;Jack Hildyard for &lt;em&gt;The Bridge on the River Kwai&lt;/em&gt;&lt;/strong&gt;&lt;br /&gt;Ray June for &lt;em&gt;Funny Face&lt;/em&gt;&lt;br /&gt;William Mellor for &lt;em&gt;Peyton Place&lt;/em&gt;&lt;br /&gt;Ellsworth Fredericks for &lt;em&gt;Sayonara&lt;/em&gt;&lt;br /&gt;&lt;br /&gt;&lt;a href="http://3.bp.blogspot.com/_bzQchKv0KQA/SR_xSkMrOPI/AAAAAAAAAtI/n41ItVLrgCA/s1600-h/Sayonara.jpg"&gt;&lt;img style="display:block; margin:0px auto 10px; text-align:center;cursor:pointer; cursor:hand;width: 267px; height: 400px;" src="http://3.bp.blogspot.com/_bzQchKv0KQA/SR_xSkMrOPI/AAAAAAAAAtI/n41ItVLrgCA/s400/Sayonara.jpg" border="0" alt=""id="BLOGGER_PHOTO_ID_5269195390303549682" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;strong&gt;Art Direction-Set Direction&lt;/strong&gt;&lt;br /&gt;Hal Pereira and George W. Davis; Sam Comer and Ray Moyer for &lt;em&gt;Funny Face&lt;/em&gt;&lt;br /&gt;William A. Horning and Gene Allen; Edwin B. Willis and Richard Pefferle for &lt;em&gt;Les Girls&lt;/em&gt;&lt;br /&gt;Walter Holscher; William Kiernan and Louis Diage for &lt;em&gt;Pal Joey&lt;/em&gt;&lt;br /&gt;William A. Horning and Urie McCleary; Edwin B. Willis and Hugh Hunt for &lt;em&gt;Raintree County&lt;/em&gt;&lt;br /&gt;&lt;strong&gt;Ted Haworth; Robert Priestley for &lt;em&gt;Sayonara&lt;/em&gt;&lt;/strong&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Best Sound&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;Gunfight at the O.K. Corral&lt;/em&gt; George Dutton, sound director&lt;br /&gt;&lt;em&gt;Les Girls&lt;/em&gt; Wesley C. Miller, sound director&lt;br /&gt;&lt;em&gt;Pal Joey&lt;/em&gt; John P. Livadary, sound director&lt;br /&gt;&lt;strong&gt;&lt;em&gt;Sayonara&lt;/em&gt; George Groves, sound director&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;Witness for the Prosecution&lt;/em&gt; Gordon Sawyer, sound director&lt;br /&gt;&lt;br /&gt;&lt;a href="http://2.bp.blogspot.com/_bzQchKv0KQA/SR_zNTWP9XI/AAAAAAAAAtQ/1hEgtJ1M0DQ/s1600-h/Joker+is+Wild.jpg"&gt;&lt;img style="display:block; margin:0px auto 10px; text-align:center;cursor:pointer; cursor:hand;width: 257px; height: 400px;" src="http://2.bp.blogspot.com/_bzQchKv0KQA/SR_zNTWP9XI/AAAAAAAAAtQ/1hEgtJ1M0DQ/s400/Joker+is+Wild.jpg" border="0" alt=""id="BLOGGER_PHOTO_ID_5269197498904212850" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;strong&gt;Best Song&lt;/strong&gt;&lt;br /&gt;"An Affair to Remember" from &lt;em&gt;An Affair to Remember&lt;/em&gt;.  Music by Harry Warren. Lyrics by Harold Adamson and Leo McCarey&lt;br /&gt;&lt;strong&gt;"All the Way" from &lt;em&gt;The Joker is Wild&lt;/em&gt;. Music by James Van Heusen. Lyrics by Sammy Cahn&lt;/strong&gt;&lt;br /&gt;"April Love" from &lt;em&gt;April Love&lt;/em&gt;. Music by Sammy Fain. Lyrics by Paul Francis Webster&lt;br /&gt;"Tammy" from &lt;em&gt;Tammy and the Bachelor&lt;/em&gt;. Music and Lyrics by Ray Evans and Jay Livingston&lt;br /&gt;"Wild is the Wind" from &lt;em&gt;Wild is the Wind&lt;/em&gt;. Music by Dimitri Tiomkin. Lyrics by Ned Washington&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Best Score&lt;/strong&gt;&lt;br /&gt;Hugo Friedhofer for &lt;em&gt;An Affair to Remember&lt;/em&gt;&lt;br /&gt;Hugo Friedhofer for &lt;em&gt;Boy on a Dolphin&lt;/em&gt;&lt;br /&gt;&lt;strong&gt;Malcolm Arnbold for &lt;em&gt;The Bridge on the River Kwai&lt;/em&gt;&lt;/strong&gt;&lt;br /&gt;Paul Smith for &lt;em&gt;Perri&lt;/em&gt;&lt;br /&gt;Johnny Green for &lt;em&gt;Raintree County&lt;/em&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Best Film Editing&lt;/strong&gt;&lt;br /&gt;&lt;strong&gt;Peter Taylor for &lt;em&gt;The Bridge on the River Kwai&lt;/em&gt;&lt;/strong&gt;&lt;br /&gt;Warren Low for &lt;em&gt;Gunfight at the O.K. Corral&lt;/em&gt;&lt;br /&gt;Viola Lawrence and Jerome Thomas for &lt;em&gt;Pal Joey&lt;/em&gt;&lt;br /&gt;Arthur P. Schmidt and Philip W. Anderson for &lt;em&gt;Sayonara&lt;/em&gt;&lt;br /&gt;Daniel Mandell for &lt;em&gt;Witness for the Prosecution&lt;/em&gt;&lt;br /&gt;&lt;br /&gt;&lt;a href="http://4.bp.blogspot.com/_bzQchKv0KQA/SR_1vo9s4QI/AAAAAAAAAtY/znsJ2eaNw5I/s1600-h/Les+Girls.jpg"&gt;&lt;img style="display:block; margin:0px auto 10px; text-align:center;cursor:pointer; cursor:hand;width: 265px; height: 400px;" src="http://4.bp.blogspot.com/_bzQchKv0KQA/SR_1vo9s4QI/AAAAAAAAAtY/znsJ2eaNw5I/s400/Les+Girls.jpg" border="0" alt=""id="BLOGGER_PHOTO_ID_5269200287845638402" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;strong&gt;Best Costume Design&lt;/strong&gt;&lt;br /&gt;Charles LeMaire for &lt;em&gt;An Affair to Remember&lt;/em&gt;&lt;br /&gt;Edith Head and Hubert de Givenchy for &lt;em&gt;Funny Face&lt;/em&gt;&lt;br /&gt;&lt;strong&gt;Orry-Kelly for &lt;em&gt;Les Girls&lt;/em&gt;&lt;/strong&gt;&lt;br /&gt;Jean Louis for &lt;em&gt;Pal Joey&lt;/em&gt;&lt;br /&gt;Walter Plunkett for &lt;em&gt;Raintree County&lt;/em&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Best Special Effects&lt;/strong&gt;&lt;br /&gt;&lt;strong&gt;Walter Rossi for &lt;em&gt;The Enemy Below&lt;/em&gt;&lt;/strong&gt;&lt;br /&gt;Louis Lichtenfield for &lt;em&gt;The Spirit of St. Louis&lt;/em&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Best Short Subject Cartoon&lt;/strong&gt;&lt;br /&gt;&lt;strong&gt;&lt;em&gt;Birds Anonymous&lt;/em&gt; Edward Selzer, producer&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;One Droopy Knight&lt;/em&gt; William Hanna and Joseph Barbera, producers&lt;br /&gt;&lt;em&gt;Tabasco Road&lt;/em&gt; Edward Selzer, producer&lt;br /&gt;&lt;em&gt;Trees and Jamaica Daddy&lt;/em&gt; Stephen Bosustow, producer&lt;br /&gt;&lt;em&gt;The Truth About Mother Goose&lt;/em&gt; Walt Disney, producer&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Best Live Action Short Subject&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;A Charity Tale&lt;/em&gt; Norman McLaren, producer&lt;br /&gt;&lt;em&gt;City of Gold&lt;/em&gt; Tom Daly, producer&lt;br /&gt;&lt;em&gt;Foothold on Antarctica&lt;/em&gt; James Carr, producer&lt;br /&gt;&lt;em&gt;Portugal&lt;/em&gt; Ben Sharpsteen, producer&lt;br /&gt;&lt;strong&gt;&lt;em&gt;The Wetback Hound&lt;/em&gt; Larry Lansburgh, producer&lt;/strong&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Best Documentary Feature&lt;/strong&gt;&lt;br /&gt;&lt;strong&gt;&lt;em&gt;Albert Schweitzer&lt;/em&gt; Jerome Hill, producer&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;On the Bowery&lt;/em&gt; Lionel Rogosin, producer&lt;br /&gt;&lt;em&gt;Torero!&lt;/em&gt; Manuel Barbachano Ponce, producer&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Best Foreign-Language Film&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;The Devil Came at Night&lt;/em&gt; (Germany)&lt;br /&gt;&lt;em&gt;Gates of Paris&lt;/em&gt; (France)&lt;br /&gt;&lt;em&gt;Mother India&lt;/em&gt; (India)&lt;br /&gt;&lt;strong&gt;&lt;em&gt;The Nights of Cabiria&lt;/em&gt; (Italy)&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;Nine Lives&lt;/em&gt; (Norway)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Jean Hersholt Humanitarian Award&lt;/strong&gt;&lt;br /&gt;&lt;strong&gt;Samuel Goldwyn&lt;/strong&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Honorary Awards&lt;/strong&gt;&lt;br /&gt;&lt;strong&gt;Charles Brackett&lt;/strong&gt; for outstanding service to the Academy (statuette)&lt;br /&gt;&lt;strong&gt;B.B. Kahane&lt;/strong&gt; for distinguished service to the motion picture industry (statuette)&lt;br /&gt;&lt;strong&gt;Gilbert M. ("Broncho Billy") Anderson&lt;/strong&gt;, motion picture pioneer, for his contributions to the development of motion pictures as entertainment (statuette)&lt;br /&gt;&lt;strong&gt;The Society of Motion Picture and Television Engineers&lt;/strong&gt; for their contribution to the advancement of the motion picture industry (statuette)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;British Academy Awards&lt;/strong&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Best Film From Any Source and Best British Film&lt;/strong&gt;&lt;br /&gt;&lt;br /&gt;&lt;em&gt;The Bachelor Party&lt;/em&gt; (U.S.)&lt;br /&gt;&lt;strong&gt;&lt;em&gt;The Bridge on the River Kwai&lt;/em&gt; (Great Britain)- won both awards&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;Celui Qui Doit Mourir&lt;/em&gt; (Italy/France)&lt;br /&gt;&lt;em&gt;Heaven Knows, Mr. Allison&lt;/em&gt; (U.S.)&lt;br /&gt;&lt;em&gt;A Man is Ten Feet Tall&lt;/em&gt; (&lt;em&gt;Edge of the City&lt;/em&gt;) (U.S.)&lt;br /&gt;&lt;em&gt;Pather Panchali&lt;/em&gt; (India)&lt;br /&gt;&lt;em&gt;Paths Of Glory&lt;/em&gt; (U.S.)&lt;br /&gt;&lt;em&gt;Porte des Lilas&lt;/em&gt; (France/Italy)&lt;br /&gt;&lt;em&gt;The Prince and the Showgirl&lt;/em&gt; (G.B.)&lt;br /&gt;&lt;em&gt;The Shiralee&lt;/em&gt; (G.B.)&lt;br /&gt;&lt;em&gt;That Night&lt;/em&gt; (U.S.)&lt;br /&gt;&lt;em&gt;The Tin Star&lt;/em&gt; (U.S.)&lt;br /&gt;&lt;em&gt;3:10 to Yuma&lt;/em&gt; (U.S.)&lt;br /&gt;&lt;em&gt;Twelve Angry Men&lt;/em&gt; (U.S.)&lt;br /&gt;&lt;em&gt;Windom's Way&lt;/em&gt; (G.B.)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Best British Actor&lt;/strong&gt;&lt;br /&gt;Peter Finch in &lt;em&gt;Windom's Way&lt;/em&gt;&lt;br /&gt;&lt;strong&gt;Alec Guinness in &lt;em&gt;The Bridge on the River Kwai&lt;/em&gt;&lt;/strong&gt;&lt;br /&gt;Trevor Howard in &lt;em&gt;Manuela&lt;/em&gt;&lt;br /&gt;Laurence Olivier in &lt;em&gt;The Prince and the Showgirl&lt;/em&gt;&lt;br /&gt;Michael Redgrave in &lt;em&gt;Time Without Pity&lt;/em&gt;&lt;br /&gt;&lt;br /&gt;&lt;a href="http://1.bp.blogspot.com/_bzQchKv0KQA/SRi94LPGPXI/AAAAAAAAApU/rv3WI6Dv9Zg/s1600-h/Story+of+Esther+Costello.jpg"&gt;&lt;img style="display:block; margin:0px auto 10px; text-align:center;cursor:pointer; cursor:hand;width: 380px; height: 400px;" src="http://1.bp.blogspot.com/_bzQchKv0KQA/SRi94LPGPXI/AAAAAAAAApU/rv3WI6Dv9Zg/s400/Story+of+Esther+Costello.jpg" border="0" alt=""id="BLOGGER_PHOTO_ID_5267168536996232562" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;strong&gt;Best British Actress&lt;/strong&gt;&lt;br /&gt;Deborah Kerr in &lt;em&gt;Tea and Sympathy&lt;/em&gt;&lt;br /&gt;&lt;strong&gt;Heather Sears in &lt;em&gt;The Story of Esther Costello&lt;/em&gt;&lt;/strong&gt;&lt;br /&gt;Sylvia Syms in &lt;em&gt;Woman in a Dressing Gown&lt;/em&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Best Foreign Actor&lt;/strong&gt;&lt;br /&gt;Richard Basehart in &lt;em&gt;Time Limit&lt;/em&gt;&lt;br /&gt;Pierre Brasseur in &lt;em&gt;Porte des Lilas&lt;/em&gt;&lt;br /&gt;Tony Curtis in &lt;em&gt;The Sweet Smell of Success&lt;/em&gt;&lt;br /&gt;&lt;strong&gt;Henry Fonda in &lt;em&gt;Twelve Angry Men&lt;/em&gt;&lt;/strong&gt;&lt;br /&gt;Jean Gabin in &lt;em&gt;Pig Across Paris&lt;/em&gt;&lt;br /&gt;Robert Mitchum in &lt;em&gt;Heaven Knows, Mr. Allison&lt;/em&gt;&lt;br /&gt;Sidney Poitier in &lt;em&gt;A Man is Ten Feet Tall&lt;/em&gt; (&lt;em&gt;Edge of the City&lt;/em&gt;)&lt;br /&gt;Ed Wynn in &lt;em&gt;The Great Man&lt;/em&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Best Foreign Actress&lt;/strong&gt;&lt;br /&gt;Augusta Dabney in &lt;em&gt;That Night&lt;/em&gt;&lt;br /&gt;Katharine Hepburn in &lt;em&gt;The Rainmaker&lt;/em&gt;&lt;br /&gt;Marilyn Monroe in The &lt;em&gt;Prince and the Showgirl&lt;/em&gt;&lt;br /&gt;Lili Palmer in &lt;em&gt;Is Anna Anderson Anastasia?&lt;/em&gt;&lt;br /&gt;Eva Marie Saint in &lt;em&gt;A Hatful of Rain&lt;/em&gt;&lt;br /&gt;&lt;strong&gt;Simone Signoret in &lt;em&gt;The Witches of Salem&lt;/em&gt;&lt;/strong&gt;&lt;br /&gt;Joanne Woodward in &lt;em&gt;The Three Faces of Eve&lt;/em&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Most Promising Newcomer&lt;/strong&gt;&lt;br /&gt;&lt;strong&gt;Eric Barker in &lt;em&gt;Brothers in Law&lt;/em&gt;&lt;/strong&gt;&lt;br /&gt;Mylene Demongeot in &lt;em&gt;The Witches of Salem&lt;/em&gt;&lt;br /&gt;Elvi Hale in &lt;em&gt;True as a Turtle&lt;/em&gt;&lt;br /&gt;James MacArthur in &lt;em&gt;The Young Stranger&lt;/em&gt;&lt;br /&gt;Keith Michell in &lt;em&gt;True as a Turtle&lt;/em&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Best British Screenplay&lt;/strong&gt;&lt;br /&gt;Arthur Laurents for &lt;em&gt;Anastasia&lt;/em&gt;&lt;br /&gt;Jack Whittingham for &lt;em&gt;The Birthday Present&lt;/em&gt;&lt;br /&gt;&lt;strong&gt;Pierre Boulle (blacklisted writers Michael Wilson and Carl Foreman actually penned the screenplay, based on Boulle's novel) for &lt;em&gt;The Bridge on the River Kwai&lt;/em&gt;&lt;/strong&gt;&lt;br /&gt;John Kruse and C. Raker Endfield for &lt;em&gt;Hell Drivers&lt;/em&gt;&lt;br /&gt;William Rose and John Eldridge for &lt;em&gt;The Man in the Sky&lt;/em&gt;&lt;br /&gt;Terence Rattigan for &lt;em&gt;The Prince and the Showgirl&lt;/em&gt;&lt;br /&gt;William Rose and John Eldridge for &lt;em&gt;The Smallest Show on Earth&lt;/em&gt;&lt;br /&gt;Charles Kaufman for &lt;em&gt;The Story of Esther Costello&lt;/em&gt;&lt;br /&gt;Jill Craigie for &lt;em&gt;Windom's Way&lt;/em&gt;&lt;br /&gt;Ted Willis for &lt;em&gt;Woman in a Dressing Gown&lt;/em&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Best Documentary&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;City of Gold&lt;/em&gt; (Canada)&lt;br /&gt;&lt;em&gt;Every Day Except Christmas&lt;/em&gt; (G.B.)&lt;br /&gt;&lt;em&gt;Holiday&lt;/em&gt; (G.B.)&lt;br /&gt;&lt;strong&gt;&lt;em&gt;Journey Into Spring&lt;/em&gt; (G.B.)&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;The USA in the Thirties&lt;/em&gt; (U.S.)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Special Award&lt;/strong&gt;&lt;br /&gt;&lt;strong&gt;&lt;em&gt;A Chairy Tale&lt;/em&gt; (Canada)&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;Introducing Telex&lt;/em&gt; (G.B.)&lt;br /&gt;&lt;em&gt;Successful Instruction&lt;/em&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Best Animated Film&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;Earth is a Battlefield&lt;/em&gt; (G.B.)&lt;br /&gt;&lt;em&gt;La Bergere et le Ramoneur&lt;/em&gt; (France)&lt;br /&gt;&lt;em&gt;The Magic Fluke&lt;/em&gt; (U.S.)&lt;br /&gt;&lt;strong&gt;&lt;em&gt;Pan-Tele-Tron&lt;/em&gt; (G.B.)&lt;/strong&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;United Nations Award&lt;/strong&gt;&lt;br /&gt;&lt;strong&gt;&lt;em&gt;The Happy Road&lt;/em&gt; (U.S./France)&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;Like Paradise&lt;/em&gt; (G.B.)&lt;br /&gt;&lt;em&gt;Out&lt;/em&gt; (United Nations)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;The Golden Laurel Awards- 1958&lt;/strong&gt; (Published in the Motion Picture Exhibitor magazine on September 10, 1958. A poll of film buyers from the US and Canada. Mainly covers 1957 films)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Top Drama&lt;/strong&gt;&lt;br /&gt;1) &lt;em&gt;Peyton Place&lt;/em&gt; (1957)&lt;br /&gt;2) &lt;em&gt;Sayonara&lt;/em&gt; (1957)&lt;br /&gt;3) &lt;em&gt;The Bridge on the River Kwai&lt;/em&gt; (1957)&lt;br /&gt;4) &lt;em&gt;Witness for the Prosecution&lt;/em&gt; (1957)&lt;br /&gt;5) &lt;em&gt;Majorie Morningstar&lt;/em&gt; (1958) &lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Top Comedy&lt;/strong&gt;&lt;br /&gt;1) &lt;em&gt;Love in the Afternoon&lt;/em&gt; (1957)&lt;br /&gt;2) &lt;em&gt;Don't Go Near the Water&lt;/em&gt; (1957)&lt;br /&gt;3) &lt;em&gt;Tammy and the Bachelor&lt;/em&gt; (1957)&lt;br /&gt;4) &lt;em&gt;Teacher's Pet&lt;/em&gt; (1958)&lt;br /&gt;5) &lt;em&gt;Designing Woman&lt;/em&gt; (1957)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Top Musical&lt;/strong&gt;&lt;br /&gt;1) &lt;em&gt;Pal Joey&lt;/em&gt; (1957)&lt;br /&gt;2) &lt;em&gt;Les Girls&lt;/em&gt; (1957)&lt;br /&gt;3) &lt;em&gt;April Love&lt;/em&gt; (1957)&lt;br /&gt;4) &lt;em&gt;The Pajama Game&lt;/em&gt; (1957)&lt;br /&gt;5) &lt;em&gt;Silk Stockings&lt;/em&gt; (1957)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Top Action Drama&lt;/strong&gt;&lt;br /&gt;1) &lt;em&gt;Gunfight at the O.K. Corral&lt;/em&gt; (1957)&lt;br /&gt;2) &lt;em&gt;3:10 to Yuma&lt;/em&gt; (1957)&lt;br /&gt;3) &lt;em&gt;The Enemy Below&lt;/em&gt; (1957)&lt;br /&gt;4) &lt;em&gt;Baby Faced Nelson&lt;/em&gt; (1957)&lt;br /&gt;5) &lt;em&gt;Night Passage&lt;/em&gt; (1957)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Top General Entertainment&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;Old Yeller&lt;/em&gt; (1957)&lt;br /&gt;&lt;br /&gt;Other Nominees:&lt;br /&gt;&lt;em&gt;South Pacific&lt;/em&gt; (1958)- Special Merit Award&lt;br /&gt;&lt;em&gt;Windjammer: The Voyage of the Christian Radich&lt;/em&gt; (1958)- Special Merit Award&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Top Director&lt;/strong&gt;&lt;br /&gt;1) Fred Zinnemann&lt;br /&gt;2) Joseph L. Mankiewicz&lt;br /&gt;3) George Sidney&lt;br /&gt;4) Michael Curtiz&lt;br /&gt;5) Edward Dmytryk&lt;br /&gt;6) Richard Brooks&lt;br /&gt;7) Douglas Sirk&lt;br /&gt;8) Raoul Walsh&lt;br /&gt;9) Anthony Mann&lt;br /&gt;10) Henry Koster&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Top Producer/Director&lt;/strong&gt;&lt;br /&gt;1) Cecil B. DeMille&lt;br /&gt;2) Alfred Hitchcock&lt;br /&gt;3) George Stevens&lt;br /&gt;4) Mervyn LeRoy&lt;br /&gt;5) William Wyler&lt;br /&gt;6) Stanley Kramer&lt;br /&gt;7) Billy Wilder&lt;br /&gt;8) Leo McCarey&lt;br /&gt;9) John Huston&lt;br /&gt;10) Anatole Litvak&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Top Producer&lt;/strong&gt;&lt;br /&gt;1) Buddy Adler&lt;br /&gt;2) Walt Disney&lt;br /&gt;3) Jerry Wald&lt;br /&gt;4) Sam Spiegel&lt;br /&gt;5) Pandro S. Berman&lt;br /&gt;6) Darryl F. Zanuck&lt;br /&gt;7) Arthur Freed&lt;br /&gt;8) Joe Pasternak&lt;br /&gt;9) Samuel G. Engel&lt;br /&gt;10) Charles Brackett&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Top Male Dramatic Performance&lt;/strong&gt;&lt;br /&gt;1) Marlon Brando in &lt;em&gt;The Young Lions&lt;/em&gt; (1958)&lt;br /&gt;2) Alec Guinness in &lt;em&gt;The Bridge on the River Kwai&lt;/em&gt; (1957)&lt;br /&gt;3) Lee J. Cobb in &lt;em&gt;The Brothers Karamazov&lt;/em&gt; (1958)&lt;br /&gt;4) Anthony Quinn in &lt;em&gt;Wild is the Wind&lt;/em&gt; (1957)&lt;br /&gt;5) Tony Curtis in &lt;em&gt;Sweet Smell of Sucess&lt;/em&gt; (1957) &lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Top Female Dramatic Performance&lt;/strong&gt;&lt;br /&gt;1) Elizabeth Taylor in &lt;em&gt;Raintree County&lt;/em&gt; (1957)&lt;br /&gt;2) Marlene Dietrich in &lt;em&gt;Witness for the Prosecution&lt;/em&gt; (1957)&lt;br /&gt;3) Eva Marie Saint in &lt;em&gt;A Hatful of Rain&lt;/em&gt; (1957)&lt;br /&gt;4) Lana Turner in &lt;em&gt;Peyton Place&lt;/em&gt; (1957)&lt;br /&gt;5) Natalie Wood in &lt;em&gt;Majorie Morningstar&lt;/em&gt; (1958)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Top Male Comedy Performance&lt;/strong&gt;&lt;br /&gt;1) Glenn Ford in &lt;em&gt;Don't Go Near the Water&lt;/em&gt; (1957)&lt;br /&gt;2) Jack Lemmon in &lt;em&gt;Operation Mad Ball&lt;/em&gt; (1957)&lt;br /&gt;3) Clark Gable in &lt;em&gt;Teacher's Pet&lt;/em&gt; (1958)&lt;br /&gt;4) Gig Young in &lt;em&gt;Teacher's Pet&lt;/em&gt; (1958)&lt;br /&gt;5) Mickey Shaughnessy in &lt;em&gt;Don't Go Near the Water&lt;/em&gt; (1957)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Top Female Comedy Performance&lt;/strong&gt;&lt;br /&gt;1) Audrey Hepburn in &lt;em&gt;Love in the Afternoon&lt;/em&gt; (1957)&lt;br /&gt;2) Debbie Reynolds in &lt;em&gt;Tammy and the Bachelor&lt;/em&gt; (1957)&lt;br /&gt;3) Lauren Bacall in &lt;em&gt;Designing Woman&lt;/em&gt; (1957)&lt;br /&gt;4) Marilyn Monroe in &lt;em&gt;The Prince and the Showgirl&lt;/em&gt; (1957)&lt;br /&gt;5) Eva Gabor in Don'&lt;em&gt;t Go Near the Water&lt;/em&gt; (1957)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Top Male Musical Performance&lt;/strong&gt;&lt;br /&gt;1) Frank Sinatra in &lt;em&gt;Pal Joey&lt;/em&gt; (1957)&lt;br /&gt;2) Pat Boone in &lt;em&gt;April Love&lt;/em&gt; (1957)&lt;br /&gt;3) John Raitt in &lt;em&gt;The Pajama Game&lt;/em&gt; (1957)&lt;br /&gt;4) Fred Astaire in &lt;em&gt;Funny Face&lt;/em&gt; (1957)&lt;br /&gt;5) Gene Kelly in &lt;em&gt;Les Girls&lt;/em&gt; (1957)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Top Female Comedy Performance&lt;/strong&gt;&lt;br /&gt;1) Mitzi Gaynor in &lt;em&gt;Les Girls&lt;/em&gt; (1957)&lt;br /&gt;2) Cyd Charisse in &lt;em&gt;Silk Stockings&lt;/em&gt; (1957)&lt;br /&gt;3) Ann Blyth in &lt;em&gt;The Helen Morgan Story&lt;/em&gt; (1957)&lt;br /&gt;4) Kay Kendall in &lt;em&gt;Les Girls&lt;/em&gt; (1957)&lt;br /&gt;5) Shirley Jones in &lt;em&gt;April Love&lt;/em&gt; (1957)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Top Male Action Star&lt;/strong&gt;&lt;br /&gt;1) Burt Lancaster in &lt;em&gt;Gunfight at the O.K. Corral&lt;/em&gt; (1957)&lt;br /&gt;2) Robert Mitchum in &lt;em&gt;The Enemy Below&lt;/em&gt; (1957) &lt;br /&gt;3) Mickey Rooney in &lt;em&gt;Baby Faced Nelson&lt;/em&gt; (1957)&lt;br /&gt;4) Van Heflin in &lt;em&gt;3:10 to Yuma &lt;/em&gt;(1957)&lt;br /&gt;5) Kirk Douglas in &lt;em&gt;The Gunfight at the O.K. Corral&lt;/em&gt; (1957)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Top Male Supporting Performance&lt;/strong&gt;&lt;br /&gt;1) Red Buttons in &lt;em&gt;Sayonara&lt;/em&gt; (1957)&lt;br /&gt;2) Arthur Kennedy in &lt;em&gt;Peyton Place&lt;/em&gt; (1957)&lt;br /&gt;3) Ricardo Montalban in &lt;em&gt;Sayonara&lt;/em&gt; (1957)&lt;br /&gt;4) Adolphe Menjou in &lt;em&gt;Paths of Glory&lt;/em&gt; (1957)&lt;br /&gt;5) Lee Marvin in &lt;em&gt;Raintree County&lt;/em&gt; (1957)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Top Female Supporting Performance&lt;/strong&gt;&lt;br /&gt;1) Carolyn Jones in &lt;em&gt;Majorie Morningstar&lt;/em&gt; (1958)&lt;br /&gt;2) Agnes Moorehead in &lt;em&gt;Raintree County&lt;/em&gt; (1957)&lt;br /&gt;3) Diane Varsi in &lt;em&gt;Peyton Place&lt;/em&gt; (1957)&lt;br /&gt;4) Barbara Nichols in &lt;em&gt;Sweet Smell of Success&lt;/em&gt; (1957)&lt;br /&gt;5) Betty Field in &lt;em&gt;Peyton Place&lt;/em&gt; (1957) &lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Top Male Star&lt;/strong&gt;&lt;br /&gt;1) Rock Hudson&lt;br /&gt;2) Marlon Brando&lt;br /&gt;3) Frank Sinatra&lt;br /&gt;4) William Holden&lt;br /&gt;5) James Stewart&lt;br /&gt;6) Gary Cooper&lt;br /&gt;7) John Wayne&lt;br /&gt;8) Burt Lancaster&lt;br /&gt;9) Jerry Lewis&lt;br /&gt;10) Bing Crosby&lt;br /&gt;11) Cary Grant&lt;br /&gt;12) Glenn Ford&lt;br /&gt;13) Bob Hope&lt;br /&gt;14) Jeff Chandler&lt;br /&gt;15) Randolph Scott&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Top Female Star&lt;/strong&gt;&lt;br /&gt;1) Doris Day&lt;br /&gt;2) Ingrid Bergman&lt;br /&gt;3) Kim Novak&lt;br /&gt;4) Elizabeth Taylor&lt;br /&gt;5) Audrey Hepburn&lt;br /&gt;6) Susan Hayward&lt;br /&gt;7) Ava Gardner&lt;br /&gt;8) Deborah Kerr&lt;br /&gt;9) Dorothy Malone&lt;br /&gt;10) Debbie Reynolds&lt;br /&gt;11) Lauren Bacall&lt;br /&gt;12) Sophia Loren&lt;br /&gt;13) Natalie Wood&lt;br /&gt;14) Marilyn Monroe&lt;br /&gt;15) Eleanor Parker&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Top New Male Personality&lt;/strong&gt;&lt;br /&gt;1) Pat Boone&lt;br /&gt;2) Anthony Franciosa&lt;br /&gt;3) Red Buttons&lt;br /&gt;4) Lee Philips&lt;br /&gt;5) Curd (a.k.a. Curt) Jurgens&lt;br /&gt;6) Tony Randall&lt;br /&gt;7) Ernie Kovacs&lt;br /&gt;8) John Raitt&lt;br /&gt;9) Efrem Zimbalist, Jr. &lt;br /&gt;10) Dick Sargent&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Top New Female Personality&lt;/strong&gt;&lt;br /&gt;1) Joanne Woodward&lt;br /&gt;2) Hope Lange&lt;br /&gt;3) Lee Remick&lt;br /&gt;4) Diane Varsi&lt;br /&gt;5) Suzy Parker&lt;br /&gt;6) Taina Elg&lt;br /&gt;7) Patricia Owens&lt;br /&gt;8) Inger Stevens&lt;br /&gt;9) Susan Kohner&lt;br /&gt;10) Dolores Michaels&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Top Music Composer&lt;/strong&gt;&lt;br /&gt;1) Max Steiner for &lt;em&gt;Majorie Morningstar&lt;/em&gt; (1958)&lt;br /&gt;2) Franz Waxman for &lt;em&gt;Sayonara&lt;/em&gt; (1957)&lt;br /&gt;3) Johnny Green for &lt;em&gt;Raintree County&lt;/em&gt; (1957)&lt;br /&gt;4) Bronislau Kaper for &lt;em&gt;The Brothers Karamazov&lt;/em&gt; (1958)&lt;br /&gt;5) Hugo Friedhofer for &lt;em&gt;An Affair to Remember&lt;/em&gt; (1957)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Top Music Director&lt;/strong&gt;&lt;br /&gt;1) Ray Heindorf for &lt;em&gt;Majorie Morningstar&lt;/em&gt; (1958)&lt;br /&gt;2) Morris Stoloff for &lt;em&gt;Pal Joey&lt;/em&gt; (1957)&lt;br /&gt;3) Andre Previn for &lt;em&gt;Silk Stockings&lt;/em&gt; (1957)&lt;br /&gt;4) Lionel Nemwan for &lt;em&gt;April Love&lt;/em&gt; (1957) &lt;br /&gt;5) Nelson Riddle for &lt;em&gt;Merry Widow&lt;/em&gt; (1958) &lt;br /&gt;&lt;br /&gt;&lt;strong&gt;The Top Ten Box-Offices Stars of 1957&lt;/strong&gt; (According to Quigley Publishing's poll of film exhibitors)&lt;br /&gt;1) Rock Hudson&lt;br /&gt;2) John Wayne&lt;br /&gt;3) Pat Boone&lt;br /&gt;4) Elvis Presley&lt;br /&gt;5) Frank Sinatra&lt;br /&gt;6) Gary Cooper&lt;br /&gt;7) William Holden&lt;br /&gt;8) James Stewart&lt;br /&gt;9) Jerry Lewis&lt;br /&gt;10) Yul Brynner&lt;br /&gt;&lt;br /&gt;The Next Fifteen:&lt;br /&gt;11) Kim Novak&lt;br /&gt;12) Deborah Kerr&lt;br /&gt;13) Debbie Reynolds&lt;br /&gt;14) Marlon Brando&lt;br /&gt;15) Burt Lancaster&lt;br /&gt;16) Glenn Ford&lt;br /&gt;17) Doris Day&lt;br /&gt;18) Cary Grant&lt;br /&gt;19) Clark Gable&lt;br /&gt;20) Elizabeth Taylor&lt;br /&gt;21) Audie Murphy&lt;br /&gt;22) Jeff Chandler&lt;br /&gt;23) Juen Allyson&lt;br /&gt;24) Ingrid Bergman&lt;br /&gt;25) Kirk Douglas&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;1957's Top Ten "Stars of Tomorrow"&lt;/strong&gt; (according to Quigley Publishing's poll of film exhibitors)&lt;br /&gt;1) Anthony Perkins&lt;br /&gt;2) Sophia Loren&lt;br /&gt;3) Jayne Mansfield&lt;br /&gt;4) Don Murray&lt;br /&gt;5) Carroll Baker&lt;br /&gt;6) Martha Hyer&lt;br /&gt;7) Elvis Presley&lt;br /&gt;8) Anita Ekberg&lt;br /&gt;9) Paul Newman&lt;br /&gt;10) John Kerr&lt;br /&gt;&lt;br /&gt;The Next Fifteen:&lt;br /&gt;11) Harry Belafonte&lt;br /&gt;12) Jo Van Fleet&lt;br /&gt;13) Julie London&lt;br /&gt;14) Anthony Franciosa&lt;br /&gt;15) Vera Miles&lt;br /&gt;16) Kathryn Grant&lt;br /&gt;17) John Saxon&lt;br /&gt;18) Andy Griffith&lt;br /&gt;19) Dorothy Dandridge&lt;br /&gt;20) Barbara Rush&lt;br /&gt;21) Earl Holliman&lt;br /&gt;22) John Forsythe&lt;br /&gt;23) Anna Maria Alberghetti&lt;br /&gt;24) Fess Parker&lt;br /&gt;25) Rita Moreno&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Britain's Top Ten British Box-Office Stars of 1957&lt;/strong&gt; (according to the Motion Picture Herald's poll of Britain's film exhibitors)&lt;br /&gt;1) Dirk Bogarde&lt;br /&gt;2) Kenneth More&lt;br /&gt;3) Peter Finch&lt;br /&gt;4) John Gregson&lt;br /&gt;5) Norman Wisdom&lt;br /&gt;6) John Mills&lt;br /&gt;7) Stanley Baker&lt;br /&gt;8) Ian Carmichael&lt;br /&gt;9) Jack Hawkins&lt;br /&gt;10) Belinda Lee&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Britain's Top Ten International Box-Office Stars of 1957&lt;/strong&gt; (according to the Motion Picture Herald's poll of Britain's film exhibitors)&lt;br /&gt;1) Dirk Bogarde&lt;br /&gt;2) Kenneth More&lt;br /&gt;3) Burt Lancaster&lt;br /&gt;4) Rock Hudson&lt;br /&gt;5) Peter Finch&lt;br /&gt;6) Jeff Chandler&lt;br /&gt;7) John Gregson&lt;br /&gt;8) Dean Martin &amp; Jerry Lewis&lt;br /&gt;9) Norman Wisdom&lt;br /&gt;10) Yul Brynner&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;The Top Box-Office Hits of 1957&lt;/strong&gt; (According to &lt;em&gt;Variety Weekly&lt;/em&gt;, January 8, 1958. Includes actual and estimated domestic rentals to theaters in U.S. and Canada, not box-office takes, which would be higher. If the final first-run rental take for films gaining $4,000,000 or more in rentals varies from the total originally listed in 1958, I'm showing that figure after the 1958 total. Final first-run rentals data comes from &lt;em&gt;Variety&lt;/em&gt;'s January 10, 1962 "All-Time Top Film Grosses" list (only films taking $4,000,000 or more in rentals were mentioned on the "All-Time" list; unfortunately, I have no data for films with a final gross under $4,000,000 that may have ended up with a higher take than shown below). Ocassionally a film will end up on the "All-Time" list with a lower rental box-office take than when the film originally appeared on the yearly list of top box-office films. This is due to the estimated rentals, which were sometimes revised to a lower amount for the All-Time list).&lt;br /&gt;&lt;br /&gt;&lt;a href="http://2.bp.blogspot.com/_bzQchKv0KQA/SR_goo5-rHI/AAAAAAAAAsg/53ublEe9Y7o/s1600-h/Pal+Joey.jpg"&gt;&lt;img style="display:block; margin:0px auto 10px; text-align:center;cursor:pointer; cursor:hand;width: 260px; height: 400px;" src="http://2.bp.blogspot.com/_bzQchKv0KQA/SR_goo5-rHI/AAAAAAAAAsg/53ublEe9Y7o/s400/Pal+Joey.jpg" border="0" alt=""id="BLOGGER_PHOTO_ID_5269177077826759794" /&gt;&lt;/a&gt;&lt;br /&gt;1) &lt;em&gt;The Ten Commandments&lt;/em&gt; (1956) $18,500,000 (final first-run rentals of $34,200,000)&lt;br /&gt;2) &lt;em&gt;Around the World in 80 Days&lt;/em&gt; (1956) $16,200,000&lt;br /&gt;3) &lt;em&gt;Giant&lt;/em&gt; (1956) $12,000,000&lt;br /&gt;4) &lt;em&gt;Pal Joey&lt;/em&gt; $6,700,000 (final first-run rentals of $4,700,000)&lt;br /&gt;5) &lt;em&gt;Seven Wonders of the World&lt;/em&gt; (1956) $6,500,000 (final first-run rentals of $9,300,000)&lt;br /&gt;6) &lt;em&gt;Teahouse of the August Moon&lt;/em&gt; (1956) $5,600,000&lt;br /&gt;7) &lt;em&gt;The Pride and the Passion&lt;/em&gt; $5,500,000 (final first-run rentals of $4,500,000)&lt;br /&gt;8) &lt;em&gt;Anastasia&lt;/em&gt; (1956) $5,000,000&lt;br /&gt;   &lt;em&gt;Island in the Sun&lt;/em&gt; $5,000,000&lt;br /&gt;10) &lt;em&gt;&lt;em&gt;Love Me Tender&lt;/em&gt;&lt;/em&gt; (1956) $4,500,000&lt;br /&gt;11) &lt;em&gt;Written on the Wind&lt;/em&gt; (1956) $4,400,000&lt;br /&gt;12) &lt;em&gt;Gunfight at the O.K. Corral&lt;/em&gt; $4,300,000&lt;br /&gt;13) &lt;em&gt;Heaven Knows, Mr. Allison&lt;/em&gt; $4,200,000&lt;br /&gt;14) &lt;em&gt;April Love&lt;/em&gt; $4,000,000&lt;br /&gt;    &lt;em&gt;Jailhouse Rock&lt;/em&gt; $4,000,000  &lt;br /&gt;16) &lt;em&gt;Battle Hymn&lt;/em&gt; $3,900,000&lt;br /&gt;17) &lt;em&gt;An Affair to Remember&lt;/em&gt; $3,850,000&lt;br /&gt;18) &lt;em&gt;Bernadine&lt;/em&gt; $$3,700,000&lt;br /&gt;    &lt;em&gt;Loving You&lt;/em&gt; $3,700,000&lt;br /&gt;20) &lt;em&gt;The Sun Also Rises&lt;/em&gt; $3,500,000&lt;br /&gt;    &lt;em&gt;The Sad Sack&lt;/em&gt; $3,500,000&lt;br /&gt;22) &lt;em&gt;The Delicate Delinquent&lt;/em&gt; $3,400,000&lt;br /&gt;&lt;br /&gt;&lt;a href="http://3.bp.blogspot.com/_bzQchKv0KQA/SR_fw3Ba2fI/AAAAAAAAAsY/jy8Q06QsFzs/s1600-h/Hollywood+or+Bust.jpg"&gt;&lt;img style="display:block; margin:0px auto 10px; text-align:center;cursor:pointer; cursor:hand;width: 149px; height: 400px;" src="http://3.bp.blogspot.com/_bzQchKv0KQA/SR_fw3Ba2fI/AAAAAAAAAsY/jy8Q06QsFzs/s400/Hollywood+or+Bust.jpg" border="0" alt=""id="BLOGGER_PHOTO_ID_5269176119543388658" /&gt;&lt;/a&gt;&lt;br /&gt;23) &lt;em&gt;Hollywood or Bust&lt;/em&gt; (1956) $3,300,000&lt;br /&gt;24) &lt;em&gt;Jeanne Eagels&lt;/em&gt; $3,100,000&lt;br /&gt;25) &lt;em&gt;Tammy and the Bachelor&lt;/em&gt; $3,000,000&lt;br /&gt;    &lt;em&gt;The Joker is Wild&lt;/em&gt; $3,000,000&lt;br /&gt;27) &lt;em&gt;Boy on a Dolphin&lt;/em&gt; $2,800,000&lt;br /&gt;    &lt;em&gt;The Girl Can't Help It&lt;/em&gt; (1956) $2,800,000&lt;br /&gt;29) &lt;em&gt;Westward Ho, The Wagons&lt;/em&gt; (1956) $2,750,000&lt;br /&gt;30) &lt;em&gt;Night Passage&lt;/em&gt; $2,600,000&lt;br /&gt;    &lt;em&gt;The Spirit of St. Louis&lt;/em&gt; $2,600,000&lt;br /&gt;32) &lt;em&gt;The Solid Gold Cadillac&lt;/em&gt; (1956) $2,500,000&lt;br /&gt;    &lt;em&gt;Band of Angels&lt;/em&gt; $2,500,000&lt;br /&gt;    &lt;em&gt;The Pajama Game&lt;/em&gt; $2,500,000&lt;br /&gt;    &lt;em&gt;The D.I.&lt;/em&gt; $2,500,000&lt;br /&gt;    &lt;em&gt;Funny Face&lt;/em&gt; $2,500,000&lt;br /&gt;37) &lt;em&gt;Man of a Thousand Faces&lt;/em&gt; $2,400,000 &lt;br /&gt;38) &lt;em&gt;Baby Doll&lt;/em&gt; (1956) $2,300,000&lt;br /&gt;&lt;br /&gt;&lt;a href="http://4.bp.blogspot.com/_bzQchKv0KQA/SR_k-fsRGbI/AAAAAAAAAsw/5ZWqgtRRsw8/s1600-h/Sweet+Smell+of+Success.bmp"&gt;&lt;img style="display:block; margin:0px auto 10px; text-align:center;cursor:pointer; cursor:hand;width: 263px; height: 400px;" src="http://4.bp.blogspot.com/_bzQchKv0KQA/SR_k-fsRGbI/AAAAAAAAAsw/5ZWqgtRRsw8/s400/Sweet+Smell+of+Success.bmp" border="0" alt=""id="BLOGGER_PHOTO_ID_5269181851356961202" /&gt;&lt;/a&gt;&lt;br /&gt;39) &lt;em&gt;Sweet Smell of Success&lt;/em&gt; $2,250,000&lt;br /&gt;    &lt;em&gt;Designing Woman&lt;/em&gt; $2,250,000&lt;br /&gt;    &lt;em&gt;Silk Stockings&lt;/em&gt; $2,250,000&lt;br /&gt;    &lt;em&gt;Wings of Eagles&lt;/em&gt; $2,250,000&lt;br /&gt;    &lt;em&gt;The Hunchback of Notre Dame&lt;/em&gt; $2,250,000&lt;br /&gt;    &lt;em&gt;The King and Four Queens&lt;/em&gt; (1956) $2,250,000&lt;br /&gt;45) &lt;em&gt;Something of Value&lt;/em&gt; $2,200,000&lt;br /&gt;46) &lt;em&gt;The Rainmaker&lt;/em&gt; (1956) $2,100,000&lt;br /&gt;47) &lt;em&gt;Fire Down Below&lt;/em&gt; $2,050,000&lt;br /&gt;48) &lt;em&gt;Love in the Afternoon&lt;/em&gt; $2,000,000&lt;br /&gt;    &lt;em&gt;The Little Hut&lt;/em&gt; $2,000,000&lt;br /&gt;&lt;br /&gt;&lt;a href="http://1.bp.blogspot.com/_bzQchKv0KQA/SR_kG2WEkqI/AAAAAAAAAso/vADsW9hwbPQ/s1600-h/Operation+Mad+Ball.jpg"&gt;&lt;img style="display:block; margin:0px auto 10px; text-align:center;cursor:pointer; cursor:hand;width: 259px; height: 400px;" src="http://1.bp.blogspot.com/_bzQchKv0KQA/SR_kG2WEkqI/AAAAAAAAAso/vADsW9hwbPQ/s400/Operation+Mad+Ball.jpg" border="0" alt=""id="BLOGGER_PHOTO_ID_5269180895365206690" /&gt;&lt;/a&gt;&lt;br /&gt;50) &lt;em&gt;Operation Mad Ball&lt;/em&gt; $1,850,000&lt;br /&gt;    &lt;em&gt;3:10 to Yuma&lt;/em&gt; $1,850,000&lt;br /&gt;52) &lt;em&gt;Kiss Them for Me&lt;/em&gt; $1,800,000&lt;br /&gt;53) &lt;em&gt;Beau James&lt;/em&gt; $1,750,000&lt;br /&gt;    &lt;em&gt;The Wayward Bus&lt;/em&gt; $1,750,000&lt;br /&gt;    &lt;em&gt;Man on Fire&lt;/em&gt; $1,750,000&lt;br /&gt;    &lt;em&gt;The Opposite Sex&lt;/em&gt; 91956) $1,750,000&lt;br /&gt;    &lt;em&gt;Perri&lt;/em&gt; $1,750,000&lt;br /&gt;58) &lt;em&gt;Desk Set&lt;/em&gt; $1,700,000&lt;br /&gt;59) &lt;em&gt;Lust for Life&lt;/em&gt; (1956) $1,600,000&lt;br /&gt;60) &lt;em&gt;The Bachelor Party&lt;/em&gt; $1,500,000&lt;br /&gt;    &lt;em&gt;Men in War&lt;/em&gt; $1,500,000&lt;br /&gt;    &lt;em&gt;The Prince and the Showgirl&lt;/em&gt; $1,500,000&lt;br /&gt;    &lt;em&gt;The True Story of Jesse James&lt;/em&gt; $1,500,000&lt;br /&gt;    &lt;em&gt;A Hatful of Rain&lt;/em&gt; $1,500,000&lt;br /&gt;    &lt;em&gt;Gun Glory&lt;/em&gt; $1,500,000&lt;br /&gt;66) &lt;em&gt;You Can't Run Away From It&lt;/em&gt; $1,450,000&lt;br /&gt;&lt;br /&gt;&lt;a href="http://2.bp.blogspot.com/_bzQchKv0KQA/SR_o2BWcjWI/AAAAAAAAAs4/exNuBW17aL0/s1600-h/Incredible+Shrinking+Man.jpg"&gt;&lt;img style="display:block; margin:0px auto 10px; text-align:center;cursor:pointer; cursor:hand;width: 255px; height: 400px;" src="http://2.bp.blogspot.com/_bzQchKv0KQA/SR_o2BWcjWI/AAAAAAAAAs4/exNuBW17aL0/s400/Incredible+Shrinking+Man.jpg" border="0" alt=""id="BLOGGER_PHOTO_ID_5269186103819930978" /&gt;&lt;/a&gt;&lt;br /&gt;67) &lt;em&gt;The Incredible Shrinking Man&lt;/em&gt; $1,430,000&lt;br /&gt;    &lt;em&gt;The Tattered Dress&lt;/em&gt; $1,430,000&lt;br /&gt;    &lt;em&gt;Rock Pretty Baby&lt;/em&gt; $1,430,000&lt;br /&gt;70) &lt;em&gt;Zarak&lt;/em&gt; (1956) $1,400,000&lt;br /&gt;    &lt;em&gt;The Tin Star&lt;/em&gt; $1,400,000&lt;br /&gt;    &lt;em&gt;The Girl He Left Behind&lt;/em&gt; (1956) $1,400,000&lt;br /&gt;    &lt;em&gt;Will Success Spoil Rock Hunter&lt;/em&gt; $1,400,000&lt;br /&gt;    &lt;em&gt;The Three Faces of Eve&lt;/em&gt; $1,400,000&lt;br /&gt;    &lt;em&gt;Julie&lt;/em&gt; (1956) $1,400,000&lt;br /&gt;    &lt;em&gt;Interlude&lt;/em&gt; $1,400,000&lt;br /&gt;77) &lt;em&gt;Stopover Tokyo&lt;/em&gt; $1,350,000&lt;br /&gt;78) &lt;em&gt;The Iron Petticoat&lt;/em&gt; (1956) $1,300,000&lt;br /&gt;    &lt;em&gt;Until They Sail&lt;/em&gt; $1,300,000&lt;br /&gt;    &lt;em&gt;Full of Life&lt;/em&gt; $1,300,000&lt;br /&gt;    &lt;em&gt;Joe Butterfly&lt;/em&gt; $1,300,000&lt;br /&gt;82) &lt;em&gt;Time Limit&lt;/em&gt; $1,250,000&lt;br /&gt;    &lt;em&gt;Baby Face Nelson&lt;/em&gt; $1,250,000&lt;br /&gt;&lt;br /&gt;&lt;a href="http://2.bp.blogspot.com/_bzQchKv0KQA/SR_sip7qL6I/AAAAAAAAAtA/ACaZF1GFkdM/s1600-h/No+Down+Payment.jpg"&gt;&lt;img style="display:block; margin:0px auto 10px; text-align:center;cursor:pointer; cursor:hand;width: 155px; height: 400px;" src="http://2.bp.blogspot.com/_bzQchKv0KQA/SR_sip7qL6I/AAAAAAAAAtA/ACaZF1GFkdM/s400/No+Down+Payment.jpg" border="0" alt=""id="BLOGGER_PHOTO_ID_5269190169162559394" /&gt;&lt;/a&gt;&lt;br /&gt;84) &lt;em&gt;Three Violent People&lt;/em&gt; $1,200,000&lt;br /&gt;    &lt;em&gt;Omar Khayyam&lt;/em&gt; $1,200,000&lt;br /&gt;    &lt;em&gt;No Down Payment&lt;/em&gt; $1,200,000&lt;br /&gt;    &lt;em&gt;Don't Knock the Rock&lt;/em&gt; $1,200,000&lt;br /&gt;88) &lt;em&gt;Guns of Fort Petticoat&lt;/em&gt; $1,080,000&lt;br /&gt;89) &lt;em&gt;The Story of Esther Costello&lt;/em&gt; $1,075,000&lt;br /&gt;90) &lt;em&gt;House of Numbers&lt;/em&gt; $1,050,000&lt;br /&gt;91) &lt;em&gt;12 Angry Men&lt;/em&gt; $1,000,000&lt;br /&gt;92) &lt;em&gt;Ten Thousand Bedrooms&lt;/em&gt; $1,000,000&lt;br /&gt;93) &lt;em&gt;4 Girls in Town&lt;/em&gt; $1,000,000&lt;br /&gt;94) &lt;em&gt;Gun for a Coward&lt;/em&gt; $1,000,000&lt;br /&gt;95) &lt;em&gt;Mr. Cory&lt;/em&gt; $1,000,000&lt;br /&gt;96) &lt;em&gt;The Kettles on the Farm&lt;/em&gt; $1,000,000&lt;br /&gt;97) &lt;em&gt;The Devil's Hairpin&lt;/em&gt; $1,000,000&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/22096293-2677978635651789584?l=heylookmeover.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://heylookmeover.blogspot.com/feeds/2677978635651789584/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=22096293&amp;postID=2677978635651789584' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/22096293/posts/default/2677978635651789584'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/22096293/posts/default/2677978635651789584'/><link rel='alternate' type='text/html' href='http://heylookmeover.blogspot.com/2008/11/film-data-for-1957.html' title='Film Data For 1957'/><author><name>Vertigo's Psycho</name><uri>http://www.blogger.com/profile/17701774152300870403</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://4.bp.blogspot.com/_bzQchKv0KQA/SOiCpVhkEHI/AAAAAAAAAbY/Py4X9Jjc6mI/s72-c/12+Angry+Men.jpg' height='72' width='72'/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-22096293.post-7497777022951682577</id><published>2008-11-16T23:21:00.001-08:00</published><updated>2008-11-17T01:30:59.204-08:00</updated><title type='text'>Film Data For 1956</title><content type='html'>&lt;strong&gt;The Film Daily Polls&lt;/strong&gt; (Selected by the critics of America in a poll conducted by the Film Daily- includes some late 1955 releases)&lt;br /&gt;&lt;br /&gt;&lt;a href="http://1.bp.blogspot.com/_bzQchKv0KQA/SONDb8dAGOI/AAAAAAAAAaI/6KHsbaqLrp8/s1600-h/The+King+and+I.jpg"&gt;&lt;img id="BLOGGER_PHOTO_ID_5252115737807427810" style="DISPLAY: block; MARGIN: 0px auto 10px; CURSOR: hand; TEXT-ALIGN: center" alt="" src="http://1.bp.blogspot.com/_bzQchKv0KQA/SONDb8dAGOI/AAAAAAAAAaI/6KHsbaqLrp8/s400/The+King+and+I.jpg" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;strong&gt;The 10 Best Pictures of 1956&lt;/strong&gt;&lt;br /&gt;1) &lt;em&gt;The King and I&lt;/em&gt;- 245 votes&lt;br /&gt;2) &lt;em&gt;Giant&lt;/em&gt;- 236&lt;br /&gt;3) &lt;em&gt;War and Peace&lt;/em&gt;- 212&lt;br /&gt;4) &lt;em&gt;Friendly Persuasion&lt;/em&gt;- 193&lt;br /&gt;5) &lt;em&gt;Anastasia&lt;/em&gt;- 185&lt;br /&gt;6) &lt;em&gt;Moby Dick&lt;/em&gt;- 176&lt;br /&gt;7) &lt;em&gt;Picnic&lt;/em&gt; (1955)- 172&lt;br /&gt;8) &lt;em&gt;The Ten Commandments&lt;/em&gt;- 137&lt;br /&gt;9) &lt;em&gt;Tea &amp;amp; Sympathy&lt;/em&gt;- 133&lt;br /&gt;10) &lt;em&gt;The Rose Tattoo&lt;/em&gt; (1955)- 131&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;The Honor Roll&lt;/strong&gt;&lt;br /&gt;11) &lt;em&gt;Lust for Life&lt;/em&gt;- 130&lt;br /&gt;12) &lt;em&gt;I'll Cry Tomorrow&lt;/em&gt; (1955)- 125&lt;br /&gt;13) &lt;em&gt;The Man With the Golden Arm&lt;/em&gt; (1955)- 123&lt;br /&gt;14) &lt;em&gt;High Society&lt;/em&gt;- 94&lt;br /&gt;15) &lt;em&gt;Trapeze&lt;/em&gt;- 86&lt;br /&gt;16) &lt;em&gt;Bus Stop&lt;/em&gt;- 75&lt;br /&gt;17) &lt;em&gt;The Man in the Gray Flannel Suit&lt;/em&gt;- 67&lt;br /&gt;18) &lt;em&gt;The Eddy Dunchin Story&lt;/em&gt;- 64&lt;br /&gt;19) &lt;em&gt;Carousel&lt;/em&gt;- 62&lt;br /&gt;20) &lt;em&gt;The Court Martial of Billy Mitchell&lt;/em&gt; (1955)- 54&lt;br /&gt;&lt;em&gt;The Solid Gold Cadillac&lt;/em&gt;- 54&lt;br /&gt;22) &lt;em&gt;The Man Who Knew Too Much&lt;/em&gt;- 49&lt;br /&gt;23) &lt;em&gt;Somebody Up There Likes Me&lt;/em&gt;- 44&lt;br /&gt;24) &lt;em&gt;Around the World in 80 Days&lt;/em&gt; (finished #1 for 1957 in polling)- 34&lt;br /&gt;25) &lt;em&gt;The Searchers&lt;/em&gt;- 32&lt;br /&gt;26) The Harder They Fall- 30&lt;br /&gt;27) Attack!- 29&lt;br /&gt;28) The Ladykillers- 25&lt;br /&gt;29) Baby Doll- 21&lt;br /&gt;30) The Benny Goodman Story- 20&lt;br /&gt;The Proud and the Profane- 20&lt;br /&gt;32) Helen of Troy- 16&lt;br /&gt;33) Alexander the Great- 13&lt;br /&gt;&lt;br /&gt;No numbers were given for the rest of the catergories, although I believe the Film Daily lists them in the order of preference:&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Best Performances by Male Stars&lt;/strong&gt;&lt;br /&gt;1) Yul Brynner in &lt;em&gt;The King and I&lt;/em&gt;&lt;br /&gt;2) Frank Sinatra in &lt;em&gt;The Man With the Golden Arm&lt;/em&gt; (1955)&lt;br /&gt;3) Kirk Douglas in &lt;em&gt;Lust for Life&lt;/em&gt;&lt;br /&gt;4) Charlton Heston in &lt;em&gt;The Ten Commandments&lt;/em&gt;&lt;br /&gt;5) Paul Newman in &lt;em&gt;Somebody Up There Likes Me&lt;/em&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Best Performances by Female Stars&lt;/strong&gt;&lt;br /&gt;1) Anna Magnani in &lt;em&gt;The Rose Tattoo&lt;/em&gt; (1955)&lt;br /&gt;2) Susan Hayward in &lt;em&gt;I'll Cry Tomorrow&lt;/em&gt; (1955)&lt;br /&gt;3) Deborah Kerr in &lt;em&gt;Tea &amp;amp; Sympathy&lt;/em&gt;&lt;br /&gt;4) Audrey Hepburn in &lt;em&gt;War and Peace&lt;/em&gt;&lt;br /&gt;5) Deborah Kerr in &lt;em&gt;The King and I&lt;/em&gt;&lt;br /&gt;&lt;br /&gt;&lt;a href="http://3.bp.blogspot.com/_bzQchKv0KQA/SOND-snjCFI/AAAAAAAAAaY/6hRkPPI19EA/s1600-h/Friendly+Persuasion.jpg"&gt;&lt;img id="BLOGGER_PHOTO_ID_5252116334852114514" style="DISPLAY: block; MARGIN: 0px auto 10px; CURSOR: hand; TEXT-ALIGN: center" alt="" src="http://3.bp.blogspot.com/_bzQchKv0KQA/SOND-snjCFI/AAAAAAAAAaY/6hRkPPI19EA/s400/Friendly+Persuasion.jpg" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;strong&gt;Best Performances by Supporting Actors&lt;/strong&gt;&lt;br /&gt;1) Anthony Perkins in &lt;em&gt;Friendly Persuasion&lt;/em&gt;&lt;br /&gt;2) Oscar Homolka in &lt;em&gt;War and Peace&lt;/em&gt;&lt;br /&gt;3) James Dean in &lt;em&gt;Giant&lt;/em&gt;&lt;br /&gt;4) Arthur O'Connell in &lt;em&gt;Picnic&lt;/em&gt; (1955)&lt;br /&gt;5) Rod Steiger in The &lt;em&gt;Court Martial of Billy Mitchell&lt;/em&gt; (1955)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Best Performances by Supporting Actresses&lt;/strong&gt;&lt;br /&gt;1) Rosalind Russell in &lt;em&gt;Picnic&lt;/em&gt; (1955)&lt;br /&gt;2) Celeste Holm in &lt;em&gt;High Society&lt;/em&gt;&lt;br /&gt;3) Eileen Heckart in &lt;em&gt;The Bad Seed&lt;/em&gt;&lt;br /&gt;4) Jo Van Fleet in &lt;em&gt;I'll Cry Tomorrow&lt;/em&gt; (1955)&lt;br /&gt;5) Susan Strasberg in &lt;em&gt;Picnic&lt;/em&gt; (1955)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Best Performances by Juvenile Actors&lt;/strong&gt;&lt;br /&gt;1) Richard Eyer in &lt;em&gt;Friendly Persuasion&lt;/em&gt;&lt;br /&gt;2) Sal Mineo in &lt;em&gt;Somebody Up There Likes Me&lt;/em&gt;&lt;br /&gt;3) Rex Thompson in &lt;em&gt;The Eddy Dunchin Story&lt;/em&gt;&lt;br /&gt;4) Andres Velasques in &lt;em&gt;The Littlest Outlaw&lt;/em&gt;&lt;br /&gt;5) Sal Mineo in &lt;em&gt;Crime in the Streets&lt;/em&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Best Performances by Juvenile Actresses&lt;/strong&gt;&lt;br /&gt;1) Patty McCormack in &lt;em&gt;The Bad Seed&lt;/em&gt;&lt;br /&gt;2) Susan Strasberg in &lt;em&gt;Picnic&lt;/em&gt; (1955)&lt;br /&gt;3) Natalie Wood in &lt;em&gt;The Searchers&lt;/em&gt;&lt;br /&gt;4) Betty Lou Keim in &lt;em&gt;Teenage Rebel&lt;/em&gt;&lt;br /&gt;5) Carroll Baker in &lt;em&gt;Giant&lt;/em&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Outstanding "Finds" of the Year&lt;/strong&gt;&lt;br /&gt;1) Anthony Perkins in &lt;em&gt;Friendly Persuasion&lt;/em&gt;&lt;br /&gt;2) Don Murray in &lt;em&gt;Bus Stop&lt;/em&gt;&lt;br /&gt;3) Paul Newman in &lt;em&gt;Somebody Up There Likes Me&lt;/em&gt;&lt;br /&gt;4) Carroll Baker in &lt;em&gt;Giant&lt;/em&gt;&lt;br /&gt;5) Susan Strasberg in &lt;em&gt;Picnic&lt;/em&gt;&lt;br /&gt;&lt;br /&gt;Glad to see Perkins finish on top for &lt;em&gt;Persuasion&lt;/em&gt;. I'm not sure what happened to Ingrid Bergman here- The Film Daily liked &lt;em&gt;Anastasia&lt;/em&gt;, but didn't place her work in the top five. Strasberg placed three times, not bad for her second film.&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;The National Board of Review&lt;/strong&gt; (results announced on December 20, 1956)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;The Top Ten Pictures&lt;/strong&gt; (in order of preference):&lt;br /&gt;1) &lt;em&gt;Around the Worlds in 80 Days&lt;/em&gt;&lt;br /&gt;2) &lt;em&gt;Moby Dick&lt;/em&gt;&lt;br /&gt;3) &lt;em&gt;The King and I&lt;/em&gt;&lt;br /&gt;4) &lt;em&gt;Lust for Life&lt;/em&gt;&lt;br /&gt;5) &lt;em&gt;Friendly Persuasion&lt;/em&gt;&lt;br /&gt;6) &lt;em&gt;Somebody Up There Likes Me&lt;/em&gt;&lt;br /&gt;7) &lt;em&gt;The Catered Affair&lt;/em&gt;&lt;br /&gt;8) &lt;em&gt;Anastasia&lt;/em&gt;&lt;br /&gt;9) &lt;em&gt;The Man Who Never Was&lt;/em&gt;&lt;br /&gt;10) &lt;em&gt;Bus Stop&lt;/em&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Best Director&lt;/strong&gt;&lt;br /&gt;John Huston for &lt;em&gt;Moby Dick&lt;/em&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Best Actor&lt;/strong&gt;&lt;br /&gt;Yul Brynner for &lt;em&gt;The King and I&lt;/em&gt;, &lt;em&gt;Anastasia&lt;/em&gt;, and &lt;em&gt;The Ten Commandments&lt;/em&gt; (what a year!)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Best Actress&lt;/strong&gt;&lt;br /&gt;Dorothy McGuire for &lt;em&gt;Friendly Persuasion&lt;/em&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Best Supporting Actor&lt;/strong&gt;&lt;br /&gt;Richard Basehart for &lt;em&gt;Moby Dick&lt;/em&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Best Supporting Actress&lt;/strong&gt;&lt;br /&gt;Debbie Reynolds for &lt;em&gt;The Catered Affair&lt;/em&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Best Foreign Films&lt;/strong&gt; (in order of preference, I think)&lt;br /&gt;&lt;em&gt;The Silent World&lt;/em&gt; (France)&lt;br /&gt;&lt;em&gt;War and Peace&lt;/em&gt; (U.S./Italy)&lt;br /&gt;&lt;em&gt;Richard III&lt;/em&gt; (U.K.)&lt;br /&gt;&lt;em&gt;La Strada&lt;/em&gt; (Italy)&lt;br /&gt;&lt;em&gt;Rififi&lt;/em&gt; (France)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;The New York Film Critics&lt;/strong&gt;&lt;br /&gt;(Winners were announced on December 27, 1956. Awards were presented on January 19, 1957)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Best Picture&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;Around the World in 80 Days&lt;/em&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Best Director&lt;/strong&gt;&lt;br /&gt;John Huston for &lt;em&gt;Moby Dick&lt;/em&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Best Actor&lt;/strong&gt;&lt;br /&gt;Kirk Douglas in &lt;em&gt;Lust for Life&lt;/em&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Best Actress&lt;/strong&gt;&lt;br /&gt;Ingrid Bergman in &lt;em&gt;Anastasia&lt;/em&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Best Screenplay&lt;/strong&gt;&lt;br /&gt;S. J. Perelman for &lt;em&gt;Around the World in 80 Days&lt;/em&gt;(according to Tom O'Neil, the Writers Guild of America stated James Poe and John Farrow should also have been given screenplay credit)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;The Golden Globe Awards&lt;/strong&gt; (Nominations were announced on January 20, 1957. Awards were presented on February 28, 1957).&lt;br /&gt;&lt;br /&gt;Winners in bold print&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Best Drama&lt;/strong&gt;&lt;br /&gt;&lt;strong&gt;&lt;em&gt;Around the World in 80 Days&lt;/em&gt;&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;Giant&lt;/em&gt;&lt;br /&gt;&lt;em&gt;Lust for Life&lt;/em&gt;&lt;br /&gt;&lt;em&gt;The Rainmaker&lt;/em&gt;&lt;br /&gt;&lt;em&gt;War and Peace&lt;/em&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Best Comedy or Musical&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;Bus Stop&lt;/em&gt;&lt;br /&gt;&lt;strong&gt;&lt;em&gt;The King and I&lt;/em&gt;&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;The Opposite Sex&lt;/em&gt;&lt;br /&gt;&lt;em&gt;The Solid Gold Cadillac&lt;/em&gt;&lt;br /&gt;&lt;em&gt;The Teahouse of the August Moon&lt;/em&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Best Motion Picture Promoting International Understanding&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;&lt;strong&gt;Battle Hymn&lt;/strong&gt;&lt;/em&gt;&lt;br /&gt;&lt;em&gt;The Brave One&lt;/em&gt;&lt;br /&gt;&lt;em&gt;Friendly Persuasion&lt;/em&gt;&lt;br /&gt;&lt;em&gt;The King and I&lt;/em&gt;&lt;br /&gt;&lt;em&gt;The Teahouse of the August Moon&lt;/em&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Best Director&lt;/strong&gt;&lt;br /&gt;Michael Anderson for &lt;em&gt;Around the World in 80 Days&lt;/em&gt;&lt;br /&gt;&lt;strong&gt;Elia Kazan for &lt;em&gt;Baby Doll&lt;/em&gt;&lt;/strong&gt;&lt;br /&gt;Vincente Minnelli for &lt;em&gt;Lust For Life&lt;/em&gt;&lt;br /&gt;George Stevens for &lt;em&gt;Giant&lt;/em&gt;&lt;br /&gt;King Vidor for &lt;em&gt;War and Peace&lt;/em&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Best Actor, Drama&lt;/strong&gt;&lt;br /&gt;Gary Cooper in &lt;em&gt;Friendly Persuasion&lt;/em&gt;&lt;br /&gt;&lt;strong&gt;Kirk Douglas in &lt;em&gt;Lust for Life&lt;/em&gt;&lt;/strong&gt;&lt;br /&gt;Charlton Heston in &lt;em&gt;The Ten Commandments&lt;/em&gt;&lt;br /&gt;Burt Lancaster in &lt;em&gt;The Rainmaker&lt;/em&gt;&lt;br /&gt;Karl Malden in &lt;em&gt;Baby Doll&lt;/em&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Best Actress, Drama&lt;/strong&gt;&lt;br /&gt;Carroll Baker in &lt;em&gt;Baby Doll&lt;/em&gt;&lt;br /&gt;&lt;strong&gt;Ingrid Bergman in &lt;em&gt;Anastasia&lt;/em&gt;&lt;/strong&gt;&lt;br /&gt;Helen Hayes in &lt;em&gt;Anastasia&lt;/em&gt;&lt;br /&gt;Audrey Hepburn in &lt;em&gt;War and Peace&lt;/em&gt;&lt;br /&gt;Katharine Hepburn in &lt;em&gt;The Rainmaker&lt;/em&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Best Actor, Comedy or Musical&lt;/strong&gt;&lt;br /&gt;Marlon Brando in &lt;em&gt;The Teahouse of the August Moon&lt;/em&gt;&lt;br /&gt;Yul Brynner in &lt;em&gt;The King and I&lt;/em&gt;&lt;br /&gt;&lt;strong&gt;Cantinflas in &lt;em&gt;Around the World in 80 Days&lt;/em&gt;&lt;/strong&gt;&lt;br /&gt;Glenn Ford in &lt;em&gt;The Teahouse of the August Moon&lt;/em&gt;&lt;br /&gt;Danny Kaye in &lt;em&gt;The Court Jester&lt;/em&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Best Actress, Comedy or Musical&lt;/strong&gt;&lt;br /&gt;Judy Holliday in &lt;em&gt;The Solid Gold Cadillac&lt;/em&gt;&lt;br /&gt;&lt;strong&gt;Deborah Kerr in &lt;em&gt;The King and I&lt;/em&gt;&lt;/strong&gt;&lt;br /&gt;Machiko Kyo in The &lt;em&gt;Teahouse of the August Moon&lt;/em&gt;&lt;br /&gt;Marilyn Monroe in &lt;em&gt;Bus Stop&lt;/em&gt;&lt;br /&gt;Debbie Reynolds in &lt;em&gt;Bundle of Joy&lt;/em&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Best Supporting Actor&lt;/strong&gt;&lt;br /&gt;Eddie Albert in &lt;em&gt;The Teahouse of the August Moon&lt;/em&gt;&lt;br /&gt;&lt;strong&gt;Earl Holliman in &lt;em&gt;The Rainmaker&lt;/em&gt;&lt;/strong&gt;&lt;br /&gt;Oscar Homolka in &lt;em&gt;War and Peace&lt;/em&gt;&lt;br /&gt;Anthony Quinn in &lt;em&gt;Lust for Life&lt;/em&gt;&lt;br /&gt;Eli Wallach in &lt;em&gt;Baby Doll&lt;/em&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Best Supporting Actress&lt;/strong&gt;&lt;br /&gt;Mildred Dunnock in &lt;em&gt;Baby Doll&lt;/em&gt;&lt;br /&gt;&lt;strong&gt;Eileen Heckart in &lt;em&gt;The Bad Seed&lt;/em&gt;&lt;/strong&gt;&lt;br /&gt;Marjorie Main in &lt;em&gt;Friendly Persuasion&lt;/em&gt;&lt;br /&gt;Dorothy Malone in &lt;em&gt;Written on the Wind&lt;/em&gt;&lt;br /&gt;Patty McCormack in &lt;em&gt;The Bad Seed&lt;/em&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Best Motion Picture Story&lt;/strong&gt;&lt;br /&gt;&lt;strong&gt;Dalton Trumbo for &lt;em&gt;The Brave One&lt;/em&gt;&lt;/strong&gt; (originally awarded to "Robert Rich" due to the Blacklist)&lt;br /&gt;Leo Katcher for &lt;em&gt;The Eddy Dunchin Story&lt;/em&gt;&lt;br /&gt;Edward Bernds and Elwood Ullman for &lt;em&gt;High Society&lt;/em&gt; (withdrawn from ballot- writers of a Bowery Boys comedy, not the Bing Crosy-Grace Kelly-Frank Sinatra musical with the same title)&lt;br /&gt;Jean-Paul Sartre for &lt;em&gt;The Proud and the Beautiful&lt;/em&gt;&lt;br /&gt;Cesare Zavattini for &lt;em&gt;Umberto D.&lt;/em&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Best Adapted Screenplay&lt;/strong&gt;&lt;br /&gt;&lt;strong&gt;James Poe, John Farrow and S.J. Perelman for &lt;em&gt;Around the World in 80 Days&lt;/em&gt;&lt;/strong&gt;&lt;br /&gt;Tennessee Williams for &lt;em&gt;Baby Doll&lt;/em&gt;&lt;br /&gt;Fred Guiol and Ivan Moffat for &lt;em&gt;Giant&lt;/em&gt;&lt;br /&gt;Norman Corwin for &lt;em&gt;Lust for Life&lt;/em&gt;&lt;br /&gt;Michael Wilson for &lt;em&gt;Friendly Persuasion&lt;/em&gt; (Wilson's name was not listed. The writer was blacklisted at the time, so the Academy placed a "Writer ineligible for nomination under Academy bylaws" disclaimer with the nomination)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Best Original Screenplay&lt;/strong&gt;&lt;br /&gt;Robert Lewin for &lt;em&gt;The Bold and the Brave&lt;/em&gt;&lt;br /&gt;Andrew L. Stone for &lt;em&gt;Julie&lt;/em&gt;&lt;br /&gt;Federico Fellini and Tullio Pinelli for &lt;em&gt;La Strada&lt;/em&gt;&lt;br /&gt;William Rose for &lt;em&gt;The Ladykillers&lt;/em&gt;&lt;br /&gt;&lt;strong&gt;Albert Lamorisse for &lt;em&gt;The Red Ballon&lt;/em&gt;&lt;/strong&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Best Cinematography (Black-and-White)&lt;/strong&gt;&lt;br /&gt;Boris Kaufman for &lt;em&gt;Baby Doll&lt;/em&gt;&lt;br /&gt;Hal Rosson for &lt;em&gt;The Bad Seed&lt;/em&gt;&lt;br /&gt;Burnett Guffey for &lt;em&gt;The Harder They Fall&lt;/em&gt;&lt;br /&gt;&lt;strong&gt;Joseph Ruttenberg for &lt;em&gt;Somebody Up There Likes Me&lt;/em&gt;&lt;/strong&gt;&lt;br /&gt;Walter Strenge for &lt;em&gt;Stagecoach to Fury&lt;/em&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Best Cinematography (Color)&lt;/strong&gt;&lt;br /&gt;&lt;strong&gt;Lionel Lindon for &lt;em&gt;Around the World in 80 Days&lt;/em&gt;&lt;/strong&gt; &lt;br /&gt;Harry Stradling for &lt;em&gt;The Eddy Dunchin Story&lt;/em&gt;&lt;br /&gt;Leon Shamroy for &lt;em&gt;The King and I&lt;/em&gt;&lt;br /&gt;Loyal Griggs for &lt;em&gt;The Ten Commandments&lt;/em&gt;&lt;br /&gt;Jack Cardiff for &lt;em&gt;War and Peace&lt;/em&gt; &lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Art Direction-Set Direction (Black-and-White&lt;/strong&gt;)&lt;br /&gt;Takashi Matsuyama for &lt;em&gt;The Magnificent Seven&lt;/em&gt; (a.k.a. &lt;em&gt;The Seven Samurai&lt;/em&gt;)&lt;br /&gt;Hal Pereira and A. Earl Hedrick; Samuel M. Comer and Frank R. McKelvy for &lt;em&gt;The Proud and the Profane&lt;/em&gt;&lt;br /&gt;William R. Kiernan and Louis Diage for &lt;em&gt;The Solid Gold Cadillac&lt;/em&gt;&lt;br /&gt;&lt;strong&gt;Cedric Gibbons and Malcolm F. Brown; Edwin B. Willis and F. Keogh Gleason for &lt;em&gt;Somebody Up There Likes Me&lt;/em&gt;&lt;/strong&gt;&lt;br /&gt;Lyle R. Wheeler and Jack Martin Smith; Walter M. Scott and Stuart A. Reiss for &lt;em&gt;Teenage Rebel&lt;/em&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Art Direction-Set Direction (Color)&lt;/strong&gt;&lt;br /&gt;James W. Sullivan and Ken Adam; Ross J. Dowd for &lt;em&gt;Around the World in 80 Days&lt;/em&gt;&lt;br /&gt;Boris Leven; Ralph S. Hurst for &lt;em&gt;Giant&lt;/em&gt;&lt;br /&gt;&lt;strong&gt;Lyle R. Wheeler and John DeCuir; Walter M. Scott and Paul S. Fox for &lt;em&gt;The King and I&lt;/em&gt;&lt;/strong&gt;&lt;br /&gt;Cedric Gibbons, Hans Peters and Preston Ames; Edwin B. Willis and F Keogh Gleason for &lt;em&gt;Lust for Life&lt;/em&gt;&lt;br /&gt;Hal Pereira, Walter H. Tyler and Albert Nozaki; Sam M. Comer and Ray Moyer for &lt;em&gt;The Ten Commandments&lt;/em&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;British Academy Awards&lt;/strong&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Best Film From Any Source and Best British Film&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;Amici Per la Belle&lt;/em&gt; (Italy)&lt;br /&gt;&lt;em&gt;Baby Doll&lt;/em&gt; (U.S.)&lt;br /&gt;&lt;em&gt;Battle of the River Plate&lt;/em&gt; (Great Britain)&lt;br /&gt;&lt;strong&gt;&lt;em&gt;Gervaise&lt;/em&gt; (France)- won Best Film From Any Source&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;The Grasshopper&lt;/em&gt; (USSR)&lt;br /&gt;&lt;em&gt;Guys and Dolls&lt;/em&gt; (U.S.- 1955)&lt;br /&gt;&lt;em&gt;The Killing&lt;/em&gt; (U.S.)&lt;br /&gt;&lt;em&gt;Le Defroque&lt;/em&gt; (France)&lt;br /&gt;&lt;em&gt;The Man Who Never Was&lt;/em&gt; (G.B.)&lt;br /&gt;&lt;em&gt;The Man With the Golden Arm&lt;/em&gt; (U.S.- 1955)&lt;br /&gt;&lt;em&gt;Picnic&lt;/em&gt; (U.S.) (1955)&lt;br /&gt;&lt;strong&gt;&lt;em&gt;Reach for the Sky&lt;/em&gt; (G.B.)- won Best British Film&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;Rebel Without a Cause&lt;/em&gt; (U.S.- 1955)&lt;br /&gt;&lt;em&gt;The Shadow&lt;/em&gt; (Poland)&lt;br /&gt;&lt;em&gt;Smiles of a Summer Night&lt;/em&gt; (Sweden)&lt;br /&gt;&lt;em&gt;A Town Like Alice&lt;/em&gt; (G.B.)&lt;br /&gt;&lt;em&gt;The Trouble With Harry&lt;/em&gt; (U.S.- 1955)&lt;br /&gt;&lt;em&gt;War and Peace&lt;/em&gt; (Italy/U.S.)&lt;br /&gt;&lt;em&gt;Yield to the Night&lt;/em&gt; (G.B.)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Best British Actor&lt;/strong&gt;&lt;br /&gt;&lt;strong&gt;Peter Finch in &lt;em&gt;A Town Like Alice&lt;/em&gt;&lt;/strong&gt;&lt;br /&gt;Jack Hawkins in &lt;em&gt;The Long Arm&lt;/em&gt;&lt;br /&gt;Kenneth More in &lt;em&gt;Reach for the Sky&lt;/em&gt;&lt;br /&gt;&lt;br /&gt;&lt;a href="http://3.bp.blogspot.com/_bzQchKv0KQA/SRfz4pvHlpI/AAAAAAAAAos/4XkMOb91-E8/s1600-h/Town+Like+Alice.jpg"&gt;&lt;img style="display:block; margin:0px auto 10px; text-align:center;cursor:pointer; cursor:hand;width: 400px; height: 303px;" src="http://3.bp.blogspot.com/_bzQchKv0KQA/SRfz4pvHlpI/AAAAAAAAAos/4XkMOb91-E8/s400/Town+Like+Alice.jpg" border="0" alt=""id="BLOGGER_PHOTO_ID_5266946443834791570" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;strong&gt;Best British Actress&lt;/strong&gt;&lt;br /&gt;Dorothy Alison in &lt;em&gt;Reach for the Sky&lt;/em&gt;&lt;br /&gt;Audrey Hepburn in &lt;em&gt;War and Peace&lt;/em&gt;&lt;br /&gt;&lt;strong&gt;Virginia McKenna in &lt;em&gt;A Town Like Alice&lt;/em&gt;&lt;/strong&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Best Foreign Actor&lt;/strong&gt;&lt;br /&gt;Gunnar Bjornstrand in &lt;em&gt;Smiles of a Summer Night&lt;/em&gt;&lt;br /&gt;James Dean in &lt;em&gt;Rebel Without a Cause&lt;/em&gt;&lt;br /&gt;Pierre Fresney in &lt;em&gt;Le Defroque&lt;/em&gt;&lt;br /&gt;William Holden in &lt;em&gt;Picnic&lt;/em&gt; (1955)&lt;br /&gt;Karl Malden in &lt;em&gt;Baby Doll&lt;/em&gt;&lt;br /&gt;&lt;strong&gt;Francois Perier in &lt;em&gt;Gervaise&lt;/em&gt;&lt;/strong&gt;&lt;br /&gt;Frank Sinatra in &lt;em&gt;The Man With the Golden Arm&lt;/em&gt; (1955)&lt;br /&gt;Spencer Tracy in &lt;em&gt;The Mountain&lt;/em&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Best Foreign Actress&lt;/strong&gt;&lt;br /&gt;Carroll Baker in &lt;em&gt;Baby Doll&lt;/em&gt; &lt;br /&gt;Eva Dahlbeck in &lt;em&gt;Smiles of a Summer Night&lt;/em&gt;&lt;br /&gt;Ava Gardner in &lt;em&gt;Bhowani Junction&lt;/em&gt;&lt;br /&gt;Susan Hayward in &lt;em&gt;I'll Cry Tomorrow&lt;/em&gt; (1955)&lt;br /&gt;Shirley MacLaine in &lt;em&gt;The Trouble With Harry&lt;/em&gt; (1955)&lt;br /&gt;&lt;strong&gt;Anna Magnani in &lt;em&gt;The Rose Tattoo&lt;/em&gt; (1955)&lt;/strong&gt;&lt;br /&gt;Kim Novak in &lt;em&gt;Picnic&lt;/em&gt; (1955)&lt;br /&gt;Marisa Pavan in &lt;em&gt;The Rose Tattoo&lt;/em&gt; (1955)&lt;br /&gt;Maria Schell in &lt;em&gt;Gervaise&lt;/em&gt;&lt;br /&gt;Jean Simmons in &lt;em&gt;Guys and Dolls&lt;/em&gt; (1955)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Most Promising Newcomer&lt;/strong&gt;&lt;br /&gt;Stephen Boyd in &lt;em&gt;The Man Who Never Was&lt;/em&gt;&lt;br /&gt;Don Murray in &lt;em&gt;Bus Stop&lt;/em&gt;&lt;br /&gt;Susan Strasberg in &lt;em&gt;Picnic&lt;/em&gt; (1955)&lt;br /&gt;&lt;strong&gt;Eli Wallach in &lt;em&gt;Baby Doll&lt;/em&gt;&lt;/strong&gt;&lt;br /&gt;Elizabeth Wilson in &lt;em&gt;Patterns of Power&lt;/em&gt; (&lt;em&gt;Patterns&lt;/em&gt;)&lt;br /&gt;&lt;br /&gt;&lt;a href="http://3.bp.blogspot.com/_bzQchKv0KQA/SRf4n1WGZxI/AAAAAAAAAo0/SPlCCcZypDk/s1600-h/Man+Who+Never+Was.jpg"&gt;&lt;img style="display:block; margin:0px auto 10px; text-align:center;cursor:pointer; cursor:hand;width: 320px; height: 240px;" src="http://3.bp.blogspot.com/_bzQchKv0KQA/SRf4n1WGZxI/AAAAAAAAAo0/SPlCCcZypDk/s400/Man+Who+Never+Was.jpg" border="0" alt=""id="BLOGGER_PHOTO_ID_5266951652451444498" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;strong&gt;Best British Screenplay&lt;/strong&gt;&lt;br /&gt;Michael Powell and Emeric Pressburger for &lt;em&gt;The Battle of the River Plate&lt;/em&gt;&lt;br /&gt;Sidney Gilliat and Frank Launder for &lt;em&gt;The Green Man&lt;/em&gt;&lt;br /&gt;&lt;strong&gt;Nigel Balchin for &lt;em&gt;The Man Who Never Was&lt;/em&gt;&lt;/strong&gt;&lt;br /&gt;Frank Harvey and John Boulting for &lt;em&gt;Private's Progress&lt;/em&gt;&lt;br /&gt;Lewis Gilbert for &lt;em&gt;Reach for the Sky&lt;/em&gt;&lt;br /&gt;Moore Raymond and Anthony Kimmins for &lt;em&gt;Smiley&lt;/em&gt;&lt;br /&gt;Hubert Gregg and Vernon Harris for &lt;em&gt;Three Men in a Boat&lt;/em&gt;&lt;br /&gt;W.P. Lipscomb and Richard Mason for &lt;em&gt;A Town Like Alice&lt;/em&gt;&lt;br /&gt;John Cresswell and Joan Henry for &lt;em&gt;Yield to the Night&lt;/em&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Best Documentary&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;&lt;em&gt;Foothold in Antarctica&lt;/em&gt; (G.B.)&lt;br /&gt;Generator 4&lt;/em&gt; (Canada)&lt;br /&gt;&lt;strong&gt;&lt;em&gt;On the Bowery&lt;/em&gt; (U.S.)&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;The Silent World&lt;/em&gt; (France)&lt;br /&gt;&lt;em&gt;Under the Same Sky&lt;/em&gt; (Poland)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Special Award&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;The Door in the Wall&lt;/em&gt; (G.B.)&lt;br /&gt;&lt;em&gt;Man in Space&lt;/em&gt; (U.S.)&lt;br /&gt;&lt;em&gt;On the Twelfth Day&lt;/em&gt; (G.B.)&lt;br /&gt;&lt;strong&gt;&lt;em&gt;The Red Ballon&lt;/em&gt; (France)&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;The Ruthless One&lt;/em&gt; (G.B.)&lt;br /&gt;&lt;em&gt;Underwater Symphony&lt;/em&gt; (Italy)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Best Animated Film&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;Calling All Salesmen&lt;/em&gt; (G.B.)&lt;br /&gt;&lt;em&gt;Christopher Crumpet's Playmate&lt;/em&gt; (U.S.)&lt;br /&gt;&lt;strong&gt;&lt;em&gt;Gerald McBoing-Boing on Planet Moo&lt;/em&gt; (U.S.)&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;History of the Cinema&lt;/em&gt; (G.B.)&lt;br /&gt;&lt;em&gt;The Invisible Moustache of Raoul Dufy&lt;/em&gt; (U.S.)&lt;br /&gt;&lt;em&gt;Love and the Zeppelin&lt;/em&gt; (Czechoslovakia)&lt;br /&gt;&lt;em&gt;Rhythmetic&lt;/em&gt; (Canada)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;United Nations Award&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;The Great Locomotive Chase&lt;/em&gt; (U.S.)&lt;br /&gt;&lt;em&gt;Pacific Destiny&lt;/em&gt; (G.B.)&lt;br /&gt;&lt;strong&gt;&lt;em&gt;Race for Life&lt;/em&gt; (G.B.)&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;To Your Health&lt;/em&gt; (G.B.)&lt;br /&gt;&lt;em&gt;Under the Same Sky&lt;/em&gt; (Poland)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;The Top Box-Office Hits of 1956&lt;/strong&gt; (According to &lt;em&gt;Variety Weekly&lt;/em&gt;, January 2, 1957. Includes actual and estimated domestic rentals to theaters in U.S. and Canada, not box-office takes, which would be higher. If the final first-run rental take for films gaining $4,000,000 or more in rentals varies from the total originally listed in 1956, I'm showing that figure after the 1956 total. Final first-run rentals data comes from &lt;em&gt;Variety&lt;/em&gt;'s January 10, 1962 "All-Time Top Film Grosses" list (only films taking $4,000,000 or more in rentals were mentioned on the "All-Time" list; unfortunately, I have no data for films with a final gross under $4,000,000 that may have ended up with a higher take than shown below). Ocassionally a film will end up on the "All-Time" list with a lower rental box-office take than when the film originally appeared on the yearly list of top box-office films. This is due to the estimated rentals, which were sometimes revised to a lower amount for the All-Time list).&lt;br /&gt;&lt;br /&gt;&lt;a href="http://1.bp.blogspot.com/_bzQchKv0KQA/SQLGUPsgPoI/AAAAAAAAAh0/pJrNNKpUpTw/s1600-h/Trapeze.jpg"&gt;&lt;img style="display:block; margin:0px auto 10px; text-align:center;cursor:pointer; cursor:hand;width: 400px; height: 300px;" src="http://1.bp.blogspot.com/_bzQchKv0KQA/SQLGUPsgPoI/AAAAAAAAAh0/pJrNNKpUpTw/s400/Trapeze.jpg" border="0" alt=""id="BLOGGER_PHOTO_ID_5260985365835038338" /&gt;&lt;/a&gt;&lt;br /&gt;1) &lt;em&gt;Guys and Dolls&lt;/em&gt; $9,000,000 (final first-run rentals of $8,000,000)&lt;br /&gt;2) &lt;em&gt;The King and I&lt;/em&gt; $8,500,000&lt;br /&gt;3) &lt;em&gt;Trapeze&lt;/em&gt; $7,500,000&lt;br /&gt;4) &lt;em&gt;High Society&lt;/em&gt; $6,500,000&lt;br /&gt;   &lt;em&gt;I'll Cry Tomorrow&lt;/em&gt; $6,500,000&lt;br /&gt;6) &lt;em&gt;Picnic&lt;/em&gt; $6,300,000&lt;br /&gt;7) &lt;em&gt;War and Peace&lt;/em&gt; $6,250,000&lt;br /&gt;8) &lt;em&gt;The Eddy Dunchin Story&lt;/em&gt; $5,300,000&lt;br /&gt;9) &lt;em&gt;Moby Dick&lt;/em&gt; $5,200,000&lt;br /&gt;10) &lt;em&gt;The Searchers&lt;/em&gt; $4,800,000&lt;br /&gt;11) &lt;em&gt;The Conqueror&lt;/em&gt; $4,500,000&lt;br /&gt;    &lt;em&gt;Rebel Without a Cause&lt;/em&gt; $4,500,000&lt;br /&gt;13) &lt;em&gt;The Man With the Golden Arm&lt;/em&gt; $4,350,000&lt;br /&gt;    &lt;em&gt;The Man in the Grey Flannel Suit&lt;/em&gt; $4,350,000&lt;br /&gt;15) &lt;em&gt;Bus Stop&lt;/em&gt; $4,250,000&lt;br /&gt;16) &lt;em&gt;The Rose Tattoo&lt;/em&gt; $4,200,000&lt;br /&gt;17) &lt;em&gt;The Bad Seed&lt;/em&gt; $4,100,000&lt;br /&gt;    &lt;em&gt;The Man Who Knew Too Much&lt;/em&gt; $4,100,000&lt;br /&gt;19) Friendly Persuasion $4,000,000&lt;br /&gt;20) The Proud and the Profane $3,900,000&lt;br /&gt;&lt;br /&gt;&lt;a href="http://3.bp.blogspot.com/_bzQchKv0KQA/SQLLuoUkKMI/AAAAAAAAAh8/l4GstgW02EA/s1600-h/Artists+and+Models.jpg"&gt;&lt;img style="display:block; margin:0px auto 10px; text-align:center;cursor:pointer; cursor:hand;width: 281px; height: 400px;" src="http://3.bp.blogspot.com/_bzQchKv0KQA/SQLLuoUkKMI/AAAAAAAAAh8/l4GstgW02EA/s400/Artists+and+Models.jpg" border="0" alt=""id="BLOGGER_PHOTO_ID_5260991316680255682" /&gt;&lt;/a&gt;&lt;br /&gt;21) &lt;em&gt;Artists and Models&lt;/em&gt; $3,800,000&lt;br /&gt;22) &lt;em&gt;Carousel&lt;/em&gt; $3,750,000&lt;br /&gt;    &lt;em&gt;Love Me Tender&lt;/em&gt; $3,750,000 (final first-run rentals of $4,500,000)&lt;br /&gt;24) &lt;em&gt;Pardners&lt;/em&gt; $3,600,000&lt;br /&gt;25) &lt;em&gt;Away All Boats&lt;/em&gt; $3,500,000&lt;br /&gt;26) &lt;em&gt;Helen of Troy&lt;/em&gt; $3,200,000&lt;br /&gt;27) &lt;em&gt;All That Heaven Allows&lt;/em&gt; $3,100,000&lt;br /&gt;28) &lt;em&gt;The Court Martial of Billy Mitchell&lt;/em&gt; $3,000,000&lt;br /&gt;29) &lt;em&gt;The Benny Goodman Story&lt;/em&gt; $2,700,000&lt;br /&gt;30) &lt;em&gt;Forever Darling&lt;/em&gt; $2,600,000&lt;br /&gt;    &lt;em&gt;The Rains of Ranchipur&lt;/em&gt; $2,600,000&lt;br /&gt;32) &lt;em&gt;Alexander the Great&lt;/em&gt; $2,500,000&lt;br /&gt;33) &lt;em&gt;The Indian Fighter&lt;/em&gt; $2,450,000&lt;br /&gt;34) &lt;em&gt;Meet Me in Las Vegas&lt;/em&gt; $2,400,000&lt;br /&gt;    &lt;em&gt;The Solid Gold Cadillac&lt;/em&gt; $2,400,000&lt;br /&gt;36) &lt;em&gt;The Lieutenant Wore Skirts&lt;/em&gt; $2,250,000&lt;br /&gt;    &lt;em&gt;The Best Things in Life Are Free&lt;/em&gt; $2,250,000&lt;br /&gt;38) &lt;em&gt;Blood Alley&lt;/em&gt; $2,200,000&lt;br /&gt;    &lt;em&gt;The Court Jester&lt;/em&gt; $2,200,000&lt;br /&gt;    &lt;em&gt;Toward the Unknown&lt;/em&gt; $2,200,000&lt;br /&gt;    &lt;em&gt;The Fastest Gun Alive&lt;/em&gt; $2,200,000&lt;br /&gt;42) &lt;em&gt;Anything Goes&lt;/em&gt; $2,100,000&lt;br /&gt;    &lt;em&gt;Bhowani Junction&lt;/em&gt; $2,100,000&lt;br /&gt;&lt;br /&gt;&lt;a href="http://3.bp.blogspot.com/_bzQchKv0KQA/SQLTlWOpi-I/AAAAAAAAAiE/qLwgCbnjsgE/s1600-h/Somebody+Up+There+Likes+Me.jpg"&gt;&lt;img style="display:block; margin:0px auto 10px; text-align:center;cursor:pointer; cursor:hand;width: 286px; height: 365px;" src="http://3.bp.blogspot.com/_bzQchKv0KQA/SQLTlWOpi-I/AAAAAAAAAiE/qLwgCbnjsgE/s400/Somebody+Up+There+Likes+Me.jpg" border="0" alt=""id="BLOGGER_PHOTO_ID_5260999953297804258" /&gt;&lt;/a&gt;&lt;br /&gt;44) &lt;em&gt;Attack&lt;/em&gt; $2,000,000&lt;br /&gt;    &lt;em&gt;Between Heaven and Hell&lt;/em&gt; $2,000,000&lt;br /&gt;    &lt;em&gt;Hell on Frisco Bay&lt;/em&gt; $2,000,000&lt;br /&gt;    &lt;em&gt;The Revolt of Mamie Stover&lt;/em&gt; $2,000,000&lt;br /&gt;    &lt;em&gt;Santiago&lt;/em&gt; $2,000,000&lt;br /&gt;    &lt;em&gt;Somebody Up There Likes Me&lt;/em&gt; $2,000,000&lt;br /&gt;    &lt;em&gt;Tea and Sympathy&lt;/em&gt; $2,000,000&lt;br /&gt;51) &lt;em&gt;D-Day the Sixth of June&lt;/em&gt; $1,950,000&lt;br /&gt;52) &lt;em&gt;Johnny Concho&lt;/em&gt; $1,900,000&lt;br /&gt;    &lt;em&gt;The Swan&lt;/em&gt; $1,900,000&lt;br /&gt;54) &lt;em&gt;The Birds and the Bees&lt;/em&gt; $1,800,000&lt;br /&gt;    &lt;em&gt;Jubal&lt;/em&gt; $1,800,000&lt;br /&gt;    &lt;em&gt;The Mountain&lt;/em&gt; $1,800,000&lt;br /&gt;57) &lt;em&gt;The Last Hunt&lt;/em&gt; $1,750,000&lt;br /&gt;    &lt;em&gt;Teen-Age Rebel&lt;/em&gt; $1,750,000&lt;br /&gt;59) &lt;em&gt;The Great Locomotive Race&lt;/em&gt; $1,700,000&lt;br /&gt;60) &lt;em&gt;Bandido&lt;/em&gt; $1,650,000&lt;br /&gt;61) &lt;em&gt;Backlash&lt;/em&gt; $1,600,000&lt;br /&gt;    &lt;em&gt;Forbidden Planet&lt;/em&gt; $1,600,000&lt;br /&gt;    &lt;em&gt;The Littlest Outlaw&lt;/em&gt; $1,600,000&lt;br /&gt;    &lt;em&gt;Never Say Goodbye&lt;/em&gt; $1,600,000&lt;br /&gt;65) &lt;em&gt;The Lone Ranger&lt;/em&gt; $1,550,000&lt;br /&gt;66) &lt;em&gt;The Ambassador's Daughter&lt;/em&gt; $1,500,000&lt;br /&gt;    &lt;em&gt;Back From Eternity&lt;/em&gt; $1,500,000&lt;br /&gt;    &lt;em&gt;The Burning Hills&lt;/em&gt; $1,500,000&lt;br /&gt;    &lt;em&gt;The Last Wagon&lt;/em&gt; $1,500,000&lt;br /&gt;    &lt;em&gt;Pillars of the Sky&lt;/em&gt; $1,500,000&lt;br /&gt;    &lt;em&gt;Serenade&lt;/em&gt; $1,500,000&lt;br /&gt;    &lt;em&gt;You Can't Run Away From It&lt;/em&gt; $1,500,000&lt;br /&gt;    &lt;em&gt;Walk the Proud Land&lt;/em&gt; $1,500,000&lt;br /&gt;74) &lt;em&gt;The Bold and the Brave&lt;/em&gt; $1,400,000&lt;br /&gt;    &lt;em&gt;Miracle in the Rain&lt;/em&gt; $1,400,000&lt;br /&gt;    &lt;em&gt;The Proud Ones&lt;/em&gt; $1,400,000&lt;br /&gt;    Safari $1,400,000&lt;br /&gt;    &lt;em&gt;The Second Greatest Sex&lt;/em&gt; $1,400,000&lt;br /&gt;    &lt;em&gt;The Spoilers&lt;/em&gt; $1,400,000&lt;br /&gt;    &lt;em&gt;Tension at Table Rock&lt;/em&gt; $1,400,000&lt;br /&gt;    &lt;em&gt;The Toy Tiger&lt;/em&gt; $1,400,000&lt;br /&gt;    &lt;em&gt;The Vagabond King&lt;/em&gt; $1,400,000&lt;br /&gt;83) &lt;em&gt;The Harder They Fall&lt;/em&gt; $1,350,000&lt;br /&gt;84) &lt;em&gt;The Kettles in the Ozarks&lt;/em&gt; $1,300,000&lt;br /&gt;85) &lt;em&gt;Earth Vs. the Flying Saucers&lt;/em&gt; $1,250,000&lt;br /&gt;    &lt;em&gt;Kismet&lt;/em&gt; $1,250,000&lt;br /&gt;    &lt;em&gt;Ransom&lt;/em&gt; $1,250,000&lt;br /&gt;    Run for the Sun $1,250,000&lt;br /&gt;&lt;br /&gt;&lt;a href="http://2.bp.blogspot.com/_bzQchKv0KQA/SQLaLWhci_I/AAAAAAAAAiM/gTThm-FHuqM/s1600-h/Invasion+of+the+Body+Snatchers.jpg"&gt;&lt;img style="display:block; margin:0px auto 10px; text-align:center;cursor:pointer; cursor:hand;width: 250px; height: 400px;" src="http://2.bp.blogspot.com/_bzQchKv0KQA/SQLaLWhci_I/AAAAAAAAAiM/gTThm-FHuqM/s400/Invasion+of+the+Body+Snatchers.jpg" border="0" alt=""id="BLOGGER_PHOTO_ID_5261007203281439730" /&gt;&lt;/a&gt;&lt;br /&gt;89) &lt;em&gt;Invasion of the Body Snatchers&lt;/em&gt; $1,200,000&lt;br /&gt;    Crime&lt;em&gt; in the Streets&lt;/em&gt; $1,200,000&lt;br /&gt;    &lt;em&gt;Francis in the Haunted House&lt;/em&gt; $1,200,000&lt;br /&gt;    &lt;em&gt;Tribute to a Bad Man&lt;/em&gt; $1,200,000&lt;br /&gt;93) &lt;em&gt;Comanche&lt;/em&gt; $1,150,000&lt;br /&gt;    &lt;em&gt;On the Threshold of Space&lt;/em&gt; $1,150,000&lt;br /&gt;95) &lt;em&gt;Autumn Leaves&lt;/em&gt; $1,100,000&lt;br /&gt;    &lt;em&gt;Beyond a Reasonable Doubt&lt;/em&gt; $1,100,000&lt;br /&gt;    &lt;em&gt;Bottom of the Bottle&lt;/em&gt; $1,100,000&lt;br /&gt;    &lt;em&gt;The Man Who Never Was&lt;/em&gt; $1,100,000&lt;br /&gt;    &lt;em&gt;Rock Around the Clock&lt;/em&gt; $1,100,000&lt;br /&gt;    &lt;em&gt;Tarantula&lt;/em&gt; $1,100,000&lt;br /&gt;101) &lt;em&gt;At Gunpoint&lt;/em&gt; $1,000,000&lt;br /&gt;     &lt;em&gt;The First Texan&lt;/em&gt; $1,000,000&lt;br /&gt;     &lt;em&gt;Hilda Crane&lt;/em&gt; $1,000,000&lt;br /&gt;     &lt;em&gt;Foreign Intrigue&lt;/em&gt; $1,000,000&lt;br /&gt;     &lt;em&gt;The Last Frontier&lt;/em&gt; $1,000,000&lt;br /&gt;     &lt;em&gt;The Rawhide Years&lt;/em&gt; $1,000,000&lt;br /&gt;     &lt;em&gt;The Square Jungle&lt;/em&gt; $1,000,000&lt;br /&gt;     &lt;em&gt;There's Always Tomorrow&lt;/em&gt; $1,000,000&lt;br /&gt;     &lt;em&gt;23 Paces to Baker Street&lt;/em&gt; $1,000,000&lt;br /&gt;    &lt;br /&gt;&lt;strong&gt;The Top Ten Box-Office Stars of 1956&lt;/strong&gt; (according to Quigley Publishing's poll of film exhibitors)&lt;br /&gt;1) William Holden&lt;br /&gt;2) John Wayne&lt;br /&gt;3) James Stewart&lt;br /&gt;4) Burt Lancaster&lt;br /&gt;5) Glenn Ford&lt;br /&gt;6) Dean Martin &amp;amp; Jerry Lewis&lt;br /&gt;7) Gary Cooper&lt;br /&gt;8) Marilyn Monroe&lt;br /&gt;9) Kim Novak&lt;br /&gt;10) Frank Sinatra&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;The Next Fifteen:&lt;/strong&gt;&lt;br /&gt;11) Rock Hudson&lt;br /&gt;12) Doris Day&lt;br /&gt;13) Susan Hayward&lt;br /&gt;14) Marlon Brando&lt;br /&gt;15) June Allyson&lt;br /&gt;16) Grace Kelly&lt;br /&gt;17) Audie Murphy&lt;br /&gt;18) Jeff Chandler&lt;br /&gt;19) Gregory Peck&lt;br /&gt;20) Bing Crosby&lt;br /&gt;21) Yul Brynner&lt;br /&gt;22) Ernest Borgnine&lt;br /&gt;23) Jane Wyman&lt;br /&gt;24) Randolph Scott&lt;br /&gt;25) Alan Ladd&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Britain's Top Ten British Box-Office Stars of 1956&lt;/strong&gt; (according to the Motion Picture Herald's poll of Britain's film exhibitors)&lt;br /&gt;1) Kenneth More&lt;br /&gt;2) Jack Hawkins&lt;br /&gt;3) Dirk Bogarde&lt;br /&gt;4) Virginia McKenna&lt;br /&gt;5) Norman Wisdom&lt;br /&gt;6) Anthony Steel&lt;br /&gt;7) Peter Finch&lt;br /&gt;8) Alec Guinness&lt;br /&gt;9) John Gregson&lt;br /&gt;10) John Mills&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Britain's Top Ten International Box-Office Stars of 1956&lt;/strong&gt; (according to the Motion Picture Herald's poll of Britain's film exhibitors)&lt;br /&gt;1) Kenneth More&lt;br /&gt;2) James Stewart&lt;br /&gt;3) Burt Lancaster&lt;br /&gt;4) Audie Murphy&lt;br /&gt;5) Jeff Chandler&lt;br /&gt;6) Doris Day&lt;br /&gt;7) Danny Kaye&lt;br /&gt;8) Dean Martin &amp; Jerry Lewis&lt;br /&gt;9) Frank Sinatra&lt;br /&gt;10) Robert Mitchum&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/22096293-7497777022951682577?l=heylookmeover.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://heylookmeover.blogspot.com/feeds/7497777022951682577/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=22096293&amp;postID=7497777022951682577' title='1 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/22096293/posts/default/7497777022951682577'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/22096293/posts/default/7497777022951682577'/><link rel='alternate' type='text/html' href='http://heylookmeover.blogspot.com/2008/11/film-data-for-1956.html' title='Film Data For 1956'/><author><name>Vertigo's Psycho</name><uri>http://www.blogger.com/profile/17701774152300870403</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://1.bp.blogspot.com/_bzQchKv0KQA/SONDb8dAGOI/AAAAAAAAAaI/6KHsbaqLrp8/s72-c/The+King+and+I.jpg' height='72' width='72'/><thr:total>1</thr:total></entry><entry><id>tag:blogger.com,1999:blog-22096293.post-8723108863472201028</id><published>2008-11-16T23:20:00.001-08:00</published><updated>2008-11-17T01:33:59.981-08:00</updated><title type='text'>Film Data For 1955</title><content type='html'>&lt;a href="http://4.bp.blogspot.com/_bzQchKv0KQA/SOmuBSVbpUI/AAAAAAAAAdQ/WU03YTq4k_Q/s1600-h/Mister+Roberts.jpg"&gt;&lt;img style="display:block; margin:0px auto 10px; text-align:center;cursor:pointer; cursor:hand;" src="http://4.bp.blogspot.com/_bzQchKv0KQA/SOmuBSVbpUI/AAAAAAAAAdQ/WU03YTq4k_Q/s400/Mister+Roberts.jpg" border="0" alt=""id="BLOGGER_PHOTO_ID_5253921777429226818" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;strong&gt;The Film Daily- 10 Best Pictures of 1955&lt;/strong&gt;&lt;br /&gt;1) &lt;em&gt;Mister Roberts&lt;/em&gt;- 281 votes&lt;br /&gt;2) &lt;em&gt;Marty&lt;/em&gt;- 270&lt;br /&gt;3) &lt;em&gt;East of Eden&lt;/em&gt;- 196&lt;br /&gt;4) &lt;em&gt;Blackboard Jungle&lt;/em&gt;- 190&lt;br /&gt;5) &lt;em&gt;Bad Day at Black Rock&lt;/em&gt;- 170&lt;br /&gt;6) &lt;em&gt;A Man Called Peter&lt;/em&gt;- 166&lt;br /&gt;7) &lt;em&gt;Trial&lt;/em&gt;- 134&lt;br /&gt;8) &lt;em&gt;Love Me or Leave Me&lt;/em&gt;- 130&lt;br /&gt;9) &lt;em&gt;Summertime&lt;/em&gt;- 120&lt;br /&gt;10) &lt;em&gt;Love is a Many-Splendored Thing&lt;/em&gt;- 114&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;The Honor Roll&lt;/strong&gt;-&lt;br /&gt;11) &lt;em&gt;The Bridges at Toko-Ri&lt;/em&gt;- 109&lt;br /&gt;12) &lt;em&gt;To Catch a Thief&lt;/em&gt;- 103&lt;br /&gt;13) &lt;em&gt;The Tender Trap&lt;/em&gt;- 96&lt;br /&gt;14) &lt;em&gt;Battle Cry&lt;/em&gt;- 83&lt;br /&gt;15) &lt;em&gt;Not as a Stranger&lt;/em&gt;- 79&lt;br /&gt;16) &lt;em&gt;Rebel Without a Cause&lt;/em&gt;- 77&lt;br /&gt;17) &lt;em&gt;The Seven-Year Itch&lt;/em&gt;- 76&lt;br /&gt;18) &lt;em&gt;Lady and the Tramp&lt;/em&gt;- 66&lt;br /&gt;19) &lt;em&gt;I Am a Camera&lt;/em&gt;- 59&lt;br /&gt;    &lt;em&gt;Strategic Air Command&lt;/em&gt;- 59&lt;br /&gt;21) &lt;em&gt;Gate of Hell&lt;/em&gt;- 57&lt;br /&gt;22) &lt;em&gt;The Long Gray Line&lt;/em&gt;- 51&lt;br /&gt;23) &lt;em&gt;To Hell and Back&lt;/em&gt;- 48&lt;br /&gt;    &lt;em&gt;The Private War of Major Benson&lt;/em&gt;- 48&lt;br /&gt;25) &lt;em&gt;The Shrike&lt;/em&gt;- 47&lt;br /&gt;26) &lt;em&gt;The African Lion&lt;/em&gt;- 44 &lt;br /&gt;27) &lt;em&gt;Pete Kelly's Blues&lt;/em&gt;- 42&lt;br /&gt;28) &lt;em&gt;The Phenix City Story&lt;/em&gt;- 41&lt;br /&gt;29) The Seven Little Foys- 39&lt;br /&gt;30) &lt;em&gt;The Big Knife&lt;/em&gt;- 28&lt;br /&gt;31) &lt;em&gt;The Desperate Hours&lt;/em&gt;- 27&lt;br /&gt;32) &lt;em&gt;Ulysses&lt;/em&gt;- 24&lt;br /&gt;    &lt;em&gt;The Wages of Fear&lt;/em&gt; (1952)- 24&lt;br /&gt;34) &lt;em&gt;My Sister Eileen&lt;/em&gt;- 22&lt;br /&gt;35) &lt;em&gt;Aida&lt;/em&gt;- 17&lt;br /&gt;    &lt;em&gt;Doctor in the House&lt;/em&gt;- 17&lt;br /&gt;    &lt;em&gt;The Kentuckian&lt;/em&gt;- 17&lt;br /&gt;    &lt;em&gt;To Paris With Love&lt;/em&gt;- 17&lt;br /&gt;39) &lt;em&gt;The Divided Heart&lt;/em&gt;- 16   &lt;br /&gt;    &lt;em&gt;The Man From Laramie&lt;/em&gt;- 16 &lt;br /&gt;41) &lt;em&gt;The Game of Love&lt;/em&gt;- 15&lt;br /&gt;42) &lt;em&gt;Guys and Dolls&lt;/em&gt;- 14&lt;br /&gt;    &lt;em&gt;The Rose Tattoo&lt;/em&gt;- 14&lt;br /&gt;    &lt;em&gt;The Tall Men&lt;/em&gt;- 14&lt;br /&gt;    &lt;em&gt;Ugestsu&lt;/em&gt; (1954)- 14&lt;br /&gt;46) &lt;em&gt;Daddy Long Legs&lt;/em&gt;- 13&lt;br /&gt;&lt;br /&gt;No vote counts given for the following categories, but I believe The Film Daily lists them in the order of preference:&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Best Performances by Male Stars&lt;/strong&gt;&lt;br /&gt;1) Ernest Borgnine in &lt;em&gt;Marty&lt;/em&gt;&lt;br /&gt;2) James Dean in &lt;em&gt;East of Eden&lt;/em&gt;&lt;br /&gt;3) Henry Fonda in &lt;em&gt;Mister Roberts&lt;/em&gt;&lt;br /&gt;4)James Cagney in &lt;em&gt;Love Me or Leave Me&lt;/em&gt;&lt;br /&gt;5) Spencer Tracy in &lt;em&gt;Bad Day at Black Rock&lt;/em&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Best Performances by Female Stars&lt;/strong&gt;&lt;br /&gt;1) Jennifer Jones in &lt;em&gt;Love is a Many-Splendored Thing&lt;/em&gt;&lt;br /&gt;2) Katharine Hepburn in &lt;em&gt;Summertime&lt;/em&gt;&lt;br /&gt;3) Doris Day in &lt;em&gt;Love Me or Leave Me&lt;/em&gt;&lt;br /&gt;4) Julie Harris in &lt;em&gt;I Am a Camera&lt;/em&gt;&lt;br /&gt;5) Betsy Blair in &lt;em&gt;Marty&lt;/em&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Best Male Supporting Performances&lt;/strong&gt;&lt;br /&gt;1) Jack Lemmon in &lt;em&gt;Mister Roberts&lt;/em&gt;&lt;br /&gt;2) Arthur Kennedy in &lt;em&gt;Trial&lt;/em&gt;&lt;br /&gt;3) David Wayne in &lt;em&gt;The Tender Trap&lt;/em&gt;&lt;br /&gt;4) James Cagney in &lt;em&gt;Mister Roberts&lt;/em&gt;&lt;br /&gt;5) William Powell in &lt;em&gt;Mister Roberts&lt;/em&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Best Female Supporting Performances&lt;/strong&gt;&lt;br /&gt;1) Peggy Lee in &lt;em&gt;Pete Kelly's Blues&lt;/em&gt;&lt;br /&gt;2) Jo Van Fleet in &lt;em&gt;East of Eden&lt;/em&gt;&lt;br /&gt;3) Celeste Holm in &lt;em&gt;The Tender Trap&lt;/em&gt;&lt;br /&gt;4) Katy Jurado in &lt;em&gt;Trial&lt;/em&gt;&lt;br /&gt;5) Jessie Royce Landis in &lt;em&gt;To Catch a Thief&lt;/em&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Best Performances By Juvenile Actors&lt;/strong&gt;&lt;br /&gt;1) Tim Hovey in &lt;em&gt;The Private War of Major Benson&lt;/em&gt;&lt;br /&gt;2) Rafael Campos in &lt;em&gt;Trial&lt;/em&gt;&lt;br /&gt;3) Tim Considine in &lt;em&gt;The Private War of Major Benson&lt;/em&gt;&lt;br /&gt;4) Sal Mineo in &lt;em&gt;Rebel Without a Cause&lt;/em&gt;&lt;br /&gt;5) Richard Eyer in &lt;em&gt;The Desperate Hours&lt;/em&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Best Performances By Juvenile Actresses&lt;/strong&gt;&lt;br /&gt;1) Natalie Wood in &lt;em&gt;Rebel Without a Cause&lt;/em&gt;&lt;br /&gt;2) Lois Smith in &lt;em&gt;East of Eden&lt;/em&gt;&lt;br /&gt;3) Linda Bennett in &lt;em&gt;The Seven Little Foys&lt;/em&gt;&lt;br /&gt;4) Susan Strasberg in &lt;em&gt;The Cobweb&lt;/em&gt;&lt;br /&gt;5) Angela Clarke in &lt;em&gt;The Seven Little Foys&lt;/em&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;The Year's Outstanding Directors&lt;/strong&gt;&lt;br /&gt;1) Delbert Mann for &lt;em&gt;Marty&lt;/em&gt;&lt;br /&gt;2) Elia Kazan for &lt;em&gt;East of Eden&lt;/em&gt;&lt;br /&gt;3) Richard Brooks for &lt;em&gt;The Blackboard Jungle&lt;/em&gt;&lt;br /&gt;4) John Sturges for &lt;em&gt;Bad Day at Black Rock&lt;/em&gt;&lt;br /&gt;5) John Ford and Mervyn LeRoy for &lt;em&gt;Mister Roberts&lt;/em&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Best Screenplays of the Year&lt;/strong&gt;&lt;br /&gt;1) Paddy Chayefsky for &lt;em&gt;Marty&lt;/em&gt;&lt;br /&gt;2) Eleanore Griffin for &lt;em&gt;A Man Called Peter&lt;/em&gt;&lt;br /&gt;3) Frank Nugent and Joshua Logan for &lt;em&gt;Mister Roberts&lt;/em&gt;&lt;br /&gt;4) Billy Wilder and George Axelrod for &lt;em&gt;The Seven-Year Itch&lt;/em&gt;&lt;br /&gt;5) Richard Brooks for &lt;em&gt;The Blackboard Jungle&lt;/em&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;"Finds of the Year"&lt;/strong&gt;&lt;br /&gt;1) James Dean in &lt;em&gt;East of Eden&lt;/em&gt;&lt;br /&gt;2) Ernest Borgnine in &lt;em&gt;Marty&lt;/em&gt;&lt;br /&gt;3) Fess Parker in &lt;em&gt;Davy Crockett&lt;/em&gt;&lt;br /&gt;4) Julie Harris in &lt;em&gt;I Am a Camera&lt;/em&gt;&lt;br /&gt;5) Dana Wynter in &lt;em&gt;The View From Pompey's Head&lt;/em&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Best Photographed Pictures of the Year&lt;/strong&gt;&lt;br /&gt;1) Kohei Sugiyama for &lt;em&gt;Gate of Hell&lt;/em&gt;&lt;br /&gt;2) Jack Hildyard for &lt;em&gt;Summertime&lt;/em&gt;&lt;br /&gt;3) William Daniels for &lt;em&gt;Strategic Air Command&lt;/em&gt;&lt;br /&gt;4) Robert Burks for &lt;em&gt;To Catch a Thief&lt;/em&gt;&lt;br /&gt;5) Leon Shamroy for &lt;em&gt;Love is a Many-Splendored Thing&lt;/em&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;The National Board of Review&lt;/strong&gt; (Voting results announced December 20, 1955)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;The Top Ten Films&lt;/strong&gt; (in order of preference)&lt;br /&gt;1) &lt;em&gt;Marty&lt;/em&gt;&lt;br /&gt;2) &lt;em&gt;East of Eden&lt;/em&gt;&lt;br /&gt;3) &lt;em&gt;Mister Roberts&lt;/em&gt;&lt;br /&gt;4) &lt;em&gt;Bad Day at Black Rock&lt;/em&gt;&lt;br /&gt;5) &lt;em&gt;Summertime&lt;/em&gt;&lt;br /&gt;6) &lt;em&gt;The Rose Tattoo&lt;/em&gt;&lt;br /&gt;7) &lt;em&gt;A Man Called Peter&lt;/em&gt;&lt;br /&gt;8) &lt;em&gt;Not as a Stranger&lt;/em&gt;&lt;br /&gt;9) &lt;em&gt;Picnic&lt;/em&gt;&lt;br /&gt;10) &lt;em&gt;The African Lion&lt;/em&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Best Director&lt;/strong&gt;&lt;br /&gt;William Wyler for &lt;em&gt;The Desperate Hours&lt;/em&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Best Actor&lt;/strong&gt;&lt;br /&gt;Ernest Borgnine in &lt;em&gt;Marty&lt;/em&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Best Actress&lt;/strong&gt;&lt;br /&gt;Anna Magnani in &lt;em&gt;The Rose Tattoo&lt;/em&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Best Supporting Actor&lt;/strong&gt;&lt;br /&gt;Charles Bickford in &lt;em&gt;Not as a Stranger&lt;/em&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Best Supporting Actress&lt;/strong&gt;&lt;br /&gt;Marjorie Rambeau in &lt;em&gt;A Man Called Peter&lt;/em&gt; and &lt;em&gt;The View from Pompey's Head&lt;/em&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Best Foreign Film&lt;/strong&gt; (in order of preference)&lt;br /&gt;&lt;em&gt;The Prisoner&lt;/em&gt; (italy)&lt;br /&gt;&lt;em&gt;The Great Adventure&lt;/em&gt; (Sweden)&lt;br /&gt;&lt;em&gt;The Divided Heart&lt;/em&gt; (U.K.)&lt;br /&gt;&lt;em&gt;Les Diaboliques&lt;/em&gt; (France)&lt;br /&gt;&lt;em&gt;The End of the Affair&lt;/em&gt; (U.K.)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Special Citation&lt;/strong&gt;&lt;br /&gt;For aerial photography in &lt;em&gt;Strategic Air Command&lt;/em&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;The New York Film Critics&lt;/strong&gt; (Winners were announced on December 27, 1955. Awards were presented on January 21, 1956)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Best Picture&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;Marty&lt;/em&gt; (received 12 votes on the third ballot)&lt;br /&gt;&lt;br /&gt;Runner up:&lt;br /&gt;&lt;em&gt;Mister Roberts&lt;/em&gt; (received 4 votes on the third ballot)&lt;br /&gt;&lt;br /&gt;On the first ballot, &lt;em&gt;Summertime&lt;/em&gt;, &lt;em&gt;The Rose Tattoo&lt;/em&gt;, and &lt;em&gt;Oklahoma!&lt;/em&gt; each received one vote.&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Best Director&lt;/strong&gt;&lt;br /&gt;David Lean for &lt;em&gt;Summertime&lt;/em&gt; (received 9 votes on the sixth and final ballot)&lt;br /&gt;&lt;br /&gt;Runners up:&lt;br /&gt;Otto Preminger (&lt;em&gt;The Court-Martial of Billy Mitchell&lt;/em&gt;, &lt;em&gt;The Man With the Golden Arm&lt;/em&gt;) received 6 votes on the final ballot&lt;br /&gt;William Wyler (&lt;em&gt;The Desperate Hours&lt;/em&gt;) received 1 vote on the final ballot &lt;br /&gt;&lt;br /&gt;Others directors who received votes earlier in the polling (no films were listed, so I'm including the major work or works of each director for 1955): John Ford (&lt;em&gt;The Long Gray Line&lt;/em&gt;, &lt;em&gt;Mister Roberts&lt;/em&gt;), Peter Glenville (&lt;em&gt;The Prisoner&lt;/em&gt;), Mervyn LeRoy (&lt;em&gt;Mister Roberts&lt;/em&gt;), Delbert Mann (&lt;em&gt;Marty&lt;/em&gt;), Daniel Mann (&lt;em&gt;I'll Cry Tomorrow&lt;/em&gt;, &lt;em&gt;The Rose Tattoo&lt;/em&gt;), Nicholas Ray (&lt;em&gt;Rebel Without a Cause&lt;/em&gt;), and John Sturges (&lt;em&gt;Bad Day at Black Rock&lt;/em&gt;).&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Best Actor&lt;/strong&gt;&lt;br /&gt;Ernest Borgnine in &lt;em&gt;Marty&lt;/em&gt; (9 votes on the sixth and final ballot)&lt;br /&gt;&lt;br /&gt;Runners up:&lt;br /&gt;Frank Sinatra in &lt;em&gt;The Man With the Golden Arm&lt;/em&gt; (received 4 votes on the final ballot)&lt;br /&gt;Alec Guinness in &lt;em&gt;The Prisoner&lt;/em&gt; (received 3 votes on the final ballot)&lt;br /&gt;&lt;br /&gt;Other actors receiving votes on earlier ballots (no films were listed, so I'm including the major work or works of each actor for 1955): James Cagney (&lt;em&gt;Love Me or Leave Me&lt;/em&gt;, &lt;em&gt;Mister Roberts&lt;/em&gt;),Jose Ferrer (&lt;em&gt;The Shrike&lt;/em&gt;), Jack Hawkins (&lt;em&gt;The Prisoner&lt;/em&gt;), Rossano Brazzi (&lt;em&gt;Summertime&lt;/em&gt;), Richard Todd (&lt;em&gt;A Man Called Peter&lt;/em&gt;, &lt;em&gt;The Dam Busters&lt;/em&gt;, &lt;em&gt;The Virgin Queen&lt;/em&gt;) and Spencer Tracy (&lt;em&gt;Bad Day at Black Rock&lt;/em&gt;). &lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Best Actress&lt;/strong&gt;&lt;br /&gt;Anna Magnani in &lt;em&gt;The Rose Tattoo&lt;/em&gt; (received 13 votes on the first ballot)&lt;br /&gt;&lt;br /&gt;Runners up:&lt;br /&gt;Katharine Hepburn in &lt;em&gt;Summertime&lt;/em&gt; (received 2 votes)&lt;br /&gt;Jennifer Jones in &lt;em&gt;Love is a Many-Splendored Thing&lt;/em&gt; (received 1 vote)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Best Foreign Film&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;Les Diaboliques&lt;/em&gt; (France) tied with &lt;br /&gt;&lt;em&gt;Umberto D&lt;/em&gt; (Italy) (each film received 8 votes on the sixth ballot)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;The British Academy of Film and Television Arts Awards&lt;/strong&gt; (source- "The BAFTA Film Awards" 1989, edited by Bo Smith)&lt;br /&gt;&lt;br /&gt;Winners in bold print&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Best Film From Any Source and Best British Film&lt;/strong&gt;&lt;br /&gt;&lt;strong&gt;&lt;em&gt;Richard III&lt;/em&gt;- Laurence Olivier, director (won both awards)&lt;/strong&gt;&lt;br /&gt;&lt;br /&gt;Other nominees for both awards:&lt;br /&gt;&lt;em&gt;Bad Day at Black Rock&lt;/em&gt; (US)&lt;br /&gt;&lt;em&gt;Carmen Jones&lt;/em&gt; (US)&lt;br /&gt;&lt;em&gt;The Colditz Story&lt;/em&gt; (GB)&lt;br /&gt;&lt;em&gt;The Dambusters&lt;/em&gt; (GB)&lt;br /&gt;&lt;em&gt;East of Eden&lt;/em&gt; (US)&lt;br /&gt;&lt;em&gt;The Ladykillers&lt;/em&gt; (GB)&lt;br /&gt;&lt;em&gt;La Strada&lt;/em&gt; (Italy)&lt;br /&gt;&lt;em&gt;Marty&lt;/em&gt; (US)&lt;br /&gt;&lt;em&gt;The Night My Number Came Up&lt;/em&gt; (GB)&lt;br /&gt;&lt;em&gt;The Prisoner&lt;/em&gt; (GB)&lt;br /&gt;&lt;em&gt;The Seven Samurai&lt;/em&gt; (Japan)&lt;br /&gt;&lt;em&gt;Simba&lt;/em&gt; (GB)&lt;br /&gt;&lt;em&gt;Summer Madness&lt;/em&gt; (&lt;em&gt;Summertime&lt;/em&gt;) (Italy/US)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Best British Actor&lt;/strong&gt;&lt;br /&gt;Alfie Bass in &lt;em&gt;The Bespoke Overcoat&lt;/em&gt;&lt;br /&gt;Alec Guinness in &lt;em&gt;The Prisoner&lt;/em&gt;&lt;br /&gt;Jack Hawkins in &lt;em&gt;The Prisoner&lt;/em&gt;&lt;br /&gt;David Kossoff in &lt;em&gt;A Kid for Two Fatherings&lt;/em&gt;&lt;br /&gt;Kenneth More in &lt;em&gt;The Deep Blue Sea&lt;/em&gt;&lt;br /&gt;&lt;strong&gt;Laurence Olivier in &lt;em&gt;Richard III&lt;/em&gt;&lt;/strong&gt;&lt;br /&gt;Michael Redgrave in &lt;em&gt;The Night My Number Came Up&lt;/em&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Best British Actresses&lt;/strong&gt;&lt;br /&gt;&lt;strong&gt;Katie Johnson in &lt;em&gt;The Ladykillers&lt;/em&gt;&lt;/strong&gt;&lt;br /&gt;Margaret Johnson in &lt;em&gt;Touch and Go&lt;/em&gt;&lt;br /&gt;Deborah Kerr in &lt;em&gt;The End of the Affair&lt;/em&gt;&lt;br /&gt;Margaret Lockwood in &lt;em&gt;Cast a Dark Shadow&lt;/em&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Best Foreign Actor&lt;/strong&gt;&lt;br /&gt;&lt;strong&gt;Ernest Borgnine in &lt;em&gt;Marty&lt;/em&gt;&lt;/strong&gt;&lt;br /&gt;James Dean in &lt;em&gt;East of Eden&lt;/em&gt;&lt;br /&gt;Jack Lemmon in &lt;em&gt;Mister Roberts&lt;/em&gt;&lt;br /&gt;Toshiro Mifune in &lt;em&gt;The Seven Samurai&lt;/em&gt;&lt;br /&gt;Takashi Shimura in &lt;em&gt;The Seven Samurai&lt;/em&gt;&lt;br /&gt;Frank Sinatra in &lt;em&gt;Not as a Stranger&lt;/em&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Best Foreign Actress&lt;/strong&gt;&lt;br /&gt;&lt;strong&gt;Betsy Blair in &lt;em&gt;Marty&lt;/em&gt;&lt;/strong&gt;&lt;br /&gt;Dorothy Dandridge in &lt;em&gt;Carmen Jones&lt;/em&gt;&lt;br /&gt;Judy Garland in &lt;em&gt;A Star is Born&lt;/em&gt;&lt;br /&gt;Julie Harris in &lt;em&gt;I Am a Camera&lt;/em&gt;&lt;br /&gt;Katharine Hepburn in &lt;em&gt;Summer Madness&lt;/em&gt; (&lt;em&gt;Summertime&lt;/em&gt;)&lt;br /&gt;Grace Kelly in &lt;em&gt;The Country Girl&lt;/em&gt;&lt;br /&gt;Giulietta Masina in &lt;em&gt;La Strada&lt;/em&gt;&lt;br /&gt;Marilyn Monroe in &lt;em&gt;The Seven-Year Itch&lt;/em&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;The New York Times Ten Best List&lt;/strong&gt; (in chronological order)&lt;br /&gt;1) &lt;em&gt;The Bridges at Toko-Ri&lt;/em&gt;&lt;br /&gt;2) &lt;em&gt;Bad Day at Black Rock&lt;/em&gt;&lt;br /&gt;3) &lt;em&gt;A Man Called Peter&lt;/em&gt;&lt;br /&gt;4) &lt;em&gt;Marty&lt;/em&gt;&lt;br /&gt;5) &lt;em&gt;The Great Adventure&lt;/em&gt;&lt;br /&gt;6) &lt;em&gt;Mister Roberts&lt;/em&gt;&lt;br /&gt;7) &lt;em&gt;The Phoenix City Story&lt;/em&gt;&lt;br /&gt;8) &lt;em&gt;It's Always Fair Weather&lt;/em&gt;&lt;br /&gt;9) &lt;em&gt;Oklahoma!&lt;/em&gt;&lt;br /&gt;10) &lt;em&gt;The Prisoner&lt;/em&gt;&lt;br /&gt;&lt;br /&gt;&lt;a href="http://4.bp.blogspot.com/_bzQchKv0KQA/SOx69j5H-9I/AAAAAAAAAeQ/a5pivAm8X6o/s1600-h/Man+With+the+Golden+Arm.jpg"&gt;&lt;img style="display:block; margin:0px auto 10px; text-align:center;cursor:pointer; cursor:hand;" src="http://4.bp.blogspot.com/_bzQchKv0KQA/SOx69j5H-9I/AAAAAAAAAeQ/a5pivAm8X6o/s400/Man+With+the+Golden+Arm.jpg" border="0" alt=""id="BLOGGER_PHOTO_ID_5254710063259974610" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;strong&gt;Time Magazine's Best List&lt;/strong&gt; (eight films in chronological order)&lt;br /&gt;1) &lt;em&gt;Game of Love&lt;/em&gt;&lt;br /&gt;2) &lt;em&gt;Wages of Fear&lt;/em&gt; (1952)&lt;br /&gt;3) &lt;em&gt;Marty&lt;/em&gt;&lt;br /&gt;4) &lt;em&gt;The Great Adventure&lt;/em&gt;&lt;br /&gt;5) &lt;em&gt;Summertime&lt;/em&gt;&lt;br /&gt;6) &lt;em&gt;The Desperate Hours&lt;/em&gt;&lt;br /&gt;7) &lt;em&gt;Umberto D.&lt;/em&gt;&lt;br /&gt;8) &lt;em&gt;The Man With the Golden Arm&lt;/em&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;The Council of Motion Pictures Organizations' 1st Annual Audience Award Poll&lt;/strong&gt;&lt;br /&gt;Polling took place from November 17th-November 27th, 1955 at 8,000 theaters nationwide. 15,000,000 ballots were cast during the poll. Consider this the People's Choice Awards, circa 1955. Winners were announced on December 6, 1955 at a gala dinner at the Beverly Hills Hotel (source- The Film Daily)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Best Picture&lt;/strong&gt;&lt;br /&gt; &lt;em&gt;Mister Roberts&lt;/em&gt;&lt;br /&gt;&lt;br /&gt;Runners up (all runners up listed alphabetically, as no vote count was given):&lt;br /&gt;&lt;em&gt;Battle Cry&lt;/em&gt;&lt;br /&gt;&lt;em&gt;The Blackboard Jungle&lt;/em&gt;&lt;br /&gt;&lt;em&gt;Love is a Many-Splendored Thing&lt;/em&gt;&lt;br /&gt;&lt;em&gt;A Man Called Peter&lt;/em&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Best Actor&lt;/strong&gt;&lt;br /&gt;James Dean in &lt;em&gt;East of Eden&lt;/em&gt;&lt;br /&gt;&lt;br /&gt;Runners up:&lt;br /&gt;Marlon Brando in &lt;em&gt;Desiree&lt;/em&gt;&lt;br /&gt;Henry Fonda in &lt;em&gt;Mister Roberts&lt;/em&gt;&lt;br /&gt;Glenn Ford in &lt;em&gt;The Blackboard Jungle&lt;/em&gt;&lt;br /&gt;William Holden in &lt;em&gt;Love is a Many-Splendored Thing&lt;/em&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Best Actress&lt;/strong&gt;&lt;br /&gt;Jennifer Jones in &lt;em&gt;Love is a Many-Splendored Thing&lt;/em&gt;&lt;br /&gt;&lt;br /&gt;Runners up:&lt;br /&gt;June Allyson in &lt;em&gt;Strategic Air Command&lt;/em&gt;&lt;br /&gt;Doris Day in &lt;em&gt;Love Me or Leave Me&lt;/em&gt;&lt;br /&gt;Judy Garland in &lt;em&gt;A Star is Born&lt;/em&gt;&lt;br /&gt;Grace Kelly in &lt;em&gt;The Country Girl&lt;/em&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Most Promising Male Personality&lt;/strong&gt;&lt;br /&gt;Tab Hunter&lt;br /&gt;&lt;br /&gt;Runners up:&lt;br /&gt;Harry Belafonte&lt;br /&gt;Jack Lemmon&lt;br /&gt;Jack Palance&lt;br /&gt;Fess Parker&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Most Promising Female Personality&lt;/strong&gt;&lt;br /&gt;Peggy Lee&lt;br /&gt;&lt;br /&gt;Runners up:&lt;br /&gt;Joan Collins&lt;br /&gt;Dorothy Malone&lt;br /&gt;Terry Moore&lt;br /&gt;Kim Novak&lt;br /&gt;&lt;br /&gt;&lt;a href="http://4.bp.blogspot.com/_bzQchKv0KQA/SOmzs-ldszI/AAAAAAAAAdg/JOyO4v_5AAA/s1600-h/East+of+Eden.jpg"&gt;&lt;img style="display:block; margin:0px auto 10px; text-align:center;cursor:pointer; cursor:hand;" src="http://4.bp.blogspot.com/_bzQchKv0KQA/SOmzs-ldszI/AAAAAAAAAdg/JOyO4v_5AAA/s400/East+of+Eden.jpg" border="0" alt=""id="BLOGGER_PHOTO_ID_5253928025600144178" /&gt;&lt;/a&gt;&lt;br /&gt;The Golden Globes (Awards were presented on February 23, 1956)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Best Drama&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;East of Eden&lt;/em&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Best Comedy or Musical&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;Guys and Dolls&lt;/em&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Best Outdoor Drama&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;Wichita&lt;/em&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Best Motion Picture Promoting International Understanding&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;Love is a Many-Splendored Thing&lt;/em&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Best Director&lt;/strong&gt;&lt;br /&gt;Joshua Logan for &lt;em&gt;Picnic&lt;/em&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Best Actor, Drama&lt;/strong&gt;&lt;br /&gt;Ernest Borgnine in &lt;em&gt;Marty&lt;/em&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Best Actress, Drama&lt;/strong&gt;&lt;br /&gt;Anna Magnani in &lt;em&gt;The Rose Tattoo&lt;/em&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Best Actor, Comedy or Musical&lt;/strong&gt;&lt;br /&gt;Tom Ewell in &lt;em&gt;The Seven Year Itch&lt;/em&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Best Actress, Comedy or Musical&lt;/strong&gt;&lt;br /&gt;Jean Simmons in &lt;em&gt;Guys and Dolls&lt;/em&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Best Supporting Actor&lt;/strong&gt;&lt;br /&gt;Arthur Kennedy in &lt;em&gt;Trial&lt;/em&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Best Supporting Actress&lt;/strong&gt;&lt;br /&gt;Marsia Pavan in &lt;em&gt;The Rose Tattoo&lt;/em&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Best Foreign Films&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;Dangerous Curves&lt;/em&gt; (England)&lt;br /&gt;&lt;em&gt;Eyes of Children&lt;/em&gt; (Japan)&lt;br /&gt;&lt;em&gt;Ordet&lt;/em&gt; (Denmark)&lt;br /&gt;&lt;em&gt;Sons, Mothers and a General&lt;/em&gt; (Germany)&lt;br /&gt;&lt;em&gt;Stella&lt;/em&gt; (Greece)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;World Film Favorites&lt;/strong&gt;&lt;br /&gt;Marlon Brando&lt;br /&gt;Grace Kelly&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Special Posthumous Award for Best Dramatic Actor&lt;/strong&gt;&lt;br /&gt;James Dean&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Most Promising Newcomer- Male&lt;/strong&gt;&lt;br /&gt;Ray Danton&lt;br /&gt;Russ Tamblyn&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Most Promising Newcomer- Female&lt;/strong&gt;&lt;br /&gt;Victoria Shaw&lt;br /&gt;Anita Ekberg&lt;br /&gt;Dana Wynter&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Hollywood Citizenship Award&lt;/strong&gt;&lt;br /&gt;Esther Williams&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Cecil B. DeMille&lt;/strong&gt;&lt;br /&gt;Jack Warner&lt;br /&gt;&lt;br /&gt;&lt;a href="http://3.bp.blogspot.com/_bzQchKv0KQA/SOm4b8qIDII/AAAAAAAAAdo/EQhpGDFl5xM/s1600-h/Marty.jpg"&gt;&lt;img style="display:block; margin:0px auto 10px; text-align:center;cursor:pointer; cursor:hand;" src="http://3.bp.blogspot.com/_bzQchKv0KQA/SOm4b8qIDII/AAAAAAAAAdo/EQhpGDFl5xM/s400/Marty.jpg" border="0" alt=""id="BLOGGER_PHOTO_ID_5253933230583188610" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;strong&gt;The Academy Awards&lt;/strong&gt; (Nominations were announced on February 18, 1956. Awards were presented on March 21, 1956)&lt;br /&gt;&lt;br /&gt;Winners listed in bold print&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Best Picture&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;Love is a Many-Splendored Thing&lt;/em&gt;&lt;br /&gt;&lt;strong&gt;&lt;em&gt;Marty&lt;/em&gt;&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;Mister Roberts&lt;/em&gt;&lt;br /&gt;&lt;em&gt;Picnic&lt;/em&gt;&lt;br /&gt;&lt;em&gt;The Rose Tattoo&lt;/em&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Best Director&lt;/strong&gt;&lt;br /&gt;Elia Kazan for &lt;em&gt;East of Eden&lt;/em&gt;&lt;br /&gt;David Lean for &lt;em&gt;Summertime&lt;/em&gt;&lt;br /&gt;Joshua Logan for &lt;em&gt;Picnic&lt;/em&gt;&lt;br /&gt;&lt;strong&gt;Delbert Mann for &lt;em&gt;Marty&lt;/em&gt;&lt;/strong&gt;&lt;br /&gt;John Sturges for &lt;em&gt;Bad Day at Black Rock&lt;/em&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Best Actor&lt;/strong&gt;&lt;br /&gt;&lt;strong&gt;Ernest Borgnine in &lt;em&gt;Marty&lt;/em&gt;&lt;/strong&gt;&lt;br /&gt;James Cagney in &lt;em&gt;Love Me or Leave Me&lt;/em&gt;&lt;br /&gt;James Dean in &lt;em&gt;East of Eden&lt;/em&gt;&lt;br /&gt;Frank Sinatra in &lt;em&gt;The Man With the Golden Arm&lt;/em&gt;&lt;br /&gt;Spencer Tracy in &lt;em&gt;Bad Day at Black Rock&lt;/em&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Best Actress&lt;/strong&gt;&lt;br /&gt;Susan Hayward in &lt;em&gt;I'll Cry Tomorrow&lt;/em&gt;&lt;br /&gt;Katharine Hepburn in &lt;em&gt;Summertime&lt;/em&gt;&lt;br /&gt;Jennifer Jones in &lt;em&gt;Love is a Many-Splendored Thing&lt;/em&gt;&lt;br /&gt;&lt;strong&gt;Anna Magnani in &lt;em&gt;The Rose Tattoo&lt;/em&gt;&lt;/strong&gt;&lt;br /&gt;Eleanor Parker in &lt;em&gt;Interrupted Melody&lt;/em&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Supporting Actor&lt;/strong&gt;&lt;br /&gt;Arthur Kennedy in &lt;em&gt;Trial&lt;/em&gt;&lt;br /&gt;&lt;strong&gt;Jack Lemmon in &lt;em&gt;Mister Roberts&lt;/em&gt;&lt;/strong&gt;&lt;br /&gt;Joe Mantell in Marty&lt;br /&gt;Sal Mineo in Rebel Without a Cause&lt;br /&gt;Arthur O'Connell in Picnic&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Supporting Actress&lt;/strong&gt;&lt;br /&gt;Betsy Blair in &lt;em&gt;Marty&lt;/em&gt;&lt;br /&gt;Peggy Lee in &lt;em&gt;Pete Kelly's Blues&lt;/em&gt;&lt;br /&gt;Marisa Pavan in &lt;em&gt;The Rose Tattoo&lt;/em&gt;&lt;br /&gt;&lt;strong&gt;Jo Van Fleet in &lt;em&gt;East of Eden&lt;/em&gt;&lt;/strong&gt;&lt;br /&gt;Natalie Wood in &lt;em&gt;Rebel Without a Cause&lt;/em&gt;&lt;br /&gt;&lt;br /&gt;&lt;a href="http://1.bp.blogspot.com/_bzQchKv0KQA/SOnCaocTLJI/AAAAAAAAAdw/YvvH9is41NI/s1600-h/Love+Me+or+Leave+Me.jpg"&gt;&lt;img style="display:block; margin:0px auto 10px; text-align:center;cursor:pointer; cursor:hand;" src="http://1.bp.blogspot.com/_bzQchKv0KQA/SOnCaocTLJI/AAAAAAAAAdw/YvvH9is41NI/s400/Love+Me+or+Leave+Me.jpg" border="0" alt=""id="BLOGGER_PHOTO_ID_5253944203092896914" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;strong&gt;Best Motion Picture Story&lt;/strong&gt;&lt;br /&gt;&lt;strong&gt;Daniel Fuchs for &lt;em&gt;Love Me or Leave Me&lt;/em&gt;&lt;/strong&gt;&lt;br /&gt;Joe Connelly and Bob Mosher for &lt;em&gt;The Private War of Major Benson&lt;/em&gt;&lt;br /&gt;Nicholas Ray for &lt;em&gt;Rebel Without a Cause&lt;/em&gt;&lt;br /&gt;Jean Marsan, Henry Troyat, Jacques Perret, Henri Verneuil and Raul Ploquin for &lt;em&gt;The Sheep Has 5 Legs&lt;/em&gt; (French)&lt;br /&gt;Beirne Lay, Jr. for &lt;em&gt;Strategic Air Command&lt;/em&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Best Screenplay&lt;/strong&gt;&lt;br /&gt;Millard Kaufman for &lt;em&gt;Bad Day at Black Rock&lt;/em&gt;&lt;br /&gt;Richard Brooks for &lt;em&gt;Blackboard Jungle&lt;/em&gt;&lt;br /&gt;Paul Osborn for &lt;em&gt;East of Eden&lt;/em&gt;&lt;br /&gt;Daniel Fuchs and Isobel Lennart for &lt;em&gt;Love Me or Leave Me&lt;/em&gt;&lt;br /&gt;&lt;strong&gt;Paddy Chayefsky for &lt;em&gt;Marty&lt;/em&gt;&lt;/strong&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Best Story and Screenplay&lt;/strong&gt;&lt;br /&gt;Milton Sperling and Emmet Lavery for &lt;em&gt;The Court-Martial of Billy Mitchell&lt;/em&gt;&lt;br /&gt;&lt;strong&gt;William Ludwig and Sonya Levien for &lt;em&gt;Interrupted Melody&lt;/em&gt;&lt;/strong&gt;&lt;br /&gt;Betty Comden and Adolph Green for &lt;em&gt;It's Always Fair Weather&lt;/em&gt;&lt;br /&gt;Jacques Tati and Henri Marquet for &lt;em&gt;Mr. Hulot's Holiday&lt;/em&gt;&lt;br /&gt;Melville Shavelson and Jack Rose for &lt;em&gt;The Seven Little Foys&lt;/em&gt;&lt;br /&gt;&lt;br /&gt;&lt;a href="http://2.bp.blogspot.com/_bzQchKv0KQA/SOnGMgNkGpI/AAAAAAAAAd4/Xo4Knz2H9Z0/s1600-h/The+Rose+Tattoo.bmp"&gt;&lt;img style="display:block; margin:0px auto 10px; text-align:center;cursor:pointer; cursor:hand;" src="http://2.bp.blogspot.com/_bzQchKv0KQA/SOnGMgNkGpI/AAAAAAAAAd4/Xo4Knz2H9Z0/s400/The+Rose+Tattoo.bmp" border="0" alt=""id="BLOGGER_PHOTO_ID_5253948358411950738" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;strong&gt;Cinematography (Black-and-White)&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;Blackboard Jungle&lt;/em&gt; Russell Harlan&lt;br /&gt;&lt;em&gt;I'll Cry Tomorrow&lt;/em&gt; Arthur E. Arling&lt;br /&gt;&lt;em&gt;Marty&lt;/em&gt; Joseph LaShelle&lt;br /&gt;&lt;em&gt;Queen Bee&lt;/em&gt; Charles Lang&lt;br /&gt;&lt;strong&gt;&lt;em&gt;The Rose Tattoo&lt;/em&gt; James Wong Howe&lt;/strong&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Cinematography (Color)&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;Guys and Dolls&lt;/em&gt; Harry Stradling&lt;br /&gt;&lt;em&gt;Love is a Many-Splendored Thing&lt;/em&gt; Leon Shamroy&lt;br /&gt;&lt;em&gt;A Man Called Peter&lt;/em&gt; Harold Lipstein&lt;br /&gt;&lt;em&gt;Oklahoma!&lt;/em&gt; Robert Surtees&lt;br /&gt;&lt;strong&gt;&lt;em&gt;To Catch a Thief&lt;/em&gt; Robert Burks&lt;/strong&gt;&lt;br /&gt;&lt;br /&gt;&lt;a href="http://1.bp.blogspot.com/_bzQchKv0KQA/SOnI3wvWa4I/AAAAAAAAAeA/Rc5flqupVQk/s1600-h/Oklahoma.jpg"&gt;&lt;img style="display:block; margin:0px auto 10px; text-align:center;cursor:pointer; cursor:hand;" src="http://1.bp.blogspot.com/_bzQchKv0KQA/SOnI3wvWa4I/AAAAAAAAAeA/Rc5flqupVQk/s400/Oklahoma.jpg" border="0" alt=""id="BLOGGER_PHOTO_ID_5253951300606258050" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;strong&gt;Sound Recording&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;Love is a Many-Splendored Thing&lt;/em&gt; Carl W. Faulkner, sound director&lt;br /&gt;&lt;em&gt;Love Me or Leave Me&lt;/em&gt; Wesley C. Miller, sound director&lt;br /&gt;&lt;em&gt;Mister Roberts&lt;/em&gt; William A. Mueller, sound director&lt;br /&gt;&lt;em&gt;Not as a Stranger&lt;/em&gt; RCA Sound Department; Watson Jones, sound director&lt;br /&gt;&lt;strong&gt;&lt;em&gt;Oklahoma!&lt;/em&gt; Todd-AO Sound Department; fred Hynes, sound &lt;br /&gt;director&lt;/strong&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Best Song&lt;/strong&gt;&lt;br /&gt;"I'll Never Stop Loving You" from Love Me or Leave Me. Music by Nicholas Brodszky. Lyrics by Sammy Cahn&lt;br /&gt;&lt;strong&gt;"Love is a Many-Splendored Thing" from &lt;em&gt;Love is a Many-Splendored Thing&lt;/em&gt;. Music by Sammy Fain. Lyrics by Paul Francis Webster&lt;/strong&gt;&lt;br /&gt;"Something's Gotta Give" from &lt;em&gt;Daddy Long Legs&lt;/em&gt;. Music and lrics by Johnny Mercer&lt;br /&gt;"(Love Is) The Tender Trap" from &lt;em&gt;The Tender Trap&lt;/em&gt;. Music by James Van Heusen. Lyrics by Sammy Cahn&lt;br /&gt;"Unchained Melody" from &lt;em&gt;Unchained&lt;/em&gt;. Music by Alex North. Lyrics by Hy Zaret&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Best Scoring of a Dramatic or Comedy Picture&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;Battle Cry&lt;/em&gt; Max Steiner&lt;br /&gt;&lt;strong&gt;&lt;em&gt;Love is a Many-Splendored Thing&lt;/em&gt; Alfred Newman&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;The Man With the Golden Arm&lt;/em&gt; Elmer Bernstein&lt;br /&gt;&lt;em&gt;Picnic&lt;/em&gt; George Duning&lt;br /&gt;&lt;em&gt;The Rose Tattoo&lt;/em&gt; Alex North&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Best Scoring of a Musical Picture&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;Daddy Long Legs&lt;/em&gt; Alfred Newman&lt;br /&gt;&lt;em&gt;Guys and Dolls&lt;/em&gt; Jay Blackton and Cyril J. Mockridge&lt;br /&gt;&lt;em&gt;It's Always Fair Weather&lt;/em&gt; Andre Previn&lt;br /&gt;&lt;em&gt;Love Me or Leave&lt;/em&gt; Me Percy Faith and George Stoll&lt;br /&gt;&lt;strong&gt;&lt;em&gt;Oklahoma!&lt;/em&gt; Robert Russell Bennett, Jay Blackton and Adolph Deutsch&lt;/strong&gt;&lt;br /&gt;&lt;br /&gt;&lt;a href="http://3.bp.blogspot.com/_bzQchKv0KQA/SOnLAsGtz6I/AAAAAAAAAeI/MTMBbxwt7UM/s1600-h/Picnic.jpg"&gt;&lt;img style="display:block; margin:0px auto 10px; text-align:center;cursor:pointer; cursor:hand;" src="http://3.bp.blogspot.com/_bzQchKv0KQA/SOnLAsGtz6I/AAAAAAAAAeI/MTMBbxwt7UM/s400/Picnic.jpg" border="0" alt=""id="BLOGGER_PHOTO_ID_5253953653004160930" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;strong&gt;Best Film Editing&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;Blackboard Jungle&lt;/em&gt; Ferris Webster&lt;br /&gt;&lt;em&gt;The Bridges at Toko-Ri&lt;/em&gt; Alma Macrorie&lt;br /&gt;&lt;em&gt;Oklahoma!&lt;/em&gt; Gene Ruggiero and George Boemler&lt;br /&gt;&lt;strong&gt;&lt;em&gt;Picnic&lt;/em&gt; Charles Nelson and William A. Lyon&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;The Rose Tattoo&lt;/em&gt; Warren Low&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Best Costume Design (Black-and-White)&lt;/strong&gt;&lt;br /&gt;&lt;strong&gt;&lt;em&gt;I'll Cry Tomorrow&lt;/em&gt; Helen Rose&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;The Pickwick Papers&lt;/em&gt; Beatrice Dawson&lt;br /&gt;&lt;em&gt;Queen Bee&lt;/em&gt; Jean Louis&lt;br /&gt;&lt;em&gt;The Rose Tattoo&lt;/em&gt; Edith Head&lt;br /&gt;&lt;em&gt;Ugetsu&lt;/em&gt; Tadaoto Kainoscho&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Best Costume Design (Color)&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;Guys and Dolls&lt;/em&gt; Irene Sharaff&lt;br /&gt;&lt;em&gt;&lt;em&gt;Interrupted Melody&lt;/em&gt; Helen Rose&lt;br /&gt;&lt;strong&gt;Love is a Many-Splendored Thing&lt;/em&gt; Charles LeMaire&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;To Catch a Thief&lt;/em&gt; Edith Head&lt;br /&gt;&lt;em&gt;The Virgin Queen&lt;/em&gt; Charles LeMarie and Mary Wills&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Best Special Effects&lt;/strong&gt;&lt;br /&gt;&lt;strong&gt;&lt;em&gt;The Bridges at Toko-Ri&lt;/em&gt; Paramount&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;The Dam Busters&lt;/em&gt; Warner Brothers (British)&lt;br /&gt;&lt;em&gt;The Rains of Ranchipur&lt;/em&gt; 20th Century-Fox&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Best Short Subject Cartoon&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;Good Will to Men&lt;/em&gt; William Hanna and Joseph Barbera, producers&lt;br /&gt;&lt;em&gt;The Legend of Rock-a-Bye Point&lt;/em&gt; Walter Lantz, producer&lt;br /&gt;&lt;em&gt;No Hunting&lt;/em&gt; Walt Disney, producer&lt;br /&gt;&lt;strong&gt;&lt;em&gt;Speedy Gonzales&lt;/em&gt; Edward Selzer, producer&lt;/strong&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Best One-Reel Short Subject&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;Gadgets Galore&lt;/em&gt; Robert Youngson, producer&lt;br /&gt;&lt;strong&gt;&lt;em&gt;Survival City&lt;/em&gt; Edmund Reek, producer&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;3rd Ave El&lt;/em&gt; Carson Davidson, producer&lt;br /&gt;&lt;em&gt;Three Kisses&lt;/em&gt; Justin Herman, producer&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Best Two-Reel Short Subject&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;The Battle of Gettysburg&lt;/em&gt; Dore Schary, producer&lt;br /&gt;&lt;strong&gt;&lt;em&gt;The Face of Lincoln&lt;/em&gt; Wilbur T. Blume, producer&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;On the Twelfth Day . . .&lt;/em&gt; George K. Arthur, producer&lt;br /&gt;&lt;em&gt;Switzerland&lt;/em&gt; Walt Disney, producer&lt;br /&gt;&lt;em&gt;24 Hour Alert&lt;/em&gt; Cedric Francis, producer&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Best Documentary Short Subject&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;The Battle of Gettysburg&lt;/em&gt; Dore Schary, producer&lt;br /&gt;&lt;em&gt;The Face of Lincoln&lt;/em&gt; Wilbur T. Blume, producer&lt;br /&gt;&lt;em&gt;Men Against the Arctic&lt;/em&gt; Walt Disney, producer&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Best Documentary Feature&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;Heartbreak Ridge&lt;/em&gt; Rene Risacher, producer&lt;br /&gt;&lt;strong&gt;&lt;em&gt;Helen Keller in Her Story&lt;/em&gt; Nancy Hamilton, producer&lt;/strong&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Honorary Award&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;Samurai, The Legend of Musahi&lt;/em&gt; (Japanese)- Best Foreign Language Film first released in the United States during 1955 (statuette)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Screen Directors Guild of America&lt;/strong&gt; (Best Director awarded January 29, 1956)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Best Director&lt;/strong&gt;&lt;br /&gt;Delbert Mann for &lt;em&gt;Marty&lt;/em&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Quarterly Winners:&lt;/strong&gt;&lt;br /&gt;John Ford and Mervyn LeRoy for &lt;em&gt;Mister Roberts&lt;/em&gt;&lt;br /&gt;Elia Kazan for &lt;em&gt;East of Eden&lt;/em&gt;&lt;br /&gt;Joshua Logan for &lt;em&gt;Picnic&lt;/em&gt;&lt;br /&gt;John Sturges for &lt;em&gt;Bad Day at Black Rock&lt;/em&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Other directors mentioned:&lt;/strong&gt;&lt;br /&gt;Richard Brooks for &lt;em&gt;Blackboard Jungle&lt;/em&gt;&lt;br /&gt;John Ford for &lt;em&gt;The Long Gray Line&lt;/em&gt;&lt;br /&gt;Henry Koster for &lt;em&gt;A Man Called Peter&lt;/em&gt;&lt;br /&gt;Daniel Mann for &lt;em&gt;The Rose Tattoo&lt;/em&gt;&lt;br /&gt;Mark Robson for &lt;em&gt;The Bridges at Toko-Ri&lt;/em&gt;&lt;br /&gt;Charles Vidor for &lt;em&gt;Love Me or Leave Me&lt;/em&gt;&lt;br /&gt;Billy Wilder for &lt;em&gt;The Seven-Year Itch&lt;/em&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;British Academy Awards&lt;/strong&gt;&lt;br /&gt;&lt;br /&gt;&lt;a href="http://4.bp.blogspot.com/_bzQchKv0KQA/SRgTeQH8cmI/AAAAAAAAApE/JgcORTlfF9Q/s1600-h/Richard+III.jpg"&gt;&lt;img style="display:block; margin:0px auto 10px; text-align:center;cursor:pointer; cursor:hand;width: 257px; height: 400px;" src="http://4.bp.blogspot.com/_bzQchKv0KQA/SRgTeQH8cmI/AAAAAAAAApE/JgcORTlfF9Q/s400/Richard+III.jpg" border="0" alt=""id="BLOGGER_PHOTO_ID_5266981174655087202" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;strong&gt;Best Film From Any Source and Best British Film&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;Bad Day at Black Rock&lt;/em&gt; (U.S.)&lt;br /&gt;&lt;em&gt;Carmen Jones&lt;/em&gt; (U.S.- 1954)&lt;br /&gt;&lt;em&gt;The Colditz Story&lt;/em&gt; (Great Britain)&lt;br /&gt;&lt;em&gt;The Dambusters&lt;/em&gt; (G.B.)&lt;br /&gt;&lt;em&gt;East of Eden&lt;/em&gt; (U.S.)&lt;br /&gt;&lt;em&gt;The Ladykillers&lt;/em&gt; (G.B.)&lt;br /&gt;&lt;em&gt;La Strada&lt;/em&gt; (Italy)&lt;br /&gt;&lt;em&gt;Marty&lt;/em&gt; (U.S.)&lt;br /&gt;&lt;em&gt;The Night My Number Came Up&lt;/em&gt; (G.B.)&lt;br /&gt;&lt;em&gt;The Prisoner&lt;/em&gt; (G.B.)&lt;br /&gt;&lt;strong&gt;&lt;em&gt;Richard III&lt;/em&gt; (G.B.)- won both awards&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;The Seven Samurai&lt;/em&gt; (Japan)&lt;br /&gt;&lt;em&gt;Simba&lt;/em&gt; (G.B.)&lt;br /&gt;&lt;em&gt;Summer Madness&lt;/em&gt; (&lt;em&gt;Summertime&lt;/em&gt;) (Italy/U.S.)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Best British Actor&lt;/strong&gt;&lt;br /&gt;Alfie Bass in &lt;em&gt;The Bespoke Overcoat&lt;/em&gt;&lt;br /&gt;Alec Guinness in &lt;em&gt;The Prisoner&lt;/em&gt;&lt;br /&gt;Jack Hawkins in &lt;em&gt;The Prisoner&lt;/em&gt;&lt;br /&gt;David Kossoff in &lt;em&gt;A Kid for Two Farthings&lt;/em&gt;&lt;br /&gt;Kenneth More in &lt;em&gt;The Deep Blue Sea&lt;/em&gt;&lt;br /&gt;&lt;strong&gt;Laurence Olivier in &lt;em&gt;Richard III&lt;/em&gt;&lt;/strong&gt;&lt;br /&gt;Michael Redgrave in &lt;em&gt;The Night My Number Came Up&lt;/em&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Best British Actress&lt;/strong&gt;&lt;br /&gt;&lt;strong&gt;Katie Johnson in &lt;em&gt;The Ladykillers&lt;/em&gt;&lt;/strong&gt;&lt;br /&gt;Margaret Johnson in &lt;em&gt;Touch and Go&lt;/em&gt;&lt;br /&gt;Deborah Kerr in &lt;em&gt;The End of the Affair&lt;/em&gt;&lt;br /&gt;Margaret Lockwood in &lt;em&gt;Cast a Dark Shadow&lt;/em&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Best Foreign Actor&lt;/strong&gt;&lt;br /&gt;&lt;strong&gt;Ernest Borgnine in &lt;em&gt;Marty&lt;/em&gt;&lt;/strong&gt;&lt;br /&gt;James Dean in &lt;em&gt;East of Eden&lt;/em&gt;&lt;br /&gt;Jack Lemmon in &lt;em&gt;Mister Roberts&lt;/em&gt;&lt;br /&gt;Toshiro Mifune in &lt;em&gt;The Seven Samurai&lt;/em&gt;&lt;br /&gt;Takashi Shimura in &lt;em&gt;The Seven Samurai&lt;/em&gt;&lt;br /&gt;Frank Sinatra in &lt;em&gt;Not as a Stranger&lt;/em&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Best Foreign Actress&lt;/strong&gt;&lt;br /&gt;&lt;strong&gt;Betsy Blair in &lt;em&gt;Marty&lt;/em&gt;&lt;/strong&gt;&lt;br /&gt;Dorothy Dandridge in &lt;em&gt;Carmen Jones&lt;/em&gt; (1954)&lt;br /&gt;Judy Garland in &lt;em&gt;A Star is Born&lt;/em&gt; (1954)&lt;br /&gt;Julie Harris in &lt;em&gt;I Am a Camera&lt;/em&gt;&lt;br /&gt;Katharine Hepburn in &lt;em&gt;Summer Madness&lt;/em&gt; (&lt;em&gt;Summertime&lt;/em&gt;)&lt;br /&gt;Grace Kelly in &lt;em&gt;The Country Girl&lt;/em&gt; (1954)&lt;br /&gt;Giulietta Masina in &lt;em&gt;La Strada&lt;/em&gt;&lt;br /&gt;Marilyn Monroe in &lt;em&gt;The Seven Year Itch&lt;/em&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Most Promising Newcomer&lt;/strong&gt;&lt;br /&gt;&lt;strong&gt;Paul Scofield in &lt;em&gt;That Lady&lt;/em&gt;&lt;/strong&gt;&lt;br /&gt;Jo Van Fleet in &lt;em&gt;East of Eden&lt;/em&gt;&lt;br /&gt;&lt;br /&gt;&lt;a href="http://3.bp.blogspot.com/_bzQchKv0KQA/SRgY_AisBuI/AAAAAAAAApM/zW6Ln_vC4Uo/s1600-h/The+Ladykillers.jpg"&gt;&lt;img style="display:block; margin:0px auto 10px; text-align:center;cursor:pointer; cursor:hand;width: 268px; height: 400px;" src="http://3.bp.blogspot.com/_bzQchKv0KQA/SRgY_AisBuI/AAAAAAAAApM/zW6Ln_vC4Uo/s400/The+Ladykillers.jpg" border="0" alt=""id="BLOGGER_PHOTO_ID_5266987234966111970" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;strong&gt;Best British Screenplay&lt;/strong&gt;&lt;br /&gt;R.C. Sherriff for &lt;em&gt;The Dambusters&lt;/em&gt;&lt;br /&gt;Terence Rattigan for &lt;em&gt;The Deep Blue Sea&lt;/em&gt;&lt;br /&gt;Nicholas Phipps and Jack Davies for &lt;em&gt;Doctor at Sea&lt;/em&gt;&lt;br /&gt;&lt;strong&gt;William Rose for &lt;em&gt;The Ladykillers&lt;/em&gt;&lt;/strong&gt;&lt;br /&gt;R.C. Sherriff for &lt;em&gt;The Night My Number Came Up&lt;/em&gt;&lt;br /&gt;Bridget Bolund for &lt;em&gt;The Prisoner&lt;/em&gt;&lt;br /&gt;John Baines for &lt;em&gt;Simba&lt;/em&gt;&lt;br /&gt;William Rose for &lt;em&gt;Touch and Go&lt;/em&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Best Documentary&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;Gold&lt;/em&gt; (Canada)&lt;br /&gt;&lt;em&gt;Miner's World&lt;/em&gt; (International)&lt;br /&gt;&lt;em&gt;The Rival World&lt;/em&gt; (G.B.)&lt;br /&gt;&lt;strong&gt;&lt;em&gt;The Vanishing Prairie&lt;/em&gt; (U.S.)&lt;/strong&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Special Award&lt;/strong&gt;&lt;br /&gt;&lt;strong&gt;&lt;em&gt;The Bespoke Overcoat&lt;/em&gt; (U.S.)&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;Mr. Mensah Builds a House&lt;/em&gt; (The Gold Coast)&lt;br /&gt;&lt;em&gt;The Steps of Age&lt;/em&gt; (U.S.)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Best Animated Film&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;Animal Farm&lt;/em&gt; (G.B.)&lt;br /&gt;&lt;strong&gt;&lt;em&gt;Blinkity Blank&lt;/em&gt; (Canada)&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;Down a Long Way&lt;/em&gt; (G.B.)&lt;br /&gt;&lt;em&gt;Fudget's Budget&lt;/em&gt; (U.S.)&lt;br /&gt;&lt;em&gt;Lady &amp; the Tramp&lt;/em&gt; (U.S.)&lt;br /&gt;&lt;em&gt;Magoo Express&lt;/em&gt; (U.S.)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;United Nations Award&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;Bad Day at Black Rock&lt;/em&gt; (U.S.)&lt;br /&gt;&lt;strong&gt;&lt;em&gt;Children of Hiroshima&lt;/em&gt; (Japan)&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;Escapade&lt;/em&gt; (G.B.)&lt;br /&gt;&lt;em&gt;Simba&lt;/em&gt; (G.B.)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;The Top Box-Office Hits of 1955&lt;/strong&gt; (According to &lt;em&gt;Variety Weekly&lt;/em&gt;, January 25, 1956. Includes actual and estimated domestic rentals to theaters in U.S. and Canada, not box-office takes, which would be higher. If the final first-run rental take for films gaining $4,000,000 or more in rentals varies from the total originally listed in 1955, I'm showing that figure after the 1955 total. Final first-run rentals data comes from &lt;em&gt;Variety&lt;/em&gt;'s January 9, 1957 "All-Time Top Film Grosses" list (only films taking $4,000,000 or more in rentals were mentioned on the "All-Time" list; unfortunately, I have no data for films with a final gross under $4,000,000 that may have ended up with a higher take than shown below). Ocassionally a film will end up on the "All-Time" list with a lower rental box-office take than when the film originally appeared on the yearly list of top box-office films. This is due to the estimated rentals, which were sometimes revised to a lower amount for the All-Time list).&lt;br /&gt;&lt;br /&gt;&lt;a href="http://1.bp.blogspot.com/_bzQchKv0KQA/SQCR8E-eqFI/AAAAAAAAAhM/BbOIlDLnnH0/s1600-h/Lady+and+the+Tramp+poster.jpg"&gt;&lt;img style="display:block; margin:0px auto 10px; text-align:center;cursor:pointer; cursor:hand;width: 235px; height: 353px;" src="http://1.bp.blogspot.com/_bzQchKv0KQA/SQCR8E-eqFI/AAAAAAAAAhM/BbOIlDLnnH0/s400/Lady+and+the+Tramp+poster.jpg" border="0" alt=""id="BLOGGER_PHOTO_ID_5260364826082715730" /&gt;&lt;/a&gt;&lt;br /&gt;1) &lt;em&gt;Cinerama Holiday&lt;/em&gt; $10,000,000&lt;br /&gt;2) &lt;em&gt;Mister Roberts&lt;/em&gt; $8,500,000&lt;br /&gt;3) &lt;em&gt;Battle Cry&lt;/em&gt; $8,000,000&lt;br /&gt;   &lt;em&gt;20,000 Leagues Under the Sea&lt;/em&gt; $8,000,000&lt;br /&gt;5) &lt;em&gt;Not as a Stranger&lt;/em&gt; $7,100,000 (note: &lt;em&gt;Oklahoma&lt;/em&gt;, which had roadshow engagements starting in 1955, never appeared on one of &lt;em&gt;Variety&lt;/em&gt;'s yearly lists of Top Box-Office hits. However, starting in 1957 it began appearing on &lt;em&gt;Variety&lt;/em&gt;'s "All-Time" list of box-office hits, with a first-run rental total of $7,100,000. Thsi total ranks it with &lt;em&gt;Stranger&lt;/em&gt; as one of 1955's top hits).&lt;br /&gt;6) &lt;em&gt;The Country Girl&lt;/em&gt; $6,900,000 (final first-run rentals of $6,500,000)&lt;br /&gt;7) &lt;em&gt;Lady and the Tramp&lt;/em&gt; $6,500,000&lt;br /&gt;   &lt;em&gt;Strategic Air Command&lt;/em&gt; $6,500,000 (final first-run rentals of $6,000,000)&lt;br /&gt;9) &lt;em&gt;To Hell and Back&lt;/em&gt; $6,000,000&lt;br /&gt;   &lt;em&gt;The Sea Chase&lt;/em&gt; $6,000,000&lt;br /&gt;   &lt;em&gt;A Star is Born&lt;/em&gt; $6,000,000&lt;br /&gt;&lt;br /&gt;&lt;a href="http://4.bp.blogspot.com/_bzQchKv0KQA/SQCTTtu_TlI/AAAAAAAAAhU/qzMCBUrbTt8/s1600-h/Blackboard+Jungle.jpg"&gt;&lt;img style="display:block; margin:0px auto 10px; text-align:center;cursor:pointer; cursor:hand;width: 157px; height: 400px;" src="http://4.bp.blogspot.com/_bzQchKv0KQA/SQCTTtu_TlI/AAAAAAAAAhU/qzMCBUrbTt8/s400/Blackboard+Jungle.jpg" border="0" alt=""id="BLOGGER_PHOTO_ID_5260366331672219218" /&gt;&lt;/a&gt;&lt;br /&gt;12) &lt;em&gt;Blackboard Jungle&lt;/em&gt; $5,200,000 (final first-run rentals of $5,250,000)&lt;br /&gt;13) &lt;em&gt;East of Eden&lt;/em&gt; $5,000,000&lt;br /&gt;    &lt;em&gt;Pete Kelly's Blues&lt;/em&gt; $5,000,000&lt;br /&gt;    &lt;em&gt;The Seven-Year Itch&lt;/em&gt; $5,000,000 (final first-run rentals of $6,000,000)&lt;br /&gt;16) &lt;em&gt;The Bridges of Toko-Ri&lt;/em&gt; $4,700,000 (final first-run rentals of $4,500,000)&lt;br /&gt;17) &lt;em&gt;A Man Called Peter&lt;/em&gt; $4,500,000 (final first-run rentals of $5,000,000)&lt;br /&gt;    &lt;em&gt;There's No Business Like Show Business&lt;/em&gt; $4,500,000 (final first-run rentals of $5,000,000)&lt;br /&gt;    &lt;em&gt;To Catch a Thief&lt;/em&gt; $4,500,000&lt;br /&gt;    &lt;em&gt;Vera Cruz&lt;/em&gt; $4,500,000 (final first-run rentals of $5,000,000)&lt;br /&gt;&lt;br /&gt;&lt;a href="http://2.bp.blogspot.com/_bzQchKv0KQA/SQCVhHljh_I/AAAAAAAAAhc/ZmRpApcXRQE/s1600-h/The+Tall+Men.jpg"&gt;&lt;img style="display:block; margin:0px auto 10px; text-align:center;cursor:pointer; cursor:hand;width: 380px; height: 292px;" src="http://2.bp.blogspot.com/_bzQchKv0KQA/SQCVhHljh_I/AAAAAAAAAhc/ZmRpApcXRQE/s400/The+Tall+Men.jpg" border="0" alt=""id="BLOGGER_PHOTO_ID_5260368760973527026" /&gt;&lt;/a&gt;&lt;br /&gt;21) &lt;em&gt;The Tall Men&lt;/em&gt; $4,250,000 (Final first-run rentals of $6,000,000)&lt;br /&gt;22) &lt;em&gt;The Long Grey Line&lt;/em&gt; $4,100,000&lt;br /&gt;    &lt;em&gt;Love Me or Leave Me&lt;/em&gt; $4,100,000&lt;br /&gt;24) &lt;em&gt;The Seven Little Foys&lt;/em&gt; $4,000,000&lt;br /&gt;    &lt;em&gt;Three Ring Circus&lt;/em&gt; $4,000,000&lt;br /&gt;26) &lt;em&gt;Deep in My Heart&lt;/em&gt; $3,500,000 (final first-run rentals of $4,100,000)&lt;br /&gt;    &lt;em&gt;The McConnell Story&lt;/em&gt; $3,500,000&lt;br /&gt;28) &lt;em&gt;You're Never Too Young&lt;/em&gt; $3,400,000&lt;br /&gt;29) &lt;em&gt;The Man From Laramie&lt;/em&gt; $3,300,000&lt;br /&gt;30) &lt;em&gt;The Silver Chalice&lt;/em&gt; $3,200,000&lt;br /&gt;31) &lt;em&gt;Drum Beat&lt;/em&gt; $3,000,000&lt;br /&gt;    &lt;em&gt;The Left Hand of God&lt;/em&gt; $3,000,000 (final first-run rentals of $4,000,000)&lt;br /&gt;    &lt;em&gt;Love is a Many-Splendored Thing&lt;/em&gt; $3,000,000 &lt;br /&gt;    &lt;em&gt;My Three Angels&lt;/em&gt; $3,000,000&lt;br /&gt;    &lt;em&gt;The Tender Trap&lt;/em&gt; $3,000,000&lt;br /&gt;36) &lt;em&gt;The Last Time I Saw Paris&lt;/em&gt; $2,750,000&lt;br /&gt;    &lt;em&gt;Soldier of Fortune&lt;/em&gt; $2,750,000&lt;br /&gt;38) &lt;em&gt;Land of the Pharaohs&lt;/em&gt; $2,700,000&lt;br /&gt;39) &lt;em&gt;The Kentuckian&lt;/em&gt; $2,600,000&lt;br /&gt;40) &lt;em&gt;Carmen Jones&lt;/em&gt; $2,500,000&lt;br /&gt;    &lt;em&gt;Daddy Long Legs&lt;/em&gt; $2,500,000&lt;br /&gt;    &lt;em&gt;The Desperate Hours&lt;/em&gt; $2,500,000&lt;br /&gt;    &lt;em&gt;The Far Country&lt;/em&gt; $2,500,000&lt;br /&gt;    &lt;em&gt;The Sign of the Pagan&lt;/em&gt; $2,500,000&lt;br /&gt;    &lt;em&gt;Untamed&lt;/em&gt; $2,500,000&lt;br /&gt;    &lt;em&gt;Young at Heart&lt;/em&gt; $2,500,000&lt;br /&gt;47) &lt;em&gt;Wichita&lt;/em&gt; $2,400,000&lt;br /&gt;48) &lt;em&gt;The Prodigal&lt;/em&gt; $2,250,000&lt;br /&gt;49) &lt;em&gt;Man Without a Star&lt;/em&gt; $2,200,000&lt;br /&gt;    &lt;em&gt;The Phenix City Story&lt;/em&gt; $2,200,000&lt;br /&gt;    &lt;em&gt;Ulysses&lt;/em&gt; $2,200,000&lt;br /&gt;    &lt;em&gt;Underwater&lt;/em&gt; $2,200,000&lt;br /&gt;53) &lt;em&gt;Davy Crockett&lt;/em&gt; $2,150,000&lt;br /&gt;54) &lt;em&gt;The African Lion&lt;/em&gt; $2,100,000&lt;br /&gt;    &lt;em&gt;Hit the Deck&lt;/em&gt; $2,100,000&lt;br /&gt;&lt;br /&gt;&lt;a href="http://2.bp.blogspot.com/_bzQchKv0KQA/SQF8qR2t57I/AAAAAAAAAhk/IFxcH6JUYjE/s1600-h/It%27s+Always+Fair+Weather.jpg"&gt;&lt;img style="display:block; margin:0px auto 10px; text-align:center;cursor:pointer; cursor:hand;width: 263px; height: 400px;" src="http://2.bp.blogspot.com/_bzQchKv0KQA/SQF8qR2t57I/AAAAAAAAAhk/IFxcH6JUYjE/s400/It%27s+Always+Fair+Weather.jpg" border="0" alt=""id="BLOGGER_PHOTO_ID_5260622905534703538" /&gt;&lt;/a&gt;&lt;br /&gt;56) &lt;em&gt;It's Always Fair Weather&lt;/em&gt; $2,000,000&lt;br /&gt;    &lt;em&gt;Bad Day At Black Rock&lt;/em&gt; $2,000,000&lt;br /&gt;    &lt;em&gt;Many Rivers to Cross&lt;/em&gt; $2,000,000&lt;br /&gt;    &lt;em&gt;Marty&lt;/em&gt; $2,000,000&lt;br /&gt;    &lt;em&gt;Strange Lady in Town&lt;/em&gt; $2,000,000&lt;br /&gt;    &lt;em&gt;Summertime&lt;/em&gt; $2,000,000&lt;br /&gt;    &lt;em&gt;Track of the Cat&lt;/em&gt; $2,000,000&lt;br /&gt;    &lt;em&gt;Trial&lt;/em&gt; $2,000,000&lt;br /&gt;64) &lt;em&gt;The Violent Men&lt;/em&gt; $1,950,000&lt;br /&gt;65) &lt;em&gt;Fox Fire&lt;/em&gt; $1,900,000&lt;br /&gt;    &lt;em&gt;Green Fire&lt;/em&gt; $1,900,000&lt;br /&gt;67) &lt;em&gt;Interrupted Melody&lt;/em&gt; $1,800,000&lt;br /&gt;    &lt;em&gt;Man With a Gun&lt;/em&gt; $1,800,000&lt;br /&gt;    &lt;em&gt;My Sister Eileen&lt;/em&gt; $1,800,000&lt;br /&gt;    &lt;em&gt;Six Bridges to Cross&lt;/em&gt; $1,800,000&lt;br /&gt;71) &lt;em&gt;Chief Crazy Horse&lt;/em&gt; $1,750,000&lt;br /&gt;    &lt;em&gt;The Racers&lt;/em&gt; $1,750,000&lt;br /&gt;73) &lt;em&gt;House of Bamboo&lt;/em&gt; $1,700,000&lt;br /&gt;    &lt;em&gt;It Came From Beneath the Sea&lt;/em&gt; $1,700,000&lt;br /&gt;    &lt;em&gt;This Island Earth&lt;/em&gt; $1,700,000&lt;br /&gt;76) &lt;em&gt;How to Be Very, Very Popular&lt;/em&gt; $1,650,000&lt;br /&gt;    &lt;em&gt;White Feather&lt;/em&gt; $1,650,000&lt;br /&gt;&lt;br /&gt;&lt;a href="http://1.bp.blogspot.com/_bzQchKv0KQA/SQGHMPZJt4I/AAAAAAAAAhs/cwmcjUfB8dA/s1600-h/Jupiter%27s+Darling.jpg"&gt;&lt;img style="display:block; margin:0px auto 10px; text-align:center;cursor:pointer; cursor:hand;width: 265px; height: 400px;" src="http://1.bp.blogspot.com/_bzQchKv0KQA/SQGHMPZJt4I/AAAAAAAAAhs/cwmcjUfB8dA/s400/Jupiter%27s+Darling.jpg" border="0" alt=""id="BLOGGER_PHOTO_ID_5260634484105656194" /&gt;&lt;/a&gt;&lt;br /&gt;78) &lt;em&gt;The Far Horizons&lt;/em&gt; $1,600,000&lt;br /&gt;    &lt;em&gt;Jupiter's Darling&lt;/em&gt; $1,600,000&lt;br /&gt;80) &lt;em&gt;Pffft!&lt;/em&gt; $1,550,000&lt;br /&gt;81) &lt;em&gt;The Cobweb&lt;/em&gt; $1,500,000&lt;br /&gt;    &lt;em&gt;Destry&lt;/em&gt; $1,500,000&lt;br /&gt;    &lt;em&gt;Gentlemen Marry Brunettes&lt;/em&gt; $1,500,000&lt;br /&gt;    &lt;em&gt;The Kettles at Waikiki&lt;/em&gt; $1,500,000&lt;br /&gt;    &lt;em&gt;Run For Cover&lt;/em&gt; $1,500,000&lt;br /&gt;    &lt;em&gt;So This is Paris&lt;/em&gt; $1,500,000&lt;br /&gt;    &lt;em&gt;The View From Pompey's Head&lt;/em&gt; $1,500,000&lt;br /&gt;88) &lt;em&gt;The Glass Slipper&lt;/em&gt; $1,400,000&lt;br /&gt;    &lt;em&gt;Tall Man Riding&lt;/em&gt; $1,400,000&lt;br /&gt;90) &lt;em&gt;The Black Knight&lt;/em&gt; $1,300,000&lt;br /&gt;    &lt;em&gt;Captain Lightfoot&lt;/em&gt; $1,300,000&lt;br /&gt;    &lt;em&gt;The Girl in the Red Velvet Swing&lt;/em&gt; $1,300,000&lt;br /&gt;    &lt;em&gt;Lucy Gallant&lt;/em&gt; $1,300,000&lt;br /&gt;    &lt;em&gt;N.Y. Confidential&lt;/em&gt; $1,300,000&lt;br /&gt;    &lt;em&gt;The Purple Plain&lt;/em&gt; $1,300,000&lt;br /&gt;96) &lt;em&gt;Americano&lt;/em&gt; $1,250,000&lt;br /&gt;    &lt;em&gt;Three For the Show&lt;/em&gt; $1,250,000&lt;br /&gt;    &lt;em&gt;Violent Saturday&lt;/em&gt; $1,250,000&lt;br /&gt;99) &lt;em&gt;Quentin Durward&lt;/em&gt; $1,200,000&lt;br /&gt;100) &lt;em&gt;The Treasure of Pancho Villa&lt;/em&gt; $1,150,000&lt;br /&gt;101) &lt;em&gt;Revenge of the Creature&lt;/em&gt; $1,100,000&lt;br /&gt;     &lt;em&gt;Tennessee's Partner&lt;/em&gt; $1,100,000&lt;br /&gt;103) &lt;em&gt;Ain't Misbehavin'&lt;/em&gt; $1,000,000&lt;br /&gt;     &lt;em&gt;Conquest of Space&lt;/em&gt; $1,000,000&lt;br /&gt;     &lt;em&gt;The Girl Rush&lt;/em&gt; $1,000,000&lt;br /&gt;     &lt;em&gt;Hell's Island&lt;/em&gt; $1,000,000&lt;br /&gt;     &lt;em&gt;Smoke Signal&lt;/em&gt; $1,000,000&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;The Top Ten Box-Office Stars of 1955&lt;/strong&gt; (According to Quigley Publishing's poll of film exhibitors)&lt;br /&gt;1) James Stewart&lt;br /&gt;2) Grace Kelly&lt;br /&gt;3) John Wayne&lt;br /&gt;4) William Holden&lt;br /&gt;5) Gary Cooper&lt;br /&gt;6) Marlon Brando&lt;br /&gt;7) Dean Martin &amp; Jerry Lewis&lt;br /&gt;8) Humphrey Bogart&lt;br /&gt;9) June Allyson&lt;br /&gt;10) Clark Gable&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;The Next Fifteen:&lt;/strong&gt;&lt;br /&gt;11) Marilyn Monroe&lt;br /&gt;12) Glenn Ford&lt;br /&gt;13) Bing Crosby&lt;br /&gt;14) Doris Day&lt;br /&gt;15) Audie Murphy&lt;br /&gt;16) Burt Lancaster&lt;br /&gt;17) Alan Ladd&lt;br /&gt;18) Jane Wyman&lt;br /&gt;19) Susan Hayward&lt;br /&gt;20) Jeff Chandler&lt;br /&gt;21) Jane Russell&lt;br /&gt;22) Randolph Scott&lt;br /&gt;23) Roberth Mitchum&lt;br /&gt;24) Rock Hudson&lt;br /&gt;25) Percy Kilbride &amp; Marjorie Main&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Britain's Top Ten British Box-Office Stars of 1955&lt;/strong&gt; (according to the Motion Picture Herald's poll of Britain's film exhibitors)&lt;br /&gt;1) Dirk Bogarde&lt;br /&gt;2) John Mills&lt;br /&gt;3) Norman Wisdom&lt;br /&gt;4) Alastair Sim&lt;br /&gt;5) Kenneth More&lt;br /&gt;6) Jack Hawkins&lt;br /&gt;7) Richard Todd&lt;br /&gt;8) Michael Redgrave&lt;br /&gt;9) Diana Dors&lt;br /&gt;10) Alec Guinness&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Britain's Top Ten International Box-Office Stars of 1955&lt;/strong&gt; (according to the Motion Picture Herald's poll of Britain's film exhibitors)&lt;br /&gt;1) Dirk Bogarde&lt;br /&gt;2) James Stewart&lt;br /&gt;3) Bing Crosby&lt;br /&gt;4) Doris Day&lt;br /&gt;5) John Mills&lt;br /&gt;6) Norman Wisdom&lt;br /&gt;7) Jeff Chandler&lt;br /&gt;8) Alastair Sim&lt;br /&gt;9) Rock Hudson&lt;br /&gt;10) Humphrey Bogart&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/22096293-8723108863472201028?l=heylookmeover.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://heylookmeover.blogspot.com/feeds/8723108863472201028/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=22096293&amp;postID=8723108863472201028' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/22096293/posts/default/8723108863472201028'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/22096293/posts/default/8723108863472201028'/><link rel='alternate' type='text/html' href='http://heylookmeover.blogspot.com/2008/11/film-data-for-1955.html' title='Film Data For 1955'/><author><name>Vertigo's Psycho</name><uri>http://www.blogger.com/profile/17701774152300870403</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://4.bp.blogspot.com/_bzQchKv0KQA/SOmuBSVbpUI/AAAAAAAAAdQ/WU03YTq4k_Q/s72-c/Mister+Roberts.jpg' height='72' width='72'/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-22096293.post-8275516673835487189</id><published>2008-11-16T23:19:00.001-08:00</published><updated>2008-11-17T01:10:14.489-08:00</updated><title type='text'>Film Data For 1954</title><content type='html'>&lt;a href="http://1.bp.blogspot.com/_bzQchKv0KQA/SOMbxl7dcTI/AAAAAAAAAZg/GqXCWUBbDkU/s1600-h/On+the+Waterfront.jpg"&gt;&lt;img style="display:block; margin:0px auto 10px; text-align:center;cursor:pointer; cursor:hand;" src="http://1.bp.blogspot.com/_bzQchKv0KQA/SOMbxl7dcTI/AAAAAAAAAZg/GqXCWUBbDkU/s400/On+the+Waterfront.jpg" border="0" alt=""id="BLOGGER_PHOTO_ID_5252072129253175602" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;strong&gt;The Film Daily's Ten Best Pictures of 1954 (Selected by the critics of America in a poll conducted by the Film Daily) &lt;/strong&gt;&lt;br /&gt;1) &lt;em&gt;The Caine Mutiny&lt;/em&gt;- 293 votes&lt;br /&gt;2) &lt;em&gt;On the Waterfront&lt;/em&gt;- 273&lt;br /&gt;3) &lt;em&gt;Rear Window&lt;/em&gt;- 259&lt;br /&gt;4) &lt;em&gt;The Country Girl&lt;/em&gt;- 206&lt;br /&gt;5) &lt;em&gt;The High and the Mighty&lt;/em&gt;- 191&lt;br /&gt;6) &lt;em&gt;Seven Brides &lt;br /&gt;    For Seven Brothers&lt;/em&gt;- 190&lt;br /&gt;7) &lt;em&gt;Sabrina&lt;/em&gt;- 189&lt;br /&gt;8) &lt;em&gt;Executive Suite&lt;/em&gt;- 183&lt;br /&gt;9) &lt;em&gt;The Glenn Miller Story&lt;/em&gt;- 150&lt;br /&gt;10) &lt;em&gt;Three Coins in&lt;br /&gt;       the Fountain&lt;/em&gt;- 149&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;The Honor Role&lt;/strong&gt;&lt;br /&gt;11) &lt;em&gt;Magnificent Obsession&lt;/em&gt;- 132&lt;br /&gt;12) &lt;em&gt;A Star is Born&lt;/em&gt;- 113&lt;br /&gt;13)  &lt;em&gt;Carmen Jones&lt;/em&gt;- 106&lt;br /&gt;14) &lt;em&gt;The Barefoot Contessa&lt;/em&gt;- 94 &lt;br /&gt;15) &lt;em&gt;Dial M for Murder&lt;/em&gt;- 93&lt;br /&gt;16) &lt;em&gt;White Christmas&lt;/em&gt;- 89&lt;br /&gt;17) &lt;em&gt;There’s No Business&lt;br /&gt;      Like Show Business&lt;/em&gt;- 66&lt;br /&gt;18) &lt;em&gt;Genevieve &lt;/em&gt;- 60&lt;br /&gt;19) &lt;em&gt;Desiree&lt;/em&gt;- 59&lt;br /&gt;      &lt;em&gt;Romeo and Juliet&lt;/em&gt;-59&lt;br /&gt;21) &lt;em&gt;The Last Time &lt;br /&gt;      I Saw Paris&lt;/em&gt;- 56&lt;br /&gt;22) &lt;em&gt;Knock on Wood&lt;/em&gt;- 45&lt;br /&gt;23) &lt;em&gt;Deep in My Heart&lt;/em&gt;- 43&lt;br /&gt;24) &lt;em&gt;The Egyptian&lt;/em&gt;- 34&lt;br /&gt;25) &lt;em&gt;Vera Cruz&lt;/em&gt;- 33&lt;br /&gt;26) &lt;em&gt;Susan Slept Here&lt;/em&gt;- 31&lt;br /&gt;27) &lt;em&gt;Suddenly&lt;/em&gt;- 28&lt;br /&gt;28) &lt;em&gt;Hondo&lt;/em&gt;- 26&lt;br /&gt;29) &lt;em&gt;Dragnet&lt;/em&gt;- 25&lt;br /&gt;30) &lt;em&gt;Carnival Story&lt;/em&gt;- 21&lt;br /&gt;31) &lt;em&gt;Knights of&lt;br /&gt;      the Round Table&lt;/em&gt;- 20&lt;br /&gt;32) &lt;em&gt;Apache&lt;/em&gt;- 17&lt;br /&gt;33) &lt;em&gt;Miss Sadie Thompson&lt;/em&gt;- 14&lt;br /&gt;34) &lt;em&gt;Johnny Guitar&lt;/em&gt;- 12&lt;br /&gt;      &lt;em&gt;Rob Roy&lt;/em&gt;- 12&lt;br /&gt;      &lt;em&gt;It Should Happen to You&lt;/em&gt;- 12&lt;br /&gt;37) &lt;em&gt;20,000 Leagues&lt;br /&gt;      Under the Sea&lt;/em&gt;- 11&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Filmdom’s Famous Fives of 1954&lt;/strong&gt; (I couldn’t find total votes, but I believe Film Daily listed them in order of preference)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Best Performances By Male Stars&lt;/strong&gt;&lt;br /&gt;1) Marlon Brando in &lt;em&gt;On the Waterfront&lt;/em&gt;&lt;br /&gt;2) Humphrey Bogart in &lt;em&gt;The Caine Mutiny&lt;/em&gt;&lt;br /&gt;3) James Mason in &lt;em&gt;A Star is Born&lt;/em&gt;&lt;br /&gt;4) James Stewart in &lt;em&gt;Rear Window&lt;/em&gt;&lt;br /&gt;5) William Holden in &lt;em&gt;The Country Girl&lt;/em&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Best Performances By Female Stars&lt;/strong&gt;&lt;br /&gt;1) Judy Garland in &lt;em&gt;A Star is Born&lt;/em&gt;&lt;br /&gt;2) Jane Wyman in &lt;em&gt;Magnificent Obsession&lt;/em&gt;&lt;br /&gt;3) Audrey Hepburn in &lt;em&gt;Sabrina&lt;/em&gt;&lt;br /&gt;4) Grace Kelly in &lt;em&gt;Rear Window&lt;/em&gt;&lt;br /&gt;5) Eva Marie Saint in &lt;em&gt;On the Waterfront&lt;/em&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Best Performances By Supporting Actors&lt;/strong&gt;&lt;br /&gt;1) Edmond O’Brien in &lt;em&gt;The Barefoot Contessa&lt;/em&gt;&lt;br /&gt;2) Karl Malden in &lt;em&gt;On the Waterfront&lt;/em&gt;&lt;br /&gt;3) Jose Ferrer in &lt;em&gt;The Caine Mutiny&lt;/em&gt;&lt;br /&gt;4) Lee J. Cobb in &lt;em&gt;On the Waterfront&lt;/em&gt;&lt;br /&gt;5) Jack Carson in &lt;em&gt;A Star is Born&lt;/em&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Best Performances By Supporting Actresses&lt;/strong&gt;&lt;br /&gt;1) Thelma Ritter in &lt;em&gt;Rear Window&lt;/em&gt;&lt;br /&gt;2) Jan Sterling in &lt;em&gt;The High and the Mighty&lt;/em&gt;&lt;br /&gt;3) Nina Foch in &lt;em&gt;Executive Suite&lt;/em&gt;&lt;br /&gt;4) Agnes Moorehead in &lt;em&gt;Magnificent Obsession&lt;/em&gt;&lt;br /&gt;5) Claire Trevor in &lt;em&gt;The High and the Mighty&lt;/em&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Best Performances By Juvenile Actors&lt;/strong&gt;&lt;br /&gt;1) Kim Charney in &lt;em&gt;Suddenly&lt;/em&gt;&lt;br /&gt;2) Lee Aaker in &lt;em&gt;Hondo&lt;/em&gt;&lt;br /&gt;3) Vincent Winter in &lt;em&gt;The Little Kidnappers&lt;/em&gt;&lt;br /&gt;4) Jon Whitley in &lt;em&gt;The Little Kidnappers&lt;/em&gt;&lt;br /&gt;5) Tim Considine in &lt;em&gt;Her 12 Men&lt;/em&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Best Performances By Juvenile Actresses&lt;/strong&gt;&lt;br /&gt;1) Sandy Descher in &lt;em&gt;The Last Time I Saw Paris&lt;/em&gt;&lt;br /&gt;2) Judy Nugent in &lt;em&gt;Magnificent Obsession&lt;/em&gt;&lt;br /&gt;3) Elsbeth Sigmond in &lt;em&gt;Heidi&lt;/em&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Outstanding “Finds” of the Year&lt;/strong&gt;&lt;br /&gt;1) Eva Marie Saint in &lt;em&gt;On the Waterfront&lt;/em&gt;&lt;br /&gt;2) Grace Kelly in &lt;em&gt;Rear Window&lt;/em&gt;&lt;br /&gt;3) Jack Lemmon in &lt;em&gt;Pffft!&lt;/em&gt;&lt;br /&gt;4) Robert Francis in &lt;em&gt;The Caine Mutiny&lt;/em&gt;&lt;br /&gt;5) Dorothy Dandridge in &lt;em&gt;Carmen Jones&lt;/em&gt;&lt;br /&gt;&lt;br /&gt;&lt;a href="http://1.bp.blogspot.com/_bzQchKv0KQA/SOMlZWtSthI/AAAAAAAAAZo/x4HJge5HrKA/s1600-h/The+Caine+Mutiny.jpg"&gt;&lt;img style="display:block; margin:0px auto 10px; text-align:center;cursor:pointer; cursor:hand;" src="http://1.bp.blogspot.com/_bzQchKv0KQA/SOMlZWtSthI/AAAAAAAAAZo/x4HJge5HrKA/s400/The+Caine+Mutiny.jpg" border="0" alt=""id="BLOGGER_PHOTO_ID_5252082707966637586" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;strong&gt;The Year’s Outstanding Directors&lt;/strong&gt;&lt;br /&gt;1) Elia Kazan for &lt;em&gt;On the Waterfront&lt;/em&gt;&lt;br /&gt;2) Alfred Hitchcock for &lt;em&gt;Rear Window&lt;/em&gt;&lt;br /&gt;3) Edward Dmytryk for &lt;em&gt;The Caine Mutiny&lt;/em&gt;&lt;br /&gt;4) William Wellman for &lt;em&gt;The High and the Mighty&lt;/em&gt;&lt;br /&gt;5) George Cukor for &lt;em&gt;A Star is Born&lt;/em&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;The Best Photographed Pictures of the Year&lt;/strong&gt;&lt;br /&gt;1) Milton Krasner for &lt;em&gt;Three Coins in the Fountain&lt;/em&gt;&lt;br /&gt;2) Boris Kaufman for &lt;em&gt;On the Waterfront&lt;/em&gt;&lt;br /&gt;3) Loyal Griggs for &lt;em&gt;White Christmas&lt;/em&gt;&lt;br /&gt;4) Robert Burks for &lt;em&gt;Rear Window&lt;/em&gt;&lt;br /&gt;5) Leon Shamroy for &lt;em&gt;The Egyptian&lt;/em&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Best Screenplays of the Year&lt;/strong&gt;&lt;br /&gt;1) Budd Schulberg for &lt;em&gt;On the Waterfront&lt;/em&gt;&lt;br /&gt;2) Stanley Roberts for &lt;em&gt;The Caine Mutiny&lt;/em&gt;&lt;br /&gt;3) John Michael Hayes for &lt;em&gt;Rear Window&lt;/em&gt;&lt;br /&gt;4) Ernest K. Gann for &lt;em&gt;The High and the Mighty&lt;/em&gt;&lt;br /&gt;5) Frances Goodrich, Albert Hackett, and Dorothy Kingsley &lt;br /&gt;for &lt;em&gt;Seven Brides For Seven Brothers&lt;/em&gt;&lt;br /&gt;&lt;br /&gt;Interesting data here. With the stunning exception of &lt;em&gt;Mutiny&lt;/em&gt; topping &lt;em&gt;Waterfront&lt;/em&gt; for Best Picture and Dandridge missing from the Best Actress lineup, I’ll take the Daily’s choices over Oscar’s (the Garland win, Kelly cited for her &lt;em&gt;Rear Window&lt;/em&gt; work instead of &lt;em&gt;The Country Girl&lt;/em&gt;, although it's odd to see her listed as a newcomer after 1952's &lt;em&gt;High Noon&lt;/em&gt; and an Oscar nod for &lt;em&gt;Mogambo&lt;/em&gt; the previous year, and the non-nominated Ritter listed for Supporting Actress). &lt;br /&gt;&lt;br /&gt;&lt;a href="http://1.bp.blogspot.com/_bzQchKv0KQA/SOMlu23I_qI/AAAAAAAAAZw/--s0voIE7ww/s1600-h/Seven+Brides.jpg"&gt;&lt;img style="display:block; margin:0px auto 10px; text-align:center;cursor:pointer; cursor:hand;" src="http://1.bp.blogspot.com/_bzQchKv0KQA/SOMlu23I_qI/AAAAAAAAAZw/--s0voIE7ww/s400/Seven+Brides.jpg" border="0" alt=""id="BLOGGER_PHOTO_ID_5252083077375131298" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;strong&gt;The National Board of Review&lt;/strong&gt; (voting results announced on December 20th, 1954)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;The Top Ten Films&lt;/strong&gt; (in order of preference)&lt;br /&gt;1) &lt;em&gt;On the Waterfront&lt;/em&gt;&lt;br /&gt;2) &lt;em&gt;Seven Brides For Seven Brothers&lt;/em&gt;&lt;br /&gt;3) &lt;em&gt;The Country Girl&lt;/em&gt;&lt;br /&gt;4) &lt;em&gt;A Star is Born&lt;/em&gt;&lt;br /&gt;5) &lt;em&gt;Executive Suite&lt;/em&gt;&lt;br /&gt;6) &lt;em&gt;The Vanishing Prairie&lt;/em&gt;&lt;br /&gt;7) &lt;em&gt;Sabrina&lt;/em&gt;&lt;br /&gt;8) &lt;em&gt;20,000 Leagues Under the Sea&lt;/em&gt;&lt;br /&gt;9) &lt;em&gt;The Unconquered&lt;/em&gt;&lt;br /&gt;10) &lt;em&gt;Beat the Devil&lt;/em&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Best Director&lt;/strong&gt;&lt;br /&gt;Renato Castellani for &lt;em&gt;Romeo and Juliet&lt;/em&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Best Actor&lt;/strong&gt;&lt;br /&gt;Bing Crosby for &lt;em&gt;The Country Girl&lt;/em&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Best Actress&lt;/strong&gt;&lt;br /&gt;Grace Kelly for &lt;em&gt;The Country Girl&lt;/em&gt;, &lt;em&gt;Dial M for Murder&lt;/em&gt;, and &lt;em&gt;Rear Window&lt;/em&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Best Supporting Actor&lt;/strong&gt;&lt;br /&gt;John Williams for &lt;em&gt;Sabrina&lt;/em&gt; and &lt;em&gt;Dial M For Murder&lt;/em&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Best Supporting Actress&lt;/strong&gt;&lt;br /&gt;Nina Foch for &lt;em&gt;Executive Suite&lt;/em&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Best Foreign Films&lt;/strong&gt; (in order of preference)&lt;br /&gt;1) &lt;em&gt;Romeo and Juliet&lt;/em&gt; (U.K., Italy)&lt;br /&gt;2) &lt;em&gt;The Heart of the Matter&lt;/em&gt; (U.K.)&lt;br /&gt;3) &lt;em&gt;Gate of Hell&lt;/em&gt; (Japan)&lt;br /&gt;4) &lt;em&gt;Diary of a Country Priest&lt;/em&gt; (France)&lt;br /&gt;5) &lt;em&gt;The Little Kidnappers&lt;/em&gt; (U.K.)&lt;br /&gt;6) Genevieve (U.K.)&lt;br /&gt;7) &lt;em&gt;Beauties of the Night&lt;/em&gt; (France/Italy)&lt;br /&gt;8) &lt;em&gt;Mr. Hulot’s Holiday&lt;/em&gt; (France)&lt;br /&gt;9) &lt;em&gt;The Detective&lt;/em&gt; (U.K.)&lt;br /&gt;10) &lt;em&gt;Bread, Love, and Dreams&lt;/em&gt; (Italy)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Special Awards&lt;/strong&gt;&lt;br /&gt;For the choreography of Michael Kidd in&lt;br /&gt;&lt;em&gt;Seven Brides For Seven Brothers&lt;/em&gt;&lt;br /&gt;&lt;br /&gt;For the modernization of traditional Japanese acting&lt;br /&gt;by Machiko Kyo in &lt;em&gt;Ugetsu&lt;/em&gt; and &lt;em&gt;Gate of Hell&lt;/em&gt;&lt;br /&gt;&lt;br /&gt;For the new methods of moving puppets in &lt;em&gt;Hansel and Gretel&lt;/em&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;The New York Film Critics Awards&lt;/strong&gt; (winners announced on December 28th, 1954)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Best Picture&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;On the Waterfront&lt;/em&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Best Director&lt;/strong&gt;&lt;br /&gt;Elia Kazan for &lt;em&gt;On the Waterfront&lt;/em&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Best Actor&lt;/strong&gt;&lt;br /&gt;Marlon Brando for &lt;em&gt;On the Waterfront&lt;/em&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Best Actress&lt;/strong&gt;&lt;br /&gt;Grace Kelly for &lt;em&gt;The Country Girl&lt;/em&gt;, &lt;em&gt;Rear Window&lt;/em&gt;, and &lt;em&gt;Dial M for Murder&lt;/em&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Best Foreign Film&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;Gate of Hell&lt;/em&gt; (Japan)&lt;br /&gt;&lt;br /&gt;&lt;a href="http://4.bp.blogspot.com/_bzQchKv0KQA/SOMnCfiJAnI/AAAAAAAAAZ4/P99qhN_9-YE/s1600-h/Rear+Window.jpg"&gt;&lt;img style="display:block; margin:0px auto 10px; text-align:center;cursor:pointer; cursor:hand;" src="http://4.bp.blogspot.com/_bzQchKv0KQA/SOMnCfiJAnI/AAAAAAAAAZ4/P99qhN_9-YE/s400/Rear+Window.jpg" border="0" alt=""id="BLOGGER_PHOTO_ID_5252084514222047858" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;strong&gt;Screen Director’s Guild of America Awards&lt;/strong&gt; (Best Director was given on February 13, 1955)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Best Director&lt;/strong&gt;&lt;br /&gt;Elia Kazan for &lt;em&gt;On the Waterfront&lt;/em&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Quarterly Winners:&lt;/strong&gt;&lt;br /&gt;Alfred Hitchcock for &lt;em&gt;Rear Window&lt;/em&gt;&lt;br /&gt;George Seaton for &lt;em&gt;The Country Girl&lt;/em&gt;&lt;br /&gt;William Wellman for &lt;em&gt;The High and the Mighty&lt;/em&gt;&lt;br /&gt;Billy Wilder for &lt;em&gt;Sabrina&lt;/em&gt;&lt;br /&gt;&lt;br /&gt;Other directors mentioned by the Guild:&lt;br /&gt;George Cukor for &lt;em&gt;A Star is Born&lt;/em&gt;&lt;br /&gt;Edward Dmytryk for &lt;em&gt;The Caine Mutiny&lt;/em&gt;&lt;br /&gt;Stanley Donen for &lt;em&gt;Seven Brides For Seven Brothers&lt;/em&gt;&lt;br /&gt;Melvin Frank, Norman Panama for &lt;em&gt;Knock on Wood&lt;/em&gt;&lt;br /&gt;Samuel Fuller for &lt;em&gt;Hell and High Water&lt;/em&gt;&lt;br /&gt;Alfred Hitchcock for &lt;em&gt;Dial M for Murder&lt;/em&gt;&lt;br /&gt;Anthony Mann for &lt;em&gt;The Glenn Miller Story&lt;/em&gt;&lt;br /&gt;Jean Negulesco for &lt;em&gt;Three Coins in the Fountain&lt;/em&gt;&lt;br /&gt;Don Siegel for &lt;em&gt;Riot in Cell Block 11&lt;/em&gt;&lt;br /&gt;Robert E. Wise for &lt;em&gt;Executive Suite&lt;/em&gt;&lt;br /&gt;&lt;br /&gt;&lt;a href="http://1.bp.blogspot.com/_bzQchKv0KQA/SOMnytWNBLI/AAAAAAAAAaA/pLtDTicG7aM/s1600-h/Carmen+Jones.jpg"&gt;&lt;img style="display:block; margin:0px auto 10px; text-align:center;cursor:pointer; cursor:hand;" src="http://1.bp.blogspot.com/_bzQchKv0KQA/SOMnytWNBLI/AAAAAAAAAaA/pLtDTicG7aM/s400/Carmen+Jones.jpg" border="0" alt=""id="BLOGGER_PHOTO_ID_5252085342563796146" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;strong&gt;The Golden Globe Awards&lt;/strong&gt; (Awards were presented on February 24, 1954- haven’t found any nominee data yet) &lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Best Drama&lt;/strong&gt;&lt;br /&gt;On the Waterfront&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Best Comedy or Musical&lt;/strong&gt;&lt;br /&gt;Carmen Jones&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Best Motion Picture Promoting International Understanding&lt;/strong&gt;&lt;br /&gt;Broken Lance&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Best Director&lt;/strong&gt;&lt;br /&gt;Elia Kazan for &lt;em&gt;On the Waterfront&lt;/em&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Best Actor, Drama&lt;/strong&gt;&lt;br /&gt;Marlon Brando in &lt;em&gt;On the Waterfront&lt;/em&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Best Actress, Drama&lt;/strong&gt;&lt;br /&gt;Grace Kelly in &lt;em&gt;The Country Girl&lt;/em&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Best Actor, Musical or Comedy&lt;/strong&gt;&lt;br /&gt;James Mason in &lt;em&gt;A Star is Born&lt;/em&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Best Actress, Musical or Comedy&lt;/strong&gt;&lt;br /&gt;Judy Garland in &lt;em&gt;A Star is Born&lt;/em&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Best Supporting Actor&lt;/strong&gt;&lt;br /&gt;Edmond O'Brien in &lt;em&gt;The Barefoot Contessa&lt;/em&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Best Supporting Actress&lt;/strong&gt;&lt;br /&gt;Jan Sterling in &lt;em&gt;The High and the Mighty&lt;/em&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Best Screenplay&lt;/strong&gt;&lt;br /&gt;Billy Wilder and Ernest Lehman for &lt;em&gt;Sabrina&lt;/em&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Best Foreign Language Films&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;Genevieve&lt;/em&gt; (England)&lt;br /&gt;&lt;em&gt;Las Mujer de las Camelias&lt;/em&gt;(Argentina)&lt;br /&gt;&lt;em&gt;No Way Back&lt;/em&gt; (Germany)&lt;br /&gt;&lt;em&gt;Twenty Four Eyes&lt;/em&gt;(Japan)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Best Cinematography, Black and White&lt;/strong&gt;&lt;br /&gt;Boris Kaufman for &lt;em&gt;On the Waterfront&lt;/em&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Best Cinematography, Color&lt;/strong&gt;&lt;br /&gt;Joseph Ruttenberg for &lt;em&gt;Brigadoon&lt;/em&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Most Promising Newcomer- Male&lt;/strong&gt;&lt;br /&gt;Jeff Richards&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Most Promising Newcomer- Female&lt;/strong&gt;&lt;br /&gt;Shirley MacLaine, Kim Novak, and Karen Sharpe&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;World Film Favorites&lt;/strong&gt;&lt;br /&gt;Audrey Hepburn&lt;br /&gt;Gregory Peck&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Special Achievement Awards&lt;/strong&gt;&lt;br /&gt;Dimitri Tiomkin&lt;br /&gt;&lt;em&gt;Anywhere in Our Time&lt;/em&gt; (Germany)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Cecil B. DeMille Award&lt;/strong&gt;&lt;br /&gt;Jean Hersholt&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Pioneer Award&lt;/strong&gt;&lt;br /&gt;John Ford&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Academy Awards&lt;/strong&gt; (Nominations announced on February 12, 1955. Awards presented on March 30, 1955)&lt;br /&gt;&lt;br /&gt;Winners in bold print&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Best Picture&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;The Caine Mutiny&lt;/em&gt;&lt;br /&gt;&lt;em&gt;The Country Girl&lt;/em&gt;&lt;br /&gt;&lt;em&gt;&lt;strong&gt;On the Waterfront&lt;/strong&gt;&lt;/em&gt;&lt;br /&gt;&lt;em&gt;Seven Brides for Seven Brothers&lt;/em&gt;&lt;br /&gt;&lt;em&gt;Three Coins in the Fountain&lt;/em&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Best Director&lt;/strong&gt;&lt;br /&gt;&lt;strong&gt;Elia Kazan for &lt;em&gt;On the Waterfront&lt;/em&gt;&lt;/strong&gt;&lt;br /&gt;Alfred Hitchcock for &lt;em&gt;Rear Window&lt;/em&gt;&lt;br /&gt;George Seaton for &lt;em&gt;The Country Girl&lt;/em&gt;&lt;br /&gt;William Wellman for &lt;em&gt;The High and the Mighty&lt;/em&gt;&lt;br /&gt;Billy Wilder for &lt;em&gt;Sabrina&lt;/em&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Best Actor&lt;/strong&gt;&lt;br /&gt;Humphrey Bogart in &lt;em&gt;The Caine Mutiny&lt;/em&gt;&lt;br /&gt;&lt;strong&gt;Marlon Brando in &lt;em&gt;On the Waterfront&lt;/em&gt;&lt;/strong&gt;&lt;br /&gt;Bing Crosby in &lt;em&gt;The Country Girl&lt;/em&gt;&lt;br /&gt;James Mason in &lt;em&gt;A Star is Born&lt;/em&gt;&lt;br /&gt;Dan O'Herlihy in &lt;em&gt;Adventures of Robinson Crusoe&lt;/em&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Best Actress&lt;/strong&gt;&lt;br /&gt;Dorothy Dandridge in &lt;em&gt;Carmen Jones&lt;/em&gt;&lt;br /&gt;Judy Garland in &lt;em&gt;A Star is Born&lt;/em&gt;&lt;br /&gt;Audrey Hepburn in &lt;em&gt;Sabrina&lt;/em&gt;&lt;br /&gt;&lt;strong&gt;Grace Kelly in &lt;em&gt;The Country Girl&lt;/em&gt;&lt;/strong&gt;&lt;br /&gt;Jane Wyman in &lt;em&gt;Magnificent Obsession&lt;/em&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Best Supporting Actor&lt;/strong&gt;&lt;br /&gt;Lee J. Cobb in &lt;em&gt;On the Waterfront&lt;/em&gt;&lt;br /&gt;Karl Malden in &lt;em&gt;On the Waterfront&lt;/em&gt;&lt;br /&gt;&lt;strong&gt;Edmond O'Brien in &lt;em&gt;The Barefoot Contessa&lt;/em&gt;&lt;/strong&gt;&lt;br /&gt;Rod Steiger in &lt;em&gt;On the Waterfront&lt;/em&gt;&lt;br /&gt;Tom Tully in &lt;em&gt;The Caine Mutiny&lt;/em&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Best Supporting Actress&lt;/strong&gt;&lt;br /&gt;Nina Foch in &lt;em&gt;Executive Suite&lt;/em&gt;&lt;br /&gt;Katy Jurado in &lt;em&gt;Broken Lance&lt;/em&gt;&lt;br /&gt;&lt;strong&gt;Eva Marie Saint in &lt;em&gt;On the Waterfront&lt;/em&gt;&lt;/strong&gt;&lt;br /&gt;Jan Sterling in &lt;em&gt;The High and the Mighty&lt;/em&gt;&lt;br /&gt;Claire Trevor in &lt;em&gt;The High and the Mighty&lt;/em&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Best Writing (Motion Picture Story)&lt;/strong&gt;&lt;br /&gt;Francois Boyer for &lt;em&gt;Forbidden Games&lt;/em&gt;&lt;br /&gt;Jed Harris, Tom Reed for &lt;em&gt;Night People&lt;/em&gt;&lt;br /&gt;Ettore Margadonna for &lt;em&gt;Bread, Love, and Dreams&lt;/em&gt;&lt;br /&gt;Lamar Trotti for &lt;em&gt;There's No Business Like Show Business&lt;/em&gt;&lt;br /&gt;&lt;strong&gt;Philip Yordan for &lt;em&gt;Broken Lance&lt;/em&gt;&lt;/strong&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Best Writing (Screenplay)&lt;/strong&gt;&lt;br /&gt;Frances Goodrich, Albert Hackett, and Dorothy Kingsley &lt;br /&gt;for &lt;em&gt;Seven Brides For Seven Brothers&lt;/em&gt;&lt;br /&gt;John Michael Hayes for &lt;em&gt;Rear Window&lt;/em&gt;&lt;br /&gt;Ernest Lehman, Samuel Taylor, and Billy Wilder for &lt;em&gt;Sabrina&lt;/em&gt;&lt;br /&gt;Stanley Roberts &lt;em&gt;The Caine Mutiny&lt;/em&gt;&lt;br /&gt;&lt;strong&gt;George Seaton for &lt;em&gt;The Country Girl&lt;/em&gt;&lt;/strong&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Best Writing (Story and Screenplay)&lt;/strong&gt;&lt;br /&gt;Oscar Brodney and Valentine Davies for &lt;em&gt;The Glenn Miller Story&lt;/em&gt;&lt;br /&gt;Melvin Frank and Norman Panama for &lt;em&gt;Knock on Wood&lt;/em&gt;&lt;br /&gt;Joseph L. Mankiewicz for &lt;em&gt;The Barefoot Contessa&lt;/em&gt;&lt;br /&gt;William Rose for &lt;em&gt;Genevieve&lt;/em&gt;&lt;br /&gt;&lt;strong&gt;Budd Schulberg for &lt;em&gt;On the Waterfront&lt;/em&gt;&lt;/strong&gt; &lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Best Song&lt;/strong&gt;&lt;br /&gt;"Count Your Blessings Instead of Sheep" &lt;br /&gt;from &lt;em&gt;White Christmas&lt;/em&gt;- Irving Berlin&lt;br /&gt;"The High and the Mighty" &lt;br /&gt;from &lt;em&gt;The High and the Mighty&lt;/em&gt;- Dimitri Tiomkin and Ned Washington&lt;br /&gt;"Hold My Hand" from &lt;em&gt;Susan Slept Here&lt;/em&gt;- Jack Lawrence and&lt;br /&gt;Richard Myers&lt;br /&gt;"The Man That Got Away" from &lt;em&gt;A Star is Born&lt;/em&gt;- &lt;br /&gt;Harold Arlen and Ira Gershwin&lt;br /&gt;&lt;strong&gt;"Three Coins in the Fountain" from &lt;em&gt;Three Coins in the Fountain&lt;/em&gt;-&lt;br /&gt;Sammy Cahn and Jule Styne&lt;/strong&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;British Academy Awards&lt;/strong&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Best Film From Any Source and Best British Film&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;Adventures of Robinson Crusoe&lt;/em&gt; (Mexico)&lt;br /&gt;&lt;em&gt;Bread, Love and Dreams&lt;/em&gt; (Italy)&lt;br /&gt;&lt;em&gt;The Caine Mutiny&lt;/em&gt; (U.S.)&lt;br /&gt;&lt;em&gt;Carrington, V.C&lt;/em&gt;. (Great Britain)&lt;br /&gt;The Divided Heart (G.B.)&lt;br /&gt;&lt;em&gt;Doctor in the House&lt;/em&gt; (G.B.)&lt;br /&gt;&lt;em&gt;Executive Suite&lt;/em&gt; (U.S.)&lt;br /&gt;&lt;em&gt;For Better, For Worse&lt;/em&gt; (G.B.)&lt;br /&gt;&lt;em&gt;Gate of Hell&lt;/em&gt; (Japan)&lt;br /&gt;&lt;strong&gt;&lt;em&gt;Hobson's Choice&lt;/em&gt; (G.B.)- won for Best British Film&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;How to Marry a Millionaire&lt;/em&gt; (U.S.- 1953)&lt;br /&gt;&lt;em&gt;The Maggie&lt;/em&gt; (G.B.)&lt;br /&gt;&lt;em&gt;The Moon is Blue&lt;/em&gt; (U.S.- 1953)&lt;br /&gt;&lt;em&gt;On the Waterfront&lt;/em&gt; (U.S.)&lt;br /&gt;&lt;em&gt;The Purple Plain&lt;/em&gt; (G.B.)&lt;br /&gt;&lt;em&gt;Rear Window&lt;/em&gt; (U.S.)&lt;br /&gt;&lt;em&gt;Riot in Cell Block 11&lt;/em&gt; (U.S.)&lt;br /&gt;&lt;em&gt;Romeo and Juliet&lt;/em&gt; (G.B.)&lt;br /&gt;&lt;em&gt;Seven Brides for Seven Brothers&lt;/em&gt; (U.S.)&lt;br /&gt;&lt;strong&gt;&lt;em&gt;The Wages of Fear&lt;/em&gt; (&lt;em&gt;Le Salaire de la Peur&lt;/em&gt;) (France)- won for Best Film From Any Source&lt;/strong&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Best British Actor&lt;/strong&gt;&lt;br /&gt;Maurice Denham in &lt;em&gt;The Purple Plain&lt;/em&gt;&lt;br /&gt;Robert Donat in &lt;em&gt;Lease of Life&lt;/em&gt;&lt;br /&gt;John Mills in &lt;em&gt;Hobson's Choice&lt;/em&gt;&lt;br /&gt;&lt;strong&gt;Kenneth More in &lt;em&gt;Doctor in the House&lt;/em&gt;&lt;/strong&gt;&lt;br /&gt;David Niven in &lt;em&gt;Carrington, V.C.&lt;/em&gt;&lt;br /&gt;Donald Wolfit in &lt;em&gt;Svengali&lt;/em&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Best British Actress&lt;/strong&gt;&lt;br /&gt;Brenda de Banzie in &lt;em&gt;Hobson's Choice&lt;/em&gt;&lt;br /&gt;Audrey Hepburn in &lt;em&gt;Sabrina Fair&lt;/em&gt; (&lt;em&gt;Sabrina&lt;/em&gt;)&lt;br /&gt;Margaret Leighton in &lt;em&gt;Carrinton, V.C.&lt;/em&gt;&lt;br /&gt;Noelle Middleton in &lt;em&gt;Carrington, V.C.&lt;/em&gt;&lt;br /&gt;&lt;strong&gt;Yvonne Mitchell in &lt;em&gt;The Divided Heart&lt;/em&gt;&lt;/strong&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Best Foreign Actor&lt;/strong&gt;&lt;br /&gt;Neville Brand in &lt;em&gt;Riot in Cell Block 11&lt;/em&gt;&lt;br /&gt;&lt;strong&gt;Marlon Brando in &lt;em&gt;On the Waterfront&lt;/em&gt;&lt;/strong&gt;&lt;br /&gt;Jose Ferrer in &lt;em&gt;The Caine Mutiny&lt;/em&gt;&lt;br /&gt;Fredric March in &lt;em&gt;Executive Suite&lt;/em&gt;&lt;br /&gt;James Stewart in &lt;em&gt;The Glenn Miller Story&lt;/em&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Best Foreign Actress&lt;/strong&gt;&lt;br /&gt;Shirley Booth in &lt;em&gt;About Mrs. Leslie&lt;/em&gt;&lt;br /&gt;&lt;strong&gt;Cornell Borchers in &lt;em&gt;The Divided Heart&lt;/em&gt;&lt;/strong&gt;&lt;br /&gt;Judy Holliday in &lt;em&gt;Phffft!&lt;/em&gt;&lt;br /&gt;Grace Kelly in &lt;em&gt;Dial "M" for Murder&lt;/em&gt;&lt;br /&gt;Gina Lollobrigida in &lt;em&gt;Bread, Love and Dreams&lt;/em&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Most Promising Newcomer&lt;/strong&gt;&lt;br /&gt;&lt;strong&gt;David Kossoff in &lt;em&gt;The Young Lovers&lt;/em&gt;&lt;/strong&gt;&lt;br /&gt;Maggie McNamara in &lt;em&gt;The Moon is Blue&lt;/em&gt; (1953)&lt;br /&gt;Eva Marie Saint in &lt;em&gt;On the Waterfront&lt;/em&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Best British Screenplay&lt;/strong&gt;&lt;br /&gt;Jack Whittingham for &lt;em&gt;The Divided Heart&lt;/em&gt;&lt;br /&gt;Nicholas Phipps for &lt;em&gt;Doctor in the House&lt;/em&gt;&lt;br /&gt;David Lean, Norman Spencer and Wynyard Browne for &lt;em&gt;Hobson's Choice&lt;/em&gt;&lt;br /&gt;Hugh Mills and Rene Clement for &lt;em&gt;Knave of Hearts&lt;/em&gt;&lt;br /&gt;William Rose for &lt;em&gt;The Maggie&lt;/em&gt;&lt;br /&gt;Eric Ambler for &lt;em&gt;The Purple Plain&lt;/em&gt;&lt;br /&gt;Renato Castellani for &lt;em&gt;Romeo and Juliet&lt;/em&gt;&lt;br /&gt;&lt;strong&gt;George Tabori and Robin Estridge for &lt;em&gt;The Young Lovers&lt;/em&gt;&lt;/strong&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Best Documentary&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;Back of Beyond&lt;/em&gt; (Australia)&lt;br /&gt;&lt;strong&gt;&lt;em&gt;The Great Adventure&lt;/em&gt; (Sweden)&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;Lekko!&lt;/em&gt; (Holland)&lt;br /&gt;&lt;em&gt;3-2-1-Zero&lt;/em&gt; (U.S.)&lt;br /&gt;&lt;em&gt;Thursday's Children&lt;/em&gt; (G.B.)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Special Award&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;Axel Petersen&lt;/em&gt; (&lt;em&gt;Doderhultarn&lt;/em&gt;) (Sweden)&lt;br /&gt;&lt;em&gt;The Drawings of Leonardo da Vinci&lt;/em&gt; (G.B.)&lt;br /&gt;&lt;em&gt;The Living Desert&lt;/em&gt; (U.S.)&lt;br /&gt;&lt;em&gt;The Origin of Coal&lt;/em&gt; (&lt;em&gt;Coal Mining as a Craft, Part One&lt;/em&gt;) (G.B.)&lt;br /&gt;&lt;em&gt;Powered Flight, The Story of the Century&lt;/em&gt; (G.B.)&lt;br /&gt;&lt;strong&gt;&lt;em&gt;A Time Out of War&lt;/em&gt; (U.S.)&lt;/strong&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Best Animated Film&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;Little Brave Heart&lt;/em&gt; (USSR)&lt;br /&gt;&lt;em&gt;Power to Fly&lt;/em&gt; (G.B.)&lt;br /&gt;&lt;strong&gt;&lt;em&gt;Song of the Prairie&lt;/em&gt; (Czechoslovakia)&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;The Unicorn in the Garden&lt;/em&gt; (U.S.)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;United Nations Award&lt;/strong&gt;&lt;br /&gt;&lt;strong&gt;&lt;em&gt;The Divided Heart&lt;/em&gt; (G.B.)&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;A Time Out of War&lt;/em&gt; (G.B.)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;The Top Box-Office Hits of 1954&lt;/strong&gt; (According to &lt;em&gt;Variety&lt;/em&gt;, January 5, 1955. Includes actual and estimated domestic rentals to theaters in U.S. and Canada, not box-office takes, which would be higher. If the final first-run rental take for films gaining $4,000,000 or more in rentals varies from the total originally listed in 1954, I'm showing that figure after the 1954 total. Final first-run rentals data comes from &lt;em&gt;Variety&lt;/em&gt;'s January 9, 1957 "All-Time Top Film Grosses" list (only films taking $4,000,000 or more in rentals were mentioned on the "All-Time" list; unfortunately, I have no data for films with a final gross under $4,000,000 that may have ended up with a higher take than shown below). Ocassionally a film will end up on the "All-Time" list with a lower rental box-office take than when the film originally appeared on the yearly list of top box-office films. This is due to the estimated rentals, which were sometimes revised to a lower amount for the All-Time list).&lt;br /&gt;&lt;br /&gt;1) &lt;em&gt;White Christmas&lt;/em&gt; $12,000,000&lt;br /&gt;2) &lt;em&gt;The Caine Mutiny&lt;/em&gt; $8,700,000&lt;br /&gt;3) &lt;em&gt;The Glenn Miller Story&lt;/em&gt; $7,000,000&lt;br /&gt;4) &lt;em&gt;The Egyptian&lt;/em&gt; $6,000,000 (Final first-run rentals of $4,250,000)&lt;br /&gt;5) &lt;em&gt;Rear Window&lt;/em&gt; $5,300,000 &lt;br /&gt;6) &lt;em&gt;The High and the Mighty&lt;/em&gt; $5,200,000 (Final first-run rentals of $6,000,000)&lt;br /&gt;7) &lt;em&gt;Magnificent Obsession&lt;/em&gt; $5,000,000 (Final first-run rentals of $5,200,000)&lt;br /&gt;8) &lt;em&gt;Three Coins in the Fountain&lt;/em&gt; $5,000,000&lt;br /&gt;9) &lt;em&gt;Seven Brides for Seven Brothers&lt;/em&gt; $$4,750,000 (Final first-run rentals of$5,600,000)&lt;br /&gt;10) &lt;em&gt;Desiree&lt;/em&gt; $4,500,000&lt;br /&gt;11) &lt;em&gt;Knights of the Round Table&lt;/em&gt; $4,400,000&lt;br /&gt;12) &lt;em&gt;Dragnet&lt;/em&gt; $4,300,000 (Final first-run rentals of $4,700,000)&lt;br /&gt;13) &lt;em&gt;Demetrius and the Gladiators&lt;/em&gt; $4,250,000&lt;br /&gt;    &lt;em&gt;Living it Up&lt;/em&gt; $4,250,000&lt;br /&gt;15) &lt;em&gt;On the Waterfront&lt;/em&gt; $4,200,000&lt;br /&gt;16) &lt;em&gt;Hondo&lt;/em&gt; $4,100,000&lt;br /&gt;17) &lt;em&gt;The Long, Long Trailer&lt;/em&gt; $4,000,000&lt;br /&gt;    &lt;em&gt;Sabrina&lt;/em&gt; $4,000,000&lt;br /&gt;19) &lt;em&gt;The River of No Return&lt;/em&gt; $3,800,000&lt;br /&gt;    &lt;em&gt;Broken Lance&lt;/em&gt; $3,800,000&lt;br /&gt;21) &lt;em&gt;Knock on Wood&lt;/em&gt; $3,500,000&lt;br /&gt;    &lt;em&gt;Money From Home&lt;/em&gt; $3,500,000&lt;br /&gt;&lt;br /&gt;&lt;a href="http://3.bp.blogspot.com/_bzQchKv0KQA/SPYx0GuC_eI/AAAAAAAAAg0/hTfd8RZqgRg/s1600-h/Barefoot+Contessa.jpg"&gt;&lt;img style="display:block; margin:0px auto 10px; text-align:center;cursor:pointer; cursor:hand;" src="http://3.bp.blogspot.com/_bzQchKv0KQA/SPYx0GuC_eI/AAAAAAAAAg0/hTfd8RZqgRg/s400/Barefoot+Contessa.jpg" border="0" alt=""id="BLOGGER_PHOTO_ID_5257444386228338146" /&gt;&lt;/a&gt;&lt;br /&gt;23) &lt;em&gt;Apache&lt;/em&gt; $3,250,000&lt;br /&gt;    &lt;em&gt;The Barefoot Contessa&lt;/em&gt; $3,250,000&lt;br /&gt;25) &lt;em&gt;Beneath the 12-Mile Reef&lt;/em&gt; $3,600,000 (&lt;em&gt;Reef&lt;/em&gt; is listed with a 3,600,000 take, but placed below films with lesser rental takes. Not sure if this is a type-o)&lt;br /&gt;26) &lt;em&gt;Garden of Evil&lt;/em&gt; $3,100,000&lt;br /&gt;27) &lt;em&gt;Elephant Walk&lt;/em&gt; $3,000,000&lt;br /&gt;    &lt;em&gt;Woman's World&lt;/em&gt; $3,000,000&lt;br /&gt;29) &lt;em&gt;The French Line&lt;/em&gt; $2,900,000&lt;br /&gt;    &lt;em&gt;Miss Sadie Thompson&lt;/em&gt; $2,900,000&lt;br /&gt;31) &lt;em&gt;Executive Suite&lt;/em&gt; $2,750,000&lt;br /&gt;32) &lt;em&gt;Dial "M" for Murder&lt;/em&gt; $2,700,000&lt;br /&gt;    &lt;em&gt;Hell and High Water&lt;/em&gt; $2,700,000&lt;br /&gt;34) &lt;em&gt;King of Khyber Rifles&lt;/em&gt; $2,600,000&lt;br /&gt;    &lt;em&gt;Rose Marie&lt;/em&gt; $2,600,000&lt;br /&gt;    &lt;em&gt;Prince Valiant&lt;/em&gt; $2,600,000&lt;br /&gt;    &lt;em&gt;The Student Prince&lt;/em&gt; $2,600,000 &lt;br /&gt;    &lt;em&gt;The Living Desert&lt;/em&gt; $2,600,000&lt;br /&gt;39) &lt;em&gt;Betrayed&lt;/em&gt; $2,500,000&lt;br /&gt;    &lt;em&gt;Black Widow&lt;/em&gt; $2,500,000&lt;br /&gt;    &lt;em&gt;Calamity Jane&lt;/em&gt; $2,500,000&lt;br /&gt;    &lt;em&gt;The Command&lt;/em&gt; $2,500,000&lt;br /&gt;    &lt;em&gt;Johnny Guitar&lt;/em&gt; $2,500,000&lt;br /&gt;    &lt;em&gt;His Majesty O'Keefe&lt;/em&gt; $2,500,000&lt;br /&gt;45) &lt;em&gt;The Eddie Cantor Story&lt;/em&gt; $2,300,000&lt;br /&gt;    &lt;em&gt;Easy to Love&lt;/em&gt; $2,300,000&lt;br /&gt;    &lt;em&gt;The Naked Jungle&lt;/em&gt; $2,300,000&lt;br /&gt;48) &lt;em&gt;Brigadoon&lt;/em&gt; $2,250,000&lt;br /&gt;    &lt;em&gt;Saskatchewan&lt;/em&gt; $2,250,000&lt;br /&gt;    &lt;em&gt;Susan Slept Here&lt;/em&gt; $2,250,000&lt;br /&gt;51) &lt;em&gt;Them!&lt;/em&gt; $2,200,000&lt;br /&gt;52) &lt;em&gt;Night People&lt;/em&gt; $2,150,000&lt;br /&gt;53) &lt;em&gt;King Richard&lt;/em&gt; $2,100,000&lt;br /&gt;54) &lt;em&gt;Carnival Story&lt;/em&gt; $2,000,000&lt;br /&gt;    &lt;em&gt;Here Come the Girls&lt;/em&gt; $2,000,000&lt;br /&gt;    &lt;em&gt;Kiss Me Kate&lt;/em&gt; $2,000,000&lt;br /&gt;57) &lt;em&gt;All the Brothers Were Valiant&lt;/em&gt; $1,950,000&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;The Top Ten Box Office Stars of 1954&lt;/strong&gt; (from the Quigley Publishing poll of film exhibitors)&lt;br /&gt;&lt;br /&gt;1) John Wayne&lt;br /&gt;2) Dean Martin &amp; Jerry Lewis&lt;br /&gt;3) Gary Cooper&lt;br /&gt;4) James Stewart&lt;br /&gt;5) Marilyn Monroe&lt;br /&gt;6) Alan Ladd&lt;br /&gt;7) William Holden&lt;br /&gt;8) Bing Crosby&lt;br /&gt;9) Jane Wyman&lt;br /&gt;10) Marlon Brando&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;The Next Fifteen:&lt;/strong&gt;&lt;br /&gt;11) June Allyson&lt;br /&gt;12) Humphrey Bogart&lt;br /&gt;13) Burt Lancaster&lt;br /&gt;14) Susan Hayward&lt;br /&gt;15) Percy Kilbride &amp; Marjorie Main&lt;br /&gt;16) Jeff Chandler&lt;br /&gt;17) Rock Hudson&lt;br /&gt;18) Doris Day&lt;br /&gt;19) Clark Gable&lt;br /&gt;20) Ava Gardner&lt;br /&gt;21) Gregory Peck&lt;br /&gt;22) Randolph Scott&lt;br /&gt;23) Tony Curtis&lt;br /&gt;24) Audrey Hepburn&lt;br /&gt;25) Esther Williams&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Britain's Top Ten British Box-Office Stars of 1954&lt;/strong&gt; (according to the Motion Picture Herald's poll of Britain's film exhibitors)&lt;br /&gt;1) Jack Hawkins&lt;br /&gt;2) Dirk Bogarde&lt;br /&gt;3) Norman Wisdom&lt;br /&gt;4) Glynis Johns&lt;br /&gt;5) Kenneth More&lt;br /&gt;6) Alec Guinness&lt;br /&gt;7) Anthony Steel&lt;br /&gt;8) Ronald Shiner&lt;br /&gt;9) Richard Todd&lt;br /&gt;10) John Mills&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Britain's Top Ten International Box-Office Stars of 1954&lt;/strong&gt; (according to the Motion Picture Herald's poll of Britain's film exhibitors)&lt;br /&gt;1) Alan Ladd&lt;br /&gt;2) James Stewart&lt;br /&gt;3) Gregory Peck&lt;br /&gt;4) Dean Martin &amp; Jerry Lewis&lt;br /&gt;5) Jack Hawkins&lt;br /&gt;6) Danny Kaye&lt;br /&gt;7) Burt Lancaster&lt;br /&gt;8) Doris Day&lt;br /&gt;9) Dirk Bogarde&lt;br /&gt;10) Norman Wisdom&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/22096293-8275516673835487189?l=heylookmeover.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://heylookmeover.blogspot.com/feeds/8275516673835487189/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=22096293&amp;postID=8275516673835487189' title='1 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/22096293/posts/default/8275516673835487189'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/22096293/posts/default/8275516673835487189'/><link rel='alternate' type='text/html' href='http://heylookmeover.blogspot.com/2008/11/film-data-for-1954.html' title='Film Data For 1954'/><author><name>Vertigo's Psycho</name><uri>http://www.blogger.com/profile/17701774152300870403</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://1.bp.blogspot.com/_bzQchKv0KQA/SOMbxl7dcTI/AAAAAAAAAZg/GqXCWUBbDkU/s72-c/On+the+Waterfront.jpg' height='72' width='72'/><thr:total>1</thr:total></entry><entry><id>tag:blogger.com,1999:blog-22096293.post-5513928644486544241</id><published>2008-11-16T23:16:00.000-08:00</published><updated>2009-08-09T13:53:13.575-07:00</updated><title type='text'>Film Data For 1953</title><content type='html'>&lt;a href="http://1.bp.blogspot.com/_bzQchKv0KQA/SOSLVGNWsZI/AAAAAAAAAaw/XtbbAs0U3W0/s1600-h/From+Here+to+Eternity.jpg"&gt;&lt;img style="display:block; margin:0px auto 10px; text-align:center;cursor:pointer; cursor:hand;" src="http://1.bp.blogspot.com/_bzQchKv0KQA/SOSLVGNWsZI/AAAAAAAAAaw/XtbbAs0U3W0/s400/From+Here+to+Eternity.jpg" border="0" alt=""id="BLOGGER_PHOTO_ID_5252476259980980626" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;The Film Daily's Top Ten Pictures of 1953&lt;/strong&gt; (in order of preference)&lt;br /&gt;&lt;br /&gt;1) &lt;em&gt;From Here to Eternity&lt;/em&gt;- 274 votes&lt;br /&gt;2) &lt;em&gt;Shane&lt;/em&gt;- 226&lt;br /&gt;3) &lt;em&gt;The Robe&lt;/em&gt;- 210&lt;br /&gt;4) &lt;em&gt;Roman Holiday&lt;/em&gt;- 202&lt;br /&gt;5) &lt;em&gt;Moulin Rouge&lt;/em&gt; (1952)- 195&lt;br /&gt;6) &lt;em&gt;Lili&lt;/em&gt;- 189&lt;br /&gt;7) &lt;em&gt;Stalag 17&lt;/em&gt;- 152&lt;br /&gt;8) &lt;em&gt;The Moon is Blue&lt;/em&gt;- 129&lt;br /&gt;9) &lt;em&gt;Little Boy Lost&lt;/em&gt;- 89&lt;br /&gt;10) &lt;em&gt;The Cruel Sea&lt;/em&gt;- 87&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;The Honor Roll&lt;/strong&gt;&lt;br /&gt;11) &lt;em&gt;Call Me Madam&lt;/em&gt;- 84&lt;br /&gt;12) &lt;em&gt;The Bad and the Beautiful&lt;/em&gt; (1952)- 83&lt;br /&gt;13) &lt;em&gt;Hans Christian Andersen&lt;/em&gt; (1952)- 74&lt;br /&gt;14) &lt;em&gt;The Captain's Paradise&lt;/em&gt;- 61&lt;br /&gt;15) &lt;em&gt;Man on a Tightrope&lt;/em&gt;- 54&lt;br /&gt;16) &lt;em&gt;How to Marry a Millionaire&lt;/em&gt;- 53&lt;br /&gt;17) &lt;em&gt;Ivanhoe&lt;/em&gt; (1952)- 52&lt;br /&gt;18) &lt;em&gt;Kiss Me Kate&lt;/em&gt;- 50&lt;br /&gt;19) &lt;em&gt;Hondo&lt;/em&gt;- 48&lt;br /&gt;20) &lt;em&gt;Limelight&lt;/em&gt;- 46&lt;br /&gt;21) &lt;em&gt;Titanic&lt;/em&gt;- 44&lt;br /&gt;22) &lt;em&gt;A Queen is Crowded&lt;/em&gt;- 42&lt;br /&gt;23) &lt;em&gt;Mogambo&lt;/em&gt;- 38 &lt;br /&gt;24) &lt;em&gt;Young Bess&lt;/em&gt;- 37&lt;br /&gt;25) &lt;em&gt;Above and Beyond&lt;/em&gt; (1952)- 32&lt;br /&gt;    &lt;em&gt;So Big&lt;/em&gt;- 32&lt;br /&gt;27) &lt;em&gt;The Actress&lt;/em&gt;- 31&lt;br /&gt;    &lt;em&gt;Gentlemen Prefer Blondes&lt;/em&gt;- 31&lt;br /&gt;29) &lt;em&gt;Peter Pan&lt;/em&gt;- 30&lt;br /&gt;30) &lt;em&gt;The Bandwagon&lt;/em&gt;- 28&lt;br /&gt;31) &lt;em&gt;The Story of Three Loves&lt;/em&gt;- 25&lt;br /&gt;32) &lt;em&gt;I Confess&lt;/em&gt;- 23&lt;br /&gt;33) &lt;em&gt;Julius Caesar&lt;/em&gt;- 22&lt;br /&gt;34) &lt;em&gt;The Four Poster&lt;/em&gt;- 21&lt;br /&gt;    &lt;em&gt;The War of the Worlds&lt;/em&gt;- 21&lt;br /&gt;36) &lt;em&gt;The Sea Around Us&lt;/em&gt;- 20&lt;br /&gt;37) &lt;em&gt;Calamity Jane&lt;/em&gt;- 16&lt;br /&gt;    &lt;em&gt;My Cousin Rachel&lt;/em&gt;- 16&lt;br /&gt;39) &lt;em&gt;House of Wax&lt;/em&gt;- 13&lt;br /&gt;40) &lt;em&gt;Gilbert &amp; Sullivan&lt;/em&gt;- 12&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;The Best Performances By a Male Star&lt;/strong&gt; (no vote count, but listed in the order of preference)&lt;br /&gt;1) Jose Ferrer in &lt;em&gt;Moulin Rouge&lt;/em&gt; (1952)&lt;br /&gt;2) Montgomery Clift in &lt;em&gt;From Here to Eternity&lt;/em&gt;&lt;br /&gt;3) William Holden in &lt;em&gt;Stalag 17&lt;/em&gt;&lt;br /&gt;4) Alan Ladd in &lt;em&gt;Shane&lt;/em&gt;&lt;br /&gt;5) Richard Burton in &lt;em&gt;The Robe&lt;/em&gt;&lt;br /&gt;&lt;br /&gt;&lt;a href="http://1.bp.blogspot.com/_bzQchKv0KQA/SOSLH_FPzqI/AAAAAAAAAao/DFIyT3ADkds/s1600-h/Roman+Holiday.jpg"&gt;&lt;img style="display:block; margin:0px auto 10px; text-align:center;cursor:pointer; cursor:hand;" src="http://1.bp.blogspot.com/_bzQchKv0KQA/SOSLH_FPzqI/AAAAAAAAAao/DFIyT3ADkds/s400/Roman+Holiday.jpg" border="0" alt=""id="BLOGGER_PHOTO_ID_5252476034729627298" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;strong&gt;The Best Performances By a Female Star&lt;/strong&gt;&lt;br /&gt;1) Audrey Hepburn in &lt;em&gt;Roman Holiday&lt;/em&gt;&lt;br /&gt;2) Leslie Caron in &lt;em&gt;Lili&lt;/em&gt;&lt;br /&gt;3) Jane Wyman in &lt;em&gt;So Big&lt;/em&gt;&lt;br /&gt;4) Deborah Kerr in &lt;em&gt;Young Bess&lt;/em&gt;&lt;br /&gt;5) Jean Simmons in &lt;em&gt;Young Bess&lt;/em&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Best Performances By Supporting Actors&lt;/strong&gt;&lt;br /&gt;1) Frank Sinatra in &lt;em&gt;From Here to Eternity&lt;/em&gt;&lt;br /&gt;2) David Niven in &lt;em&gt;The Moon is Blue&lt;/em&gt;&lt;br /&gt;3) Jack Palance in &lt;em&gt;Shane&lt;/em&gt;&lt;br /&gt;4) Eddie Albert in &lt;em&gt;Roman Holiday&lt;/em&gt;&lt;br /&gt;5) Van Heflin in &lt;em&gt;Shane&lt;/em&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Best Performances By Supporting Actresses&lt;/strong&gt;&lt;br /&gt;1) Gloria Grahame in &lt;em&gt;The Bad and the Beautiful&lt;/em&gt; (1952)  &lt;br /&gt;2) Donna Reed in &lt;em&gt;From Here to Eternity&lt;/em&gt;&lt;br /&gt;3) Thelma Ritter in &lt;em&gt;Titanic&lt;/em&gt;&lt;br /&gt;4) Grace Kelly in &lt;em&gt;Mogambo&lt;/em&gt;&lt;br /&gt;5) Colette Marchand in &lt;em&gt;Moulin Rouge&lt;/em&gt; (1952)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Best Performances By Juvenile Actors&lt;/strong&gt;&lt;br /&gt;1) Brandon de Wilde in &lt;em&gt;Shane&lt;/em&gt;&lt;br /&gt;2) Christian Fourcade in &lt;em&gt;Little Boy Lost&lt;/em&gt;&lt;br /&gt;3) George Winslow in &lt;em&gt;Mr. Scoutmaster&lt;/em&gt;&lt;br /&gt;4) Joey Walsh in &lt;em&gt;The Juggler&lt;/em&gt;&lt;br /&gt;5) Bobby Driscoll as the voice of Peter Pan&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Best Performances By Juvenile Actresses&lt;/strong&gt;&lt;br /&gt;1) Natalie Wood in &lt;em&gt;The Star&lt;/em&gt;&lt;br /&gt;2) Kathryn Beaumont as the voice of Wendy in &lt;em&gt;Peter Pan&lt;/em&gt;&lt;br /&gt;3) Donna Corcoran in &lt;em&gt;Scandal at Scourie&lt;/em&gt;&lt;br /&gt;4) Noreen Corcoran in &lt;em&gt;Young Bess&lt;/em&gt;&lt;br /&gt;5) Sherry Jackson in &lt;em&gt;Trouble Along the Way&lt;/em&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;The Year's Outstanding Directors&lt;/strong&gt;&lt;br /&gt;1) Fred Zinnemann for &lt;em&gt;From Here to Eternity&lt;/em&gt;&lt;br /&gt;2) John Huston for &lt;em&gt;Moulin Rouge&lt;/em&gt; (1952)&lt;br /&gt;3) Henry Koster for &lt;em&gt;The Robe&lt;/em&gt; &lt;br /&gt;4) George Stevens for &lt;em&gt;Shane&lt;/em&gt;&lt;br /&gt;5) William Wyler for &lt;em&gt;Roman Holiday&lt;/em&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;The Best Photographed Pictures of the Year&lt;/strong&gt;&lt;br /&gt;1) Oswald Morris for &lt;em&gt;Moulin Rouge&lt;/em&gt; (1952)&lt;br /&gt;2) Leon Shamroy for &lt;em&gt;The Robe&lt;/em&gt;&lt;br /&gt;3) Loyal Griggs for &lt;em&gt;Shane&lt;/em&gt;&lt;br /&gt;4) J. Arthur Rank's camera crew for &lt;em&gt;A Queen is Crowded&lt;/em&gt;&lt;br /&gt;5) Harry Stradling for &lt;em&gt;Hans Christian Andersen&lt;/em&gt; (1952)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;The Best Screenplays for the Year&lt;/strong&gt;&lt;br /&gt;1) Daniel Taradash for &lt;em&gt;From Here to Eternity&lt;/em&gt;&lt;br /&gt;2) F. Hugh Herbert for &lt;em&gt;The Moon is Blue&lt;/em&gt;&lt;br /&gt;3) Helen Deutsch for &lt;em&gt;Lili&lt;/em&gt;&lt;br /&gt;4) Philip Dunn for &lt;em&gt;The Robe&lt;/em&gt;&lt;br /&gt;5) John Dighton and Ian McLellan Hunter for &lt;em&gt;Roman Holiday&lt;/em&gt; (story by Dalton Trumbo)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Outstanding "Finds" of the Year&lt;/strong&gt;&lt;br /&gt;1) Audrey Hepburn in &lt;em&gt;Roman Holiday&lt;/em&gt;&lt;br /&gt;2) Maggie McNamara in &lt;em&gt;The Moon is Blue&lt;/em&gt;&lt;br /&gt;3) Christian Fourcade in &lt;em&gt;Little Boy Lost&lt;/em&gt;&lt;br /&gt;4) Jack Palance in &lt;em&gt;Shane&lt;/em&gt;&lt;br /&gt;5) Richard Burton in &lt;em&gt;The Robe&lt;/em&gt;&lt;br /&gt;&lt;br /&gt;Outstanding Western Stars&lt;br /&gt;1) Roy Rogers in his television film series&lt;br /&gt;2) Alan Ladd in &lt;em&gt;Shane&lt;/em&gt;&lt;br /&gt;3) Rex Allen in Republic's Western series&lt;br /&gt;4) Gene Autry in Columbia Westerns and in television film series&lt;br /&gt;5) Willian Boyd as Hopalong Cassidy in television film series&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;The National Board of Review&lt;/strong&gt;&lt;br /&gt;&lt;br /&gt;&lt;a href="http://2.bp.blogspot.com/_bzQchKv0KQA/SOSK8htVcmI/AAAAAAAAAag/A7eWxHcQpPY/s1600-h/Shane.jpg"&gt;&lt;img style="display:block; margin:0px auto 10px; text-align:center;cursor:pointer; cursor:hand;" src="http://2.bp.blogspot.com/_bzQchKv0KQA/SOSK8htVcmI/AAAAAAAAAag/A7eWxHcQpPY/s400/Shane.jpg" border="0" alt=""id="BLOGGER_PHOTO_ID_5252475837866144354" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;strong&gt;The Ten Best Pictures&lt;/strong&gt; (in order of preference)&lt;br /&gt;&lt;br /&gt;1) &lt;em&gt;Julius Caesar&lt;/em&gt;&lt;br /&gt;2) &lt;em&gt;Shane&lt;/em&gt;&lt;br /&gt;3) &lt;em&gt;From Here to Eternity&lt;/em&gt;&lt;br /&gt;4) &lt;em&gt;Martin Luther&lt;/em&gt;&lt;br /&gt;5) &lt;em&gt;Lili&lt;/em&gt;&lt;br /&gt;6) &lt;em&gt;Roman Holiday&lt;/em&gt;&lt;br /&gt;7) &lt;em&gt;Stalag 17&lt;/em&gt;&lt;br /&gt;8) &lt;em&gt;The Little Fugitive&lt;/em&gt;&lt;br /&gt;9) &lt;em&gt;Mogambo&lt;/em&gt;&lt;br /&gt;10) &lt;em&gt;The Robe&lt;/em&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Best Director&lt;/strong&gt;&lt;br /&gt;George Stevens for &lt;em&gt;Shane&lt;/em&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Best Actor&lt;/strong&gt;&lt;br /&gt;James Mason in &lt;em&gt;Face to Face&lt;/em&gt;, &lt;em&gt;The Desert Rats&lt;/em&gt;,&lt;br /&gt;&lt;em&gt;The Man Between&lt;/em&gt;, and &lt;em&gt;Julius Caesar&lt;/em&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Best Actress&lt;/strong&gt;&lt;br /&gt;Jean Simmons in &lt;em&gt;Young Bess&lt;/em&gt;, &lt;em&gt;The Robe&lt;/em&gt;, and &lt;em&gt;The Actress&lt;/em&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Best Foreign Film&lt;/strong&gt; (in order of preference)&lt;br /&gt;A Queen is Crowded (U.K.)&lt;br /&gt;Moulin Rouge (1952) (U.K.)&lt;br /&gt;The Little World of Don Camillo (France/Italy)&lt;br /&gt;Strange Deception (Italy)&lt;br /&gt;The Conquest of Everest (U.K.)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;The New York Film Critics&lt;/strong&gt; (Winners announced on December 28, 1953. Awards presented on January 23, 1954)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Best Picture&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;From Here to Eternity&lt;/em&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Best Director&lt;/strong&gt;&lt;br /&gt;Fred Zinnemann for &lt;em&gt;From Here to Eternity&lt;/em&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Best Actor&lt;/strong&gt;&lt;br /&gt;Burt Lancaster in &lt;em&gt;From Here to Eternity&lt;/em&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Best Actress&lt;/strong&gt;&lt;br /&gt;Audrey Hepburn in &lt;em&gt;Roman Holiday&lt;/em&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Best Foreign Film&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;Justice is Done&lt;/em&gt; (France)&lt;br /&gt;&lt;br /&gt;&lt;a href="http://3.bp.blogspot.com/_bzQchKv0KQA/SOSLjhg6OKI/AAAAAAAAAa4/L_4bMgnGUb4/s1600-h/Lili.jpg"&gt;&lt;img style="display:block; margin:0px auto 10px; text-align:center;cursor:pointer; cursor:hand;" src="http://3.bp.blogspot.com/_bzQchKv0KQA/SOSLjhg6OKI/AAAAAAAAAa4/L_4bMgnGUb4/s400/Lili.jpg" border="0" alt=""id="BLOGGER_PHOTO_ID_5252476507828926626" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;strong&gt;Golden Globes&lt;/strong&gt; (Awards presented on January 22, 1954)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Best Drama &lt;/strong&gt;&lt;br /&gt;&lt;em&gt;The Robe&lt;/em&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Best Motion Picture Promoting International Understanding&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;Little Boy Lost&lt;/em&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Best Actor, Drama&lt;/strong&gt;&lt;br /&gt;Spencer Tracy in &lt;em&gt;The Actress&lt;/em&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Best Actress, Drama&lt;/strong&gt;&lt;br /&gt;Audrey Hepburn in &lt;em&gt;Roman Holiday&lt;/em&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Best Actor, Musical or Comedy&lt;/strong&gt;&lt;br /&gt;David Niven in &lt;em&gt;The Moon is Blue&lt;/em&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Best Actress, Musical or Comedy&lt;/strong&gt;&lt;br /&gt;Ethel Merman in &lt;em&gt;Call Me Madam&lt;/em&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Best Supporting Actor&lt;/strong&gt;&lt;br /&gt;Frank Sinatra in &lt;em&gt;From Here to Eternity&lt;/em&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Best Supporting Actress&lt;/strong&gt;&lt;br /&gt;Grace Kelly in &lt;em&gt;Mogambo&lt;/em&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Best Screenplay&lt;/strong&gt;&lt;br /&gt;Hellen Deutsch for &lt;em&gt;Lili&lt;/em&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;World Film Favorites&lt;/strong&gt;&lt;br /&gt;Alan Ladd&lt;br /&gt;Marilyn Monroe&lt;br /&gt;Robert Taylor&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Most Promising Newcomer- Male&lt;/strong&gt;&lt;br /&gt;Richard Egan&lt;br /&gt;Steve Forrest&lt;br /&gt;Hugh O'Brien&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Most Promising Newcomer- Female&lt;/strong&gt;&lt;br /&gt;Pat Crowley&lt;br /&gt;Bella Darvi&lt;br /&gt;Barbara Rush&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Cecil B. DeMille Award&lt;/strong&gt;&lt;br /&gt;Darryl F. Zanuck&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Special Achievement Awards&lt;/strong&gt;&lt;br /&gt;Jack Cummings&lt;br /&gt;Walt Disney for &lt;em&gt;The Living Desert&lt;/em&gt;&lt;br /&gt;Guy Madison&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;The Academy Awards&lt;/strong&gt; (Nominations announced on February 15, 1954. Wards presented on March 24, 1954)&lt;br /&gt;&lt;br /&gt;Winners in bold print&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Best Picture&lt;/strong&gt;&lt;br /&gt;&lt;strong&gt;&lt;em&gt;From Here to Eternity&lt;/em&gt;&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;Julius Caesar&lt;/em&gt;&lt;br /&gt;&lt;em&gt;The Robe&lt;/em&gt;&lt;br /&gt;&lt;em&gt;Roman Holiday&lt;/em&gt;&lt;br /&gt;&lt;em&gt;Shane&lt;/em&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Best Director&lt;/strong&gt;&lt;br /&gt;George Stevens for &lt;em&gt;Shane&lt;/em&gt;&lt;br /&gt;Charles Walters for &lt;em&gt;Lili&lt;/em&gt;&lt;br /&gt;Billy Wilder for &lt;em&gt;Stalag 17&lt;/em&gt;&lt;br /&gt;William Wyler for &lt;em&gt;Roman Holiday&lt;/em&gt;&lt;br /&gt;&lt;strong&gt;Fred Zinnemann for &lt;em&gt;From Here to Eternity&lt;/em&gt;&lt;/strong&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Best Actor&lt;/strong&gt;&lt;br /&gt;Marlon Brando in &lt;em&gt;Julius Caesar&lt;/em&gt;&lt;br /&gt;Richard Burton in &lt;em&gt;The Robe&lt;/em&gt;&lt;br /&gt;Montgomery Clift in &lt;em&gt;From Here to Eternity&lt;/em&gt;&lt;br /&gt;&lt;strong&gt;William Holden in &lt;em&gt;Stalag 17&lt;/em&gt;&lt;/strong&gt; &lt;br /&gt;Burt Lancaster in &lt;em&gt;From Here to Eternity&lt;/em&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Best Actress&lt;/strong&gt;&lt;br /&gt;Leslie Caron in &lt;em&gt;Lili&lt;/em&gt;&lt;br /&gt;Ava Gardner in &lt;em&gt;Mogambo&lt;/em&gt;&lt;br /&gt;&lt;strong&gt;Audrey Hepburn in &lt;em&gt;Roman Holiday&lt;/em&gt;&lt;/strong&gt;&lt;br /&gt;Deborah Kerr in &lt;em&gt;From Here to Eternity&lt;/em&gt;&lt;br /&gt;Maggie McNamara in &lt;em&gt;The Moon is Blue&lt;/em&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Best Supporting Actor&lt;/strong&gt;&lt;br /&gt;Eddie Albert in &lt;em&gt;Roman Holiday&lt;/em&gt;&lt;br /&gt;Brandon de Wilde in &lt;em&gt;Shane&lt;/em&gt;&lt;br /&gt;Jack Palance in &lt;em&gt;Shane&lt;/em&gt;&lt;br /&gt;&lt;strong&gt;Frank Sinatra in &lt;em&gt;From Here to Eternity&lt;/em&gt;&lt;/strong&gt;&lt;br /&gt;Robert Strauss in &lt;em&gt;Stalag 17&lt;/em&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Best Supporting Actress&lt;/strong&gt;&lt;br /&gt;Grace Kelly in &lt;em&gt;Mogambo&lt;/em&gt;&lt;br /&gt;Geraldine Page in &lt;em&gt;Hondo&lt;/em&gt;&lt;br /&gt;Marjorie Rambeau in &lt;em&gt;Torch Song&lt;/em&gt;&lt;br /&gt;&lt;strong&gt;Donna Reed in &lt;em&gt;From Here to Eternity&lt;/em&gt;&lt;/strong&gt;&lt;br /&gt;Thelma Ritter in &lt;em&gt;Pickup on South Street&lt;/em&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Best Motion Picture Story&lt;/strong&gt;&lt;br /&gt;Beirne Lay, Jr. for &lt;em&gt;Above and Beyond&lt;/em&gt;&lt;br /&gt;Alec Coppel for &lt;em&gt;The Captain's Paradise&lt;/em&gt;&lt;br /&gt;Ray Ashley, Morris Engel and Ruth Orkin for &lt;em&gt;The Little Fugitive&lt;/em&gt;&lt;br /&gt;&lt;strong&gt;Dalton Trumbo for &lt;em&gt;Roman Holiday&lt;/em&gt;&lt;/strong&gt; (Trumbo was blacklisted at the time, so the story was attributed to Ian McKellan Hunter- Trumbo received the Oscar posthumously, in 1993)&lt;br /&gt;&lt;em&gt;Hondo&lt;/em&gt; was deemed ineligible after it was found the story was not an original&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Best Screenplay&lt;/strong&gt;&lt;br /&gt;Eric Ambler for &lt;em&gt;The Cruel Sea&lt;/em&gt;&lt;br /&gt;&lt;strong&gt;Daniel Taradash for &lt;em&gt;From Here to Eternity&lt;/em&gt;&lt;/strong&gt;&lt;br /&gt;Helen Deutsch for &lt;em&gt;Lili&lt;/em&gt;&lt;br /&gt;Ian McLellan Hunter and John Dighton for &lt;em&gt;Roman Holiday&lt;/em&gt;&lt;br /&gt;A. B. Guthrie, Jr. for &lt;em&gt;Shane&lt;/em&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Best Story and Screenplay&lt;/strong&gt;&lt;br /&gt;Betty Comden and Adolph Green for &lt;em&gt;The Band Wagon&lt;/em&gt;&lt;br /&gt;Richard Murphy for &lt;em&gt;The Desert Rats&lt;/em&gt;&lt;br /&gt;Sam Rolfe and Harold Jack Bloom for &lt;em&gt;The Naked Spur&lt;/em&gt;&lt;br /&gt;Millard Kaufman for &lt;em&gt;Take the High Ground&lt;/em&gt;&lt;br /&gt;&lt;strong&gt;Charles Brackett, Walter Reisch and Richard Breen for &lt;em&gt;Titanic&lt;/em&gt;&lt;/strong&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;British Academy Awards&lt;/strong&gt;&lt;br /&gt;&lt;br /&gt;&lt;a href="http://3.bp.blogspot.com/_bzQchKv0KQA/SRfoKypeApI/AAAAAAAAAoU/Y8WXVsLSDnM/s1600-h/Geneiveve.jpg"&gt;&lt;img style="display:block; margin:0px auto 10px; text-align:center;cursor:pointer; cursor:hand;width: 266px; height: 400px;" src="http://3.bp.blogspot.com/_bzQchKv0KQA/SRfoKypeApI/AAAAAAAAAoU/Y8WXVsLSDnM/s400/Geneiveve.jpg" border="0" alt=""id="BLOGGER_PHOTO_ID_5266933561325126290" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;strong&gt;Best Film From Any Source and Best British Film&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;The Bad and the Beautiful&lt;/em&gt; (U.S.)&lt;br /&gt;&lt;em&gt;Come Back, Little Sheba&lt;/em&gt; (U.S.- 1952)&lt;br /&gt;&lt;em&gt;The Cruel Sea&lt;/em&gt; (Great Britain)&lt;br /&gt;&lt;em&gt;From Here to Eternity&lt;/em&gt; (U.S.)&lt;br /&gt;&lt;strong&gt;&lt;em&gt;Genevieve&lt;/em&gt; (G.B.)- won for Best British Film&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;The Heart of the Matter&lt;/em&gt; (G.B.)&lt;br /&gt;&lt;em&gt;Julius Caesar&lt;/em&gt; (U.S.)&lt;br /&gt;&lt;em&gt;The Kidnappers&lt;/em&gt; (G.B.)&lt;br /&gt;&lt;em&gt;Lili&lt;/em&gt; (U.S.)&lt;br /&gt;&lt;em&gt;The Little World of Don Camillo&lt;/em&gt; (France/Italy)&lt;br /&gt;&lt;em&gt;The Medium&lt;/em&gt; (Italy)&lt;br /&gt;&lt;em&gt;Mogambo&lt;/em&gt; (U.S.)&lt;br /&gt;&lt;em&gt;Moulin Rouge&lt;/em&gt; (U.S.)&lt;br /&gt;&lt;em&gt;Nous Sommes Tous des Assassins&lt;/em&gt; (France)&lt;br /&gt;&lt;em&gt;Roman Holiday&lt;/em&gt; (U.S.)&lt;br /&gt;&lt;strong&gt;&lt;em&gt;The Secret Game&lt;/em&gt; (&lt;em&gt;Jeux Interdits&lt;/em&gt;- &lt;em&gt;Forbidden Games&lt;/em&gt;)- won for Best Film From Any Source&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;Shane&lt;/em&gt; (U.S.)&lt;br /&gt;&lt;em&gt;The Sun Shines Bright &lt;/em&gt;(U.S.)&lt;br /&gt;&lt;em&gt;Two Pennyworth of Hope&lt;/em&gt; (Italy)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Best British Actor&lt;/strong&gt;&lt;br /&gt;&lt;strong&gt;John Gielgud in &lt;em&gt;Julius Caesar&lt;/em&gt;&lt;/strong&gt;&lt;br /&gt;Jack Hawkins in &lt;em&gt;The Cruel Sea&lt;/em&gt;&lt;br /&gt;Trevor Howard in &lt;em&gt;The Heart of the Matter&lt;/em&gt;&lt;br /&gt;Duncan Macrae in &lt;em&gt;The Kidnappers&lt;/em&gt;&lt;br /&gt;Kenneth More in &lt;em&gt;Genevieve&lt;/em&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Best Britsh Actress&lt;/strong&gt;&lt;br /&gt;&lt;strong&gt;Audrey Hepburn in &lt;em&gt;Roman Holiday&lt;/em&gt;&lt;/strong&gt;&lt;br /&gt;Celia Johnson in &lt;em&gt;The Captain's Paradise&lt;/em&gt;&lt;br /&gt;&lt;br /&gt;&lt;a href="http://3.bp.blogspot.com/_bzQchKv0KQA/SRfpQfv0W_I/AAAAAAAAAoc/RQzOTJtO2Ng/s1600-h/Julius+Caesar+2.jpg"&gt;&lt;img style="display:block; margin:0px auto 10px; text-align:center;cursor:pointer; cursor:hand;width: 336px; height: 400px;" src="http://3.bp.blogspot.com/_bzQchKv0KQA/SRfpQfv0W_I/AAAAAAAAAoc/RQzOTJtO2Ng/s400/Julius+Caesar+2.jpg" border="0" alt=""id="BLOGGER_PHOTO_ID_5266934758842326002" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;strong&gt;Best Foreign Actor&lt;/strong&gt;&lt;br /&gt;Eddie Albert in &lt;em&gt;Roman Holiday&lt;/em&gt;&lt;br /&gt;&lt;strong&gt;Marlon Brando in &lt;em&gt;Julius Caesar&lt;/em&gt;&lt;/strong&gt;&lt;br /&gt;Van Heflin in &lt;em&gt;Shane&lt;/em&gt;&lt;br /&gt;Claude Laydu in &lt;em&gt;Journal D-un Cure de Campagne&lt;/em&gt;&lt;br /&gt;Marcel Mouloudji in &lt;em&gt;Nous Sommes Tous des Assassins&lt;/em&gt;&lt;br /&gt;Gregory Peck in &lt;em&gt;Roman Holiday&lt;/em&gt;&lt;br /&gt;Spencer Tracy in &lt;em&gt;The Actress&lt;/em&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Best Foreign Actress&lt;/strong&gt;&lt;br /&gt;Shirley Booth in &lt;em&gt;Come Back, Little Sheba&lt;/em&gt; (1952)&lt;br /&gt;&lt;strong&gt;Leslie Caron in &lt;em&gt;Lili&lt;/em&gt;&lt;/strong&gt;&lt;br /&gt;Marie Powers in &lt;em&gt;The Medium&lt;/em&gt;&lt;br /&gt;Maria Schell in &lt;em&gt;The Heart of the Matter&lt;/em&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Most Promising Newcomer&lt;/strong&gt;&lt;br /&gt;Colette Marchand in &lt;em&gt;Moulin Rouge&lt;/em&gt;&lt;br /&gt;&lt;strong&gt;Norman Wisdom in &lt;em&gt;Trouble in Store&lt;/em&gt;&lt;/strong&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Best Documentary&lt;/strong&gt;&lt;br /&gt;&lt;strong&gt;&lt;em&gt;The Conquest of Everest&lt;/em&gt;&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;Crin Blanc&lt;/em&gt; (France)&lt;br /&gt;&lt;em&gt;Elizabeth is Queen&lt;/em&gt; (G.B.)&lt;br /&gt;&lt;em&gt;Images Medievales&lt;/em&gt; (France)&lt;br /&gt;&lt;em&gt;Kumak, The Sleppy Hunter&lt;/em&gt; (Canada)&lt;br /&gt;&lt;em&gt;Life in the Arctic&lt;/em&gt; (USSR)&lt;br /&gt;&lt;em&gt;Mille Miglia&lt;/em&gt; (G.B.)&lt;br /&gt;&lt;em&gt;Operation Hurricane&lt;/em&gt; (G.B.)&lt;br /&gt;&lt;em&gt;A Queen is Crowned&lt;/em&gt; (G.B.)&lt;br /&gt;&lt;em&gt;Teeth of the Wind&lt;/em&gt; (G.B.)&lt;br /&gt;&lt;em&gt;Water Birds&lt;/em&gt; (U.S.)&lt;br /&gt;&lt;em&gt;World Without End&lt;/em&gt; (G.B.)&lt;br /&gt;&lt;br /&gt;&lt;em&gt;Elizabeth is Queen&lt;/em&gt; and &lt;em&gt;A Queen is Crowned&lt;/em&gt; each received Certificates of Meriot as historical records of exceptional quality of the Coronation of Her Majesty Queen Elizabeth II&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Also Awarded Certificates of Merit&lt;/strong&gt;:&lt;br /&gt;&lt;strong&gt;Thomas Stobart&lt;/strong&gt; for his work as director-cameraman for the first film of the 1953 Everest Expedition&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Erich von Stroheim&lt;/strong&gt; for his great services to film as director and actor, on the occasion of the revival of &lt;em&gt;Greed&lt;/em&gt; and other films of his at the National Film Theatre&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Special Award&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;The Dog and the Diamonds&lt;/em&gt; (G.B.)&lt;br /&gt;&lt;em&gt;The Figurehead&lt;/em&gt; (G.B.)&lt;br /&gt;&lt;em&gt;Full Circle&lt;/em&gt; (G.B.)&lt;br /&gt;&lt;em&gt;Johnny on the Run&lt;/em&gt; (G.B.)&lt;br /&gt;&lt;em&gt;Little Boy Blew&lt;/em&gt; (U.S.)&lt;br /&gt;&lt;em&gt;The Moving Spirit&lt;/em&gt; (G.B.)&lt;br /&gt;&lt;em&gt;The Pleasure Garden&lt;/em&gt; (G.B.)&lt;br /&gt;&lt;strong&gt;&lt;em&gt;The Romance of Transportation&lt;/em&gt; (Canada)&lt;/strong&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;United Nations Award&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;Johnny on the Run&lt;/em&gt; (G.B.)&lt;br /&gt;&lt;em&gt;Teeth of the Wind&lt;/em&gt; (G.B.)&lt;br /&gt;&lt;strong&gt;&lt;em&gt;World Without End&lt;/em&gt; (G.B.)&lt;/strong&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;The Top Box-Office Hits of 1953&lt;/strong&gt; (According to &lt;em&gt;Variety&lt;/em&gt;, January 13, 1954. Includes actual and estimated domestic rentals to theaters in U.S. and Canada, not box-office takes, which would be higher. If the final first-run rental take for films gaining $4,000,000 or more in rentals varies from the total originally listed in 1953, I'm showing that figure after the 1953 total. Final first-run rentals data comes from &lt;em&gt;Variety&lt;/em&gt;'s January 9, 1957 "All-Time Top Film Grosses" list (only films taking $4,000,000 or more in rentals were mentioned on the "All-Time" list; unfortunately, I have no data for films with a final gross under $4,000,000 that may have ended up with a higher take than shown below). Ocassionally a film will end up on the "All-Time" list with a lower rental box-office take than when the film originally appeared on the yearly list of top box-office films. This is due to the estimated rentals, which were sometimes revised to a lower amount for the All-Time list).&lt;br /&gt;&lt;br /&gt;&lt;a href="http://3.bp.blogspot.com/_bzQchKv0KQA/SRfqUY6gJtI/AAAAAAAAAok/YU6xRAUaFzs/s1600-h/The+Robe.jpg"&gt;&lt;img style="display:block; margin:0px auto 10px; text-align:center;cursor:pointer; cursor:hand;width: 262px; height: 400px;" src="http://3.bp.blogspot.com/_bzQchKv0KQA/SRfqUY6gJtI/AAAAAAAAAok/YU6xRAUaFzs/s400/The+Robe.jpg" border="0" alt=""id="BLOGGER_PHOTO_ID_5266935925239195346" /&gt;&lt;/a&gt;&lt;br /&gt;1) &lt;em&gt;The Robe&lt;/em&gt; 17,500,000&lt;br /&gt;2) &lt;em&gt;From Here to Eternity&lt;/em&gt; $12,500,000&lt;br /&gt;3) &lt;em&gt;Shane&lt;/em&gt; $8,000,000&lt;br /&gt;4) &lt;em&gt;How to Marry a Millionaire&lt;/em&gt; $7,500,000 (Final first-run rentals of $7,200,000)&lt;br /&gt;5) &lt;em&gt;Peter Pan&lt;/em&gt; $7,000,000 (Final first-run rentals of $6,000,000)&lt;br /&gt;6) &lt;em&gt;Hans Christian Andersen&lt;/em&gt; $6,000,000&lt;br /&gt;7) &lt;em&gt;House of Wax&lt;/em&gt; $5,500,000&lt;br /&gt;8) &lt;em&gt;Mogambo&lt;/em&gt; $5,200,000&lt;br /&gt;9) &lt;em&gt;Gentlemen Prefer Blondes&lt;/em&gt; $5,100,000&lt;br /&gt;10) &lt;em&gt;Moulin Rouge&lt;/em&gt; $5,000,000&lt;br /&gt;11) &lt;em&gt;Salome&lt;/em&gt; $4,750,000&lt;br /&gt;12) &lt;em&gt;The Charge at Feather River&lt;/em&gt; $3,650,000&lt;br /&gt;13) &lt;em&gt;The Caddy&lt;/em&gt; $3,500,000&lt;br /&gt;    &lt;em&gt;Come Back, Little Sheba&lt;/em&gt; $3,500,000&lt;br /&gt;    &lt;em&gt;The Moon is Blue&lt;/em&gt; $3,500,000 &lt;br /&gt;    &lt;em&gt;Scared Stiff&lt;/em&gt; $3,500,000&lt;br /&gt;    &lt;em&gt;The Stooge&lt;/em&gt; $3,500,000&lt;br /&gt;18) &lt;em&gt;Stalag 17&lt;/em&gt; $3,300,000&lt;br /&gt;19) &lt;em&gt;Little Boy Lost&lt;/em&gt; $3,000,000&lt;br /&gt;    &lt;em&gt;Mississippi Gambler&lt;/em&gt; $3,000,000&lt;br /&gt;    &lt;em&gt;Road to Bali&lt;/em&gt; $3,000,000&lt;br /&gt;    &lt;em&gt;Roman Holiday&lt;/em&gt; $3,000,000&lt;br /&gt;&lt;br /&gt;&lt;a href="http://1.bp.blogspot.com/_bzQchKv0KQA/SPeBT8HkzsI/AAAAAAAAAg8/LIQzQLRfnoM/s1600-h/Call+Me+Madam.jpg"&gt;&lt;img style="display:block; margin:0px auto 10px; text-align:center;cursor:pointer; cursor:hand;" src="http://1.bp.blogspot.com/_bzQchKv0KQA/SPeBT8HkzsI/AAAAAAAAAg8/LIQzQLRfnoM/s400/Call+Me+Madam.jpg" border="0" alt=""id="BLOGGER_PHOTO_ID_5257813269533740738" /&gt;&lt;/a&gt;&lt;br /&gt;23) &lt;em&gt;Call Me Madam&lt;/em&gt; $2,850,000&lt;br /&gt;24) &lt;em&gt;April in Paris&lt;/em&gt; $2,750,000&lt;br /&gt;    &lt;em&gt;Island in the Sky&lt;/em&gt; $2,750,000&lt;br /&gt;26) &lt;em&gt;Bwana Devil&lt;/em&gt; $2,700,000&lt;br /&gt;27) &lt;em&gt;Fort Ti&lt;/em&gt; $$2,600,000&lt;br /&gt;28) &lt;em&gt;The Band Wagon&lt;/em&gt; $2,550,000&lt;br /&gt;29) &lt;em&gt;Above and Beyond&lt;/em&gt; $2,500,000&lt;br /&gt;    &lt;em&gt;Easy to Love&lt;/em&gt; $2,500,000&lt;br /&gt;    &lt;em&gt;Kiss Me Kate&lt;/em&gt; $2,500,000&lt;br /&gt;    &lt;em&gt;Off Limits&lt;/em&gt; $2,500,000&lt;br /&gt;    &lt;em&gt;Springfield Rifle&lt;/em&gt; $2,500,000&lt;br /&gt;    &lt;em&gt;White Witch Doctor&lt;/em&gt; $2,500,000&lt;br /&gt;35) &lt;em&gt;Because You're Mine&lt;/em&gt; $2,450,000&lt;br /&gt;    &lt;em&gt;Trouble Along the Way&lt;/em&gt; $2,450,000&lt;br /&gt;37) &lt;em&gt;Thunder Bay&lt;/em&gt; $2,400,000&lt;br /&gt;&lt;br /&gt;&lt;a href="http://2.bp.blogspot.com/_bzQchKv0KQA/SQTAY4DEYRI/AAAAAAAAAik/5QqmtIbWYoQ/s1600-h/Niagara.jpg"&gt;&lt;img style="display:block; margin:0px auto 10px; text-align:center;cursor:pointer; cursor:hand;width: 227px; height: 350px;" src="http://2.bp.blogspot.com/_bzQchKv0KQA/SQTAY4DEYRI/AAAAAAAAAik/5QqmtIbWYoQ/s400/Niagara.jpg" border="0" alt=""id="BLOGGER_PHOTO_ID_5261541798270230802" /&gt;&lt;/a&gt;&lt;br /&gt;38) &lt;em&gt;The Bad and the Beautiful&lt;/em&gt; $2,350,000&lt;br /&gt;    &lt;em&gt;Niagara&lt;/em&gt; $2,350,000&lt;br /&gt;40) &lt;em&gt;The Beast From 20,000 Fathoms&lt;/em&gt; $2,250,000&lt;br /&gt;    &lt;em&gt;Dangerous When Wet&lt;/em&gt; $2,250,000&lt;br /&gt;    &lt;em&gt;The Naked Spur&lt;/em&gt; $2,250,000  &lt;br /&gt;    &lt;em&gt;Titanic&lt;/em&gt; $2,250,000&lt;br /&gt;44) The Kettles on Vacation $2,200,000&lt;br /&gt;    The Merry Widow $2,200,000&lt;br /&gt;46) By the Light of the Silvery Moon $2,125,000&lt;br /&gt;47) &lt;em&gt;All the Brothers Were Valiant&lt;/em&gt; $2,100,000&lt;br /&gt;    &lt;em&gt;The Prisoner of Zenda&lt;/em&gt; $2,100,000&lt;br /&gt;49) &lt;em&gt;Blowing Wind&lt;/em&gt; $2,000,000&lt;br /&gt;    &lt;em&gt;The Desert Song&lt;/em&gt; $2,000,000&lt;br /&gt;    &lt;em&gt;Fort Bravo&lt;/em&gt; $2,000,000&lt;br /&gt;    &lt;em&gt;I Confess&lt;/em&gt; $2,000,000&lt;br /&gt;    &lt;em&gt;The Jazz Singer&lt;/em&gt; $2,000,000&lt;br /&gt;    &lt;em&gt;The Man Behind the Gun&lt;/em&gt; $2,000,000&lt;br /&gt;    &lt;em&gt;The Master of Ballantrae&lt;/em&gt; $2,000,000&lt;br /&gt;    &lt;em&gt;Abbott and Costello Meet Captain Kidd&lt;/em&gt; $2,000,000&lt;br /&gt;    &lt;em&gt;Second Chance&lt;/em&gt; $2,000,000 &lt;br /&gt;    &lt;em&gt;So Big&lt;/em&gt; $2,000,000&lt;br /&gt;    &lt;em&gt;South Sea Woman&lt;/em&gt; $2,000,000&lt;br /&gt;    &lt;em&gt;Thunder in the East&lt;/em&gt; $2,000,000&lt;br /&gt;    &lt;em&gt;War of the Worlds&lt;/em&gt; $2,000,000&lt;br /&gt;&lt;br /&gt;&lt;a href="http://1.bp.blogspot.com/_bzQchKv0KQA/SQTNC9z_7vI/AAAAAAAAAis/bwBCZk0zwcs/s1600-h/Pickup+on+South+Street.jpg"&gt;&lt;img style="display:block; margin:0px auto 10px; text-align:center;cursor:pointer; cursor:hand;width: 400px; height: 307px;" src="http://1.bp.blogspot.com/_bzQchKv0KQA/SQTNC9z_7vI/AAAAAAAAAis/bwBCZk0zwcs/s400/Pickup+on+South+Street.jpg" border="0" alt=""id="BLOGGER_PHOTO_ID_5261555715511676658" /&gt;&lt;/a&gt;&lt;br /&gt;62) &lt;em&gt;Botany Bay&lt;/em&gt; $1,900,000&lt;br /&gt;    &lt;em&gt;Pickup on South Street&lt;/em&gt; $1,900,000&lt;br /&gt;    &lt;em&gt;She's Back on Broadway&lt;/em&gt; $1,900,000&lt;br /&gt;65) &lt;em&gt;Young Bess&lt;/em&gt; $1,850,000&lt;br /&gt;66) &lt;em&gt;Francis Covers the Big Town&lt;/em&gt; $1,800,000&lt;br /&gt;    &lt;em&gt;Houdini&lt;/em&gt; $1,800,000&lt;br /&gt;    &lt;em&gt;Return to Paradise&lt;/em&gt; $1,800,000&lt;br /&gt;    &lt;em&gt;Sangaree&lt;/em&gt; $1,800,000&lt;br /&gt;70) &lt;em&gt;Never Let Me Go&lt;/em&gt; $1,750,000&lt;br /&gt;    &lt;em&gt;Ruby Gentry&lt;/em&gt; $1,750,000&lt;br /&gt;    &lt;em&gt;So This is Love&lt;/em&gt; $1,750,000&lt;br /&gt;73) &lt;em&gt;Desert Legion&lt;/em&gt; $1,650,000&lt;br /&gt;    &lt;em&gt;Ride, Vanquero!&lt;/em&gt; $1,650,000&lt;br /&gt;75) &lt;em&gt;Against All Flags&lt;/em&gt; $1,600,000&lt;br /&gt;    &lt;em&gt;It Came From Outer Space&lt;/em&gt; $1,600,000&lt;br /&gt;    &lt;em&gt;Mr. Scoutmaster&lt;/em&gt; $1,600,000&lt;br /&gt;    &lt;em&gt;Never Wave at a WAC&lt;/em&gt; $1,600,000&lt;br /&gt;    &lt;em&gt;The Stars are Singing&lt;/em&gt; $1,600,000&lt;br /&gt;    &lt;em&gt;The Stranger Wore a Gun&lt;/em&gt; $1,600,000&lt;br /&gt;81) &lt;em&gt;Battle Circus&lt;/em&gt; $1,525,000&lt;br /&gt;82) &lt;em&gt;The Clown&lt;/em&gt; $1,500,00&lt;br /&gt;    &lt;em&gt;Latin Lovers&lt;/em&gt; $1,500,000&lt;br /&gt;    &lt;em&gt;Lili&lt;/em&gt; $1,500,000&lt;br /&gt;84) &lt;em&gt;Man in the Dark&lt;/em&gt; $1,450,000&lt;br /&gt;&lt;br /&gt;&lt;a href="http://4.bp.blogspot.com/_bzQchKv0KQA/SQTR1lkrMZI/AAAAAAAAAi8/xIgdLSqTsUE/s1600-h/I,+the+Jury.jpg"&gt;&lt;img style="display:block; margin:0px auto 10px; text-align:center;cursor:pointer; cursor:hand;width: 263px; height: 400px;" src="http://4.bp.blogspot.com/_bzQchKv0KQA/SQTR1lkrMZI/AAAAAAAAAi8/xIgdLSqTsUE/s400/I,+the+Jury.jpg" border="0" alt=""id="BLOGGER_PHOTO_ID_5261560983224791442" /&gt;&lt;/a&gt;&lt;br /&gt;85) &lt;em&gt;I, the Jury&lt;/em&gt; $1,400,000&lt;br /&gt;    &lt;em&gt;Pony Express&lt;/em&gt; $1,400,000&lt;br /&gt;    &lt;em&gt;Seminole&lt;/em&gt; $1,400,000&lt;br /&gt;88) &lt;em&gt;The Great Sioux Uprising&lt;/em&gt; $1,350,000&lt;br /&gt;    &lt;em&gt;The President's Lady&lt;/em&gt; $1,350,000&lt;br /&gt;    &lt;em&gt;The Story of Three Loves&lt;/em&gt; $1,350,000&lt;br /&gt;91) &lt;em&gt;Everything I Have is Yours&lt;/em&gt; $1,325,000&lt;br /&gt;92) &lt;em&gt;Fair Wind to Java&lt;/em&gt; $1,300,000&lt;br /&gt;    &lt;em&gt;Gun Smoke&lt;/em&gt; $1,300,000&lt;br /&gt;    &lt;em&gt;The Lawless Breed&lt;/em&gt; $1,300,000&lt;br /&gt;    &lt;em&gt;Meet Me at the Fair&lt;/em&gt; $1,300,000&lt;br /&gt;    &lt;em&gt;My Cousin Rachel&lt;/em&gt; $1,300,000&lt;br /&gt;    &lt;em&gt;Small Town Girl&lt;/em&gt; $1,300,000&lt;br /&gt;    &lt;em&gt;Take the High Ground&lt;/em&gt; $1,300,000&lt;br /&gt;&lt;br /&gt;&lt;a href="http://3.bp.blogspot.com/_bzQchKv0KQA/SQUYi2gMayI/AAAAAAAAAjE/zL2okqwHxOo/s1600-h/The+Big+Heat.jpg"&gt;&lt;img style="display:block; margin:0px auto 10px; text-align:center;cursor:pointer; cursor:hand;width: 260px; height: 400px;" src="http://3.bp.blogspot.com/_bzQchKv0KQA/SQUYi2gMayI/AAAAAAAAAjE/zL2okqwHxOo/s400/The+Big+Heat.jpg" border="0" alt=""id="BLOGGER_PHOTO_ID_5261638726677457698" /&gt;&lt;/a&gt;&lt;br /&gt;99) &lt;em&gt;The Big Heat&lt;/em&gt; $1,250,000&lt;br /&gt;    &lt;em&gt;Blackbeard the Pirate&lt;/em&gt; $1,250,000&lt;br /&gt;    &lt;em&gt;The City Beneath the Sea&lt;/em&gt; $1,250,000&lt;br /&gt;    &lt;em&gt;Abbott and Costello Go to Mars&lt;/em&gt; $1,250,000&lt;br /&gt;    &lt;em&gt;Hangman's Knot&lt;/em&gt; $1,250,000&lt;br /&gt;    &lt;em&gt;The I Don't Care Girl&lt;/em&gt; $1,250,000&lt;br /&gt;    &lt;em&gt;I Love Melvin&lt;/em&gt; $1,250,000&lt;br /&gt;    &lt;em&gt;Let's Do it Again&lt;/em&gt; $1,250,000&lt;br /&gt;107) &lt;em&gt;All I Desire&lt;/em&gt; $1,200,000&lt;br /&gt;     &lt;em&gt;Arrowhead&lt;/em&gt; $1,200,000&lt;br /&gt;     &lt;em&gt;Destination Gobi&lt;/em&gt; $1,200,000&lt;br /&gt;     &lt;em&gt;The Girl Next Door&lt;/em&gt; $1,200,000&lt;br /&gt;     &lt;em&gt;Jeopardy&lt;/em&gt; $1,200,000&lt;br /&gt;     &lt;em&gt;Abbott &amp; Costello Meet Dr. Jekyll and Mr. Hyde&lt;/em&gt; $1,200,000&lt;br /&gt;     &lt;em&gt;Torch Song&lt;/em&gt; $1,200,000&lt;br /&gt;     &lt;em&gt;Treasure of the Golden Condor&lt;/em&gt; $1,200,000&lt;br /&gt;115) &lt;em&gt;The Farmer Takes a Wife&lt;/em&gt; $1,150,000&lt;br /&gt;     &lt;em&gt;Lone Hand&lt;/em&gt; $1,150,000&lt;br /&gt;     &lt;em&gt;The Man From the Alamo&lt;/em&gt; $1,150,000&lt;br /&gt;118) &lt;em&gt;Column South&lt;/em&gt; $1,100,000&lt;br /&gt;     &lt;em&gt;The Desert Rats&lt;/em&gt; $1,100,000&lt;br /&gt;     &lt;em&gt;The Redhead From Wyoming&lt;/em&gt; $1,100,000&lt;br /&gt;121) &lt;em&gt;Sombrero&lt;/em&gt; $1,000,000&lt;br /&gt;     &lt;em&gt;The Devil's Canyon&lt;/em&gt; $1,000,000&lt;br /&gt;     &lt;em&gt;Down Among the Sheltering Palms&lt;/em&gt; $1,000,000&lt;br /&gt;     &lt;em&gt;The Girl Who Had Everything&lt;/em&gt; $1,000,000&lt;br /&gt;     &lt;em&gt;Law &amp; Order&lt;/em&gt; $1,000,000&lt;br /&gt;     &lt;em&gt;Moonlighter&lt;/em&gt; $1,000,000&lt;br /&gt;     &lt;em&gt;Montana Belle&lt;/em&gt; $1,000,000&lt;br /&gt;     &lt;em&gt;Plunder of the Sun&lt;/em&gt; $1,000,000&lt;br /&gt;     &lt;em&gt;Powder River&lt;/em&gt; $1,000,000&lt;br /&gt;     &lt;em&gt;The Star&lt;/em&gt; $1,000,000&lt;br /&gt;     &lt;em&gt;The Sword and the Rose&lt;/em&gt; $1,000,000&lt;br /&gt;     &lt;em&gt;Take Me to Town&lt;/em&gt; $1,000,000&lt;br /&gt;     &lt;em&gt;Thunderbirds&lt;/em&gt; $1,000,000&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;The Top Ten Box Office Stars of 1953&lt;/strong&gt; (according to Quigley Publishing's poll of film exhibitors)&lt;br /&gt;&lt;br /&gt;1) Gary Cooper&lt;br /&gt;2) Dean Martin &amp; Jerry Lewis&lt;br /&gt;3) John Wayne&lt;br /&gt;4) Alan Ladd&lt;br /&gt;5) Bing Crosby&lt;br /&gt;6) Marilyn Monroe&lt;br /&gt;7) James Stewart&lt;br /&gt;8) Bob Hope&lt;br /&gt;9) Susan Hayward&lt;br /&gt;10) Randolph Scott&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;The Next Fifteen:&lt;/strong&gt;&lt;br /&gt;11) Doris Day&lt;br /&gt;12) Esther Williams&lt;br /&gt;13) Marjorie Main &amp; Percy Kilbride&lt;br /&gt;14) Gregory Peck&lt;br /&gt;15) Ava Gardner&lt;br /&gt;16) Clark Gable&lt;br /&gt;17) Burt Lancaster&lt;br /&gt;18) Jeff Chandler&lt;br /&gt;19) Jane Wyman&lt;br /&gt;20) Abbott &amp; Costello&lt;br /&gt;21) Stewart Granger&lt;br /&gt;22) Jane Russell&lt;br /&gt;23) Charlton Heston&lt;br /&gt;24) Humphrey Bogart&lt;br /&gt;25) Rita Hayworth&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Britain's Top Ten British Box-Office Stars of 1953&lt;/strong&gt; (according to the Motion Picture Herald's poll of Britain's film exhibitors)&lt;br /&gt;1) Jack Hawkins&lt;br /&gt;2) Alec Guinness&lt;br /&gt;3) Ronald Shiner&lt;br /&gt;4) Alastair Sim&lt;br /&gt;5) Dirk Bogarde&lt;br /&gt;6) Dinah Sheridan&lt;br /&gt;7) Jack Warner&lt;br /&gt;8) Nigel Patrick&lt;br /&gt;9) Ralph Richardson&lt;br /&gt;10) Anthony Steel&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Britain's Top Ten International Box-Office Stars of 1953&lt;/strong&gt; (according to the Motion Picture Herald's poll of Britain's film exhibitors)&lt;br /&gt;1) Jack Hawkins&lt;br /&gt;2) Bob Hope&lt;br /&gt;3) Alan Ladd&lt;br /&gt;4) Gregory Peck&lt;br /&gt;5) Dean Martin &amp; Jerry Lewis&lt;br /&gt;6) Bing Crosby&lt;br /&gt;7) John Wayne&lt;br /&gt;8) Stewart Granger&lt;br /&gt;9) Doris Day&lt;br /&gt;10) Danny Kaye&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/22096293-5513928644486544241?l=heylookmeover.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://heylookmeover.blogspot.com/feeds/5513928644486544241/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=22096293&amp;postID=5513928644486544241' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/22096293/posts/default/5513928644486544241'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/22096293/posts/default/5513928644486544241'/><link rel='alternate' type='text/html' href='http://heylookmeover.blogspot.com/2008/11/film-data-for-1953.html' title='Film Data For 1953'/><author><name>Vertigo's Psycho</name><uri>http://www.blogger.com/profile/17701774152300870403</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://1.bp.blogspot.com/_bzQchKv0KQA/SOSLVGNWsZI/AAAAAAAAAaw/XtbbAs0U3W0/s72-c/From+Here+to+Eternity.jpg' height='72' width='72'/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-22096293.post-8421944315838971191</id><published>2008-11-16T23:15:00.000-08:00</published><updated>2009-08-09T13:45:09.593-07:00</updated><title type='text'>Film Data For 1952</title><content type='html'>&lt;a href="http://3.bp.blogspot.com/_bzQchKv0KQA/SO28fkT9CTI/AAAAAAAAAeY/0pt61sh-Hf8/s1600-h/High+Noon.jpg"&gt;&lt;img style="display:block; margin:0px auto 10px; text-align:center;cursor:pointer; cursor:hand;" src="http://3.bp.blogspot.com/_bzQchKv0KQA/SO28fkT9CTI/AAAAAAAAAeY/0pt61sh-Hf8/s400/High+Noon.jpg" border="0" alt=""id="BLOGGER_PHOTO_ID_5255063590720571698" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;strong&gt;The Film Daily- 1952's 10 Best Pictures&lt;/strong&gt;&lt;br /&gt;&lt;br /&gt;1) &lt;em&gt;High Noon&lt;/em&gt;- 262 votes&lt;br /&gt;2) &lt;em&gt;The Quiet Man&lt;/em&gt;- 215&lt;br /&gt;3) &lt;em&gt;The Greatest Show on Earth&lt;/em&gt;- 203&lt;br /&gt;4) &lt;em&gt;The African Queen&lt;/em&gt; (1951)- 201&lt;br /&gt;5) &lt;em&gt;Ivanhoe&lt;/em&gt;- 155&lt;br /&gt;6) &lt;em&gt;Come Back, Little Sheba&lt;/em&gt;- 119&lt;br /&gt;7) &lt;em&gt;The Lavender Hill Mob&lt;/em&gt; (1951)- 98&lt;br /&gt;8) &lt;em&gt;Singin' in the Rain&lt;/em&gt;- 84&lt;br /&gt;9) &lt;em&gt;With a Song in My Heart&lt;/em&gt;- 81&lt;br /&gt;10) &lt;em&gt;Five Fingers&lt;/em&gt;- 72&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;The Honor Roll&lt;/strong&gt;&lt;br /&gt;11) &lt;em&gt;David and Bathsheba&lt;/em&gt;- 65&lt;br /&gt;&lt;em&gt;The River&lt;/em&gt;- 65&lt;br /&gt;&lt;em&gt;Stars and Stripes Forever&lt;/em&gt;- 65&lt;br /&gt;14) &lt;em&gt;Breaking the Sound Barrier&lt;/em&gt;- 62&lt;br /&gt;&lt;em&gt;The Man in the White Suit&lt;/em&gt;- 62&lt;br /&gt;16) &lt;em&gt;The Thief&lt;/em&gt;- 50&lt;br /&gt;17) &lt;em&gt;Decision Before Dawn&lt;/em&gt;- 49&lt;br /&gt;18) &lt;em&gt;The Happy Time&lt;/em&gt;- 47&lt;br /&gt;&lt;em&gt;Limelight&lt;/em&gt;- 47&lt;br /&gt;&lt;em&gt;The Member of the Wedding&lt;/em&gt;- 47&lt;br /&gt;&lt;em&gt;The Story of Will Rogers&lt;/em&gt;- 47&lt;br /&gt;22) &lt;em&gt;My Six Convicts&lt;/em&gt;- 46&lt;br /&gt;23) &lt;em&gt;Carrie&lt;/em&gt;- 45&lt;br /&gt;&lt;em&gt;Viva Zapata&lt;/em&gt;- 45&lt;br /&gt;25) &lt;em&gt;The Miracle of Our Lady of Fatima&lt;/em&gt;- 41&lt;br /&gt;&lt;em&gt;Pat and Mike&lt;/em&gt;- 41&lt;br /&gt;&lt;em&gt;Scaramouche&lt;/em&gt;- 41&lt;br /&gt;28) &lt;em&gt;Plymouth Adventure&lt;/em&gt;- 40&lt;br /&gt;29) &lt;em&gt;Cry, the Beloved Country&lt;/em&gt;- 37&lt;br /&gt;30) &lt;em&gt;O. Henry's Full House&lt;/em&gt;- 34&lt;br /&gt;31) &lt;em&gt;Because of You&lt;/em&gt;- 29&lt;br /&gt;&lt;em&gt;Room for One More&lt;/em&gt;- 29&lt;br /&gt;33) &lt;em&gt;The Prisoner of Zenda&lt;/em&gt;- 28&lt;br /&gt;34) &lt;em&gt;Bend of the River&lt;/em&gt;- 27&lt;br /&gt;35) &lt;em&gt;Where's Charley&lt;/em&gt;- 26&lt;br /&gt;36) &lt;em&gt;Walk East on Beacon&lt;/em&gt;- 24&lt;br /&gt;37) &lt;em&gt;Encore&lt;/em&gt;- 22&lt;br /&gt;38) &lt;em&gt;Million Dollar Mermaid&lt;/em&gt;- 21&lt;br /&gt;&lt;em&gt;The Road to Bali&lt;/em&gt;- 21&lt;br /&gt;&lt;em&gt;The Snows of Kilimanjaro&lt;/em&gt;- 21&lt;br /&gt;41) &lt;em&gt;We're Not Married&lt;/em&gt;- 20&lt;br /&gt;&lt;em&gt;The World in His Arms&lt;/em&gt;- 20&lt;br /&gt;43) &lt;em&gt;Carbine Williams&lt;/em&gt;- 19&lt;br /&gt;&lt;em&gt;Outcast of the Islands&lt;/em&gt;- 19&lt;br /&gt;45) &lt;em&gt;The Marrying Kind&lt;/em&gt;- 18&lt;br /&gt;&lt;em&gt;The Merry Widow&lt;/em&gt;- 18&lt;br /&gt;&lt;em&gt;Sudden Fear&lt;/em&gt;- 18&lt;br /&gt;48) &lt;em&gt;I'll See You in My Dreams&lt;/em&gt;- 17&lt;br /&gt;49) &lt;em&gt;Dreamboat&lt;/em&gt;- 16&lt;br /&gt;&lt;em&gt;The Promoter&lt;/em&gt;- 16&lt;br /&gt;51) &lt;em&gt;The Iron Mistress&lt;/em&gt;- 14&lt;br /&gt;52) &lt;em&gt;Just for You&lt;/em&gt;- 13&lt;br /&gt;&lt;em&gt;Monkey Business&lt;/em&gt;-13&lt;br /&gt;&lt;em&gt;Son of Paleface&lt;/em&gt;- 13&lt;br /&gt;55) &lt;em&gt;Ivory Hunter&lt;/em&gt;- 11&lt;br /&gt;56) &lt;em&gt;Paula&lt;/em&gt;-10&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;The Film Daily- "Filmdom's Famous Fives"&lt;/strong&gt;&lt;br /&gt;&lt;br /&gt;No vote count is given for the following categories, but I believe The Film Daily lists them in the order of preference:&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Best Performances By Male Stars&lt;/strong&gt;&lt;br /&gt;1) Gary Cooper in &lt;em&gt;High Noon&lt;/em&gt;&lt;br /&gt;2) Humphrey Bogart in &lt;em&gt;The African Queen&lt;/em&gt;&lt;br /&gt;3) Marlon Brando in &lt;em&gt;Viva Zapata&lt;/em&gt;&lt;br /&gt;4) Ray Milland in &lt;em&gt;The Thief&lt;/em&gt;&lt;br /&gt;5) John Wayne in &lt;em&gt;The Quiet Man&lt;/em&gt;&lt;br /&gt;&lt;br /&gt;&lt;a href="http://3.bp.blogspot.com/_bzQchKv0KQA/SO28wyAwi5I/AAAAAAAAAeg/HuWYbEx5dVI/s1600-h/Come+Back,+Little+Sheba.jpg"&gt;&lt;img style="display:block; margin:0px auto 10px; text-align:center;cursor:pointer; cursor:hand;" src="http://3.bp.blogspot.com/_bzQchKv0KQA/SO28wyAwi5I/AAAAAAAAAeg/HuWYbEx5dVI/s400/Come+Back,+Little+Sheba.jpg" border="0" alt=""id="BLOGGER_PHOTO_ID_5255063886455933842" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;strong&gt;Best Performances By Female Stars&lt;/strong&gt;&lt;br /&gt;1) Shirley Booth in &lt;em&gt;Come Back, Little Sheba&lt;/em&gt;&lt;br /&gt;2) Katharine Hepburn in &lt;em&gt;The African Queen&lt;/em&gt;&lt;br /&gt;3) Susan Hayward in &lt;em&gt;With a Song in My Heart&lt;/em&gt;&lt;br /&gt;4) Joan Crawford in &lt;em&gt;Sudden Fear&lt;/em&gt;&lt;br /&gt;5) Betty Hutton in &lt;em&gt;The Greatest Show on Earth&lt;/em&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Best Performances By Supporting Actors&lt;/strong&gt;&lt;br /&gt;1) Victor McLaglen in &lt;em&gt;The Quiet Man&lt;/em&gt;&lt;br /&gt;2) Anthony Quinn in &lt;em&gt;Viva Zapata&lt;/em&gt;&lt;br /&gt;3) Eddie Albert in &lt;em&gt;Carrie&lt;/em&gt;&lt;br /&gt;4) Kurt Kasznar in &lt;em&gt;The Happy Time&lt;/em&gt;&lt;br /&gt;5) Millard Mitchell in &lt;em&gt;My Six Convicts&lt;/em&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Best Performances By Supporting Actresses&lt;/strong&gt;&lt;br /&gt;1) Terry Moore in &lt;em&gt;Come Back, Little Sheba&lt;/em&gt;&lt;br /&gt;2) Miriam Hopkins in &lt;em&gt;Carrie&lt;/em&gt;&lt;br /&gt;3) Gloria Grahame in &lt;em&gt;Sudden Fear&lt;/em&gt;&lt;br /&gt;4) Ethel Barrymore in &lt;em&gt;Just for You&lt;/em&gt;&lt;br /&gt;5) Elsa Lancaster in &lt;em&gt;Dreamboat&lt;/em&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Best Performances By Juvenile Actors&lt;/strong&gt;&lt;br /&gt;1) Bobby Driscoll in The Happy Time&lt;br /&gt;2) Brandon de Wilde in The Member of the Wedding&lt;br /&gt;3) George Winslow in My Pal Gus&lt;br /&gt;4) Johnny Stewart in Boots Malone&lt;br /&gt;5) Lee Aaker in The Atomic City&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Best Performances By Juvenile Actresses&lt;/strong&gt;&lt;br /&gt;1) Gigi Perreau in Has Anybody Seen my Gal?&lt;br /&gt;2) Angela Clark in &lt;em&gt;The Miracle of Our Lady of Fatima&lt;/em&gt;&lt;br /&gt;3) Susan Whitney in &lt;em&gt;The Miracle of Our Lady of Fatima&lt;/em&gt;&lt;br /&gt;4) Donna Corcoran in &lt;em&gt;Million Dollar Mermaid&lt;/em&gt;&lt;br /&gt;5) Marlene Cameron in &lt;em&gt;The Happy Time&lt;/em&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;The Year's Outstanding Directors&lt;/strong&gt;&lt;br /&gt;1) Fred Zinnemann for &lt;em&gt;High Noon&lt;/em&gt;&lt;br /&gt;2) John Ford for &lt;em&gt;The Quiet Man&lt;/em&gt;&lt;br /&gt;3) Cecil B. DeMille for &lt;em&gt;The Greatest Show on Earth&lt;/em&gt;&lt;br /&gt;4) John Huston fopr &lt;em&gt;The African Queen&lt;/em&gt;&lt;br /&gt;5) Richard Thorpe for &lt;em&gt;Ivanhoe&lt;/em&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;The Year's Outstanding Directors of Photography&lt;/strong&gt;&lt;br /&gt;1) Winton C. Hoch for The Quiet Man&lt;br /&gt;2) George Barnes for The Greatest Show on Earth&lt;br /&gt;3) Claude Renoir for The River&lt;br /&gt;4) Floyd Crosby for High Noon&lt;br /&gt;5) F. A. Young for Ivanhoe&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Outstanding "Finds" of the Year&lt;/strong&gt;&lt;br /&gt;1) Claire Bloom in &lt;em&gt;Limelight&lt;/em&gt;&lt;br /&gt;2) Charlton Heston in &lt;em&gt;The Greatest Show on Earth&lt;/em&gt;&lt;br /&gt;3) Shirley Booth in &lt;em&gt;Come Back, Little Sheba&lt;/em&gt;&lt;br /&gt;4) Rita Gam in &lt;em&gt;The Thief&lt;/em&gt;&lt;br /&gt;5) Marilyn Monroe in &lt;em&gt;Monkey Business&lt;/em&gt;, &lt;em&gt;Don't Bother to Knock&lt;/em&gt; and &lt;em&gt;We're Not Married&lt;/em&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;The National Board of Review&lt;/strong&gt; (Voting results announced on December 29th, 1952)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;The Top Ten Pictures&lt;/strong&gt; (in order of preference)&lt;br /&gt;1) &lt;em&gt;The Quiet Man&lt;/em&gt;&lt;br /&gt;2) &lt;em&gt;High Noon&lt;/em&gt;&lt;br /&gt;3) &lt;em&gt;Limelight&lt;/em&gt;&lt;br /&gt;4) &lt;em&gt;Five Fingers&lt;/em&gt;&lt;br /&gt;5) &lt;em&gt;The Snows of Kilimanjaro&lt;/em&gt;&lt;br /&gt;6) &lt;em&gt;The Thief&lt;/em&gt;&lt;br /&gt;7) &lt;em&gt;The Bad and the Beautiful&lt;/em&gt;&lt;br /&gt;8) &lt;em&gt;Singin' in the Rain&lt;/em&gt;&lt;br /&gt;9) &lt;em&gt;Above and Beyond&lt;/em&gt;&lt;br /&gt;10) &lt;em&gt;My Son John&lt;/em&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Best Director&lt;/strong&gt;&lt;br /&gt;David Lean for &lt;em&gt;Breaking the Sound Barrier&lt;/em&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Best Actor&lt;/strong&gt;&lt;br /&gt;Ralph Richardson in &lt;em&gt;Breaking the Sound Barrier&lt;/em&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Best Actress&lt;/strong&gt;&lt;br /&gt;Shirley Booth in &lt;em&gt;Come Back, Little Sheba&lt;/em&gt;&lt;br /&gt;&lt;br /&gt;The New York Film Critics (Winners announced December 29, 1952. Awards presented on January 17, 1953). Source for voting data comes from the December 30, 1952 edition of &lt;em&gt;The Hollywood Reporter&lt;/em&gt;.&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Best Picture&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;High Noon&lt;/em&gt; (received 10 votes on the sixth and final ballot)&lt;br /&gt;Runner up: The &lt;em&gt;African Queen&lt;/em&gt; (received 5 votes on the final ballot)&lt;br /&gt;&lt;br /&gt;The following films received one or more votes on the first and second ballots:&lt;br /&gt;&lt;em&gt;Breaking the Sound Barrier&lt;/em&gt;, &lt;em&gt;Come Back, Little Sheba&lt;/em&gt;, &lt;em&gt;The Greatest Show on Earth&lt;/em&gt;, &lt;em&gt;The Man in the White Suit&lt;/em&gt;, and &lt;em&gt;The Quiet Man&lt;/em&gt;.&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Best Director&lt;/strong&gt;&lt;br /&gt;Fred Zinnemann for &lt;em&gt;High Noon&lt;/em&gt; (received 10 votes on the second ballot)&lt;br /&gt;Runners up:&lt;br /&gt;John Huston for The &lt;em&gt;African Queen&lt;/em&gt; (2 votes on second ballot)&lt;br /&gt;Charlie Chaplin for &lt;em&gt;Limelight&lt;/em&gt; (1 vote on second ballot)&lt;br /&gt;David Lean for &lt;em&gt;Breaking the Sound Barrier&lt;/em&gt; (1 vote on second ballot)&lt;br /&gt;Cecil B. DeMille for &lt;em&gt;The Greatest Show on Earth&lt;/em&gt; (1 vote on second ballot)&lt;br /&gt;&lt;br /&gt;On the first ballot, William Wyler (for &lt;em&gt;Carrie&lt;/em&gt;) and Alex McKendrick (for &lt;em&gt;The Man in the White Suit&lt;/em&gt;) each received one vote.&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Best Actor&lt;/strong&gt;&lt;br /&gt;Ralph Richardson in &lt;em&gt;Breaking The Sound Barrier&lt;/em&gt; (received 10 votes on the fifth ballot)&lt;br /&gt;Runner up:&lt;br /&gt;Charlie Chaplin in Limelight (received 5 votes on the fifth ballot)&lt;br /&gt;&lt;br /&gt;On the first ballot, Chaplin had 5 votes, Gary Cooper (&lt;em&gt;High Noon&lt;/em&gt;) had 2 votes, Alec Guinness (&lt;em&gt;The Man in the White Suit&lt;/em&gt; and &lt;em&gt;The Promoter&lt;/em&gt;) had 1 vote, Barry Fitzgerald (&lt;em&gt;The Quiet Man&lt;/em&gt;) had 1 vote, and Millard Mitchell (&lt;em&gt;My Six Convicts&lt;/em&gt;) had 1 vote.&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Best Actress&lt;/strong&gt;&lt;br /&gt;Shirley Booth in &lt;em&gt;Come Back, Little Sheba&lt;/em&gt; (received 12 votes on the first ballot)&lt;br /&gt;Runner up: Katharine Hepburn in &lt;em&gt;The African Queen&lt;/em&gt; (received three votes)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Best Foreign Film&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;Forbidden Games&lt;/em&gt; (received 8 votes on the sixth and final ballot)&lt;br /&gt;Runner up: &lt;em&gt;White Line&lt;/em&gt; (received 6 votes on the final ballot)&lt;br /&gt;&lt;br /&gt;On the first ballot, &lt;em&gt;Two Cents Worth of Hope&lt;/em&gt; received one vote.&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;The Golden Globes&lt;/strong&gt; (Nominations announced on February 4, 1952. Awards presented on February 26, 1952. Data taken from Tom O'Neil's &lt;em&gt;Movie Awards&lt;/em&gt;, 2001).&lt;br /&gt;&lt;br /&gt;Winners in bold print&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Best Drama&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;Come Back, Little Sheba&lt;/em&gt;&lt;br /&gt;&lt;strong&gt;&lt;em&gt;The Greatest Show on Earth&lt;/em&gt;&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;The Happy Time&lt;/em&gt;&lt;br /&gt;&lt;em&gt;High Noon&lt;/em&gt;&lt;br /&gt;&lt;em&gt;The Thief&lt;/em&gt;&lt;br /&gt;&lt;br /&gt;&lt;a href="http://3.bp.blogspot.com/_bzQchKv0KQA/SO3Ksr9FfPI/AAAAAAAAAew/3B_sH67sH_A/s1600-h/With+a+Song+in+My+Heart.jpg"&gt;&lt;img style="display:block; margin:0px auto 10px; text-align:center;cursor:pointer; cursor:hand;" src="http://3.bp.blogspot.com/_bzQchKv0KQA/SO3Ksr9FfPI/AAAAAAAAAew/3B_sH67sH_A/s400/With+a+Song+in+My+Heart.jpg" border="0" alt=""id="BLOGGER_PHOTO_ID_5255079209273228530" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;strong&gt;Best Comedy or Musical&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;Hans Christian Anderson&lt;/em&gt;&lt;br /&gt;&lt;em&gt;I'll See You in My Dreams&lt;/em&gt;&lt;br /&gt;&lt;em&gt;Singin' in the Rain&lt;/em&gt;&lt;br /&gt;&lt;em&gt;Stars and Stripes Forever&lt;/em&gt;&lt;br /&gt;&lt;strong&gt;&lt;em&gt;With a Song in My Heart&lt;/em&gt;&lt;/strong&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Best Picture Promoting International Understanding&lt;/strong&gt;&lt;br /&gt;&lt;strong&gt;&lt;em&gt;Anything Can Happen&lt;/em&gt;&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;Assignment in Paris&lt;/em&gt;&lt;br /&gt;&lt;em&gt;Ivanhoe&lt;/em&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Best Director&lt;/strong&gt;&lt;br /&gt;&lt;strong&gt;Cecil B. DeMille for &lt;em&gt;The Greatest Show on Earth&lt;/em&gt;&lt;/strong&gt;&lt;br /&gt;Richard Fleischer for &lt;em&gt;The Narrow Margin&lt;/em&gt;&lt;br /&gt;John Ford for &lt;em&gt;The Quiet Man&lt;/em&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Best Actor, Drama&lt;/strong&gt;&lt;br /&gt;Chasrles Boyer in &lt;em&gt;The Happy Time&lt;/em&gt;&lt;br /&gt;&lt;strong&gt;Gary Cooper in &lt;em&gt;High Noon&lt;/em&gt;&lt;/strong&gt;&lt;br /&gt;Ray Milland in &lt;em&gt;The Thief&lt;/em&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Best Actress, Drama&lt;/strong&gt;&lt;br /&gt;&lt;strong&gt;Shirley Booth in &lt;em&gt;Come Back, Little Sheba&lt;/em&gt;&lt;/strong&gt;&lt;br /&gt;Joan Crawford in &lt;em&gt;Sudden Fear&lt;/em&gt;&lt;br /&gt;Olivia de Havilland in &lt;em&gt;My Cousin Rachel&lt;/em&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Best Actor, Comedy or Muscial&lt;/strong&gt;&lt;br /&gt;&lt;strong&gt;Donald O'Connor in &lt;em&gt;Singin' in the Rain&lt;/em&gt;&lt;/strong&gt;&lt;br /&gt;Danny Kaye in &lt;em&gt;Hans Christian Andersen&lt;/em&gt;&lt;br /&gt;Clifton Webb in &lt;em&gt;Dreamboat&lt;/em&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Best Actress, Comedy or Musical&lt;/strong&gt;&lt;br /&gt;&lt;strong&gt;Susan Hayward in &lt;em&gt;With a Song in My Heart&lt;/em&gt;&lt;/strong&gt;&lt;br /&gt;Katharine Hepburn in &lt;em&gt;Pat and Mike&lt;/em&gt;&lt;br /&gt;Ginger Rogers in &lt;em&gt;Monkey Business&lt;/em&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Best Supporting Actor&lt;/strong&gt;&lt;br /&gt;Kurt Kasznar in &lt;em&gt;The Happy Time&lt;/em&gt;&lt;br /&gt;&lt;strong&gt;Millard Mitchell in &lt;em&gt;My Six Convicts&lt;/em&gt;&lt;/strong&gt;&lt;br /&gt;Gilbert Roland in &lt;em&gt;The Bad and the Beautiful&lt;/em&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Best Supporting Actress&lt;/strong&gt;&lt;br /&gt;Mildred Dunnock in &lt;em&gt;Viva Zapata!&lt;/em&gt;&lt;br /&gt;Gloria Grahame in &lt;em&gt;The Bad and the Beautiful&lt;/em&gt;&lt;br /&gt;&lt;strong&gt;Katy Jurado in &lt;em&gt;High Noon&lt;/em&gt;&lt;/strong&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Best Screenplay&lt;/strong&gt;&lt;br /&gt;Carl Foreman for &lt;em&gt;High Noon&lt;/em&gt;&lt;br /&gt;Russell Rouse and Clarence Greene for &lt;em&gt;The Thief&lt;/em&gt;&lt;br /&gt;&lt;strong&gt;Michael Wilson for &lt;em&gt;Five Fingers&lt;/em&gt;&lt;/strong&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Best Original Score&lt;/strong&gt;&lt;br /&gt;&lt;strong&gt;Dimitri Tiomkin for &lt;em&gt;High Noon&lt;/em&gt;&lt;/strong&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Best Cinematography, Black and White&lt;/strong&gt;&lt;br /&gt;&lt;strong&gt;Floyd Crosby for &lt;em&gt;High Noon&lt;/em&gt;&lt;/strong&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Best Cinematography, Color&lt;/strong&gt;&lt;br /&gt;&lt;strong&gt;George Barnes and Peverell Marley for &lt;em&gt;The Greatest Show on Earth&lt;/em&gt;&lt;/strong&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Most Promising Newcomer- Male&lt;/strong&gt;&lt;br /&gt;&lt;strong&gt;Richard Burton in &lt;em&gt;My Cousin Rachel&lt;/em&gt;&lt;/strong&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Most Promising Newcomer- Female&lt;/strong&gt;&lt;br /&gt;&lt;strong&gt;Colette Marchand in &lt;em&gt;Moulin Rouge&lt;/em&gt;&lt;/strong&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;World Film Favorites&lt;/strong&gt;&lt;br /&gt;&lt;strong&gt;Susan Hayward&lt;/strong&gt;&lt;br /&gt;&lt;strong&gt;John Wayne&lt;/strong&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Special Achievement Awards&lt;/strong&gt;&lt;br /&gt;&lt;strong&gt;Brandon de Wilde in &lt;em&gt;The Member of the Wedding&lt;/em&gt; (Best Juvenile)&lt;/strong&gt;&lt;br /&gt;&lt;strong&gt;Francis Kee Teller in &lt;em&gt;Navajo&lt;/em&gt; (Best Juvenile)&lt;/strong&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;The Academy Awards&lt;/strong&gt; (Nominees announced on February 9, 1953. Awards presented on March 19, 1953. Source for data- Tom O'Neil's &lt;em&gt;Movie Awards&lt;/em&gt;, 2001 and Mason Wiley and Damien Bona's &lt;em&gt;Inside Oscar&lt;/em&gt;, 1984).&lt;br /&gt;&lt;br /&gt;&lt;a href="http://1.bp.blogspot.com/_bzQchKv0KQA/SO5IynfqnyI/AAAAAAAAAe4/UnB9AnZ2a3k/s1600-h/Greatest+Show+on+Earth.jpg"&gt;&lt;img style="display:block; margin:0px auto 10px; text-align:center;cursor:pointer; cursor:hand;" src="http://1.bp.blogspot.com/_bzQchKv0KQA/SO5IynfqnyI/AAAAAAAAAe4/UnB9AnZ2a3k/s400/Greatest+Show+on+Earth.jpg" border="0" alt=""id="BLOGGER_PHOTO_ID_5255217849620406050" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;strong&gt;Best Picture&lt;/strong&gt;&lt;br /&gt;&lt;strong&gt;&lt;em&gt;The Greatest Show on Earth&lt;/em&gt;&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;High Noon&lt;/em&gt;&lt;br /&gt;&lt;em&gt;Ivanhoe&lt;/em&gt;&lt;br /&gt;&lt;em&gt;Moulin Rouge&lt;/em&gt;&lt;br /&gt;&lt;em&gt;The Quiet Man&lt;/em&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Best Director&lt;/strong&gt;&lt;br /&gt;Cecil. DeMille for &lt;em&gt;The Greatest Show on Earth&lt;/em&gt;&lt;br /&gt;&lt;strong&gt;John Ford for &lt;em&gt;The Quiet Man&lt;/em&gt;&lt;/strong&gt;&lt;br /&gt;John Huston for &lt;em&gt;Moulin Rouge&lt;/em&gt;&lt;br /&gt;John L. Mankiewicz for &lt;em&gt;Five Fingers&lt;/em&gt;&lt;br /&gt;Fred Zinnemann for &lt;em&gt;High Noon&lt;/em&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Best Actor&lt;/strong&gt;&lt;br /&gt;Marlon Brando in &lt;em&gt;Viva Zapata!&lt;/em&gt;&lt;br /&gt;&lt;strong&gt;Gary Cooper in &lt;em&gt;High Noon&lt;/em&gt;&lt;/strong&gt;&lt;br /&gt;Kirk Douglas in &lt;em&gt;The Bad and the Beautiful&lt;/em&gt;&lt;br /&gt;Jose Ferrer in &lt;em&gt;Moulin Rouge&lt;/em&gt;&lt;br /&gt;Alec Guinness in &lt;em&gt;The Lavender Hill Mob&lt;/em&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Best Actress&lt;/strong&gt;&lt;br /&gt;&lt;strong&gt;Shirley Booth in &lt;em&gt;Come Back, Little Sheba&lt;/em&gt;&lt;/strong&gt;&lt;br /&gt;Joan Crawford in &lt;em&gt;Sudden Fear&lt;/em&gt;&lt;br /&gt;Bette Davis in &lt;em&gt;The Star&lt;/em&gt;&lt;br /&gt;Julie Harris in &lt;em&gt;The Member of the Wedding&lt;/em&gt;&lt;br /&gt;Susan Hayward in &lt;em&gt;With a Song in My Heart&lt;/em&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Best Supporting Actor&lt;/strong&gt;&lt;br /&gt;Richard Burton in &lt;em&gt;My Cousin Rachel&lt;/em&gt;&lt;br /&gt;Arthur Hunnicutt in &lt;em&gt;The Big Sky&lt;/em&gt;&lt;br /&gt;Victor McLaglen in &lt;em&gt;The Quiet Man&lt;/em&gt;&lt;br /&gt;Jack Palance in &lt;em&gt;Sudden Fear&lt;/em&gt;&lt;br /&gt;&lt;strong&gt;Anthony Quinn in &lt;em&gt;Viva Zapata!&lt;/em&gt;&lt;/strong&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Best Supporting Actress&lt;/strong&gt;&lt;br /&gt;&lt;strong&gt;Gloria Grahame in &lt;em&gt;The Bad and the Beautiful&lt;/em&gt;&lt;/strong&gt;&lt;br /&gt;Jean Hagen in &lt;em&gt;Singin' in The Rain&lt;/em&gt;&lt;br /&gt;Colette Marchand in &lt;em&gt;Moulin Rouge&lt;/em&gt;&lt;br /&gt;Terry Moore in &lt;em&gt;Come Back, Little Sheba&lt;/em&gt;&lt;br /&gt;Thelma Ritter in &lt;em&gt;With a Song in My Heart&lt;/em&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Best Motion Picture Story&lt;/strong&gt;&lt;br /&gt;&lt;strong&gt;Frederic M. Frank, Theodore St. John and Frank Cavett for &lt;em&gt;The Greatest Show on Earth&lt;/em&gt;&lt;/strong&gt;&lt;br /&gt;Leo McCarey for &lt;em&gt;My Son John&lt;/em&gt;&lt;br /&gt;Martin Goldsmith for &lt;em&gt;The Narrow Margin&lt;/em&gt;&lt;br /&gt;Guy Trooper for &lt;em&gt;The Pride of St. Louis&lt;/em&gt;&lt;br /&gt;Edna Anhalt and Edward Anhalt for &lt;em&gt;The Sniper&lt;/em&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Best Screenplay&lt;/strong&gt;&lt;br /&gt;&lt;strong&gt;Charles Schnee for &lt;em&gt;The Bad and the Beautiful&lt;/em&gt;&lt;/strong&gt;&lt;br /&gt;Michael Wilson for &lt;em&gt;Five Fingers&lt;/em&gt;&lt;br /&gt;Carl Foreman for &lt;em&gt;High Noon&lt;/em&gt;&lt;br /&gt;Roger MacDougall, John Dighton and Alexander MacKendrick for &lt;em&gt;The Man in the White Suit&lt;/em&gt;&lt;br /&gt;Frank S. Nugent for &lt;em&gt;The Quiet Man&lt;/em&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Best Story and Screenplay&lt;/strong&gt;&lt;br /&gt;Sydney Boehm for &lt;em&gt;The Atomic City&lt;/em&gt;&lt;br /&gt;Terence Rattigan for &lt;em&gt;Breaking the Sound Barrier&lt;/em&gt;&lt;br /&gt;&lt;strong&gt;T.E.B. Clarke for &lt;em&gt;The Lavender Hill Mob&lt;/em&gt;&lt;/strong&gt;&lt;br /&gt;Ruth Gordon and Garson Kanin for &lt;em&gt;Pat and Mike&lt;/em&gt;&lt;br /&gt;John Steinbeck for &lt;em&gt;Viva Zapata!&lt;/em&gt;&lt;br /&gt;&lt;br /&gt;&lt;a href="http://4.bp.blogspot.com/_bzQchKv0KQA/SO-V4JoOhgI/AAAAAAAAAfA/IUne0OaFjNY/s1600-h/Bad+and+the+Beautiful.jpg"&gt;&lt;img style="display:block; margin:0px auto 10px; text-align:center;cursor:pointer; cursor:hand;" src="http://4.bp.blogspot.com/_bzQchKv0KQA/SO-V4JoOhgI/AAAAAAAAAfA/IUne0OaFjNY/s400/Bad+and+the+Beautiful.jpg" border="0" alt=""id="BLOGGER_PHOTO_ID_5255584082054514178" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;strong&gt;Best Cinematography (Black-and-White)&lt;/strong&gt;&lt;br /&gt;&lt;strong&gt;Robert Surtees for &lt;em&gt;The Bad and the Beautiful&lt;/em&gt;&lt;/strong&gt;&lt;br /&gt;Russell Harlan for &lt;em&gt;The Big Sky&lt;/em&gt;&lt;br /&gt;Joseph LaShelle for &lt;em&gt;My Cousin Rachel&lt;/em&gt;&lt;br /&gt;Virgil E. Miller for &lt;em&gt;Navajo&lt;/em&gt;&lt;br /&gt;Charles B. Lang, Jr. for &lt;em&gt;Sudden Fear&lt;/em&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Best Cinematography (Color)&lt;/strong&gt;&lt;br /&gt;Harry Stradling for &lt;em&gt;Hans Christian Andersen&lt;/em&gt;&lt;br /&gt;F.A. Young for &lt;em&gt;Ivanhoe&lt;/em&gt;&lt;br /&gt;George J. Folsey for &lt;em&gt;Million Dollar Mermaid&lt;/em&gt;&lt;br /&gt;&lt;strong&gt;Winton C. Hoch and Archie Stout for &lt;em&gt;The Quiet Man&lt;/em&gt;&lt;/strong&gt;&lt;br /&gt;Leon Shamroy for &lt;em&gt;The Snows of Kilimanjaro&lt;/em&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;British Academy Awards&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;The African Queen&lt;/em&gt; (U.S.- 1951)&lt;br /&gt;&lt;em&gt;Angels One Five&lt;/em&gt; (Great Britain)&lt;br /&gt;&lt;em&gt;The Boy Kumasenu&lt;/em&gt; (The Gold Coast)&lt;br /&gt;&lt;em&gt;Carrie&lt;/em&gt; (U.S)&lt;br /&gt;&lt;em&gt;Casque d'Or&lt;/em&gt; (France)&lt;br /&gt;&lt;em&gt;Cry, the Beloved Country&lt;/em&gt; (G.B.)&lt;br /&gt;&lt;em&gt;Death of a Salesman&lt;/em&gt; (U.S.- 1951)&lt;br /&gt;&lt;em&gt;Limelight&lt;/em&gt; (U.S.)&lt;br /&gt;&lt;em&gt;Los Olvidados&lt;/em&gt; (Mexico)&lt;br /&gt;&lt;em&gt;Mandy&lt;/em&gt; (G.B.)&lt;br /&gt;&lt;em&gt;Miracolo a Milano&lt;/em&gt; (&lt;em&gt;Miracle in Milan&lt;/em&gt;- Italy)&lt;br /&gt;&lt;em&gt;An Outcast of the Islands&lt;/em&gt; (G.B.)&lt;br /&gt;&lt;em&gt;Rashomon&lt;/em&gt; (Japan)&lt;br /&gt;&lt;em&gt;The River&lt;/em&gt; (G.B.)&lt;br /&gt;&lt;em&gt;Singin' in the Rain&lt;/em&gt; (U.S.)&lt;br /&gt;&lt;strong&gt;&lt;em&gt;Breaking the Sound Barrier&lt;/em&gt; (G.B.)- won both awards&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;A Streetcar Named Desire&lt;/em&gt; (U.S- 1951)&lt;br /&gt;&lt;em&gt;Viva Zapata!&lt;/em&gt; (U.S.)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Best British Actor&lt;/strong&gt;&lt;br /&gt;Jack Hawkins in &lt;em&gt;Mandy&lt;/em&gt;&lt;br /&gt;James Hayter in &lt;em&gt;The Pickwick Papers&lt;/em&gt;&lt;br /&gt;Laurence Olivier in &lt;em&gt;Carrie&lt;/em&gt;&lt;br /&gt;Nigel Patrick in &lt;em&gt;Breaking the Sound Barrier&lt;/em&gt;&lt;br /&gt;&lt;strong&gt;Ralph Richardson in &lt;em&gt;Breaking the Sound Barrier&lt;/em&gt;&lt;/strong&gt;&lt;br /&gt;Alastair Sim in &lt;em&gt;Folly to be Wise&lt;/em&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Best British Actress&lt;/strong&gt;&lt;br /&gt;Phyllis Calvert in &lt;em&gt;Mandy&lt;/em&gt;&lt;br /&gt;Celia Johnson in &lt;em&gt;I Believe in You&lt;/em&gt;&lt;br /&gt;&lt;strong&gt;Vivien Leigh in &lt;em&gt;A Streetcar Named Desire&lt;/em&gt; (1951)&lt;/strong&gt;&lt;br /&gt;Ann Todd in &lt;em&gt;Breaking the Sound Barrier&lt;/em&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Best Foreign Actor&lt;/strong&gt;&lt;br /&gt;Humphrey Bogart in &lt;em&gt;The African Queen&lt;/em&gt; (1951)&lt;br /&gt;&lt;strong&gt;Marlon Brando in &lt;em&gt;Viva Zapata!&lt;/em&gt;&lt;/strong&gt;&lt;br /&gt;Pierre Fresnay in &lt;em&gt;Dieu a Besoin des Hommes&lt;/em&gt;&lt;br /&gt;Francesco Golisano in &lt;em&gt;Miracolo a Milano&lt;/em&gt; (&lt;em&gt;Miracle in Milan&lt;/em&gt;)&lt;br /&gt;&lt;br /&gt;&lt;a href="http://1.bp.blogspot.com/_bzQchKv0KQA/SRf-dBZD5iI/AAAAAAAAAo8/WeVvEtcrxKI/s1600-h/Casque+d%27or.jpg"&gt;&lt;img style="display:block; margin:0px auto 10px; text-align:center;cursor:pointer; cursor:hand;width: 294px; height: 400px;" src="http://1.bp.blogspot.com/_bzQchKv0KQA/SRf-dBZD5iI/AAAAAAAAAo8/WeVvEtcrxKI/s400/Casque+d%27or.jpg" border="0" alt=""id="BLOGGER_PHOTO_ID_5266958063776294434" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;strong&gt;Best Foreign Actress&lt;/strong&gt;&lt;br /&gt;Edwige Feuillere in &lt;em&gt;Olivia&lt;/em&gt;&lt;br /&gt;Katharine Hepburn in &lt;em&gt;The African Queen&lt;/em&gt;&lt;br /&gt;Judy Holliday in &lt;em&gt;The Marrying Kind&lt;/em&gt;&lt;br /&gt;&lt;strong&gt;Simone Signoret in &lt;em&gt;Casque d'Or&lt;/em&gt;&lt;/strong&gt;&lt;br /&gt;Nicole Stephane in &lt;em&gt;The Strange Ones&lt;/em&gt; (&lt;em&gt;Les Enfants Terribles&lt;/em&gt;)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Most Promising Newcomer&lt;/strong&gt;&lt;br /&gt;Dorothy Alison in &lt;em&gt;Mandy&lt;/em&gt;&lt;br /&gt;Claire Bloom in &lt;em&gt;Limelight&lt;/em&gt;&lt;br /&gt;Mandy Miller in &lt;em&gt;Mandy&lt;/em&gt;&lt;br /&gt;Dorothy Tutin in &lt;em&gt;The Importance of Being Earnest&lt;/em&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Best Documentary&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;Fishermen of Negombo&lt;/em&gt; (Ceylon)&lt;br /&gt;&lt;em&gt;&gt;Highlights of Farnborough 1952&lt;/em&gt; (G.B.)&lt;br /&gt;&lt;em&gt;Journey into History&lt;/em&gt; (G.B.)&lt;br /&gt;&lt;em&gt;Le Mans 1952&lt;/em&gt; (G.B.)&lt;br /&gt;&lt;em&gt;Nature's Half Acre&lt;/em&gt; (U.S.)&lt;br /&gt;&lt;em&gt;Ocean Terminal&lt;/em&gt; (G.B.)&lt;br /&gt;&lt;em&gt;The Open Window&lt;/em&gt; (&lt;em&gt;Brussels Treaty Power&lt;/em&gt;)&lt;br /&gt;&lt;em&gt;Opera School&lt;/em&gt; (Canada)&lt;br /&gt;&lt;em&gt;Rig 20&lt;/em&gt; (G.B.)&lt;br /&gt;&lt;strong&gt;&lt;em&gt;Royal Journey&lt;/em&gt; (Canada)&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;The Streamlined Pig&lt;/em&gt; (Denmark)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Special Award&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;The Angry Boy&lt;/em&gt; (U.S.)&lt;br /&gt;&lt;strong&gt;&lt;em&gt;Animated Genius&lt;/em&gt; (G.B.)&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;Balance 1950&lt;/em&gt; (G.B.)&lt;br /&gt;&lt;em&gt;Basic Principles of Lubrication&lt;/em&gt; (G.B.)&lt;br /&gt;&lt;em&gt;The Carlsen Story&lt;/em&gt; (G.B.)&lt;br /&gt;&lt;em&gt;Demonstrations of Perception&lt;/em&gt; (U.S.)&lt;br /&gt;&lt;em&gt;Machining of Metals&lt;/em&gt; (G.B.)&lt;br /&gt;&lt;em&gt;&lt;em&gt;The Moon&lt;/em&gt; (G.B.)&lt;br /&gt;Organisation of the Human Body&lt;/em&gt; (G.B.)&lt;br /&gt;&lt;em&gt;A Phantasy&lt;/em&gt; (Canada)&lt;br /&gt;&lt;em&gt;The Stanlow Story &lt;/em&gt;(G.B.)&lt;br /&gt;&lt;em&gt;To the Rescue&lt;/em&gt; (G.B.)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;United Nations Award&lt;/strong&gt;&lt;br /&gt;&lt;strong&gt;&lt;em&gt;Cry, the Beloved Country&lt;/em&gt; (G.B.)&lt;/strong&gt;&lt;em&gt;Los Olvidados&lt;/em&gt; (Mexico)&lt;br /&gt;&lt;em&gt;Neighbours&lt;/em&gt; (Canada)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;The Top Ten Box Office Stars of 1952&lt;/strong&gt; (according to Quigley Publishing's poll of film exhibitors)&lt;br /&gt;1) Dean Martin &amp;amp; Jerry Lewis&lt;br /&gt;2) Gary Cooper&lt;br /&gt;3) John Wayne&lt;br /&gt;4) Bing Crosby&lt;br /&gt;5) Bob Hope&lt;br /&gt;6) James Stewart&lt;br /&gt;7) Doris Day&lt;br /&gt;8) Gregory Peck&lt;br /&gt;9) Susan Hayward&lt;br /&gt;10) Randolph Scott&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;The Next Fifteen:&lt;/strong&gt;&lt;br /&gt;11) Abbott &amp;amp; Costello&lt;br /&gt;12) Esther Williams&lt;br /&gt;13) Cary Grant&lt;br /&gt;14) Betty Hutton&lt;br /&gt;15) Jane Wyman&lt;br /&gt;16) Alan Ladd&lt;br /&gt;17) Clark Gable&lt;br /&gt;18) Humphrey Bogart&lt;br /&gt;19) Stewart Granger&lt;br /&gt;20) Betty Grable&lt;br /&gt;21) Red Skelton&lt;br /&gt;22) Jeff Chandler&lt;br /&gt;23) Mario Lanza&lt;br /&gt;24) Burt Lancaster&lt;br /&gt;25) Marjorie Main &amp;amp; Percy Kilbride&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Britain's Top Ten British Box-Office Stars of 1952&lt;/strong&gt; (according to the Motion Picture Herald's poll of Britain's film exhibitors)&lt;br /&gt;1) Ronald Shiner&lt;br /&gt;2) Alastair Sim&lt;br /&gt;3) Alec Guinness&lt;br /&gt;4) Anthony Steel&lt;br /&gt;   Jack Hawkins&lt;br /&gt;5) Richard Todd&lt;br /&gt;6) Nigel Patrick&lt;br /&gt;7) Jack Warner&lt;br /&gt;8) Anna Neagle&lt;br /&gt;9) Trevor Howard&lt;br /&gt;10) Glynis Johns&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Britain's Top Ten International Box-Office Stars of 1952&lt;/strong&gt; (according to the Motion Picture Herald's poll of Britain's film exhibitors)&lt;br /&gt;1) Bob Hope&lt;br /&gt;2) Gregory Peck&lt;br /&gt;3) Betty Hutton&lt;br /&gt;4) Dean Martin &amp; Jerry Lewis&lt;br /&gt;5) John Wayne&lt;br /&gt;6) Mario Lanza&lt;br /&gt;7) James Mason&lt;br /&gt;8) James Stewart&lt;br /&gt;9) Doris Day&lt;br /&gt;10) Humphrey Bogart&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;The Top Box-Office Hits of 1952&lt;/strong&gt; (According to &lt;em&gt;Variety&lt;/em&gt;, January 7, 1953. Includes actual and estimated domestic rentals to theaters in U.S. and Canada, not box-office takes, which would be higher. If the final first-run rental take for films gaining $4,000,000 or more in rentals varies from the total originally listed in 1953, I'm showing that figure after the 1953 total. Final first-run rentals data comes from &lt;em&gt;Variety&lt;/em&gt;'s January 9, 1957 "All-Time Top Film Grosses" list (only films taking $4,000,000 or more in rentals were mentioned on the "All-Time" list; unfortunately, I have no data for films with a final gross under $4,000,000 that may have ended up with a higher take than shown below). Ocassionally a film will end up on the "All-Time" list with a lower rental box-office take than when the film originally appeared on the yearly list of top box-office films (see &lt;em&gt;Ivanhoe&lt;/em&gt;). This is due to the estimated rentals, which were sometimes revised to a lower amount for the All-Time list).&lt;br /&gt;&lt;br /&gt;1) &lt;em&gt;The Greatest Show on Earth&lt;/em&gt;- $12,000,000 (Final first-run rentals of $12,800,000)&lt;br /&gt;2) &lt;em&gt;Quo Vadis&lt;/em&gt;- $10,500,000&lt;br /&gt;3) &lt;em&gt;Ivanhoe&lt;/em&gt;- $7,000,000 (Final first-run rentals of $6,000,000)&lt;br /&gt;4) &lt;em&gt;The Snows of Kilimanjaro&lt;/em&gt;- $6,500,000&lt;br /&gt;5) &lt;em&gt;Sailor Beware&lt;/em&gt;- $4,300,000&lt;br /&gt;6) &lt;em&gt;The African Queen&lt;/em&gt;- $4,000,000 (Final first-run rentals of $4,100,000)&lt;br /&gt;&lt;em&gt;Jumping Jacks&lt;/em&gt;- $4,000,000&lt;br /&gt;8) &lt;em&gt;High Noon&lt;/em&gt;- $3,400,000&lt;br /&gt;&lt;sp&gt;&lt;sp&gt;&lt;em&gt;Son of Paleface&lt;/em&gt;- $3,400,000&lt;br /&gt;10) &lt;em&gt;Singin' in the Rain&lt;/em&gt;- $3,000,000&lt;br /&gt;11) &lt;em&gt;With a Song in My Heart&lt;/em&gt;- 3,250,000&lt;br /&gt;12) &lt;em&gt;The Quiet Man&lt;/em&gt;- $3,200,000&lt;br /&gt;13) &lt;em&gt;Bend of the River&lt;/em&gt;- $3,000,000&lt;br /&gt;&lt;em&gt;Plymouth Adventure&lt;/em&gt;- $3,000,000&lt;br /&gt;&lt;em&gt;Stars &amp; Stripes Forever&lt;/em&gt;- $3,000,000&lt;br /&gt;&lt;em&gt;The World in His Arms&lt;/em&gt;- $3,000,000&lt;br /&gt;17) &lt;em&gt;I'll See You in My Dreams&lt;/em&gt;- $2,900,000&lt;br /&gt;    &lt;em&gt;The Iron Mistress&lt;/em&gt;- $2,900,000&lt;br /&gt;    &lt;em&gt;Just for You&lt;/em&gt;- $2,900,000&lt;br /&gt;20) &lt;em&gt;Distant Drums&lt;/em&gt;- $2,850,000&lt;br /&gt;&lt;br /&gt;&lt;a href="http://2.bp.blogspot.com/_bzQchKv0KQA/SQYrUjdXSwI/AAAAAAAAAj0/ybsddb8xg3o/s1600-h/Room+for+One+More.jpg"&gt;&lt;img style="display:block; margin:0px auto 10px; text-align:center;cursor:pointer; cursor:hand;width: 261px; height: 400px;" src="http://2.bp.blogspot.com/_bzQchKv0KQA/SQYrUjdXSwI/AAAAAAAAAj0/ybsddb8xg3o/s400/Room+for+One+More.jpg" border="0" alt=""id="BLOGGER_PHOTO_ID_5261940846744783618" /&gt;&lt;/a&gt;&lt;br /&gt;21) &lt;em&gt;Million Dollar Mermaid&lt;/em&gt;- $2,750,000&lt;br /&gt;    &lt;em&gt;Room for One More&lt;/em&gt;- $2,750,000&lt;br /&gt;    &lt;em&gt;Scaramouche&lt;/em&gt;- $2,750,000&lt;br /&gt;    &lt;em&gt;Westward the Women&lt;/em&gt;- $2,750,000&lt;br /&gt;25) &lt;em&gt;Affair in Trinidad&lt;/em&gt;- $2,700,000&lt;br /&gt;26) &lt;em&gt;The Story of Will Rogers&lt;/em&gt;- $2,650,000&lt;br /&gt;27) &lt;em&gt;Big Jim McLain&lt;/em&gt;- $2,600,000&lt;br /&gt;    &lt;em&gt;My Favorite Spy&lt;/em&gt;- $2,600,000&lt;br /&gt;29) &lt;em&gt;The Crimson Pirate&lt;/em&gt;- $2,500,000&lt;br /&gt;    &lt;em&gt;The Kettles at the Fair&lt;/em&gt;- $2,500,000&lt;br /&gt;    &lt;em&gt;Lovely to Look At&lt;/em&gt;- $2,500,000&lt;br /&gt;    &lt;em&gt;Skirts Ahoy&lt;/em&gt;- $2,500,000&lt;br /&gt;    &lt;em&gt;Texas Carnival&lt;/em&gt;- $2,500,000&lt;br /&gt;34) &lt;em&gt;Lone Star&lt;/em&gt;- $2,400,000 &lt;br /&gt;    &lt;em&gt;She's Working Her Way Through College&lt;/em&gt;- $2,400,000&lt;br /&gt;    &lt;em&gt;Springfield Rifle&lt;/em&gt;- $2,400,000&lt;br /&gt;37) &lt;em&gt;The Merry Widow&lt;/em&gt;- $2,3000,000&lt;br /&gt;38) &lt;em&gt;Somebody Loves Me&lt;/em&gt;- $2,200,000&lt;br /&gt;39) &lt;em&gt;Pat and Mike&lt;/em&gt;- $2,100,000&lt;br /&gt;    &lt;em&gt;Robin Hood&lt;/em&gt;- $2,100,000&lt;br /&gt;41) &lt;em&gt;Battle at Apache Pass&lt;/em&gt;- $2,000,000&lt;br /&gt;    &lt;em&gt;Belles on Their Toes&lt;/em&gt;- $2,000,000&lt;br /&gt;    &lt;em&gt;Bloodhounds of Broadway&lt;/em&gt;- $2,000,000&lt;br /&gt;    &lt;em&gt;Dreamboat&lt;/em&gt;- $2,000,000&lt;br /&gt;    &lt;em&gt;Francis Goes to West Point&lt;/em&gt;- $2,000,000&lt;br /&gt;    &lt;em&gt;Lure of the Wilderness&lt;/em&gt;- $2,000,000&lt;br /&gt;    &lt;em&gt;Monkey Business&lt;/em&gt;- $2,000,000&lt;br /&gt;    &lt;em&gt;Red Mountain&lt;/em&gt;- $2,000,000&lt;br /&gt;    &lt;em&gt;Retreat, Hell&lt;/em&gt;- $2,000,000&lt;br /&gt;    &lt;em&gt;We're Not Married&lt;/em&gt;- $2,000,000&lt;br /&gt;    &lt;em&gt;What Price Glory&lt;/em&gt;- $2,000,000&lt;br /&gt;    &lt;em&gt;The Wild North&lt;/em&gt;- $2,000,000&lt;br /&gt;53) &lt;em&gt;Viva Zapata&lt;/em&gt;- $1,900,000&lt;br /&gt;54) &lt;em&gt;Carrie&lt;/em&gt;- $1,800,000&lt;br /&gt;55) &lt;em&gt;Because You're Mine&lt;
